A sleep so sound

As to only wake

The dreams of others

Where armstice

Is given to thought

That wanders beyond

The jeweled dawn

In a defection of insensitivity

A quality of oppression

To look on beauty

And wear its lightness

In generosity, a generosity

Of mutual attraction

That bargains not for purse

But wealth much more sought

To sleep a million dreams

To bask in a different version

Of that which is the same

To have that embrace

Or metaphor entwined within

Yes and awaken with a smile

A smile, a smile, just a smile

your eyes are pearls drawn
they sing to me from deep beneath
any semblence of light

the water glimmers gold above
like the sun has has cast its lot
and waits for judgement day.

sweet and fair we call our loves
and sweet and fair they be
but when the knotted limbs grow rough
it's the sea that waits for thee

and take your crown of stars
and see it fits your head
for when the the stars come toppling down
that's all that shall be left.

more precious to me
than all the pearls in the sea
were your teeth, laughing.

Those feet that once stood tall and proud
Under dark obsidian clouds,
Travel now once more upon
The hallowed grounds of Albion.
Through shrines and shires the Iceni ride
To the seat of ancient power,
Cross moors and mountains
Past marble fountains
To the steps of a Roman tower.
How they shall cower!
As Boudicca comes spear in hand.
They'll soon retreat,
Give up and leave
Back to their promised land.

I

Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.

II

I was of three minds,
Like a tree
In which there are three blackbirds.

III

The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV

A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V

I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI

Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII

O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII

I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX

When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X

At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI

He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII

The river is moving.
The blackbird must be flying.

XIII

It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

The cuckoo, like a hawk in flight,
With narrow pointed wings
Whews o’er our heads—soon out of sight
And as she flies she sings:
And darting down the hedgerow side
She scares the little bird
Who leaves the nest it cannot hide
While plaintive notes are heard.

I’ve watched it on an old oak tree
Sing half an hour away
Until its quick eye noticed me
And then it whewed away.
Its mouth when open shone as red
As hips upon the brier,
Like stock doves seemed its winged head
But striving to get higher

It heard me rustle and above leaves
Soon did its flight pursue,
Still waking summer’s melodies
And singing as it flew.
So quick it flies from wood to wood
’Tis miles off ‘ere you think it gone;
I’ve thought when I have listening stood
Full twenty sang—when only one.

When summer from the forest starts
Its melody with silence lies,
And, like a bird from foreign parts,
It cannot sing for all it tries.
‘Cuck cuck’ it cries and mocking boys
Crie ‘Cuck’ and then it stutters more
Till quick forgot its own sweet voice
It seems to know itself no more.

The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.

Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.

A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.

Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.

I

He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
The snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.

II

You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

III

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice.

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress.

In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.