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Reece Oct 2013
Everything is an echo through the alleyway street in mid-afternoon
Children scream from some far away park
Dishes clatter and smash in a house, of which I do not see
Dogs bark, gravel pit succumbs
Bass raptures that rupture the ear drums of the passenger
Tyre skid, rows of flower pots damaged
Growling, forever growling the beasts on bikes
Clatter the gates, what matters these days?
ssffffFFFFAAARRRRUMPH!
Triumph race the boys in pretty cars
Coughing kids and the coffee drop pits
rup rup rowww rupp!
Tip tapping of heels on paving slabs
Most are broken and make a click clack noise
Children running, dud dud dud dud duddudududud
Careless rain lost in the crest of a cliff face
"AH O DA DOOOR!"
"NAHHH EE DID DOE"
And spluttering engines revving on tarmac-
"MUMMMEH MUMMEH MUUUUUU-"
The revving begins again, the noise never ceases
Low rumble of the wheelie bin on crooked slabs
Smell the rain as it sets and laundry as its removed from lonely lines
Hissing cars in the ******* rain
Hear music, its life's music, every word a jumble in a proletariat (e)state

In a brief moment of silence there's an ethereal chill as a shrill cry from miles away resonates to me and my tapping on the keys are deadened by the accumulative sound of reactionary ghosts.
Reece Sep 2013
Thirteen androgynous men and women, dressed in pressed black suits, like some swarm of government bees, stoically entered the dilapidated school bus with solemn disregard for the general mass of people surrounding them in the California street, and the sun was shining. An ecclesiastic figure, swathed in purple robes with wild glittering gleaming beads adorned across the body, stepped forth from the shadows of a cluster of palm trees; it wore an incredible mask, damask as a rose with intricate golden patterns around the cheek and toward the forehead of which was embellished with an etched geometric pattern that seemed to resemble a flower and faint lines that would require a keen eye to be seen and elaborated upon. The hood was up and formed a velveteen waterfall at the back of the head, as it crumpled over, though it was probably designed to look that way. As each member of the secretive yet oddly unconcealed cult traipsed onto the growling, garish yellow bus, the pensive figure gazed on and regally followed the group, taking a place at the back, holding a staff with arms crossed, and the rest sat coldly, staring ahead, unblinking and sedate. The hours passed under the drab desert sun as a singular cloud passed overhead and gradually dissipated into invisible vapours that fell gradually into the densely blue backdrop of the California sky. The old school bus chortled along the deep black road, with pristine lemon lines hugging the left-hand wheels and a driver as stoic as the passengers. There, in the desert, amongst the snakes and the saltbush, a rusted old bus, full of strangers had parked, and with little fuss the suited men and women reached below their seats and removed a piece, they exited in an orderly fashion with eyes fixed ahead and hands immovable from their guns, gripped tightly as if life itself was within those guns. Colt M1911 to be exact. Every gun, though not obvious to an outsider, was loaded with a single bullet (230 gr Federal HST) and cocked, with the manual safety on. Each of the silent group had left the bus, with their apparent leader at the back of the line, holding the staff and the driver stayed seated with the engine off and staring straight ahead into the vast expanse of the sandy hell ahead of him. Twenty metres from the stationary bus, the man and women formed a perfect circle, each were standing a little over an arms distance from the next person. The robed figure took centre stage and uncrossed its arms, the staff outstretched in the left hand. A magnificent golden rod, a thousand etched stories from base to tip, each one emblazoned with fantastical jewels, this staff could belong to a Queen, a King, a God. The followers were still silent, and still stoic, despite the glaring sunlight reflected from every wild diamond and ruby on the majestic phallus like object. The masked person made a crude attempt to engage a member of the round by walking before them in a cyclical fashion, making eye contact with each but none did move, nor bat an eye. Finally it took its place, back at the centre of the circle and made an unholy sound that sounded as if the Devil himself were dying. Garbled words and unnatural screeches thronged from the unmoving masks mouth piece before suddenly falling silent and it raised the staff higher before striking the earth with passionate fury, and this led a simultaneous movement from the centralised hive mind as they each removed the safety from the own weapons. A single shrill scream echoed across the valley and a second strike to the ground from the staff was the indicator to raise the guns to the person to the immediate right. No noise was made, but a third strike of the staff to the desolate, cracked ground caused thirteen concurrent shots to ring across the arid lands, followed by thirteen solid thuds and a ghostly silence fell across the desert once more. A perfect circle of death among the cacti and Kangaroo rat, and the silence finally broken by the starting engine of a school bus as the driver awakens from his trance and returns back to an apparently civilised world. The fine figure gently steps over a corpse and lifts its robe so as not to disturb the pooling blood before sauntering into the basin of a lonesome American desert and fading into obscurity.
Reece Sep 2013
A rhythmic whipping of winds on the pine trees,
Mescaline mind, staring through tawny windows and thinking of America
  That easy breezy, ****** wind again, blowing blow from laps of men
  Tripping on paving slabs, adobe piles and rubble pouring through city streets
  Thorny throned king calls out his wife's name
No response, no reprise, water fills the eyes of the owl as he watches
  A lizard through the grass with no legs, and the oxford comma blues
  A rider on horseback, gallop through the gully, hair screaming, maddening flights
  Frightening nights in the Texas desert as consumptive creatures crawl on broken sand
Feel the eyes of the devil, searing the seer
  and the car that once roamed gaily now fails daily
  Left in bereavement on the side of a road
  Crying into calloused hands, wailing for the whale's lost daughter
Sea-dive, see me dive, watch me drive, across country, to a home I will know
When I see it.
Reece Sep 2013
She lives in a cage, in the shed, at the bottom of a garden
Her master comes, twice daily, with food and water
She lives for him, a servant to his psyche
She has no power, slave on her knees in chains
Its simple pleasure for leisure, to serve him is to be free
Minutes in the sunshine, phallus in furs
- and a collar as a symbol of respect
Music for ******* Performance in the house
She lays down and tastes the whip on bare cheek
Obedience is taught through willing submission
Gorean affectations, willing desire and the natural order
One's journey into identity, a thrilling concept at first munch
- God will speak in good time

To dismantle social construct in a kingdom of one
Liberation at the hands of a master in leather
- and whips outstretched
Through drear smokescreens, transformation and feminisation
Slave-girl, man-child, longing for acceptance and protection
Early morn, teary-eyed sunshine creeps through a crack
Blonde wigged, bearded man wipes mascara clean away
Only two more months, every day she will be beat,
- and the sissification of the master's slave will then be complete
Reece Sep 2013
"I carry the star on the heel of beaten boots, the beet red road longs for the touch of stars. "

She motioned to her nose and informed him of the blood, he cupped his face before examining the crimson drops and saying “my nose bleeds sometimes, I suppose.” She agreed and walked away, into the corner of the room; she stood there and took a sip of beer. He held his hand beneath his nose for what seemed like 4 minutes but was actually only two. The blood began to pool and he sauntered to the kitchen and then turned around and went to the bathroom and closed the door.

Outside the apartment block were two lovers. Kissing under starry smiles as the broken door swings wide.

Staring into the vastness of the starry skies, he could see that all was lost and without thought or pause, held the barrel to his skull and pulled the trigger. Upon witnessing such an unprovoked and horrifying scene she ran from the car and held his body close to her breast, removing the gun from the ground on which it lay. She mimicked her lover’s action and ceased to exist along with him.

(It was all a dream.)

They held each other close, with heads together and a murmuring sigh from each of their stomachs. He mumbled into her ear “I promise I won’t look back.” Starting again on his journey, gently rejecting her body from his and refusing to make eye contact our traveler took to the cornfields, marching with intent and brushing aside the vast bushels as if he were a human scythe but he hesitated as he reached the great fence at the edge of the property; standing still he fought himself with a rigorous internal monologue before turning his head half way. She looked on with angst and hoped he wouldn’t turn fully. As he reached the point of seeing the house from the corner of his eye he snapped his head forward and gallantly marched into the woods and eventually to the desolate road from which he ventured a week earlier. The scent of Emilia in his nostrils, the finest ******* he had ever abused, the sweetest cacophony of noise, her voice in his ears, ringing like so many bells on the shore of some obscure beach in Britain. His thoughts turn to home and a solemn sigh was enough to shake, rattle, destroy his brittle bones and cause him to fall to his knees on the dusty road, screaming out to the clouds above him; wishing his mother was by his side. Tristan was lonely and the sadness of a life alone crept over him and held his shoulders in a way no person ever could or would.

He woke up and the voice on telephone that was curiously at his ear told him that his mother was dead. He went back to sleep. He woke again and wrote a novel. He then deleted the files from his computer and went for a walk in the park as that used to ease his depression during childhood. The trees were black and the sky was still blue. It was odd, and his nose was bleeding. Back home he woke up the computer from its dormant state and opened various sites in a cyclical manner. The hours passed and his back began to hurt. It was 7:43AM and the computer monitor became inexplicably brighter as the sun followed suit, pushing through the faded curtains and seeping through the gap and onto the wooden floor. He refreshed the web page and sighed. Nothing was happening. The world was over. He sat straight and slumped over before dragging himself across the room and falling from the chair to his bed. Asleep again and no dreams were had.

The world outside the window stood grey and as motionless as the icy waters when Lethe freezes over. The world outside is dead. All of these people are now one.
For those who seek meaning, I reject your eyes. Of those ties, the human ******* I despise, please turn away for I am the one who cries.
Reece Sep 2013
Damask robes on the severed road, as Severin sings the boot precociously
Furs and spurs are the roots of inevitable depression, the rain in the gutter
Flows like so many streams to the town of your birth
See that scar and revel in it, for the clock that tocks is dying so eloquently
And here, I shall hold your hand and convey irrelevancy

These days seem so long
Words leave a vapid hole in my soul
Are you reading this closely,
Meaningless as it seems

Each poem like a crack of the whip, my back scarred and bloodied
Each person, in a line, taking the time to abuse my mind
and today I am freed from the ties that... keep me safe
But still bound by the ******* of a million people
Each one suffers, and I lay awake in the evening damp
Listening, still listening, to the cries of the camp
Reece Sep 2013
How ironic that one would take it seriously
With this new sincerity hanging so precariously
Satirical words, balanced in a peculiar fashion
Overtly reminiscent of a post-modern passion
And you, who read this, please be aware
To all other poets I simply cannot compare
Proletariat boy with too much time to spare
With this piece it's time that I declare
My mind is in a sullen state of disrepair
Always be aware, that I was never here.
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