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Apr 2020 · 174
Rødgrød, Copenhagen
At dinner I am retying my shøelaces
when yøu say ønce møre
gø øn, again
is what I hear
   what the waitress hears
as she dumps
anøther blønd-haired pint
in frønt øf me with a grin that clearly states
she’s telling yøu høw tø say that phrase is she
the three-wørd term
unsayable tø øutsiders

høp step jump
øf a phrase
the language fluvial
like a lake sluicing weeds
cønsønants like dripping water
vøwels that huddle tøgether
as if the cøld is cøming in
the irregular phlegmy intønatiøn

there are candles here
whøse lives expire in silence
a glut øf armchairs
where what cøuld very well be
the wøølly Jumpers expø
før the year cøngregates
triplets øf fingers running
thrøugh their straw-bløøming chins

despite the side-track
I still døn’t knøw why
the ø’s are impaled
my møuth and tøngue
haywire as if tøssed in the wash
the demøn shibbøleth
øffered tø me
and that tablespøøn øf mucus with it
rull grull mel fluøl

the wørds dribble øut
bunch øf slushy søunds
she laughs
says I’m a løst cause øn the matter
and that I’d be better øff with hygge
which is surely the søund made
when løng yawning in the mørning
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 95
Toompea Castle, Tallinn
feel guilty spoiling your frozen heaven
looking up at roof of bronze

walls blushed with scorch marks
trees like wrong-hand scribbles

my bones chilled
your skin ice-flecked and old

where’s the red flag of the battle
shivering from the sky?

a dusty sliver of history
as my watch trips past seven

sun kissing Hermann
and the song of joy

chorus of cornflowers
blooming again
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Over a year, close to two.
I am passing through for work
and to see a friend,
our communication meagre,
reduced to pixels on a screen.

Rue Sigefroi, one of the city’s arteries.
Clotted cream buildings,
concrete mugs clogged with flowers.
I see French, German,
the country’s own compote of the two,
umlauts sprinkled like confetti.

He has invited me for coffee.
There is a gangly embrace,
smiles blooming on our faces.
Wine bottles, maybe empty
tickle the top shelf,
books half-blotto behind the sofa
where I sit as he orders, my face in the mirror,
all wiry hair and pips of stubble.

The cup comes accompanied
by a dice of brown sugar.
Immediately he invites me for dinner.
A gasp hurdles out of me, stupidly.
I accept. He tells me this is excellent news.
We fill in the spaces
of our ever-growing crossword puzzles.
As you do, a lot is glossed over,
metaphorically kicked under the carpet.
He has no intention of moving back
but his father, he says, is unwell.
His image cabasa-rattles to the front of my mind,
the man who introduced me to Prufrock.

- The meal this evening is pleasant.
His wife plonks a quetschentaart before me,
galaxy of singed plums,
a star in Van Gogh’s view over the Rhone.
An occasional judder of laughter between us.
The evening begins its routine for sleep,
the sky embarrassed with clouds
over the Alzette, our stomachs content,
our friendship granite-solid.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 149
Ponte Sant'Angelo, Rome
Ponte Sant’Angelo,
my thumb brushes
her crimson emblem.

Images slosh in my head of her
cycling, channelling
her inner Hepburn,

sleep and poetry on the steps,
talcum swirl of a *** and raisin gelato,
tiddlywinking a Euro into the Trevi.

This is stop four
on her grand tour,
gap year girl

glugging the lingo. I touch again
her Ciao in curly black,
her **, her airmailed red peck.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 62
Ghost
Running before he even knew
what had hit him,
centipede stain of blood,
staggered breaths.

The first, point-blank,
shock of bullet sound
ricocheting from the windows,
instant crumpling of a life.

The second, a swing and miss,
then the flee through a chilled
capital night, punctured by my blunder,
the headlines ready to bleed.

I assume he is dead.
These words scrawled, emaciated letters,
the weapon they can never find
burrowed into my palm.

The journalists are poised, ready to sting.
I already know the grim language
they will use to blame,
allegations flying like agitated wasps.

Is this my confession?
Perhaps, to myself only,
my closing calamity, my sugar-rushed finger
on the trigger. Reckless.

And her shriek, a shriek of horror
like a chimney of bees, my body
halfway up Malmskillnadsgatan by then,
your husband wheezing his last.

Take my truth any way you want,
they’ll be chasing me forever.
If they come, I shall admit;
I know ****** like the back of my hand.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 87
Schottenhammel, Munich
It is mid-afternoon
in Schottenhammel
when a girl no older than twenty-five,
hair raked back in a ponytail
and wearing a mint-coloured dirndl
shoves a Spaten-Franziskaner-Bräu
the size of my face towards me.

The mugs are spotted
with golf-ball-like dents
and a local man named Leon
has already interjected,
attempted to connect,
his shirt Coventry-blue and white
as a greasy spoon tablecloth.
A hearty slap between the shoulder-blades
and the batter-shade liquid
jerks, burps a little over the side.
Maß, he exclaims, specks of froth
decorating his jungle of stubble.
There is much swigging,
the sound of a hundred clinks
as drinks knock heads.

Three quarters beer, one quarter foam.
This is no pint down the Red Lion.
There’s music though, the slush of German
swamping the tent between glugs,
my liver already grumbling
as the cool drug soaks my tongue,
paints my throat,
chills the lungs for a bunch of seconds,
and rests.
Leon chortles. I tell him I shall settle
for just the one but he laughs
a deep E note laugh
that only unnerves my eardrums.

Some time has transpired
when a girl afflicted with piercings,
hair Ace of Spades black
begins dancing,
perhaps drunk, perhaps not,
her boyfriend I assume
watching on with a grin,
a ball-bearing glued to his bottom lip.

It is not quite time for stars,
but the sky has blushed azure for us,
a pumpkin blob nudging the horizon.
I fancy another beer by now,
the girl swaying and swaying,
her face a crush of diamonds.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 121
Markthal, Rotterdam
or anywhere

abacus of Amstel lights

cube-stacks drizzled citrus

behind the iris

funnel of fauna

propped up by charcoal arms

violet grapes

avocado stone

raspberry drupelets

visible from here

market on a Monday

the hard ‘g’ of Maandag

a guttural language

my throat warms to

orange not my shade

but do as the Dutch do

plump cylinders of Edam

coated in red rind

oysters in their cots of silver

shrimp galaxies like tangerine hooks

Japanese tourists

taking snaps for the ‘Gram

everybody passing over the King

sun proffering a hand through the glass
NOTE: The lines are supposed to alternate between coming in from the left and right hand side of the page, but HP is messing it up again.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 144
Seagulls, Brighton
Honest? I chose at random.
Got the grades, managed to squeak
through the door.

After three days, I had a girl.
Well, I say had. She weren’t convinced
but I’d got time.

Her name: Rhiannon.
Yeah, like the Fleetwood Mac song.
She loved that one, typically.

I was more a Zeppelin fan.
This was pre-punk, pre-White Riot,
pre-kids, house, diagnosis.

Runny eggs at the caff for brekky,
hungover Saturdays after a Seagulls defeat
at the Goldstone.

I smoked, quit, smoked again.
She got a peace sign stabbed
on her right shoulder-blade.

Some point later, I’m in a white room,
white man. Oesophageal.
I got the one I can’t pronounce.

I’m pinged out of the reverie
by two girls, one humming Waterloo.
Unmistakable.

I can give or take it, you know.
Like I said, I was into Led Zep.
ABBA’s more an acquired taste.

Still, I find myself humming it too
when the wife returns,
fish in batter like a ***** of gold.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 133
Le Dernier Qui a Parlé...
What you should know
is that I’ve never done parties,
except that wasn’t quite a party,
more an excuse to liquor up
in the first week back,
tepid attempts to recall the faces
who swam past a year before
like scarecrows from a car, expressionless
in a chaos of fields.

Told this was integration
but anywhere else would’ve done,
mumbles like distant storms
behind closed doors,
footsteps a high echoed chime up the stairs.

The room, a tumble-dryer of conversation.
A brown drink, probably ***, or coke, or vinegar,
somehow navigated to my hand.
A pilfered traffic cone in the corner,
playing cards slapdash on the coffee table,
forgotten hearts, fading diamonds.

Somebody spoke, a game began.
Spilling secrets, unwillingly or too drunk
to care otherwise,
each hopscotch-like laughter another
thorn of headache.
I zoned out as if watching the shopping channels,
palms peppered with the braille
of my nails mining into my hands.

The spreadsheet of names scrolled down,
guys with over-gelled hair, ******* shirts
then me, trickling out my half-hearted truth,
quickly dismissed, knocked to the curb,
my social status cemented once again.
Then you, the last to speak
in this merry-go-round
clouted me awake as though coma free.

o Lychee-pink fingernails, slushie-blue eyes.
o Seashell necklace, skin several sunbathes down.
o Hush of a French accent, denim jeans punctured with holes.

The images, the speech came quick
as if behind the glass of a bullet train.
I tried to capture them like a cat
hopping up for dragonflies,
but these were more like snowflakes
perishing on my tongue.

If my mind hadn’t been frazzled
with the intricacies of anxiety
I would have uttered my name,
snaffled yours, an early birthday gift,
but no.

The evening capsized, us students dispersed
like birds barked at by a dog,
the clock’s downcast dialogue
of time gone, opportunities missed.

I stayed awake with the shape of your face
as though viewed through cellophane.
You mattered somehow, electrocution
right into my brain, your secret swallowed
by the ghosts of the night.
Hell, I thought, resting with my vivid
fabrications until the next day, the next year.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 155
Viszlát Nyár
My father is saying nothing.
I know it, he knows it, and it is here,
the inevitable farewell but not quite.

I have told myself I am ready for this.

That I shall not be wrenching Bombay Bad Boys
from the shelves of an alien Tesco
to gorge on while On The Road remains unread.

That I shall not be downing shots of lurid liquid
with friends whose names do not yet exist
in warm bars where the toilets are pockmarked with sick.

I have assured him, and my mother,
and the punnet of mates I’ve accrued
this will not be my life circa one month from now.

The luggage has somehow trebled,
the back seat obese with a calamity of items,
an unboxed IKEA lampshade, unused cups from home.

In a second, a pat on the back,
a proud of you son, perhaps, isn’t that what Dads say?
He will worry, but mustn’t.

I think of my mother peering out the living room window.
Her eyes are flustered with tears.
The car seems to have stopped talking. I open the door.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 170
Virgin's Apartment, Athens
That’s what they called this place,
flaking crucible,
immemorial immobile figures
gawked at by a deluge of tourists.

A German man sidles past
as we edge towards
the main attraction,
multi-limbed citadel.

I imagine the Propylaea
pricked with stars, the dagger of light
that cracked it open,
awoke the commas of fire.

We circle round.
Like a chalk house.
Here, where Athena,
frame of ivory and gold

surveyed all,
Phidias’s maiden
with Victory shimmering
in the heart of her hand.

Soon we discover
the Theatre of Dionysus,
lemon wedge
of staggered steps,

chipped thrones of marble.
Now, the thrum of many tongues,
the words of Aeschylus, Thespis,
inhaled by the Athenian sky.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 54
La Voix
A lot of people seem to be angry.
   I don’t know why they seem angry.
Perhaps they are threatened by something.
   By me.
I am not threatening however.
   I am myself.
I am only saying what needs to be said.
   Things they have not said enough.

It is all rather strange to me.
   There are people following me.
They are young and chanting a lot.
   Some are chanting my name.
They never used to know my name.
   Now I walk in new lands.
I am shaking hands and smiling.
   These strangers are happy to meet me.
They say I am doing good things.

I think on the television others are not happy.
   I do not care much for this.
I am told they are heavy on criticism.
   They think I am intimidating.
I am only passionate.
   This is what I am good at.
I don’t know why they don’t care much.
   Maybe it is because I am young.
They will have their silly reasons.
   I told them our house was on fire.
I hope they heard that.

I carry my sign.
   Skolstrejk för klimatet.
Kids are joining me and parents too.
   Bangladesh, Nigeria, San Marino.
There are too many to mention here.
   It is promising to see.
I am only a girl with a sign.
  I wear my blue hoodie and talk.
I talk when it is necessary.
  These are necessary times.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 195
Gamla Stan, Stockholm
Wake up in Östermalm,     south to Gamla Stan.
I walk,
it is a cool day with albumen clouds,
rivers of snow gloss the streets ecru.

- Meet outside the bookstore;
Pippi Långstrump grins at me from behind glass.
The blue and yellow of the Nordic cross
prods out from a shop,     primrose-skin buildings,
streets riddled with syllables,
Västerlånggatan,     Tyska Brinken,
graffiti a ****** siren on the walls.

- ’75 the first time here,     Waterloo a year before,
birth of the famous foursome
to karaoke machines from Södermalm to south Japan.
And again,     new millennium,
a second time in ’16 where love was love
and peace was peace.

- Practise the numbers.     Seven is sju,
my mouth producing rare noise,
a wispy word between show and swear.

- We walk.
Splashes of island and butterscotch-haired teens.
A girl hums a Melfest song.
I toss a Sverigedemokraterna leaflet in the bin.

- The waitress could be Lisbeth and AVICII’s playing
and isn’t it beautiful,     you,     and this,
where we have found ourselves.
NOTE: Each second stanza is supposed to be indented from the right hand side, but HP is not having it. The first stanza should also begin with a dash.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 154
Rock 'n' Roll Kids
Prom is two days away
and I’m telling Charlie to get a ******* move on
because this equipment won’t set itself up
and that his **** guitar needs tuning
for the billionth time
and that we only have time for three songs
(the three that we’ve been practising)
in his uncle’s garage for the past month or so
and how we need to get a **** move on
because we’re faffing like stupid flies around a stupid light

I am the drummer
at the back whacking the cymbals
   Charlie’s front and centre
all Jagger-strut spit-flinging
giving the microphone an earful
   Paul’s on bass
body popping like Flea
fingers red-hot fiddling the strings
half pro half nervous tic

the staff have given the go ahead
first track’s a la Jerry Lee
beat careening off from the gym walls
rockabilly kick that’ll pull the girls
away from their ******* phones for a while
then we’ll segue into something more grunge
Kurt Cobain half-slur moan and groan
that’s if the night hasn’t slid
into some hazy hive of idle teens
awards for most attractive
most likely to end up on reality TV
doled out before the limo back home

that’s when they’ll blink at their ceilings
in the first dustings of morning
their ******* bodies aching
from robotic dancing and kebab shop crap
know the names that danced on their tongues
will vaporise before long
and you know
I’ll be one of those poor suckers
but first there is rock followed by roll
if we get a ******* move on
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 100
Shalom (שלום), Tel Aviv
the coffee
is so nice. it is
so nice,

so nice,
kick of cardamom.
girls play

beach volleyball,
white globe
arching, arching,

side-fist-bump up again.
severed pomegranate,
crimson insect crunch.

forgive me,
I started drinking
without you.

you say
shalom,
your eyes the blue

of the sea,
your hair
a flood of coffee.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 218
Arthur's Seat, Edinburgh
The night we first slept together was election night,
the reds against the blues against the yellows against the greens.
We both picked the same colour, I found out,
sipping coffee, scolding tongues at that place on the corner
where you can chuck in some scran while you’re at it.

Here’s a cliché, but true: one thing led to another.
A DiCaprio movie I barely recall, a dreich day
umbrella-sharing as we charged back down Arthur’s Seat.
I wondered if Hibs won, you thought if my hand in your hand
meant we were comfortable, easing ourselves into each other
as if trying on a new pair of boots.

There was ***, but that’s personal.
It was at your place. The sleep.
After it was over, our throats aching with lust, you went
to the bathroom in your pricy Primark knickers,
spine ablaze with light, and I revelled in the deliciousness
of your not-quite-**** body, knew we’d started something,
knocked the first domino down.

In the morning, we’d reached an impasse.
The TV blared out no surprises.
My eyes discovered an unfamiliar ceiling,
you wore an iron-soon shirt, white, nothing else
as the coffee machine spluttered its language.
A one-night thing? I thought so, eyes punctuated
with crooked red hyphens. I didn’t know my toothbrush
would be there in months, my face again in the mirror.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 119
Litmus, Madrid
Spain in the core of summer
   thermometer under pressure

nosebleed heat
  skin butter-knifed with sweat

you having just arrived
   from the city with the Moorish palace

where I’d walked
  less than forty-eight hours before

do not ask me how to define love
   because it was not love

love takes longer
  photos doused in a darkroom

this was the first murmurings
  of something wildly unfamiliar

swirl of a heart
  on the roof of my coffee

when you spotted
   The Sun Also Rises

and sat before I had a chance
  to take that initial sip

hair like vanilla
   lips a tone of rust

and the city
   became the story we wrote

unravelling my r’s
   difference between perro and pollo

the switch from Picasso
   blue to pink

that first night
   I revised your body

as a saxophone
  squawked in a crowded room

the litmus test
   for what I’ve said wasn’t love

but the inaugural snapshot
   in a slideshow

of a summer
   of torso-clinging humidity

of siestas with four feet
   pecking the end of my bed
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
after much deliberation,
you’ve decided on eggs
for breakfast.

standing by the counter,
eviscerated yolks in the bowl
fascinate you.

I offer, you slowly
churn the lemon mush.
four hands

then tilt our concoction,
dash of pepper, full stop of salt,
into the pan.

cooking solar system
coagulates, cloudy creature
you eye up

as I flop it onto your plate,
fork ready set
to burrow in.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 125
Riesenrad, Vienna
Here at the Riesenrad,
black Eckelberg eye
observes violinists.
There, a choir of mustard leaves,
swirls of Ich and du
clog the air, night blanketing us
in a filmic noir.

Here, the chalky bracket of the Hofburg extends its arms
as if embracing us.
Inside: glinting-finger chandeliers,
ensembles of books
like lungs of rust,
children toddling past
with goldfish mouths.

Here, a café, early morning,
lemon light sweeping through the windows,
gurgle of students, old men
with a steaming großer Brauner,
a wrinkled Die Presse on the table,
****** of tablespoons at breakfast
and simmer of strings at evening.

And it was here, in ’67,
post-they-think-it’s-all-over,
where a barefoot brunette
sang a tune about puppets;
now our hearts tick
to an orchestral melody.

So here, under a periwinkle sky,
students with Zweig on their minds,
sizzle of German on their tongues
continue on their way, as do we,
footsteps waltzing through
the heart of Europe.
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Apr 2020 · 146
Blackberries
I will post you my name.
I’ve been meaning to.
That way I can stain you

like blackberries would,
a fresh, juicy punnet of them
bought that very day,

your lips stippled violet
and the single syllable you read
the dizzy sprint of sugar.
Written: April 2020.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Apr 2020 · 159
Missing Person
I swallow your silence,
the one ubiquitous drink
in this maelstrom of ambivalence,

see-saw of coming and going
as if elastic bands
snapped back

before we clinch what we need.
If I think, submerse myself
in the small pool of memories

in a sixteenth of the brain
occupied by you, I can almost recall
the waves of your voice,

each inflection, and your face;
now that, honestly, tricky somehow.
The weeks become a sludge,

each day with its own
carcinogenic tint,
pollution plumes.

What date shall I red-circle, our reunification?
We’ll clutch at our throats,
gasp at how little has passed.
Written: April 2020.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Apr 2020 · 162
Wallop
At it for five minutes, maybe six,
and we’re watching them both
from our go-to spot in the King’s Horses
across the street, transfixed
by this unscripted drama unfurling
before our eyes, a right old spat
between, presumably, students
on the lash, straight outta Camden.

I’m clutching my last fifth of pint
as if it’s the final swig I’ll ever savour,
the rest of the pub’s regulars and stragglers
oblivious, minds on the mundane,
such water-cooler coffee-machine gabble,
but we’ve tuned into the action,
silent theatre, much gesticulation,
coatless girls impervious to the chill.

I blink, I turn, a rookie blunder
for in that barely a second speck
you’ve flung the ready salted to one side,
a gasp spilling from your cherry-red mouth
as the chick on the left has arched back,
propelled a fist, thwacked her prey,
one hit and I missed it, the evening’s highlight
unrecorded with no live rewind.

Ten seconds pass. I have birthed a long sigh,
both felines having scarpered,
one nursing their wound, bruise to be.
I let the last, flavourless dreg of Carling
slide past the tonsils before we make to leave,
recover from the unexpected, single wallop
to the chops, Friday night morsel of excitement.
I chuckle about it, privately, as I head for a wazz.
Written: April 2019.
Explanation: A poem written in my own time. Feedback welcome. Please note that 'King's Horses' is a made-up but not unusual name for a pub, Camden refers to the area of London, and Carling to the brand of lager. A link to my Facebook writing page can be found on my HP home page.
Mar 2020 · 70
Death To The Keys
Oh say,
what a shame,
wooden shrine
coated with the breath of ghosts,
carpet of fingers
snapped, or arthritic,
wrenched from the wrist
in some grisly surgical procedure.

Tumble of rock, a table
out for the count,
a lone chair with a prime view
of what has become,
become of the place,
crumbling, stale,
wood daggers a derelict alphabet
dormant on stage.

The tunes, long gone,
harmonies engulfed by the breeze,
auditorium left almost lifeless,
state of half-eclipse
with the punctuation of a thousand strangers
and just the first strands
of spring sunlight bleeding
through the windows.
Written: March 2020.
Explanation: A poem written in my own time, inspired by images of a piano at the abandoned music school in Pripyat, Ukraine. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
Mar 2020 · 112
Szentendre
and here,
stream of hemispheres,
primary shades panoply
for a ceiling.

deluge protectors
with their many spindly fingers,
fronds of blue, of green,
colour wheels bobbing

in an early spring breeze,
innumerable tails
with curls like little grins
down the street, and beyond.
Written: March 2020.
Explanation: A poem written in my own time, inspired by a photo a friend of mine took while on holiday in Hungary. A link to my Facebook writing page can be found on my HP home page.
Feb 2020 · 126
On the flight to Stockholm
I am thinking of the last time I saw you.
Six months ago, but feels longer.
Your threadbare jumper, certainly
unsuitable for August but one of your finer thrifts,
straggles at the left wrist, beige as porridge.
As such, I have sheltered my skin
in somebody else’s unwanted fabric
so we can be second-hand together.
  
You have moved the furniture, you told me,
in your flat, you said, a few phone calls ago,
the TV with its back to the window
so there’s no bleed of light blanketing the morning news.
The table, IKEA of course, coasters
I helped you select too long ago now,
sandy halos of many a midnight coffee
still there, I’m guessing, soon to know.

I'm warning you, don’t buy me anything.
I considered, dithered, made my decision.
A late Christmas present, in my luggage,
haphazardly wrapped as if done one-handed.
The shape, pure giveaway. A novel. Crime.
Books above your double bed like piano keys,
compendium of slit throats, of bumps in the night.

I repeat the plan. Riksbron, seven-ish,
all the way until I face the place, and you,
anticipating my approach from another direction,
hair a flood of cappuccino-brown.
As my suitcase stomach-rumbles, an audible gasp.
You whip out a cardboard sign, à la Thunberg,
my surname capitalised in dark Crayola.
A snicker hiccups from my throat. We hug.
Lift off. I taste your smell, my arms around your waist
as if holding something precious.

Ain’t that the truth, I wonder, as we spill our lives
into the refrigerated air, smiles thriving on our faces
where, I think we both know, they’ll rest for days.
At your flat you point out my Potter socks,
I ask if you’ve moved the sofa, knowing full well you have.
God’s sake as you begrudgingly, smilingly, unearth your gift
as a candle sheds cinnamon through the room.
I am sodden with tiredness but still we talk,
in person, a rare, valuable feast,
the endless almond sleeves of your jumper over your fingers,
touching my hands.
Written: February 2020.
Explanation: A poem written in my own time, not based on real events. Feedback welcome. Please note that 'Riksbron' refers to a bridge in Stockholm, 'Thunberg' to Greta Thunberg, a Swedish climate activist, 'Crayola' to the brand of crayons, and 'Potter' (unsurprisingly) to Harry Potter.
A link to my Facebook writing page can be found on my HP home page.
Feb 2020 · 94
Business Meeting
Two women, we think,
are on a date,
leaning forwards
across the wooden table
in this restaurant
called ‘ood’ because
the lights outside
are not all working properly.

It is that day after all,
the day of much gushing,
duvets peppered with flaky paper hearts,
florists raking the money in,
and in this instance,
two women having a meal,
maybe getting to know
each other’s little quirks,
the idiosyncrasies that make them them.

We can only assume.
The journey home,
the tension turning bonfire red.
What will become of them tonight,
in the morning, a double bed
actually used for two,
a bathroom mirror stealing
a newcomer’s face.

I turn to you
in my drizzle-flecked coat,
say maybe it’s just a business meeting,
no flirtation, just figures.
Not everybody does dates.
Except these women do,
or will do, we assume,
in the ten seconds it takes
to walk past
on our way back to your car.
Written: February 2020.
Explanation: A poem written in my own time. A link to my Facebook writing page can be found on my HP home page.
Feb 2020 · 89
Spots
Dog saw the fault first.
Flurry of spots like acne
sprouting on a teenager’s face.

The ground, crushed pearls,
rubbery tones under foot,
bright white blotted by an exhibition

of crimson, as if seeping
through winter’s present of gauze.
Patches of darker red,

cherryade leftovers
of a sliced finger, a chest puncture,
nosebleed drizzle. No answers,

just a dash of human leak
to be buried by more
shavings of chalk from above.

No footprints but my own,
the dog’s own code
and there, one tree over,

a welt of lemon,
the culprit obvious, waving
baton of black leading me on.
Written: February 2020.
Explanation: A poem written in my own time, which happens to be one hundred words long (this was unintentional). A link to my Facebook writing page can be found on my HP home page.
Feb 2020 · 82
Last Day
The room
in a state of disintegration,
sense of an ending,
names, first and last,
pouring from our mouths
for, perhaps, the final time.

Tears like transparent worms
stuttering down cheeks,
a merry-go-round of hugs,
black jumper to black jumper,
white shirts plagued with marker-pen,
scribbles of our teenage selves.

Summer before change,
locations that will develop
into a second home, new faces
blooming into existence
as if undiscovered flowers, bedroom walls
riddled with our personalities.

There are those who cannot wait
to depart; maybe they already have,
the years crushed to dust
in the silence between goodbyes.
I stand, useless as a faulty lamppost,
the horizon an onslaught of fog.
Written: February 2020.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Jan 2020 · 84
United
they walked together

having never kissed

having never confessed

in a Friday night fug

of second-hand smoke

and discounted *****

that one loved the other

a deep love with many roots


they held hands when crying

as if another’s warm palms

would stem the flow somehow

but it never went further

never tiptoed past the threshold

no dates in restaurants

with pricy wine and staggered chat

no letters professing  

a long-gestated love


they watched movies

recited lines for a hundredth time

laughter rebounding from the walls

uttered secrets in whispers

said they’d be friends forever

knowing they would be

because sometimes that happens
Written: January 2020.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Jan 2020 · 85
To Be Aflame
What have I learned
except to coat my tongue in sand,
incinerate what was never created.

My golden ones, you haven't seen the start of it,
the shirking and shrinking
like an aborted flower.

If this is how it feels we should say so,
my head a corroded oven
and how expensive are the repairs.
Written: January 2020.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Jan 2020 · 162
A River Runs Through It
The night descended to that.
You, sunny side up,
queasiness inhabiting you
as if a change of season,
eyes damp with lethargy.

We planned to depart,
myself, a few others,
spilling well-wishes through the door
to your sanctuary,
dreamcatcher holding your reveries,
books like sentences of teeth
on your shelves.

I left, passenger seat,
with my language a glue in the throat.
The episode quite gone,
thunderous concert of silence,
only windchime giggles that filtered
through the dark.

It is what has become customary.
The bullet-point reeling-off of events,
each spark with its own named shade.
My hollow words missing the yolk
of conversation, vacant bottles
lost to the ocean, skin flecked with rust.

I ought to love you more,
this platonic, solid love.
Perhaps I should **** myself free
from the shipwreck, dust off
my catastrophes and breathe,
revel in your odysseys, let you know
my spoke of mishaps,
let us accept each other with clean hands.
Written: January 2020.
Explanation: A poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
Jan 2020 · 85
Confession
perhaps all we do

express

confess in droplets

or tsunami


and how many

to confess to

divulge the innermost

secrets from our sanctums


new decade crashes in

with your colour eruptions

what miles

seconds separate us


what to be said

said carefully

as if glass

in a child’s hands


confess our truths

at the time

await answers

like overseas mail


pen ink drunk

set for disclosure

answers to spark

for minutes for years
Written: December 2019.
Explanation: A poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
Dec 2019 · 183
Buon Natale
I.

cold winter morning
windscreens glazed in silver dust
pavements and grass wet

---

II.

crew of coloured shapes
clamour underneath the tree
concealed for now

---

III.

and the food comes in
steaming green vegetables
spuds like chunks of gold
Written: December 2019.
Explanation: A set of three haikus relating to the Christmas period - not meant to be taken seriously, and a deviation from my normal style of work. This follows a similar set of (fairly samey) haikus written over the past few years - 'Yuletide Trilogy' (2012), 'Stocking Fillers' (2013), 'Christmas Triptych' (2014), ‘Festive Trio’ (2015), ‘Pulling Crackers’ (2016), Joyeux Noël (2017) and Feliz Navidad (2018). The title is Spanish for 'Merry Christmas.' All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Dec 2019 · 148
Curtain Pull
now I must rediscover myself again

stretch the muscles, crack the bones

set the synapses back into action


what dazzling names will now come

to paint my throat, to whisk the mind

into some new year tornado


and the gap growing between us,

the existing handful, pinches of dialogue

that filter through the lightning cracks


sleep peppered with age-old blunders

what’s to come, a dull game

plagued with fanciful guesses
Written: December 2019.
Explanation: A poem written in my own time. Feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
Nov 2019 · 251
The Next Next Time
is it happening again?
am I expelling my tears, a rare, ugly act,
my head crumpling at the thought
of stepping on, then off,
my slapdash navigation through unfamiliar streets,
the hours as red as crushed cherries.

at that age I should’ve been better.
at this age, surely, better,
or not? Soon the questions will pour in,
indigo sky thunderstorm, discovery of love
jump-scaring up as through bread in the toaster,
my conversation sieved with droll ripostes,
a flame of humour, laughter clasped in your hands.

I feel a change coming,
tastes like liquorice on the tongue.
Crumbled at eighteen, but what of twenty-six?
My flaws still surface like bottles from the ocean,
rusty reminders that I still, I say, lag behind.
Will I need your hand? Do I want it?
Tell me history has not become present again.
Written: October 2019.
Explanation: A poem written in my own time for the National Poetry Day 2019 challenge #speakyourtruth. A link to my Facebook writing page can be found on my HP home page.
on the day that marks
his fortieth year
a doctor informs him
that his arthritis is worsening,

digits more like twigs,
mashed potatoes for knees.
the news is no surprise,
more expected mail.

when the band begins,
the cymbal sizzle
like vegetables in a pan,
crow horn squawk,

he places the mouthpiece
between his chapped lips
knowing that any day
could be the last day now,

so he thinks of Coltrane
and blows, hard, all he’s ever known,
eyes of a gaggle of strangers,
ping-pong ***** in the dark.
Written: October/November 2019.
Explanation: A poem written in my own time, originally considered for my Masters manuscript. No changes have been made since this draft was finished. A link to my Facebook writing page can be found on my HP home page.
Nov 2019 · 244
Another Summer Night
Water nuzzles ankles again
     sliced pomegranate sunset
footprint glyphs
   like our own Hebrew letters

legs half-bare is a rarity
   sand is orange zest
stippled against our fingers
   hair overflown champagne

down your spine
   thin ribbons of un-tanned skin
the sea like a wildfire of hushes
   each wave urging us on
Written: October/November 2019.
Explanation: A poem written in my own time, originally considered for my Masters manuscript. No changes have been made since this draft was finished. A link to my Facebook writing page can be found on my HP home page.
Oct 2019 · 194
The Fox
I have spat out these words
so many times I have lost track

enough is what I tell myself
except this is not quite enough

still I stumble and search through it all
like some restless fox in the dark

but the goal one sleeve away
simple to grasp but too far gone
Written: October 2019.
Explanation: A simple poem written in my own time, which is not part of my ongoing 'Alaska' series.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
Oct 2019 · 223
Theory of Love (III)
and that’s exactly right

we are made of filaments and zips

old buttons blue cheese and cheap glue


all we do is try to keep each other fixed

the fragments together as if we are vases

our pretty flowers severed and useless


I am swallowed by your dialogue

cool pool of letters and jet black gags

my throat muffled again squashed dictionary flat


what then the word for love among friends

perhaps no word only the sensation

the differences that swell similarities that chime
Written: October 2019.
Explanation: A simple poem written in my own time, having watched the mini-series adaptation of John Green's 'Looking for Alaska.' There may be a few poems inspired by the series and book, especially as the latter means a great deal to me. This follows the previous few poems immediately before this.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
Oct 2019 · 219
Theory of Love (II)
Love me in twenty-seven different ways

your selection box of methods

each one as tantalisingly exciting as the next


what blue words are pouring forth

oh I have done it again doing it again

your ruby red downpour could stop this


splitting egg headache but I know

you know how to call a truce

call the whole thing off


paint my skin in whispers

that you shouldn’t be afraid to tell

and I shouldn’t be afraid to hear
Written: October 2019.
Explanation: A simple poem written in my own time, having watched the mini-series adaptation of John Green's 'Looking for Alaska.' There may be a few poems inspired by the series and book, especially as the latter means a great deal to me. This follows the previous few poems immediately before this.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
Oct 2019 · 176
Theory of Love (I)
how I have loved what I have never known

these names that glisten like stars on a blanket of night

it is silly, I know, to swim in such matters

my mind a blizzard of moments splintering

in a million intricate ways impossible to explain

my heart is heavy and my throat clear of all words

and I think of your faces like a blue sky at sunrise

so unblemished so untarnished by my hapless errors

I couldn’t explain with the right expulsion of words

but know I knew how I felt

how right here in a place I am still trying to understand

you were present known and, yes, loved
Written: October 2019.
Explanation: A simple poem written in my own time, having watched the first few episodes of the mini-series adaptation of John Green's 'Looking for Alaska.' There may be a few poems inspired by the series and book, especially as the latter means a great deal to me. This follows the poem immediately before this.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
what is the space between something that could be love,

isn’t love, the word for it, something that is just your own mind

playing a trick, telling you that yes, you are, for want of a better word,

falling, body tumbling down the very steps to your Technicolor dream,

where, in reality, the world turns a shade of beige, bruises erupting

like little violet volcanoes, and you realise it was all a vision,

your interpretation of what you so desperately believed to need,

but on it goes, your staggered fantasy, your ingredients for love

but there is no word for it, love that isn’t love but you feel it so,

like a hard squeeze in the chest, that elusive, addictive make-believe.
Written: October 2019.
Explanation: A simple poem written in my own time, having watched the first few episodes of the mini-series adaptation of John Green's 'Looking for Alaska.' There may be a few poems inspired by the series and book, especially as the latter means a great deal to me.
As I am working ******* my university manuscript, there will be few poems until the start of next year. Nevertheless, feedback is welcome. A link to my Facebook writing page can be found on my HP home page.
Oct 2019 · 126
Presentation
I’ve displayed twenty different colours
                                                        to you

set myself aflame
or dunked myself in cold water

no not you
who makes the selection

myself making the choice
as though a t-shirt in the wardrobe

what you get
either side of a coin

take my apologies
in advance

never one
but often the other
Written: October 2019.
Explanation: A poem written in my own time. I am currently working ******* my university manuscript, so poems will not be uploaded frequently to HP until the start of next year. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Oct 2019 · 147
Dream of Sleep
unpack my dreams from the chest

unfurl the cardboard tubes   haul up the old honey jars

place them in a row on the well-worn table


in order of colour or order of shape

do they shrink with a tap   do they froth from the top

which one is your delicacy of choice


now offer a hand   feel it slither across the fingers

a temporary burn or just-melted ice

when was it when you assembled this story


take your selection let night tumble in

the tale stirring   the curtains rising

a dream of sleep and fabricated magic
Written: September 2019.
Explanation: A poem written in my own time. I am currently working ******* my university manuscript, so poems will not be uploaded frequently to HP until the start of next year. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Sep 2019 · 363
Sahara
saffron wings
sleeves of copper
vanilla ice cream heaven

which was
a carnival of stars
in the first yawns of morning

which was
the first tepid trickle
of something returning

yourself
behind the wheel
sand snuggling your toes

which was
yourself with arms open
breathing again alive     alive
Written: September 2019.
Exploitation: A poem written in my own time inspired by a picture that a friend of mine uploaded during their trip to Morocco. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Aug 2019 · 377
Initiation
presenting
my next initiation
3D spectacle

in spectacles
language of rust to be wiped away
sand letters by sea

one day   as planned
I'll be the prism
my colour chart sprayed

on the walls   fruit salad
of a room made familiar
your mouths a shock of smile

my fingers un-twitching
the precise words unrolled from my throat
not these but
Written: August 2019.
Explanation: A poem written in my own time. Feedback welcome as usual. A link to my Facebook writing page can be found on my HP home page.
Aug 2019 · 275
Pop Back
wish you could extract the words right out my throat

not the clusters of dust I often proffer

but little glittering jewels every time


I don't know how I'm supposed to run

is this body a clock

is this mind a million-piece puzzle


told to do it alone

but still submerged in a lake

chilled under a cracked translucent shell


so pop me back into my sockets

drizzle me in sentences

as if private rainfall on a summer night
Written: August 2019.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Aug 2019 · 387
Neptune Blue
blue like core of ocean
blue raspberry boulder
flecked with enamel

wind-ravaged land
far out full stop
unblemished by the likes of us

plastic population
whirling ball of selfies
and self-made destruction

but Neptune, blue
like your eyes adjusting to light
like the canvas of sky post-birth of rain
Written: August 2019.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Jul 2019 · 311
Infinities
floating
   tapestry of infinities

sparkles like the distance
   is sprinkled with apostrophes

lilac ribbons
   teal condensation

and somewhere
   in the middle of a middle

our spherical mass
  of wet paint-brushed clouds

blobs of rock
   brimming with us invisibles
Written: July 2019.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Jul 2019 · 829
Keep Drinking
find your hand in the mist
chasing shadows bleeding into night

strawberry juice coating the throat
kisses are like a sunrise

if this is drunk then let me keep drinking
the sight of you

the bubbles rising to the surface
like some newly-discovered champagne
Written: July 2019.
Explanation: A short, simple poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
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