My gibbet is a fine and private place
where a lady may tarry of a summer afternoon
elevated and untouchable--
an ideal love just out of reach
like fruit for Tantalus, all pointless sweetness.

Allen Ginsberg appears from out of the crowd,
pink as a schoolmarm, fat as a Christmas goose
carrying his harmonium
singing about plutonium,
barefoot as any angel, toking on the Golden Blunt.

He looks up, mistaking me for a caught kite
dangling above the street in my gibbet
making other women's children
point and cry
demanding candy or weather reports.

Someone climbs up and ties tin cans
to the bottom of my gibbet
in an atmosphere of giddy holiday.
I die and begin to stink
pieces falling away like confetti.

Here I sway to this very day, high above
the Emily Dickinson Parkway
a paragon of virtue and demure reserve,
dead as hell
black as a bowling ball
ring still on my finger, an ingenue of the afterlife,

until gentrification when they'll take me down
because gibbets are out, they're upsetting,
like poetry,
like dead dodos
like buskers in the subway, beautiful, buried, irrelevant.
_