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 Dec 2013 Randy Vera
Pablo Neruda
What's wrong with you, with us,
what's happening to us?
Ah our love is a harsh cord
that binds us wounding us
and if we want
to leave our wound,
to separate,
it makes a new knot for us and condemns us
to drain our blood and burn together.

What's wrong with you? I look at you
and I find nothing in you but two eyes
like all eyes, a mouth
lost among a thousand mouths that I have kissed, more beautiful,
a body just like those that have slipped
beneath my body without leaving any memory.

And how empty you went through the world
like a wheat-colored jar
without air, without sound, without substance!
I vainly sought in you
depth for my arms
that dig, without cease, beneath the earth:
beneath your skin, beneath your eyes,
nothing,
beneath your double breast scarcely
raised
a current of crystalline order
that does not know why it flows singing.
Why, why, why,
my love, why?
I miss you so my heart aches.

But today I realized you don't miss me.

I think I literally felt it break.

And you don't even care.
Savannah Charlish ©
you are in love with a girl
and you think she is beautiful
you remind her everyday

you want her for yourself
but she has shadows
and they chase

her smile is empty
though you think
it's her prettiest curve

And her veins
they run with blood
she hates it -you've observed

you are in love with a girl
but she has nothing to offer
she despises herself, there is no heart to rob her
 Dec 2013 Randy Vera
Àŧùl
If you're there with me,
I have nothing to fear,
If you are not here then,
I worry about being lonely,
And about not having anyone.

If you're there with me,
I have courage inside,
If you are not here then,
I shy away from the world,
And from all sorts of dangers.

If you're there with me,
I have reasons to smile,
If you are not here then,
I find smiling just a vanity,
And oftentimes a difficult task.

If you're here with me,
I have the best feeling,
If you are not here then,
I even find breathing a job,
And yes I find it black & dark.

So I just breathe in & out,
It's not living what I do,
I'll wait for days to pass,
I see you stealing my 'beats,
And wait for the day we meet.
My HP Poem #502
©Atul Kaushal
 Dec 2013 Randy Vera
jamie
letting go
it’s so ******* annoying how i still can remember exactly how many freckles you have, and how many grains of sugar in your coffee you always add. every place i go has your shadow following me, and it is only after five minutes on the bus that i realize i’m sitting where you used to sit. you are stuck on me like lint on fabric and i have no money to buy a lint roller. parts of you are still fidgeting under my skin and we are still in physical contact even though you are five thousand miles away. we are touching even when we are not touching. welcome to the world of irony. you know, this is like stepping onto thin ice with iron weights attached to your ankles. this is holding up a lit match and going down a tunnel asking for Death. this is walking up to you and presenting my white, creamy neck and waiting for you to snap it. i just want to bleed, you know? stop twisting the **** knife in my heart. everyday i walk on crushed eggshells when all i want to do is bruise my knuckles and bleed out in front of your house, in front of Her. you keep asking me to let go, let go let go let go let go and i want to laugh. you are sewn onto my skin, you are on my teeth, you are in my lips. you are here, you are there, you are EVERYWHERE. how about i tattoo the exact words you used when you told me that my thighs needed to sign the divorce papers, or when you told me i needed a face transplant, on your skin, then told you to rub it off only with sandpaper? how long would it take, then? most of the time i feel like i am the gas station, standing in the middle of nowhere, saying ‘take me. here, take this part. take me, take me, take me.’  to everyone who stops by. and so they do. and so i fall apart. i self identify as the finger that keeps touching a naked flame and burning myself each time. i also self identify as a being stuck in a skin that does not fit me. you are like the glass shards that are impaled in my mind, so clingy, yet refuse to acknowledge my existence. i want to splash buckets of paint on white walls without seeing your face inside, and i want to be static once again without hearing your voice. i want to be able to rub you off my skin with sandpaper, burn you off with fire, peel you off my scalp, but i can’t. i can’t. i can’t i can’t, because in the famous words of Kate Moss, 'you're in my veins, you ****'.
Remember the days of our first happiness,
how strong we were, how dazed by passion,
lying all day, then all night in the narrow bed,
sleeping there, eating there too: it was summer,
it seemed everything had ripened
at once.  And so hot we lay completely uncovered.
Sometimes the wind rose; a willow brushed the window.

But we were lost in a way, didn't you feel that?
The bed was like a raft; I felt us drifting
far from our natures, toward a place where we'd discover nothing.
First the sun, then the moon, in fragments,
stone through the willow.
Things anyone could see.

Then the circles closed.  Slowly the nights grew cool;
the pendant leaves of the willow
yellowed and fell.  And in each of us began
a deep isolation, though we never spoke of this,
of the absence of regret.
We were artists again, my husband.
We could resume the journey.
Little soul, little perpetually undressed one,
Do now as I bid you, climb
The shelf-like branches of the spruce tree;
Wait at the top, attentive, like
A sentry or look-out. He will be home soon;
It behooves you to be
Generous. You have not been completely
Perfect either; with your troublesome body
You have done things you shouldn't
Discuss in poems. Therefore
Call out to him over the open water, over the bright
Water
With your dark song, with your grasping,
Unnatural song--passionate,
Like Maria Callas. Who
Wouldn't want you? Whose most demonic appetite
Could you possibly fail to answer? Soon
He will return from wherever he goes in the
Meantime,
Suntanned from his time away, wanting
His grilled chicken. Ah, you must greet him,
You must shake the boughs of the tree
To get his attention,
But carefully, carefully, lest
His beautiful face be marred
By too many falling needles.
As I perceive
I am dying now and know
I will not speak again, will not
survive the earth, be summoned
out of it again, not
a flower yet, a spine only, raw dirt
catching my ribs, I call you,
father and master: all around,
my companions are failing, thinking
you do not see. How
can they know you see
unless you save us?
In the summer twilight, are you
close enough to hear
your child's terror? Or
are you not my father,
you who raised me?
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