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Reece Dec 2013
I was never your protector, you abused my stoic nature
Madcap ****** for days on end, and copious substances, abused
The blaring music, disturbing the peace, rattling windows
and you dismantled my structure, and yours alongside it
I am just a house

I was never the crutch you needed, nor was I a friend
Remember those long nights on the town with raving girls
and you were irate when I fell to the floor; rich man's art piece
Now you snivel and scratch because you flushed me in haste
I am just *******

Pair me up with old white friends in speedball imprudence
Meticulous measurements in early days but you grew reckless
Now your ghastly macabre silhouette on back alley walls
Is all that remains in this dead town that you still saunter in
I am just ******

You put too much emphasis on me, to defend the sentient
and you stare me down on the kitchen table, questioning
You hold me close and I feel your brow, indecisiveness
and now I'm caressing your temple; bemoaning barrel
I am just a gun

You sit and attribute voices to the voiceless and inanimate
because for years you have repressed your depression
When you should have asked for help and not escapism
and today you end it all, alone and weeping for something you know not what
I am just your psyche
Reece Dec 2013
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay

That interim between dreams and consciousness, that momentary lapse of reality
When slave children don't howl and the wild animals lay tamed in sun traps, weary

Your scattered thoughts betray reality
and you
question everything - now waking
Smiling chief, chirping loud
Your body gathered and prepared
under torchlight in dusty tents
Ingesting iboga and that old familiar numbness overpowers
You've been here for a life now, looking back on your life now
hatasha hullah - dey
vey, okay, huttah, ulay

Witch doctor, tribal medicine, fanning smoke from a wild fire
flashing imagery akin to memories of when life was decadent
you remember the taste of stray rain drops on your upper lip on muggy British summer days
and waking on a beach, bloodied as the sand at your feet is the next recollection, how powerful
the act of reflection, as you recall the mirrors of the sea and your torn body weakened and inept
The gathered village chant in unison and splinter groups fall off beat only to rejoin intermittently

Remember the Burmese boy far from home on the Gabon shoreline
and he informs you of your own death,
and asks you why do you breathe still?

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey

On some beaten path lost in Angola you carried two packs, food for the world
but you fell starving and spluttered on the rock that looked like your home
Rebels run wild in jeeps black as night, your supplies strewn on rubble grounds
- hatasha hullah - dey
Taken in a flurry, twittering birds in far off trees betray your trust and fly away
in the opposite direction, and the juggernaut jeep catches air over uneven tracks
You were scared and crying under blindfolded eyes and captors jeered, captivated
- parablah nuh parrah
An orchestrated mass of military garbed children with rifles gather you abruptly
when the car stopped with a rumble
And tied to rusted rigs you're gagged and stripped, bloodied your face now
as they beat you and laugh
- vey, okay, huttah, ulay
Congolese giant man, sword in hand and grimacing through bared teeth
Making bold gestures and speaking some inscrutable language
You cannot answer and fear is now in control, you shiver in the ghastly draft
On failure to answer you must be beaten, your back is lashed, repeatedly
- narralah, narrah, nutay
You remain silent but cry in disparity, after shrieks of horror finally escape your barren lips
Through stinging eyes you assess the surroundings after hours of torture when they retire
to their leather beds of shame and innocence faltered, try and remember how to live
- Oh laa, ley ley lahh ley lah
Months must have passed, survive off insects and morning dew on the muddy floor
This African wasteland, time forgotten, child soldiers and lack of humanity is trivial
Always scheming, recollect the armament and through door-way shack trapped light
you see a clear path, and it is good
- ley hatasha hullah - dey
The pinnacle nightfall anticipated arrives, and your skinny wrists released now easily
(their faltering lack of knowledge and abundant braggadocio betray them)
AK laying in moonlight illumination, a sign of God perhaps, but experience proves otherwise
(How cruel the dreams you had of such a gift)
When they spot you leaving, the night lights up, wild crackle of gunfire, heart beats, tribal drums
(To massacre children, such proficiency, the dreams were mindful)
No lapse in concentration, you may ruminate on objective morality in due time
(Crawling through blood and bodies of children, so pure, cadavers tell lies)
The clearing ahead in giant trees, you run and don't look back, praying for no pursuit
(Another genocide committed by a white man, justified perhaps this once)
Weeks pass and you falter only to slurp rain water from Congolese sipping cups the leaves
(Blacking out somewhere in the Republic, or on a border or who cares, as you died long ago)
- vey, okay, huttah, ulay
  ley hatasha hullah - dey

To awake from hallucinogen dreams, and cruel memories linger, it's painful you agree
Witch doctor still sings, lonesome now as the tribe apply ointments and silently pray
The fire still dances to some incredible song and your scars redacted, physical and other
How incredible the mind feeling fuzzy and that insane dream is just that - a dream
You black out again, a common occurrence but upon waking you're free, no tribe exists
With a sheepskin rucksack full of cassava, plantains and sugarcane and cocoa beans
Months pass and you make it to the North, when you leave Africa your body is new
and your mind is stable, no lingering cognizance or frightful thoughts of a forgotten ordeal

You arrive in Turkey, to partake in ***** with nimble girls
and I see you floundering on silken sheets,
My memories were fresh as the nymph on your lap
I write to you a note, and you turn alabaster, moon faced being
I was there always and saw every moment
Your ideals on morality are hazy at best, and to your behest I detest all that you stand for
Is your afterlife so pure, now that bodies litter the forest floor
and do you believe that I am not (a) God
and is this mere poetry, or an indictment of your folly and a warning to all whom engage
but do you not also see that every reaction was an action taken to your original action
and when all is said and done, do you no realise that from the day you were born
you were born a God and that God was born dead
and this is just that interim between expiration and consciousness, that momentary lapse of reality
when slave children don't howl and the wild animals lay tamed in sun traps, weary

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey
Reece Dec 2013
Transcendence and unity was always my friend
I know,
Something that doesn't exist yet always lingers
  a man in black, everywhere, always filling cups
  and know I'm staring into the face of that man though he no longer exists
There's an undiscovered idea or concept, nobody sees it but it's here
  with me over my shoulder always
Do you hear those voices on the mainline when the shore is out
why do you see today, when not yesterday, was blind
a certain sense of paranoia, uplifting
Behind the lamp post on the corner there's the man in a black overcoat
  and on the roof, over there
  and in trees behind brick houses
  everywhere
  I see him
How can you escape these walls when captive men's lives linger on
Sighing again, it's morning, did you cry today?

Those headphones passive pass no mas but moreover we're dying
cerebral disconnect
everything changes
creativity dies when the keyboard intervenes
and the blackness of one turns into itself and everything dies before being reborn again somewhere else
  somewhere different
Erratic thoughts but these are dying words when they come each night, the terrors
Is there anybody or anything anymore?
Resistance to life now is dull and over. Done.
  heavy lungs still breathing but detached
Where the ghosts of Saturday night roam in pilfered streets
and numbed limbs crawling
re-percussive Robitussin and gushing percussion, oh the jazz-hall bells
swing la
swing
oh its yellow in nightlife fever fervor forever
Gábor!
Tell me these sweet dreams again
great white flags on the shoreline as the ships arrive home
and the war is done
Did I import the brown in past lives?
Jeer jazz man jeer!
and this wild hair is the sea, swim with  me forever
the guiding hand on my wrist is not my own
the door slams shut in echo chamber corridors and the tension in the neck is incredible
but the end is never that, it's only the beginning in disguise
I am constantly haunted by my psychosis
Amphetamine dreams
and Sunday dawns
the hazy yawns

- to sleep
Reece Nov 2013
Sick and cyclical memories linger, how unjust it seems
In somber city streets, her father's name she screams
When the fix is late and her body sodden and shaking
Her childhood recollections waking, every joint aching
Falling on tarmac, tearing stockings and fleshy knees
Through the distant mist it's a saviour that she sees
Marvin on a white steed, motorbike and leathers
To get her straight  he only requires her nethers
What difference could it make to such a worn woman
So little that her eyes glaze as he announces his comin'
And she's immediately put to work after initial transaction
All night shifts, ****** abstraction, customer satisfaction
Returning 'home' to Marvin where the earnings are counted
Giggling schoolgirl as playful stories of John's are recounted
And Marvin's insatiable perversions are compounded
****** cocktails and deviancy, her psyche confounded
The **** sleeps blissfully beside his new top girl
And through ****** daze, she examines her world
Reece Nov 2013
There's an architect designing the world from the skyline downwards, as he believes himself to be a God
The paraffin lamps on Victorian cobbled corners are as dry as the seraph in dust bowls over some arid sea
A portrait exists, of a town covered in mist and the orange cliffs are a thousand bloodied wrists
Somewhere music plays to ghosts, obtuse reverberations of some cave on a mountain... or something
and what a useless skill it is to be a poet, flouting fanciful words as if a single soul cared or could possibly muster anything more than unadulterated apathy

What a lonely life it is, to spend entire days watching ******* and reveling in dissociative stoicism
Watching cam girls for hours on end, swept up in conversation yet never taking part, only watching
They seem as lonely as anybody, holed up in crimson rooms as anonymous DJs play through laptop speakers
Fielding obscene questions with a smile and renting their body in timetables to the highest tipper
and some days the depression becomes so heavy that ******* seems impossible, though it's possible to blame such  scarcity on the anti-anxiety meds that have ruined so many-a youthful folly

Is there a more flattering notion, than a story teller being commended for honesty when every word is a lie
Fictional accounts of melancholic lives told in a pulchritudinous verse or a prose of the most regal purples
Using nothing more than ******-stimulants and a smeared bedroom window for inspiration
There's a writer sat at a desk, typing ridiculous lines of text, as he knows himself to be human
and in that humanity he strives to create a realists interpretation of existence through scattered memories
and derivative styles of his favourite authors whilst using educational texts as footnotes in imaginary diaries
Reece Nov 2013
The bed is cold when you turn in at night
   because the frigid winter winds have settled in too
   and like a fool you left the window open all day
You take a dab of speed as the lamp goes dim
   its the only thing to keep tumescence
   when you make love to a lover you no longer love
******* is no longer sport, only a chore
   and the night birds at the window sing a song of sadness
   beady eyes keeping tabs on the city boy's blues
When the day is done the television screeches, unreality television
   you're so depressed and you have nothing, not even sleep
   and the cold body beside you snores through the night
Even on rare occasions of sleep, you only dream of dying
   fiery bus brought with peasant's tokens is burning
   as it flies over some cliff face and you remain stoic
Waking only in afternoon sunsets with a sore head and dry mouth
   stumble down the stairs to an empty kitchen and the cat has **** again
   you clean the mess and make a sandwich, no topping just butter
How many days can pass before you crawl to the shop to buy food
   and you contemplate suicide as you scrape the tub of butter again
   falling upstairs in a somber stupor, vomiting after eating
She comes home from work and calls it off, packing her bags
   you roll another joint without words being spoken
   she closes the door and the already broken window breaks more
Smoking on your herbal solitude and preparing the last hit
   that sweet tender brown in a spoon you found
   it hits the vein and you feel happiness, first and final time
Sitting in some trash-found chair and reading Camus
   these are the final moments, surely you cannot hold on
   Abner Jay is playing and you fall asleep forever
Reece Nov 2013
He wakes up with teeth grinding, lightening bolts in his jaw
Crooked smile, broken as his home is and lonely in suffering
Each day when the cruel sun streaks in through cracked curtains
and he is reminded of a unique affliction, the asymmetrical torso
moreover, the scabrous flesh that adorns the arms and inner thigh
He feels morose and grotesque, as a woman could never be
Reflective avoidance, the mirror always covered when he stands to ****
Rheum still covers delicate eyes so accuracy goes out the window
and grumbling, stooping over, wiping the mess he sighs and makes wishes

How painful these days are to a man that prays for femininity
Stature and girth like a real man, though dreaming as a schoolgirl
Bristling stubble, adoration for his thick hair from envious men
Appeasing some latent homosexual desire,
but not enough to reciprocate adoration
The pain in his worn teeth is a constant reminder of ineffectual existence
and his shoulders ache every day, whilst legs are jelly and lose balance constantly
How cruel the lethargy can be, that some days he alters anatomy
at least in his own psyche, that ever fruitful imagination

So in lonely doledrum evenings when the mists set on cityscapes
the petty escape is worn, vibrant black ladies-wear, evening gowns
and wild high heels, posturing female attire for a tender soul
Corsets and tapes hiding unseemly masculine traits,
figurine madness, the make-up set meticulous and dynamic
Ruby red lips that eschew gender conformity and mascara mirrors the sky
She feels that warm embrace, spiritual in deep ****** chasms
Grasping for the apparently unattainable; magazine littered pictures on the tabletop
and her coarse fingers glide on silken garments, moonlight serenade on the speaker

How elegant the movie star madame, in this depression taken hold
A temporary release she clinches on to some beautiful image, forever in love
To be beautiful is to be happy and all women are beautiful, experience as a teacher
Funny how fatigue disappears once embellished in womanly garb
and funnier still that the aching head and rotting mouth are nil under blusher
Those nights can be liberating for a man of ennui and illness
Confusing though it may be, that such a man can attain such joy
and still feel devotion for every woman he loved, the fact still remains that
In the mirror she saw herself smiling and so she reasoned to turn the mirror the correct way up
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