Submit your work, meet writers and drop the ads. Become a member
 
Jun 2015 · 1.0k
Legs
sun forms lemon stockings
     on legs
          bent like anglepoise lamps
     turn the page
          sparkling water
how do they make it sparkle
your earrings sparkle
     two in each ear
tiny frosted spheres
          empty liquorice heels
dead on the ground
     flaking purple toenails
     a relative’s name
in fancy font above an ankle
          you say
what are you looking at
     you know the answer
I feel it in my cheeks
Written: June 2015.
Explanation: A poem written in my own time, not based on real events.
NOTE: Many of my older pieces will be removed from HP in the coming months.
Jun 2015 · 729
Sail Our Laughing Pianos
the gurgle of your laugh
   is mouthwash
in the bathroom sink
charging across beach
   like zips on coats
yours is red
   breath ragged
a tyre with a puncture
but keep revving anyway
   feet crash as bells
**** as waves
   cheeks like the Japanese flag
raspberry-ripple drink
this fizzy petrol
   makes us buzz
our vehicles rumbling
   full of three-dollop ice-cream
rattle of matches
in my back pocket
   hear the scratch-ffttth
as I let one go
   lob it towards the sea
grab your hand
swirl in a circle
   so we become smoke
swarming from incense sticks
   then we go back
the way we came
over our xylophone footprints
   if they could chime they would
me and you now froth
   spilling down the side of a pint
dialogue luminous
as a blue margarita
   ankles chatter together
ladder on your tights
   and we sail in bathtubs
to where we’ve never been
wearing sunglasses shaped
   like briquette-black hearts
Written: June 2015.
Explanation: A poem written in my own time, not based on real events.
The poem was written without a great deal of thought, but deliberately contains unusual imagery.
The title is a line in the song 'Hiding Tonight' by Alex Turner, which featured on the soundtrack to the movie 'Submarine'. My poem is very partially (emphasis on 'partially') inspired by a scene in the movie in which this song plays.
May 2015 · 845
Dancing With Odd Socks On
It’s the one
I’ve heard a hundred times before
track number twelve
belching out the stereo.
It’s either six or five AM
anyway the horizon is orange
like a papaya
and I’m next to your window
with a glass of flat 7-Up in one hand.
No alcohol all evening
but tipsy somehow
maybe the music got some hormones
smiling inside me
or your dancing in next to nothing
gave my brain a vinegary kick.
Now you ask again
I say I have two left feet
you pull an I-couldn’t-care-less face
so it’s settled
I’m dancing but not really
and my arms are thrashing about
so much I worry I’ll belt your lampshade off
and then you jump on the bed
and Teddy goes flying
and somehow I’m quickly up there with you.
We’re teenagers at our first festival
location - your bedroom
headline act on stage
and we’re going effing nuts
at the front shrieking lyrics
hoping our sweaty faces are on BBC Three.
I’m totally knackered so I pant to you
that I’m totally knackered
and you lean in for a kiss
but bump my nose instead
and laugh just as you’ve done all night
so loud so lovely so couldn’t care about
what comes next.
We lie down now
to catch our breath
except you don’t catch your breath do you
it’s just a thing people say
and our four feet are together
naked red sock naked blue sock
you say the song listen it’s ending
so it is
fading away like every night
that comes and then goes.
Written: May 2015.
Explanation: A poem written in my own time, not based on real events. Deliberately repetitive in places, and rather un-poetic. Very partially inspired by an image on Flickr.
Please note many of my older poems will be removed from HP in the coming months.
Feedback is very much welcome and appreciated on this piece, and all pieces, as normal.
May 2015 · 1.2k
Dovestone
the water grips my reflection

all wobbly head
     quavering legs

a swathe of hillside
     like an avocado slice

trees squashed together
     in a bristly embrace

gluey splodge of cloud
     on a periwinkle sky

shimmer of sunlight
     across the lake

illuminates your face
Written: May 2015.
Explanation: A poem written in my own time, partially inspired by a set of images a friend of mine took while at Dovestone Reservoir, located in the South Pennines area of northern England, close to the Peak District National Park.
NOTE: Many of my older poems will be removed in the coming months.
Straight on a plain, miles with the blowing wind.
Miles on a plane, nowhere near the mountain ranges,
nowhere near the Atlantic shore, no lapping sounds -
Just your gentle breathing
I’m just happy you’re alive.

This bulldozed land is barren,
dry like my eyes like a dirt road.
I’m stung on the arm by an imaginary bee,
flung out the open window.
This reminds me of the pleasantries we exchanged.

How polite we used to be.
And now your tired arm is slung over the wheel
angry with me. “Can you just
shut the **** up.” I’m not saying anything.
Let’s pull over at the next petrol station
get some Red Bull and make out like we’re American.

Lick the sting. Does it taste like Pepsi?
Can I be your blonde baby or your Barbie?
These dust clouds are haloing the sun,
as we sing out loud and off tune harmony.
It’s just you and me and nowhere baby.
So use me up until I’m gone. Drag on me
like a cigarette and extinguish me on the lawn.

---------------------------------------------------------
­
Nowhereland.
Head ready to burst
like elastic bands around a watermelon.
I’ve been getting angry.
Snappy again.
The long drive has left me whacked,
our conversation gone putrid,
the air swimming with expletives.
Hay bales.
Green fields.
Lost track of how many.
Wasn’t counting anyway.
Into sixth gear then.
South Dakotan sun
stretches into the car,
over your body;
I knew it well. I know it well.
The milometer slides
to fifty-seven thousand
and the silence stings my skin
like a small fresh burn
so I raise my voice - your mouth is closed.
I toss an empty Coke can out the window,
hear it scuttle over hot grey road.
Then you begin to sing, so I sing. Why?
Awful. Wrong key. Don’t care.
You look across,
destroy me so well,
the tumbling heart in a tower of cards.
I know. Stop the car.
Find a bar.
Let’s numb ourselves together
so we feel something,
gorge on US TV
till our eyes go red white and blue.
Look what we’ve become.
Just your gentle breathing.
This is what alive feels like.
Now give me a drag
of whatever it is you’re having.
Written: May 2015.
Explanation: This is a collaboration piece with Molly O'Flaherty, whose work can be found on here (under 'Molly'). The whole first chunk of this poem is HER piece from the female perspective, while the second half is MY own writing from the male viewpoint. This whole poem is also on Molly's page.
Morristown is a small town on the border of North and South Dakota, with a population of about 70. U.S. Highway 12 passes by the area, and the poem is set on this particular stretch of road.
Not based on real events.
Feedback is, of course, very welcome and appreciated.
Apr 2015 · 629
Mazomanie
Driving for hours.
Nothing but road.
Me, head slumped
on one shoulder,
watching the rain
screech across the window.
You took over
as we crossed into Wisconsin,
the pattern of the steering-wheel
embedded in your palms.
Still got coffee from a café
a hundred miles back -
now like gloopy mud stuck in a cup.
The radio throws out
another Bon Iver track
as the wipers squeak
from side to side.
Both of us tired.
I see your eyelids flicker
between awake and not quite awake.
We stop for gas in Mazomanie.
The engine wheezes to a halt,
I hand you thirty bucks
which empties my wallet.
You stumble from the car
in a sluggish daze.
I try to shake my body alive,
my limbs heavy,
bones cracking.
Phone barely has any juice.
Enough to text home
a be home soon.
As we set off again
you give me a kiss,
a dash of caffeine on your lips.
I pinch my skin to a light red.
This is not in a dream.
Written: April 2015.
Explanation: A poem written in my own time - deliberately kept simple. Regards a couple driving home late at night after having been somewhere far away. Mazomanie is a real place in the USA. After looking for places where I could set this poem, the town's name appealed to me, hence its use in the writing, and also as the title. Not based on real events. All feedback welcome as normal.
NOTE: Many of my older poems will be removed from HP in the coming months.
Apr 2015 · 1.2k
West Pier
charred exoskeleton
with a spider-like crown

   empty network of wires
   skinny black straws

a burnt-out wreck
of salt-flecked bones

   mottled gaps unfilled
   now an eerie static abacus

a blemish in the sea
crumbling like stale cake
Written: April 2015.
Explanation: A poem written in my own time inspired by an image in the May 2015 issue of The Sunday Times Travel Magazine of West Pier in Brighton, taken by Finn Hopson. The pier closed in 1975 and fell into disrepair, particularly after a large fire in 2003.
Mar 2015 · 878
Sugar and Spice
slapdash rush
collision of lips
that open like flowers
eyes acorn-brown
red lust flush
blooms from fingers to toes
tingle of fire
licks through veins
like dripping water
skin on skin flickers
and hot sleepy breaths
quirks and delights
together as one
potent potpourri
taste of oranges
and cinnamon
something entirely
new
Written: March 2015.
Explanation: A poem written in my own time - what is kissing like to somebody who has never experienced it?
Feedback always welcome and appreciated.
NOTE: 224 older poems of mine will be removed from HP in the coming weeks (161 from 2012, 43 from 2013, 18 from 2014, 2 from 2015).
Mar 2015 · 620
Follow The Leader
faint ****
     rise fall
          of feet
               round holes
                    where toes poke
               water wrinkles
          like little knuckles
     two three prints
sunlight swims
     subtle curve
          backs of legs
               delicate corners
                    creases in skin
               her anatomy
          sealed into dreams
     delicious whisper
and I follow
Written: March 2015.
Explanation: A poem written in my own time, and perhaps the very final piece in my ongoing beach/sea series - however, this poem does not involve the 'dream couple.' Instead, this was written after being inspired by an Instagram image of the actress Philippa Northeast on Bondi Beach (Sydney, Australia), taken by Isaac Brown.
It should be noted the poem is not directly about Northeast, but merely inspired by the image I saw.
NOTE: Many of my older poems will be removed from HP in the coming weeks.
Mar 2015 · 455
To Whatever We Could Be
Love, the sky is blank
mist hangs like a million ghosts
car tyres splatter on a distant road
in the bedroom clocks stutter minutes slow
the vacuous writer snaps shut his book
In another place 11 years from now
I taste your breath on my tongue
you're drying your hair by the mirror
take a long sip of warm peppermint tea
your echo kisses the windows
Written: March 2014.
Explanation: A poem written in my own time, similar in style and structure to 'To Lindsay' by Allen Ginsberg.
NOTE: Many of my older poems will be removed from HP in the coming weeks.
Feb 2015 · 741
Labyrinth
Si   lent
             fig   ures
                           un   der   a   du   vet
I do not know them
                            the pic   ture is not clear e   nough
                            I simp   ly can't
i  ma   gine   the   breath
              on a   no   ther one’s skin
                             crack   le be   tween   fin   gers
and so - called sparks
                             but I would dis   cover
                             the wi   res that con   nect us
und   er   stand our net   work
              like a be   guil   ing lab   y   rinth
                             quick blink - touch   es
qui   et   ly
                            crad   le your name
                            as if it were
a snow   flake
Written: February 2015.
Explanation: A poem written in my own time.
NOTE: Many of my older poems will be deleted from HP over the next two months as I am dissatisfied with them, and I do not enjoy using HP as much.
Feb 2015 · 1.1k
Intimacy
Fingers fumble at buttons
liquorice in our breath
misty fug of your name
still lingers on the window
it watches
toes like bent paperclips
fidget impatiently
glass half-full of lemon and lime
little bubbles little fizzes
mute television
goldfish mouths with no sound
this evening
'vamp' your chosen shade
exposed navel heartbeats
blood thump in ear
a sock falls off
the other overboard already
twenty fingers
it's alright
I say it's fine it's alright
Written: February 2015.
Explanation: A poem written in my own time, which was actually typed up in an email to a friend first, and then posted on here. No edits from that email version.
NOTE: It is possible that over the next few months, several of my older poems will be removed from HP, as I am not quite liking the website in the same way I used to, plus those old pieces are not very good.
fully clothed

champagne waves
dripping translucent

seaweed hair
ankles drowning
sunken soles

shoelace ripples
grubby knees
buttoned shirt

salt freckles
stretching light

wet lips
Written: February 2015.
Explanation: A poem written in my own time, which sees the return of the beach/sea series (however, this may be the final piece for it). Inspired by an image on Flickr of a girl standing in the sea in Malibu, California. Thankfully, not as poor and nothing like previous poem 'Toodles.'
Feb 2015 · 1.0k
Airmail
I appear to have found your address
myself   I have lived in the same house
for twenty-two years
I have been meaning to write
leave an ‘xo’ of my own
tomorrow   I say   it will happen
so you know   today is not a blue day
but more   of course   will come
others from long ago
have blown away   naturally
age will do this to us
circumstances   relationships
only widen the gap
I do not converse with them anymore
they will miss my funeral   instead
I search for meaning in writing
happiness comes in ****** bursts
then vacuumed back up
I can only find solace in little pleasures
why has this not happened to me
what am I missing   did I lose anything
I point my finger  
I sigh   my fault
or so I tend to believe   so it goes
I carry myself as if I am a mirror
reflection the same but looking different
every day   I mean to play my guitar
in the same house I have lived in
for twenty-two years
besten wünsche   mein freund
I feast on your words
a delightful banquet
and so I said   your address
I will send you a letter
Written: February 2014.
Explanation: A poem written relatively quickly in my own time (and as such is not quite as strong as it could be), shortly after receiving a letter. The style, structure and theme is partially influenced by a poem written by Lisa Marie Basile. The German phrase translates as 'best wishes, my friend.'
Jan 2015 · 1.6k
STFU
caught up in a sa of altrd imags
alcohol flowing
   rd pupils
from all th slfis
   ****
scroll up /// scroll down
m8 u waz wastd
   vryon at ach othr
voics scrambl;ing
for pol position
#popularity laddr
a flck of jalousy
   slic of malic
   *fyi
grn lights signal
sombody cars rite??
hr bgins th dz-dss-
   the dscnt into pixls
primary colours
   '*** **'
night grows old
   plot unravls lik a ball of string
coagulats thick and bad
let fingrs do the talkin' 4 u
  nams bcom strangrs
bcom nams bcom strangrs
TTYL
:)
Written: January 2015.
Explanation: A poem written in my own time.
I have just finished watching a recent powerful UK TV film called 'Cyberbully', which highlights how an unknown culprit can attack others through the Internet. This got me thinking about how today's society is so Internet-based, it's quite shocking. I notice everyday how people can be rude or offensive to others online, and yet nobody thinks anything of it, and as a result, nothing is done. The culture of those aged between 15-22 online is a thorny topic - selfies galore, attention-seekers, terrible spellers - not all, but a lot.
This poem deliberately omits any use of the letter 'e', contains brief 'cyberspeak' and punctuation in an unorthodox style (but the sort of thing one may see online from time to time). Feedback as always is appreciated.
Jan 2015 · 2.4k
Flirt
bodies under a light
  nothing on our feet
green tea past midnight

lips spell catastrophe
  I reek of calamity
speech drops out slow

fogged-up glasses
  crackle of a packet
of chocolate biscuits

soft fingertips
  seconds swallowed
stuck in traffic

pathetic
  catch her eyes
self-induced electric shock

burnt tongue
  there sing the clocks
she lets me in
Written: January 2015.
Explanation: A poem written in my own time, and the first new poem to be posted onto my Facebook writing 'update' page (link is on my home page).
I have said to many people I do not know how to flirt, and thinking about it, I ended up with this piece.
Jan 2015 · 399
Red Room
Met you in the red room.
Met you in the place
where we shattered our youth.
   I came as soon as I could
in the car, beer on my teeth
and my heart thumping mad.
You had called me up.
Dropped my phone in shock,
maybe laughed in surprise.
   Sixty miles - sixty minutes.
***** the traffic lights,
***** the state of my face,
my bloodshot eyes
yawning open with each blink.
   Inside, into our crimson heaven,
curtains drawn,
glass of milk in your hand.
The room of our eighteens
where we killed crushes,
lost bets and went home
no nearer to being adults.
   You’d put on that black shirt
I’d left one time before.
I’d forgotten all about it.
Yours now. Always yours.
   It was raining.
You gave me a towel,
I breathed in your smell.
No need for words,
I knew what you were saying.
   Took a step closer.
Both of us ready to shatter
whatever this was now.
Written: January 2015.
Explanation: A poem written in my own time, inspired partially by certain shots in the music video to 'Trojans' by the band Atlas Genius, as well as a photo taken during the filming of the song.
I wanted to keep the piece simple, and yet visual. The repetition of certain words is deliberate.
Jan 2015 · 1.8k
The Dragonfly Years
summer          light
   drinkable
through
               yellow straws
parched grass
gasping
     for         cups
of   yummy
       liquid
boys with limp
                        fringes
awkward  
stubble
     like barcodes
girls   lap   it   up
   thirsty             dogs
   in mulberry
skirts
   cusp of            eighteen
             walking
with dragonfly wings
         sunset colours come
   ooze through
gauze
darkness on     lips
   presents a          kiss
Written: January 2015.
Explanation: A poem written in my own time that I am quite happy with. Partially inspired by the work of ee cummings. Feedback, as always, is welcome.
Dec 2014 · 530
The Itch
Manhattan’s clockwork
ran just right,
   trains clanking into grey stations
where you’d stand incognito
among a knot of suited men,
   a sliver of white-hot California
slap-bang in the apple,
and now you were ready
   to sink your teeth deep.

Upon the roof,
a limp cigarette
   between two of your fingers,
scanning Park Avenue
as if it was your playground,
   an oven bloated with mayhem.
Your world and their world
captured in muted tones,
   the next phase of a life
simmering in your mind
before the snowstorm came
   and the sky faded to black.
Written: December 2014.
Explanation: A poem written in my own time, and another in my ongoing city series. This piece is inspired by an image of Marilyn Monroe atop the Ambassador Hotel in New York City (since demolished and replaced by 345 Park Avenue, a skyscraper of offices), as part of a set of photos taken by Ed Feingirsh in early 1955. At this time, Monroe was in New York during what can be called a self-imposed exile - she wished to take on more serious movie roles, improve her career and in general, spend some months changing her life. The title is inspired by her own movie, 'The Seven-Year Itch.'
Dec 2014 · 732
Kiss Me (Blue)
and your     electricity
will propel   through me
   jolt me     ALIVE
make my skin   tingle
                                    this and your fingers
twirling until midnight
   chilly   trail   along   my   back
bones  I own
     played as a     silver harp

kiss me (pink)
and I’ll   sip   your smell
   like white wine
slip it under
my sleeve
   breathe easy
if you have     stained     me
with a [quick] shock of lipstick
watermelon juice
as a burn on my     neck

kiss me (red)
and my veins will i g n i t e
     a sunrise
between-our-toes
cauldrons for mouths
   burbling bits     of us
fat   happy   glistening   bubbles
wrench me
from the river   you know how
    rinse me in lilacs

kiss me (black)
and I’ll   crackle
spl int er as glass
be swept            along in neither here
               or there
lose my   taste   to the wind
fill milk-bottles to the     brim
   with inane bOO-hOOs
those bluespinksreds in-betweens
     **** me gently
(with a smile)
Written: December 2014.
Explanation: A poem written in my own time - much more experimental than usual - partially inspired by the style of ee cummings. Inspiration is filling my brain at the moment, and the important thing is to create something which puts my thoughts onto the page/screen in a way that satisfies me, and in which the meaning is clear (at least in my own head). Feedback is very much appreciated on this poem, and of course on other works too.
Dec 2014 · 699
Festivities
pigs in blankets
endless plates   vegetables
a rapid bang
   (spark)
crackers open   spill miniature
gifts   wrapping paper
in tatters
   whiff of fresh books
fizz of spines
when my finger hits page   one
thank you very much
fifty times   from everyone
moment to sit   reflect
no job   grey skies
   no worries
sleep in ( eyes )
Written: December 2014.
Explanation: A poem written in my own time, inspired by the style of ee cummings, whose collected poems I received as a present.
Dec 2014 · 2.1k
Christmas Triptych
I.

Mistletoe kisses
for the hordes of giddy folk
alcohol in blood

--------------------

II.

Presents covered up
just to be unwrapped again
a colourful waste

--------------------

III.

Evening skulks along
terrible television
Quality Street tin
Written: December 2014.
Explanation: A set of three haikus written in my own time regarding Christmas, following on from similar pieces written in 2012 ('Yuletide Trilogy') and 2013 ('Stocking Fillers'). These haikus are not intended to be taken seriously, and are one-off deviations from my usual style. 'Quality Street' refers to a tin of various individual sweets (mostly chocolate), sold in Britain and primarily popular during Christmas.
Tonight
   got away from the mess
city   toothache     throb
ensemble of car horns
     shoppers throwing     money
like empty   sweet wrappers

park is better
calming me     a cup of cocoa
stepped     into Narnia
     without the wardrobe

snow   squeals   with each step
little deaths
   little graves where others have   stood
a ring of prints from   a hundred   shoes

breathe in     white silence
   find frost’s left a hypothermic   dance
between wires   of a tree
   white fibres together as arms

sweep clean   the bench
   blanket of sherbet
sit and think
how simple it is to be     forgotten
   alone   a caterpillar of tinsel
in a tattered   brown box
not allowed to   shine past
   December thirty-first

or not shine at all
   rather a rope of dud   fairy-lights
   I wonder   I wonder
lamppost emits a   frigid glow
night unfurls above my head
  
   I left my gloves
at home     again
Written: November/December 2014.
Explanation: A poem written in my own time, and a collaboration piece with a fellow HP member, Rose. This poem is a response to an image found online of a snowy park scene. Rose's poem, her own response to the same image, can be found here - http://hellopoetry.com/poem/962427/white-silence-a-collab-with-reece-aj-chambers/
It is recommended you read both pieces - feedback is always welcome and appreciated.
Nov 2014 · 1.1k
Heroes For Lunch
Oxford one Thursday before Christmas.
Down Ship Street for lunch,
sticking to what we know.
Inside, into warm familiarity,
away from the chirp of bike-wheels,
tuba players and cold latching
onto our cheeks.
A trio of guys, one female at the back,
preppy students sipping coffee,
crumbs scattered like sesame seeds
over white plates and laps.
Smashmouth on the stereo,
a choice between Coke or pink lemonade
(Coke it is),
a flapjack for one-seventy if I wanted.
My stomach growls for grub.
I think of winter drizzled everywhere,
scrawl all this upon a scrap of paper
using my father’s pen.
Then a black-haired girl
with a sincere smile hands over
my baguette, chopped in two
and I think of her until we are finished,
well out the door
with my coat zipped right up.
Written: November 2014.
Explanation: A poem written in my own time. Notes for this were written quickly while sitting in Heroes Cafe, located in Oxford, England, where I had lunch today. Smashmouth are a Californian rock band who had moderate success in the late nineties.
Nov 2014 · 1.9k
Polka Dots
Hadn’t changed numbers.
A voice bristled in my ear,
said why not then, it’s been years.
Months passed.
An amalgam of frail strained hearts,
smells on pillows we tried to lose.
Chose the boulevard in the end,
gaudy nostalgia blazing
like a forest fire in my eyes.
I waited.
Ran a finger over rails
those skaters we knew marked,
back when something called lust
fizzled between you them and me,
through the airwaves;
the lyrics can still trickle
on my tongue if you ask nicely.
Peroxide-blondes, men with muscles
the size of marrows,
a summer pick ‘n’ mix
lacking in looks, in fine taste.
Went to read a book in the sea
for a while,
slurped up half a pint in chapters
then lost the plot again.
That’s when you came
in polka dots,
a pack of colourful taffy
swinging idly from a wrist,
peanut-butter cups
like lily-pads on your palm.
As if you’d never left,
same number, name, face.
Forgot what goodbye was,
tripped over a lost hello.
Written: November 2014.
Explanation: A poem written over the course of one evening. The idea came to me after seeing a photo online of a girl in a polka-dot bathing suit. It don't feel it is part of my beach/sea series, but that may change.
'Taffy' candies are more commonly known as 'chews' in the UK, while 'pick 'n' mix' is similar to what the US call 'penny candy'. As for the 'peanut-butter cups'... they are known as 'Reese's Peanut Butter Cups' worldwide... my name is spelled slightly different, but anyway.
Immensely happy with this poem, considerably more so than anything I've written in a while. Feedback very welcome and appreciated as always.
Oct 2014 · 484
Extraction
Here's to hoping
they'll make me forget about
devil-red lips,
pockets of skin I've never touched,
coils and coils of it,
delightful nightmares
set up like mousetraps
ready to chatter together
when the hour-hand smacks eleven.
Can I extract your name
like a tooth?
You slip under the door,
into my arms,
the air you've never been
but ought to be.
Written: October 2014.
Explanation: A poem written in my own time, very similar to previous piece 'If I'm Honest', in the sense it was written in a short amount of time while I was watching a movie, with barely any edits made when typed up. Feedback welcome as usual.
Oct 2014 · 673
If I'm Honest
Foetus,
eyes to the floor
for fifteen minutes,
ramshackle thoughts
rattle like old objects in a toybox,
lights off and imaginary people
to talk to.
Sipping fruity juice
as girls smash together.
The trivial things bring chaos
in great big buckets.
They say I’m OK;
I say I am losing it
losing it.
Written: October 2014.
Explanation: A poem written between 23:15 and 23:25 on 29th October 2014, while in bed watching a movie. Apart from one or two words, not edited at all from my handwritten version.
Oct 2014 · 504
Hypnopompic
I welcomed you into my labyrinth,
shut all the doors,
drizzled blankets across
everything, each squashy chair
where you could rest your head,
leave remnants of you
in perfume and hair
so I wouldn’t forget.
Little pictures
developed in my hands,
a simple magic trick
which made us smile
as sniggering kids.
Then they dropped to the floor,
created a collage
of recent memories,
our private history
stationary and square.
Bricks cold as frost on grass,
you danced,
I fell deep. A soporific
multi-hued haze played in my eyes
as if it was endless hopscotch.
Sunset glazed our faces
a marmalade-orange,
we lost ourselves
in towers of books
and images
which now spread
beanstalk-like up the wall.
Pinch-marks resembled
berries on my arms,
soaking in madness,
basking in your light.
I could rest in this maze forever
you said.
Then I, in frustration,
turned over in bed.
Written: October 2014.
Explanation: A poem written in my own time (could be stronger) that I feel is part of my ongoing city series, despite no mention of a city in the piece. I feel I am writing a lot of (maybe too much) material inspired by the same person/people, material that is fictional and unrealistic in my life, and yet very visual. 'Hynopompic' refers to the state of consciousness between being asleep and fully waking up -  a feeling of drowsiness when you are not sure if you are awake or not. Hallucinations are possible at this time.
Oct 2014 · 544
Black To Win
Playing pool at 5am,
see the sun rise and seep
between mouthfuls
of double choc-chip cookies,
Mountain Dew cooling our throats
like antifreeze into a car.
I gather up your laughter for rainy days,
everything dripping in colours
that haven’t been christened.
Your fingerprint wriggles
form an island chain on the piano,
wet symbols, bathroom carpet
where you got out the shower
in a sky-blue towel;
I hid under the bed.
I tell you you’re messing
with an amateur,
kisses are pleasant glitches
but I’d miss and trip
through the open window.
My hands become flappy utensils
when I explain years months days
of apple cores piled up
behind wardrobes,
my portfolio of fiascos.
Faults are found like Easter eggs -
squeezed from toothpaste tubes,
top shelf of the oven.
This is a dark one here,
a miniature pill.
You only bring mugs
of youthful exuberance to the table.
A click. A shlock.
I turn my head,
the game lost
within a blizzard of minutes.
It’s OK I say,
I wanted you to win.
Written: October 2014.
Explanation: A poem written in my own time that I feel does fall into my ongoing city series (at least in my head). This piece is inspired by a recent photograph I saw online, while the title stems from certain situations in games of snooker/pool/billiards, where after a tense battle, one player may only need to *** the 'black to win.' Very happy with this poem, which is unusual to say the least. Feedback welcome.
NOTE: This poem contains one of (if not my number one) favourite word - 'blizzard.'
Oct 2014 · 572
Between Dreams
Fell asleep.
A dream within a dream.
My pillow a thin tartan blanket
we found crumpled at the back
of your cupboard,
discovered like a pearl
in an oyster or two.

Five metres away,
the sea,
graveyard of lungs
slinks kitten-like
towards the soles of our feet,
a cocktail of voices
swimming in the wind.

I scrabble for your hand.
It is smaller than I remember.
Feel the deep lines
criss-cross
across your palm,
specks of sand
corkscrew up a thumb.

Your hair is seaweed,
still dripping from when
you took a dive,
gulped up by the sea,
and gone gone gone.
I treat you
like my favourite secret.

Only an hour
has passed.
The waves shush us both
so I count the clouds.
They move as lazily
as the fingers of a clock.
And then, my eyes are shut.
Written: October 2014.
Explanation: A poem written rather quickly (first draft written a day before), and part of my ongoing beach/sea series. Feedback on this (and others) is welcome.
Oct 2014 · 758
December
The delight of it all -
rain splattering skin
like tiny knives,
back of my hair
a throng of wet
sinewy stems
plastered to my neck.

I scoff blueberry
after blueberry,
perforate each
little indigo shell,
let the taste
swell as an ulcer
at the front of my tongue.

Snow becomes slush -
graphite clumps
sliced through by bicycles,
footprints of strangers overlap,
undulate as ECG lines
down alleyways,
into dimly-lit side-streets.

A couple kiss,
their lips
a strange pinky knot
of flesh and breath
outside a bar
bunged with get lucky
guys from across the bridge.

Find a bench,
allow the metallic cold
seep into my hands
like a morphine injection,
count every dull grey building,
tighten my scarf
a bit more, a bit more.
Written: October 2014.
Explanation: A poem written in my own time, and another that is part of my ongoing city series. This piece regards a man walking through the Tribeca area of Manhattan, New York, and ends up sitting on a bench in Hudson River Park, at the very end of Watts St. I feel this is one of my strongest pieces for the series so far. The first line is partially inspired by the first line of Sylvia Plath's poem 'Cut.' Feedback welcome.
Oct 2014 · 875
Silly Little Crush
nothing new here
     lollygagging
sunshine feebly
sneaks across   feet
     tangled   duvet
xylophone of toes
bubbles   in     lemonade
   form a circle
drink fizzles
     like the death of a firework
four   high   heels
     foxtrot upon floorboards
rainbow notes to one another
spread   out   as   dolly   mixtures
   on a table
strewn in coffee mug stains
resemble sets of braces
     crumbs on a sofa
white socks   on the radiator
shrivel and   dry
     shave but leave
barbed-wire     stubble
in the sink by accident
     fingerprints
a translucent vine
on the shower door
mine     or yours
   skin turns lychee-pink
rare   fossils
earrings sparkle under a lamp
making   pancakes
     your specialty
let my fingers     blizzard
over every part
   I haven’t found yet
chuck the   ugly   bits of me
out the window
get whipped   up
in your hurricane
     speak your name
Written: October 2014.
Explanation: A poem written in my own time and another that is (sort of) part of my ongoing city series. Far from original and similar to other pieces in the series, this poem regards a dream I had recently. 'Dolly mixtures' are a brand of small British confectionery. The phrase 'silly little crush' is one I appear to be overusing lately - probably have already used it in a poem.
Sep 2014 · 527
Alice at Night
Darkness crackles where she’s stood,
a memory in the margin.
Stories tumble on her tongue,
words scurry like leaves
back down her throat, scorch her lungs.
She is lost. Alice is lost.

Left her heels at home,
never the right weather,
sending tears in the mail to twenty addresses,
first class sealed in poppy-red envelopes.
She writes left-handed so they’d never know
it was me.

Vowels loop dreamily
but ooze as un-bandaged wounds
over each vital word, every name
she murmurs so the city can’t hear.

Streets fuse together,
melt into a concrete concoction,
a labyrinth Alice crawls through
until her knees bubble red,
ruby rivers throb in her eyes.
Turning into a zombie,
downed the wrong pills,
now her hands belong to someone else,
do what you like, what you will.

Cranberry Street to the corner of Jay.
Midnight and midday both the same.
Now out come the princes, princesses
feeding their heads, slapping money
on the table, licking wine glasses clean.
Alice finds solace in a streetlamp,
twirls like a ribbon and falls
into another crackling darkness
with no one to call.
Written: September 2014.
Explanation: A poem written in my own time and another in my ongoing city series. This piece is about a girl who is essentially 'lost' in a big city. The name Alice comes from the book 'Go Ask Alice', and the poem was partially inspired by the song 'White Rabbit' by Jefferson Airplane - 'feeding their heads' comes almost directly from the song. Alice of course also stems from Alice in Wonderland.
Plus, the word 'zombie' is used, alongside Cranberry Street - Irish band The Cranberries had a song called 'Zombie.'
It's likely there will be some edits to this poem in the near future. Feedback always welcome.
Sep 2014 · 1.1k
Discover Another
Rolling with my thunderstorms,
violet shifts to black
and you run ashore.

Capsized outside a theatre,
I wrench you out
from the starfish glob of mess
I made, blow the grit
off your forehead,
scrabble for a candle
we can re-light together.

One time, mud snatched
at your ankles.
You screamed but I was seeing
drains and reflections
twisted in puddles
like fuzzy lines on the old TV.
A migraine came;
I threw it up into the sink
and slept.

Lost count of the times
you've tossed me out
in the snow, garbage among
banana skins, frozen earlobes,
but who chucks a duvet
over my frost-flecked skin
but you,
with a clumsy smile
and mascara raining
down cheeks.
Every time.

Tonight I find you
in the evening fog
after searching
every subway station
my legs would allow.
My shins cry for rest.
The busker plays
Bob Dylan out of tune
but can’t blame a guy for trying.

You discover my eyes,
put your face to my coat,
mumble words like you have
a mouthful of ice.

Lookin’ for a friend?
The 11.04 towards
Borough Hall.
We get on, I catch your breath,
count the hundreds
and thousands of steps
to home.
Written: September 2014.
Explanation: A poem written in my own time, and part of my ongoing city series. This piece regards a couple who are struggling to make their relationship work. The guy cannot please the girl, while the girl worries about her behaviour towards him.
Side-note: coincidence there is a subway station in NYC called 'Chambers Street', when my name is Chambers.
'Lookin' for a friend' is from the song 'Subterranean Homesick Blues', by Dylan.
Sep 2014 · 534
Turning Heads
Not for the first time,
clusters of heads
turn in her direction,
pupils dazzled by a mannequin
in high-heels
click-clacking down Lexington
one September.
Spilt your drink.
Close that mouth
and remember to blink.

Every trail of sentences
a sultry whisper,
steam billowing out
from a red teapot
while whorls of hair
whipped up like meringue
glisten in sunlight.
Teeth as white as opals,
she’ll give you a wave
if you hand her a smile.
Watch the step now.

Two legs,
a dress,
enough on show.
Trains of men
topple over
into a pool of lust
like helpless little dominoes,
catching her giggles
as they trickle
along every avenue.

They all want a sip
of her delicious potion
she carries in the breeze.
A smudge of cherry lipstick,
a dash of pink glitter,
a lethal glimpse at you
and a wink,
enough to make you say
what's her name?
and forget your own
until you slowly, slowly,
turn back the other way.
Written: September 2014.
Explanation: A poem written in my own time and part of my ongoing city series. This piece describes seeing somebody remarkably beautiful, similar to how people must have reacted when seeing Marilyn Monroe (or similar pretty actresses from that era) walking down the street for example. I wanted this poem to focus on 'what would it be like to see somebody like that?'
Lexington refers to the avenue in NYC, where arguably Monroe's most memorable film scene occurred (before switching to an indoor set) - The Seven Year Itch dress scene.
Feedback always welcome.
NOTE: Title not to be confused with 'Talking Heads', a new-wave NYC band who had success in the eighties.
Sep 2014 · 875
You, The Sea & Me
All we are,
delightfully lost.
Is that all it is?
Heading feet-first into sunsets.
Whirlwinds.
We crash, grab,
forget to blink,
rely on breath alone.
Here words tumble in a torrent,
recycle in your mouth
and back out again.
Clichés cannot die.
On a loop,
a worn-down yo-yo.
I roll them out for you
on a goldenrod carpet,
you skip across them
as though they are red-hot coals.

What set you off
like a sparkler in the night?
The sea brings us love,
vice versa.
Waves like mounds of sugar
embrace your torso
in a way I can only dream of.
Camera exhausted
under the weight of today,
puddles of polaroids,
enough to smother the floor.
I smell snapdragons,
candy fizzing
on both of our tongues.
Soaked.

Fade to black.
Your language
is blossom
slinking into my ears.
Wet sand
slips in a mustard waterfall
through our fingers
and I trip over my T’s and P’s.
I’ll keep your smile
locked in my pocket
for black-cloud days.

A triplet of cartwheels,
sticky palms
and panting as if
you’ve run a marathon.
Give it a go…
I try and collapse,
a soppy sprawled mess
gawping at the sky,
before blue eyes
smash into mine
and I fall again.
Dripping.

In-between seconds.
Flaccid strands of hair,
frizzled spaghetti
clings to your neck.
The blonde grenade
I keep writing,
cannot control
but adore to see explode,
catch the thirteen
or more little fragments
of you,
keep them ‘til next time.

When you leave
I can follow your footprints,
mementos back home,
tread where you stood
and exuded light.
We sit cross-legged,
water dribbling over our toes.
I memorise your heartbeat,
you plonk your head
on my shoulder.
Minutes wash away.
Stop the clock.
Written: September 2014.
Explanation: A poem written in my own time over the course of four days, part of my dream couple beach/sea series. Out of all the poems I have written, this is the one I am most proud of, although it is similar to other poems in the same series. It is very easy for me to visualise the beach, the couple and the sand etc. A few pictures and a video online inspired the piece. There may be very slight edits in the near future. Feedback greatly appreciated and always welcome.
Sep 2014 · 952
Tickle Me Not Pink
I went back.
   A week later,
everything foreign,
                                 off
the map.

Rain.

   I bought
a strawberry milkshake,
your favourite
from that cafe
we had breakfast in one time,
and you told me
   your middle name
with a mouthful of croissant.
   I still don't know what it is.
It didn't taste as good
and the price had gone up.

   Carousel was closed,
found a bench,
must've slept.
   Woke up soaked,
clothes clinging to me
like Velcro,
dog taking a leak,
watch said midday.
     Went walking.

More rain.

It took your footprints,
snatched them     away.
I couldn't find our castle,
that too had succumbed,
crumbled to pieces
like you     and     me
and     you.

   I can still smell the sea
   on your shoulder-blades,
in your hair,
on the gap
between your   nose
and your   lip.
   Didn't like being tickled
but I did it anyway...
you still laughed
and made black days
wildly red.

   A memory,
memories
trickling as bathwater
down a plughole.
   We ate raspberries,
     threw   rocks,
danced about like   rag-dolls
to songs we'd just made up.
I called you Ringo,
you called me John.

   Now the waves,
***** diamonds
scare me as soon
as they skedaddle
over   my   toes.
   You are not lost,
and yet
I cannot find     you.

Rain.
Written: September 2014.
Explanation: A poem written in my own time, and part of my ongoing beach/sea dream couple series (the last of which was 'You said'). This piece is written in a sort of worn-down, fragmented style. It could be stronger, but I am happy with it for now. Feedback on all work is welcome.
Aug 2014 · 881
Golightly
At one
with the wind
in a midnight dress
a necklace
dripped around her throat
   like raindrops
I didn’t buy
but should have
and

how she adored
the water-lily pond
I’d paint her
in delicious shades
myriad   colours
but only an image
in the end

static

solid complete
now

heading
to Bemelmans
down Fifth Avenue
she dances
          a dragonfly
in the winter dark
I catch her
   twirl her
and the trees
don’t seem so empty

savour her voice
like fine caviar
study the   liquid   flow
of her legs
heels   clicking on cobbles
my left foot
     twists
and I     wobble
breathe in her laugh

a detour
a walk into the park
skips   along
   snow-sieved   paths
her hair
a merry   jazz
in the bitter air
the strangers
think we are weird
and we find Alice

motionless in moonlight
a kiss on a cheek
sway     circularly
until everything
smashes into a blur

and we spill

giggle like kids
seventeen again
can’t drink enough
of the evening
I ended up
     in Wonderland
Written: August 2014.
Explanation: A poem written in my own time, and another in the ongoing city series (the last of which was '$2.65'). The title comes from the character Holly Golightly from the novella/movie Breakfast at Tiffany's. 'Golightly' is intended as a slight play on words in this instance. The poem however is not about the character, and like most of my recent works, is not based on real events. Feedback always welcome and appreciated.
Aug 2014 · 507
You said
what would it be like to drown?
Water sloshing in my ears,
everything black. Wobbly.
Cold and useless
you said.

Would I wash up on the beach?
Seaweed laced between my toes,
a mannequin. A soft toy.
Drenched and dead
you said.

Would someone save me?
Hurl my floppy body out
the sea like a wreckage.
Lay one on my sand-splashed lips
you said.

Would you miss me?
I'm too much of a scaredy-cat
anyway. Think I'll watch
the sun sink with you instead,
you said.
Written: August 2014.
Explanation: A poem written in my own time, and another that is part of my ongoing beach/sea dream couple series, the last of which was 'Lighthouse.' This piece was partially inspired by Stevie Smith's poem 'Not Waving, But Drowning.' Feedback is always appreciated.
Aug 2014 · 808
$2.65
mornings become   afternoons
   become nights
two   jobs     I juggle
     just so I can say
   fresh   money in my   purse
     for things I do/don't need
a mahogany     umbrella stand
gorging     bottles of beer
     chest of     drawers
   from that vintage store

     guy at the window
fancies a macchiato
   any second now
   whatshisname     from the bank
   loose tie yet   again
will come in
     expect an     espresso
not in the mood
   only   thinking
     about   rent this month
     some dude     last night
clattered into me
a drunken   haze of words
    sticky kiss   on my fringe
    slapped him     so he grabbed me
   rectangular ****
migraine like     Vesuvius

     clean a table
   know he's looking at me
     turn   around
hides     behind the Times
latte latte latte
     chuck it over some   Asian’s lap
sorry   about that
   I'll get you another     one
so not with it
   all I can     see
spread out as items
     at a flea     market
snow umbrella
rent   ***
   book kiss
milk     orange
     blood   money
alone
coffee
Written: August 2014.
Explanation: A poem written in my own time, and another in the ongoing 'city' people/landscape series. This piece is nowhere near as good as I'd have liked, so edits are possible in the near future. Feedback welcome.
Aug 2014 · 727
The Missing Piece
Last night
I held out my palm
to catch hailstones

to store under floorboards
where all bad things are kept
like spoiled apples,

letters paralysed by tears,
junk I bought
then jammed into toasters

so at least I could say
I put them somewhere.

It feels chillier
when nobody's about,
and the roads

and alleyways
are clogged
with silence,

the inescapable
winter blackness.

I find your name
on my window
drooling away,

a skeletal row
of faded transparent roots
and when I woke

I desperately wished
you had put it there.
Written: August 2014.
Explanation: A little poem written in my own time that doesn't really fit into either my dream couple series, or city series of poems. Layout not exactly how I wanted it, but happy nevertheless. Feedback always welcome.
Drinks at the White Horse,
a round of alcohol
painting my throat red
and my words black;
I even spat some out
on the sidewalk,
watched them trickle
in a river
of nonsensical sentences
down the drain.

This pain - temporary
like the night,
bruises I invented
in a flurry of fury,
plum seahorse shapes
coil around the backs
of my legs,
join the dots,
one dollop next to another.

I’ll say I was attacked
by a motley clan of kids
who couldn’t even smoke
cigarettes correctly.
Oh these? Just a scuffle
from three Thursdays back,
I see the Giants lost again
what do you think about that?


Streets,
a swarm of phlegmy students
pouring out a hive of bars,
hacking into handkerchiefs
like broken motors.
Perry Street passes by
in a red-brick blur
and I think I stick
a few fingers up
when a cab shouts
a foreign word at me.

Some wizard
on Waverly Place
***** a girl’s face
so I snort, maybe giggle
a little at how lust
in Winter
is a myth to me.

Earlier in the cinema
I managed forty minutes
before sleep hit me,
no idea if the clichéd ending
came around
but the darkness was nice,
first hug in ages.
My MTV tells me nothing
I didn’t know before -
I live in my fridge
and the bin’s far too full.

The girl at twenty-seven’s
drawn the drapes,
doesn’t know I saw
her husband drop coffee
when the waitress
leant over to swipe clean
a table at Joe’s,
a lime-green bra
or perhaps it was blue,
it was thir- four-
fifteen hours ago?

She’s barely left college
and I’d bet my last four dollars
his son’s pushing
for Ivy League
(probably Cornell).

I fall under the arch,
groan as if I’ve received
a Christmas present
I already own,
feel a tinge of beer
fuzz on my tongue.
Strangers look at me
and know I’m not
no undergraduate guy.
A Labrador
skips past.

I salvage my phone
from the shipwreck
in my pocket,
dial her number,
let it ring
and can’t be bothered
with it all again.
Written: August 2014.
Explanation: A poem written in my own time over the course of several days. It may be too prose-like, but I am so happy with this. It is another in my ongoing little series of 'city' poems (the beach/sea series will continue over the coming months.) I believe this piece works better when read aloud.
I was watching a documentary where a man said the word 'phlegm', and ten minutes later I had three stanzas written of this poem in a rough form. I added more and more to it a few days later and have left it in this rambling sort of form and structure, similar to how a drunk man's speech and thoughts might be like.
The Welsh poet Dylan Thomas drank at the White Horse Tavern not long before he passed away and Joe's is (at least when I checked) a real cafe. These 'city' poems will all soon be linked. Feedback very welcome.
Aug 2014 · 670
Leaving Hell's Kitchen
Winter,
and with winter comes a girl.
She greets the weather as a friend
she has not seen since last Christmas,
grins as the snow
scrunches and squeaks
as green Wellington boots
on a wooden floor.
Two men walk past her,
reeking of yesterday’s brandy.
One has sloshed a lot
down his front,
a dark claret patch
like a seeping **** on his chest.
Someone is playing an instrument,
a saxophone,
and the sound
sprints fluidly along the streets
into taxi-cabs and terracotta
coffee-shop windows.
She smiles again.
One dustbin’s been KO’d,
trash trips out
in a puddle of colours
like unwanted confectionary.
A teenage couple are kissing,
their heads a swaying metronome
and the boy grips a Starbucks cup
with one limp hand as if to say
here you have it.
Evening gushes over her
like a rush of bad acne
but she loves the sun
as it pecks the cheeks of buildings
and the jingle from her phone
which reminds her,
the movie starts at eight.
Written: August 2014.
Explanation: A poem written in my own time that falls into my little sort of series regarding city landscapes and people. Looking at my recent work, I feel that the bulk of it is fairly strong, but this may be the one I am most satisfied with in the past month or so. The beach/sea series is ongoing and will return soon. Feedback on this, and all other city/beach poems, is most welcome and appreciated.
Aug 2014 · 1.3k
Virgin
Fingers locked
     in female hands
a riddle
   like legs     free of clothes
   crumpled jumpers
     in a corner
resembling a salad
of what-the-hell-went-on
last night   greeny-reds.

   Dolled up
bees' knees
     next time
not a person to     impress
or   dazzle   with a fedora
   top-shelf aftershave
charcoal-black shoes
gobbling     this week's wages.

Miss your     mouth
                              completely
see if you   tick
the thirty-one boxes
     know nail polish
     birthdays
better than second-hand
lips   and teeth   and tongues
   and lips
stash wit in a drawer
humour   under the bed.

Spot the odd   one   out
like finding a disease
     in a bloodstream
always observe
     an   owl   in the room
   watch others hurl feelings
I miss   you's   about
gobbledygook
resort to stories
     only your pillow knows
they want the     fire
not a                           lonely snowman.
Written: August 2014.
Explanation: A poem written in my own time, somewhat personal. For the record, '******' is my least favourite word, and I despise it when used as an insult. This poem could be a little stronger, so edits are possible. Feedback welcome as always.
Aug 2014 · 898
Your Front Door
Lights were on,
you were home.

His car,
watermelon green
boot static in front,
lit up as treasure
beneath a streetlamp globe.

Snow pinched
windshield,
fingers numb,
gloves with pentagonal
holes 'round the wrist.

Got out,
cold hit me
like the train squealing up
at Canal Street
near 2AM.

That's where
you found out
who I was.

I thought you were
another twenty-something
from Greenwich Village,
discount hairband
and a wrong shade
of eye-shadow.

Eighteen months later,
I can't even remember
what colour your eyes are.

Knocked the door,
a reckless mistake.

Heard a murmur,
rowdy thump down stairs,
a ****** of glasses
(wine? Surprise.)

It had been a while.

You were expecting me.
Written: August 2014.
Explanation: A poem written in my own time, and another that forms part of a 'city' sort of series I have going on at the moment, alongside the bigger beach/sea dream couple series. This piece could be stronger. Feedback always appreciated.
Jul 2014 · 733
Absent
When I woke
                      you were gone.

A bowl in the pillow
where your head   slept,

   six     hours
   pouring what passes for coffee
these days.

In a text
you told me

you burnt your hand,
     showed me

     a pomegranate splash that danced
between your fingers.
     Ouch, it still hurts you know...

Didn't hear you come in,
                            silent angel

but your perfume
   lingers like a   delicious poison
  
and I notice flowers
   are starting to crumble
as snowballs     on our window.

   No mirror
   so I cannot see

whether you've  left
     a cherry   lipstick birthmark

on my cheek
   or a note which says
didn't want to wake you!

Got this feeling,
   jet lag maybe

   but I haven't     moved,
haven't   flown     anywhere.

I flump my arm
   into the blank     space
where your   body ought to be.
Written: July 2014.
Explanation: A poem written in my own time, inspired by Simon Armitage's 'Night Shift.' Feedback always appreciated.
Here come
pairs   of   legs
   riddled with cellulite
   accents
     stuff the air
Neuwcassul
   Burmingum
stores     reek
of cheap   tat
   bargain   last-few-quid   items
Irish music
no-one gives a     jig     about
    Mr. Whippy's
for sale every seven/six
   make that     five     cafés
women   packed
   like bubblewrap
     into denim shorts
     middle-aged men
plagued with     tattoos
   Irn Bru tans

back at the chalet
     kids thwack
   plastic     *****
with plastic racquets
   next-door neighbours
   puff on their nineteenth
*** before midday
come   night
karaoke floods towards us
   like a murky tsunami
don't stop believin'
     hold   on   to   that   feelin'

but the   girl
in the museum
   had a ponytail
   another one
dipped in gold
   like a fancy chess piece
and I walk   around
in a   Norwich   shirt
lick sea-breeze
     and know
   this isn't
home
Written: July 2014.
Explanation: A poem written in my own time regarding my short break on the east coast of England, a place I have been many times. It is not intended to offend anybody, but does sum up my opinion. Feedback, as always, welcome.
Jul 2014 · 883
Morningside Heights
Coming down with something
     blame summer
     point a finger at the city
worn-down pizzazz
     drunk trumpets
and I hide in my coat
    
trees look better without leaves
is it just me?
   see the sun bellow
   into buildings

student affairs
   like heat rash
bounce along hallways

foreign mumbo-jumbo
   mishpelt words

they say him met her
saw six pictures last night


I haven’t met me
   books know truth
not brunettes

good poetry
better than ***
   they’re running running running away with it
between spritzers
   and sandwiches
   now snooze until Halloween
   brown back in fashion

    caught in the middle
    piedra de aguacate
I handle guitars
    they fiddle with women

now  
   let apple juice trickle
from my lips
   and a man gets out a taxi
    drops his phone
Written: July 2014.
Explanation: A poem written in my own time, another dealing with the 'city', in contrast to my ongoing beach/sea series. Quite different from my normal style of work, and expect more in the future veering towards this style. NOT based on real events, although partially inspired by them. 'Piedra de aguacate' is Spanish for 'avocado stone.' Feedback appreciated as always.
Jul 2014 · 2.0k
Lighthouse
Before you came,
the lighthouse.
   Aging, silently,
   saw it blink
   as if it knew me,
was stalking me,
a tiny inflamed eye.
   Reds popped as corks,
   smudge of blood
   on a north-eastern
summer sky.
And then,
   in a second
   as quick as a pulse
   on a wrist,
a flick to white,
a shard of champagne
   light latched
   upon my attention.
   Back to red.
And back again.
Two colours breathing in,
   blowing out,
   calling you.
Written: July 2014.
Explanation: A poem in my own time inspired by a real lighthouse, but about a fictional one. Another in the ongoing beach/sea dream couple series - the previous poem in this series was 'End.' This piece is not quite as strong as I would've liked, so edits possible in the near future. All feedback on the series is welcome.
Jul 2014 · 433
End
End
Midnight
  crashes in
thunderclap   headache

darkness     spreading
a virus
black   skin   infection

     hear the sea
cannot see it
mumble in   sigh out

night of sonnets
melting to   haikus
couplets     nothing

rubies on my lips
   jewels   I've never known
on my hand

     you

made me faint
   made my (day)dreams
Technicolor

whispered villanelles
     buried them
broken bones   in sand

     inhaled your language
stored stories
   for next time

twenty-six   things
twenty-six   letters
play   pause   repeat

play   pause   repeat
   craved you
smoke/drugs/*****

in eyes lost
backs of   knees
fingers on      spines

   eleven fifty nine
     fifty nine
reality soaks through

a ****** wound
   as the message
in the bottle

   you sway away
fictional     fading
   closed
Written: July 2014.
Explanation: A poem written in my own time, another in the ongoing dream couple beach/sea series I am working on. What I am writing about is fictional, and yet extremely vivid in my mind, to the point where it almost feels real - the location, the couple, the textures of everything. Feedback on this poem, and others, is very welcome.
Next page