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Two candles, side by side,
Arms of thread—their aid—
Wrapped around as they hug,
Gracious flames of burning shrug.

Two candles, side by side,
They burned and radiated light.
Hesitance grew as they stood;
They burned their thread—passionate mood.

One cried, the other raged.
Flames engulfed the fabric red.
Two candles, side by side—
A burning heart, in between, laid.

Smaller the candles grew,
Glory to the light they drew.
One burning, the other hides—
Two candles, held side by side.
Bound
By a way
A way to owning a stay
That has a coughing, a stink, and a sound

Drums and guitars
Finish me with a borrowed smile
Giving you hell, is what were here for
Weight ... and the singing comes for a while

Two
Hunt and ****, rhyming
Proud, in the name of who
Sincerely, the lips of avarice, are shining

Out of the way
Many more, many more for once and none
Silver comes into view, with it to say
When I see you, I keep a heat, from...

Silver wounds...
Liberty in motion, life to a tale
Of a person; Character gives what it looms
Country's with adding few, look lover, secrets know doom

Dread meeting's, with continue...
Life to a wish, whispering in the wind
Same thumb, same finger of luck, around
Meaning the curious, high wishes, and a mercy

Music for the masses
*******, suicide...
For the wind, is a hungry kiss's
Ready to live in the shadow of a night...
little stare of bet you caught it two...
The Mirror is my forbode
It shows fragility in my face
but my mental self preservation
still resides
I am dancing with light
Rim and Refractive light interludes
bringing her reflective nature to fore


I am rewarded with both fear and delight
But I come without tears
Questions come to me
What  should and could I have been
An Academic  or A Police Officer
but my mirror comes without preconceptions
I am a drowned Man
The ghost of the future
So lucid,
so spiritual,
so warm,
and sometimes
screaming.

Joyful, humorous
caring for others,
and often fed up
with cruel meanings.

So nostalgic,
a few salty tears,
mingled self-irony.

Pulsating softly,
may these thoughts
last a little longer.
They want to live despite
the announced apocalypse.
January made any movement feel extraneous, as if something nudged to
haunting irresponse.
Sing Sing Prison was beyond all that, but
never more there--yet not even its
manifestation would have it.
The Mahicannituk (Hudson River)
followed the land two ways--to conceive
more than water.
Ruth Snyder saw that as Sing Sing walled
alive--smothered her prefume, crouched
over lights & coughed out iron.
Queens was a place, this was not--food ate her, water drank her.
A place to make out surroundings that
don't want to be seen, that are put forth
just for deprivation.
"Ruthless Ruth" appealed to her thin frame, dropped it like a hankerchief on
the cold floor.
Almost convincing herself that one's true
nature is unpunishable--as she stood up
again.
"Old Sparky" (name for the electric chair) was seated across from an indefinite coming--its unapproachable presence growing into its features.
Ruth was roaring with the twenties as her lover tried to go thru her--while her
husband wagged his tail somewhere.
So Ruth enlightened his sexless naivety,
with a couple of cold puddles outside of a
long lay.
Her lover (Judd Gray) smacking back his suspenders in answer to a Who Done It.
Their body-exploring-finallys & whispering hot sophications--saw a door
kick open to the rest of the world.
A lot came on in, Ruth needed luxuriating, to writhe on high-end furniture.
See again: "Old Sparky", now it's all about
"Old Sparky"--it was never not about
"Old Sparky".
Led by the hand to a modern-day witch burning, of course there was an audience--they arrived in cathartically shaped veils.
A latched heap, held by safety--holding their peace.
Figuring into the law, & willing to watch
a subcutaneous thunderstorm.
Especially Tom Howard of the New York Daily News, who had a camera strapped to his ankle--expressly told it was for:
Private Eyes Only.
His Life's Work was strapped to his ankle--as The Mahicannituk's current flowed.
He lifted up his trouser cuff & squeezed
the shutter buld, then ungripped it.
The room met the designated height of the switch as it was flipped, its current
flowed.
Ruth conceived something more than electricity, as she made hairpin turns--
blowing toward unsuccessful ejection.
She cocked her head calmly as she watched herself beat leathered husks,
her scalp smoking like twigs.
The witch they came for surged upward, & was restrained as if she were reacting to Latin commands.
If she had the **** for a last meal, a menu put to taste congealed & what thirst there was ran dry.
Tom got his picture, & Ruth was blurrily
venting mid-fry on the front page of The Daily News.
Which read: "DEAD!", the first public picture of its kind.
*Ruth Snyder of Queens was executed via the electric chair, in Sing Sing Prison for murdering her husband. On Jan 12, 1928.
It was only . . . a long time ago . . .

Living came easier
and harder were the mistakes . . .
or was it the other way around ?

Love was always one of those mistakes

(another after another)

Breathing is the hardest thing to do with a heart of
shattered glass

And the shards cut deeper when you try to pick up the pieces

And before you know it everybody sees you bleeding all over yourself

or is it you hope they do ?

After a long while it doesn't really matter . . . does it ?
I bleed out through my poetry.

Like little crime scenes
left behind after my
ex abused me.

The shards cuts deeper
because we loved so deeply
it soaked into the depths of
our beings until it became
a victim of lies of loves promises.

Love is not the perpetual blackness.

For it is the wilder of the sword
that cuts us deeper that
brought the perpetual blackness.

They are the damage and monster
that tries to eat what is left.

It is up to us to pickup the pen
and will ourselves above the ruins
and rebuild our lives to make room
for new relationships that grow into
possibilities for future love.

This too shall pass,
like the day into night,
rain into clear skies,
and tear soaked pillows
into fresh clean linens.

I wash my hands from my pain
by writing poetry.

©️ 2025 By Amanda Shelton
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