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There IS nobody to ask, you say,
when we turn our stomachached motor
up another wavy lane, temporarily
rest it as we squint at the AA Big Easy
Read Britain 2022
, locate the B3220
and realise we’re in another
splodge of a town, homes in a hodgepodge,
the obligatory church. A mistake, we know now,
to leave late in the day, another hour ‘till
The Hole in the Wall where they’ll wait,
no doubt sigh, waste time spinning
the beermats as a gaggle of rowdy
just past-the-post teens blot the night
with the guzzling of spirits, their hangovers
like belches of fog come lun - Satnav wasn’t
on the blink, but it is.
Now look, I say,
calmly because tempers can boil over
matters so trivial, if we take the A3124,
wriggle right at Whiddon Down
to the A30, breeze by Exeter, a doddle
down to the coast, we’ll make it by nine.
You know how impatient they are. Ten
minutes won’t hurt, the vehicle grumbling
into action, tired and miffed with our
wonky deviation. It’s then, eking back
the way we came, an image forms - a bronzed,
slippery chalice named Stella, flat cap
of foam on the rim of extinction.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
When the time comes
to prise open the plastic
tomb that encapsulates your three
tiers of soft biscuit-toned sponge,
the creamy middle stratum
with pinkish strawberry streaks
I take a crew of old plastic
candles used for this occasion only,
lit, wished and blown upon eight times
previously when poked in cakes
of yesteryear, **** them in the snowfall
sugar cloak, spaced out, baptise them
with flame until their flickers
extinguish and your ninth birthday
burns on, mutely drips into a pocket
full of your own past.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
Yes, I have the keys,
my coat pocket, left-hand side,
you know this was quite pricey
and I don’t usually go for pricey clothing
but I think the bedroom light’s still on
so I’d better check. We’ve lived here
going on for fiveyears now, the wallpapering
was the biggest issue, the light’s off remember, not
the actual slather-on-paste-job-done, no, choosing
what felt right, said ‘play it safe’ so a light blue
is what we went for my keys are gone,
they’ll be in the bowlby the door. The game
will be a *******, relegation battle, it usually is
with us, I’ve been saying for ages the kitchen
window might be open sorry, relegation
and we’ve needed a twenty-goal-a-season
striker with thebedroom light’s stillon
my keys might be in there too. If we sign
somebody in the transferwindow’s shut, I knew
it was, the link-up play’s tight, wecan move up
towards mid-tablemediocrity I think
lightisoff
mustremember that now keys
noideathough ah the bowl. I’lljust grab fastfood
for my window’s keys
fordinner, not healthybuteasy I did shut
the window I knewIhad was it bowlforkeys,
no sillyofme coatpocket, notcheap no not atall
healthy comeonhow often doIeatburgers chips
notevenvery tasty bowl, rightthen
I’mreadyifonly lightisoff
knewI’d remember.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
I’d just returned home from the supermarket
and had put the bag-for-life on the table-top
when my mobile trembled. When it’s been that long
you do that silent slight stagger back action, at least
I did that Thursday afternoon, not quite able
to register the white pixels that had formed
your name, the jumble of numbers assigned to you.

So I answered hello and you spoke; I’m surprised
you kept my number all this time. You’d moved.
No, how would I know this, I said, sloping my neck
with phone sandwiched between cheek and shoulder,
draining the bag’s contents, when this is the first
communication in half a decade, if not more? Sorry,
but life got in the way. At that I could’ve yelled,

really let rip. Not one moment to call? Sixty months?
I knew what would unfold from your mouth next,
predictable as a non-White Christmas. I let you ramble,
I nodded though you couldn’t see, put bananas
in the bowl, grunted with each elucidation;
baby, job, car, sleep, money, partner, virus, repeat.
Then you said look, I’ll be in town, a few hours

to catch up over a pint, if you want. I could’ve said no
but actually, why not? Why not dip the toes
into that vast loch of nostalgia, memories like
jellyfish swirling below the surface? Could’ve called
you out on incompetency but maybe we’re all the same.
A Friday then, in two weeks, I said fine. I’d be sure
to remember. Just like you had remembered.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
So I’ll let your garland of notes
glide over, heal me as if
the pinnacle of medicinal
discovery, vibrato in my arteries;

even the bass, its storm-cloud
laconic dialogue
can be a remedy, prescription-free
pipsqueak blue drops,

each cymbal hiss
a swig of thick ginger fluid
will calm the throat but
keep my heart revving over;

the glass is raised, melody
you give in waves, a tincture
applied to cool, a salve
to channel salvation.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
You don’t know how long it’s been,
a leftover, how many times
my chalky residue, the what remains
after the batteries run down,
has glided through these rooms,
liquid silk when you’re sleeping.

Pearlescent appendages,
no junction of veins, heart-clunk,
see through what once was
a sac of odd-shaped blobs,
viscous memories gone to condensation
as if fiction, recycled in silence.

No wonder you feel the chill.
An anaemic blur down the stairs
unsurprisingly frightens but know
it’s only my gaseous way
of trying to live, the only way
to breathe to leave ellipses of smoke.
Written: April 2022.
Explanation: A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
gives the poem momentum.’
Tuesday afternoon seminars
and your photocopied stanzas
are like ***** shots to me. I don’t
say this, a spaghetti-haired boffin
opposite mentions pentameter
but I almost drool at ‘fizzle of static
the luscious shock, / honey, think
you’d taste like candy canes / waltz
on my tongue, my ruby


Bristol for uni. Last I heard
she’d got a PGCE, cushy position
at an Ofsted-says-good secondary,
good for her. The invite surprised me.
How many years? It’s all careers
and top-floor flats now with
the parquet floors, schamncy fridges,
not villanelles and criticism
meant to be constructive, comments
spiked with jealousy, and

A minute in, a cup of something,
voice long gone among the swill,
thud of a mid-2000s track blaring
obnoxiously through the top-floor flat
of the lad who played midfield
and his glitter-cheeked missus, who,
if I recall, moved from Leeds to

Tuesday.’ A lipsticked smile,
jeans with riotous tears.
Now I know what’s coming, the
pitiful shotput for attention,
the ‘truly marvellous effort
and the use of sibilance (insert
chef’s kiss sound).’ But I dither,
muter than a French mime,
hits me for six and I know
I won’t know you, not now or ever,
there’s never enough time


when I see you in the kitchen,
expelling laughter like it’s almost archaic,
the opportunity, missed, but all right,
it was indie-rock headaches,
cold in goal in the park next to Asda,
not a time to recite my saccharine lines
to a northern delight but I wanted to,
once, then, to know what might’ve been,
if I’d waltz on your tongue.
Written: April 2022.
Explanation: THE TOP LINE SHOULD BE ITALICISED AND THE EXACT LAYOUT OF THIS POEM CAN BE FOUND IN INSTAGRAM. A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
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