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Nat Lipstadt Nov 2019
~for Wyett Yocum~

nowadays, we slice and dice ourselves
by gender, race, and any thin wafer division
by which the human persona can be identified,
as if we were tattooing our ****** identity
on the wrist of your societal recognition scales

all in order to say,  Hey!

this is who I am,
this! is why
I am special unique, very very
deserving of your accoladed admiration

so the newly acquired phrase,
there is no brag in that boy
leaps and bounds, coming to rest on my wide eyes white,
now part of my lexicon, there, where my vocabulary stored,
for its very contradictory contrariness
demands the realized anti-hero,
the natural quietude of
the aw shucks, that we used to value, people,
above all

nearing the end of my days, my vast
knowledge of words and people grows smaller
by leaps and bounds, for finer refinement and focus,
vastly diminishes and distinguishes but a handful
of verbal grains, seeds, a few is all that’s needed,
kernels, that when deep planted, well watered,
a gift nurtured by nature’s simplest greater gifts
regifted us human exmplars

there is kind.
there is honor.
there is selflessness, character, service
and a very, very few more.

some new, just today, recently obtained,
the very title of this late night reflection!

a fine spun summary depiction of modesty,
a trait so rare, it’s existence now under appreciated,
and so very hot-not, au courant, fashionable, woks or lit,
hardly deemed valuable in the me-matters age

so crumple up this minor essay, store and stick it
among your mementos, and other keepsakes,
let it not be seen, avoid confusing the young man of whom
it was spoken and herein recorded, but this prize! this poem!
this award without proclamation or gold statuette or degree,
will, a secret well kept, by those who raised him, recognizing,
that their own mirrored imaged is quietly well reflected,
his inherited invaluable, distinguished modesty,
product of his pedigree



Nov. 10, 2029
12:44am
689 · Sep 2013
I went to a funeral
Nat Lipstadt Sep 2013
I went to a funeral

Of the father of a man,
I liked and respected.

It was a two hour drive,
Each way.
I missed a day of work.

People were impressed.

But the calculation was easy.

Thousands of hours yet to live.

Even if but twenty four, yet to tally,
How many men do I
Know and respect?

Born with two hands,
Would only need one,
To make this calculation.

One is greater than twenty four.
Note to Self: Composed Sept 17th, at Delacorte Theater, Central Park, New York City, Fall for Dance Festival.
Nat Lipstadt Nov 2024
~ encore un autre, inspiré par Sally B.~

another poem excised from an
interdepartmental message from
The Dept  of Poets, (Global), a
ridiculous thot mine, deserving of
removal, remorse and regret,
(modern human’s woke 3 r’s)
nonetheless deserved of exegesis,
mainly because I think so…

Surficially, I comprehend that of the bones,
of the billions of those who have gone to
their where~ever, if could speak. we would
require a huge commitment to building out
our cell phone networks, the best comm
tool, for portability between differing
dimensions, times and spaces

let us cut to the chase (thank god),
my bones shall be without a doubt
return to a granular dust, my minerals
contributing to some future breakfast
cereal, thus assuring my recirculated
inspiration for generations to come(?),
acknowledging that my “gifts” are
the product of apriori Jews who wandered
this planet, forever rootless and semi-
displaced by their haters for reasons
that have nothing to do with reason

By way of my gratitude that you have read
so far, hopefully to continue, let me assure
you that this P.  will not trend, nor spit or spot
or high lighted, as it’s worth is as fleeting as my bones, when one dwells on the size of space expanding and the time & space
continuum

that disclaimer claimed, we breathe easier,
and I happier, and now at last to the meat
of the matter:

My poems will wither, and eventually their
ions will be erased when the internet servers
undergo the many purges that yet will come
(better this than purging people)

yes, my ego’s cells, which one of you will
no doubt will imbibe and perhaps????
imbue, may actually reappear in a newness,
in a refreshing refreshment, that some Believers will think is absolutely brand new
(which it won’t be), for the new treads are on
the old treads, only now, dug a little deeper,

and I, in my ionosphere, inside my cells
yet within you, will muse amusedly,
“there is nothing new under the sun” (1)

but the sun will be shining and that is
good enough for all of us

Nov. 23
9:04 am
nyC
(1) https://hebrew.jerusalemprayerteam.org/nothing-newsun/#:~:text=Hebrew%20Word%20of%20the%20Day,%D7%AA%D6%B7%D6%BC%D7%97%D6%B7%D7%AA%D6%B7%20%D7%94%D6%B7%D7%A9%D6%B8%D6%BC%D7%81%D7%9E%D6%B6%D7%A9%D7%81%20%D7%90%D6%B5%D7%99%D7%9F%20%D7%9B%D6%B8%D6%BC%D7%9C%2D%D7%97%D6%B8%D7%93%D6%B8%D7%A9%D7%81
Nat Lipstadt May 2013
Multi-tasking

Kissing your eyes,
Sensing the tickling of your trembling lashes,
Between kisses and breathes
Utter word-wisps of
Love poetry.

Right hand strokes thy chest,
sensing/sending heartbeats upon my palm to the
Forever keep part of my
Treasury memory chest.

All the while my left finger indexes,
Mesmerized, it memorizes
The curvature of the face
To be stored in the
Never forget always place.

My tongue restless to participate
Goes whatever it feels like,
For the tongue is the only body part
With a mind of its own.

My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety.

May 19th
Laguna Niguel, Ca.
684 · Sep 2015
love blahs
Nat Lipstadt Sep 2015
Love Blahs
~~~

love
blah, blah, blah,
love poems groaning bad,
blah, blah, blah, blah, blah scream

yet they keep on coming
coming on,
for despite the drowning pool,
of silly words
the hurricane burr
of love poems unending

cause
love is never
blah
not the finding
not the winning
not the losing

especially the losing
682 · Oct 2014
You Kidding
Nat Lipstadt Oct 2014
You Kidding (resubmitting for your consideration; posted here one year ago, today)

For Ian

Lived a long time coming,
Picked up yesterday my three year old grandchild boy,
Third of a third of a third of a third
Of a half of me,
Who I only see once a year,
And we fell in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion,
Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to his Nana's, on Long Island,
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clear, spoken, sabered-wisdom,
In the juvenile voice of
soft sleepy, of a babe of three

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When serious and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.**
~~~~~~~~~~~~

Columbus Day
Oct. 14th 1492/2013
When I "discovered" the Americas.
You kidding?
Maybe.
680 · Apr 2014
She Has A New Photo Here
Nat Lipstadt Apr 2014
psychotic, she says

psychedelic, he says

tho black n' white,
tumultuous are the variances of shading,
the hints of unknown fragrances
of days yet to come when,
spring earth and spring buds
long past the point of expectation,
inject colorful unexpectedness

eyes so clear so bright,
how can she not see beyond the pale
emotionless expression of gaunt,
that all turbulence is not bad

see that streak of black hair,
refusing to be hidden, a provocation,
curling, asking to be stroked,
pitter patter it teases the lips,
but only after it grazes the eyelash
so seductively it screams
I am beautiful!

does she fail to see?
who will not permit her
to see what I have seen?

the lyric comes to mind instantly:

Well let me tell you 'bout the way she looked
The way she'd act and the colour of her hair
Her voice was soft and cool
Her eyes were clear and bright
But she's not there



her eyes are clear and bright,
her pen delicate and light,
she unbeknownst surrounded,
by admirers that gladly lay,
not their cape, but their whole body
across these leftover puddles of winter


will she? will she cross over?
with those eyes so clear, so bright,
there is only one acceptable answer!


*come spring, come summer,
her true nature will nurture
For her, one of my oldest and nearest
HP friends.
677 · Mar 2024
blurt by blurt
Nat Lipstadt Mar 2024
“I write blurt by blurt, edit once, then post and send it out like a puppy”
that is learning to walk, impossible to walk straightly,
thank gawd for walls and laundry baskets and single sneakers
that obstacle us into trouble, opportunities always a near
but never fatal crashing,
and our whisking swishing tail is an ever
countervailing, counterbalancing
waving gesture of
“oops,
there we one goes from nearly, nearer, almost another
nearest disaster

that is the style of substance of how I write
headlong smashing, bouncing off walls,
regrouping spindly words into a balletic
clown show,
startling off in a new and unforeseen direction,
scrambling energy like three sunny side up eggs,
whistling and crackling and popping,
god, this writing stuff is **** tiring,
so much easier to respose,
chew there upon,
selectfully taste and spit~select
a single word,
picking the appropriate apropos,
taking a nap in between,
then
recommencing
blurting
blurts
of escapading words
that tumble out,
falling all around,
requiring reassembly like
an impossible-to-put-together
new toy,

anyway,
here for you to play with
for your sensory pleasure
is my latest greatest
blurt,
which rhymes with
dessert,
which I will imbibe
after eating all my

vegetables.
commenced 3/3/24
11:55am
677 · Apr 2014
C Cup
Nat Lipstadt Apr 2014
jump shot some ***** laundry into the
closeted hamper, where they go to be
regrafted like new skin on an old body

hanging about her lacy finery,
her private undergarments to be
laundered with soapy kindness by
hands from the land of gentility

these double purposed garb,
(Think)
she wears with great pride and
greater pleasure on and from
her dancing toned body

label facing out, unintentionally,
and there I learn she be a
a C cup, not a wee cup

and **** a poem sprouts
like a volcano Word pimple on my tongue,
begging to be bursted,
busted, tasted and remade publicly

not the poem or the place
for French irony, subterfuge,
came out of the closet,
laughing more than mere out loudly

for when I read that black label,
my neurons fired a
singular message to my heart:

she is my cup,
and when I drink her
body and soul,
I C myself clearer...

and this is where I'll cease,
the non public, the to-follow verse,
for her private consumption...

but when I, self-confessed man-idiot
remarked upon it to her,
for my laugh was more roar than
smiling simile,
she had the lovely temerity,
my old lady (she hates that),
to blush like a teenager
in her training bra

and I C now why she inspires this old man,
more than anything else in this world
9:52am April 12, 2014....came easy but will  not cheap, for I anticipate she will repay me with a toned fist in my arm....later when I reveal to her as she is...falling asleep...not a complete idiot....

9:00 am April 13th

she loved it but did ask when I handed it to her, she asked me " am I gonna punch you before or after?"  I knows my woman....
Nat Lipstadt Feb 2014
so i ask you, sage,
in all sincerity

sage - one who has made mistakes, and would share
the fragrance of his lesson plan, his historic failures and the knowing that fear can never be defeated but it can be
                                   deferred and differed until lessened


and asks,
how to put aside
a ridiculous pride...a palpable fear

this I know -
and you yourself have answered:
when necessary, I have made my self an object of
Ridiculous -
and endured the ridicule
and loved
the laughter of the fools,
and harmonized both
for this trite
is the best they have,
know that sages have
                                    bested fear, but never can it be defeated


to let fly
the asking?

start with a looking glass,
perforce speaks the truth,
and the answering machine image, undeniably,
                                              is you.


easy?
no.
i have found no easy thing worth doing
or loving.
   i don't want ease
i want l o v e

love - the rush of trust, the release of the unconditional sharing    Can never happen till you
trust yourself to say,
                                I am afraid



that i would burn bridges for
a struggle of understanding
that will keep me alive and whole
a sickening rush
worth every sacrifice.

paralyzing terror
because nothing is due me...
nothing should be expected
so nothing can be misplaced
    misguided

EVERYTHING IS DUE YOU,
ROAR WITH ANGERED FRUSTRATION,
      AT YOUR FRUSTRATED REFUSAL
TO BE ANGRY AT YOURSELF.
      BEAUTY INSIDE OUT AND OUTSIDE IN,
EVERYTHING IS EXPECTED, AND GIVEN
       THERE IS NO HIDEY HOLE FOR YOU TO BE MISPLACED ~
BURN BRIDGES THOSE BRIDGES OF REFRAIN AND RESTRAINT!

COME OUT COME OUT WHEREVER YOU ARE!


restraint,
restraint!!!
yes?!
   yes.
that must be the answer.

for if not restraint,
  then earth shaking love.
and if the earth shakes
  people might get hurt.

and i might be one of them.

              restraint, restraint,
this is your refrain?
                 retrain, retrain,
I believe, can you not too?
                  believe in you,
can you not too?
                  hard knocks endured, loveless years, disgrace
and more to come, yes love soothes and coos
                  but who can love but those brave enough to
love themselves first?
                  but my refrain will never be restrain,
only
                  unbowed undefeated asking for
the more
                  you deserve

I drop the BASS on you in your own words:


cast out fear and man up.
or at the very least
pretend to do those things.
then you might
have something to talk about.
Point/Counterpoint
The opening salvo
http://hellopoetry.com/poem/589053/hope/

My First Punch
http://hellopoetry.com/poem/593181/ask-for-more-than-you-can-give/

Counterpunch
http://hellopoetry.com/poem/598004/ask-for-more/

Right Hook
http://hellopoetry.com/poem/598071/hey-teach-can-i-ask-ya-something/

Combination Flurry
http://hellopoetry.com/poem/598109/if-you-would-just-ask/

http://hellopoetry.com/poem/598162/if-you-would-just-ask-then-here-is-the-answer/

Between the rounds, your feel this
http://hellopoetry.com/poem/598219/untitled/

The bell rings, and the fighters circle
and the ****** fight is over and the boxers embrace herein,
with live and affection and mutual admiration and as poets they say,
                                                    No mas, no mas!
Nat Lipstadt Feb 11
musing on memory and all that
re its capabilities, its utilities
and wondrous
abilities, to cover, recover, and
surprise surprise uncover the known
and unknown, what was, what is and
what there is to dis-cover, for memory
is a tricky ole *******, you recall what you never knew at all, forget the address where you lived twenty years ago, and don’t get me
started re telephone numbers
of
old lovers, who get got gone good away
and the combination of a subset of their
digits is likely to be on a discarded lottery
stub, that stubs your shoe too

cannot remember all the women I’ve ever kissed, but I remember the kiss, and that’s
a fair trade off

pretty bad at remembering, birthdays, anniversaries, but that’s because my electronics believe me of this obligation;
Not the obligation to buy a present,
On time, but the kindness keenness of
doing the action, is you an in Nate satisfaction, One gets, when crossing off a line item on your to do list

Sometimes the choices between remembering,
and being dismembering, when is definitely preferable to the other, and though you are not present, I hear your moaning softly
I know I know!

So take a moment to make sure all those critical dates to others, are in your calendar, electronic, and I recommend minimum one week ahead alerts; and one day before as a fail, safe

Do it now or fail to be safe
Nat Lipstadt Feb 25
~ for Rob Rutledge -
@ 6:15am
~~~~~
we all are living, reading and writing,
paycheck to paycheck
even if by happenstance, our bellies full,

for the white sheets we lay our words
down and upon, our supporters of
ids and egos of egg shell thin lifes
are the bare emptied shelves
of our unending, still ongoing
pandemic pandemonium,
razing times
of eroding joys

the sheets are blank, but our souls
wearied, helmed and whelmed
by the unending of the unexpected
that demands, orders and commands,
no matter what
pour it out blasting
unleashing the rage
compelled, compiled,
completely compulsing
we
selves ordered to compose

giving form and firmament
to our vaporous innards,
releasing new oxygen from
the tides inside and without,
clashing ideas, irregular notions
that demand we poets responsible
for reconciliation and auditing for
human truths

we awake barren but weighty,
the emotions are rustling in the
now daily, common,
mighty metors of gusts of higher winds,
spreading fire and measles to spite,
not despite
our fragile failings & flailings

oh goodness and grace,
let that be the colors of
our skin, our face,
essay on, sashay with a
swinging motion,
yes, rhyme and rhythm

and deliver us with words
so soft, they shatter the
gloomy desperation of
what confronts our entirety,
when the terrors of our
sleeping dreams cannot be
differentiated from the
sad eyed waking
ones

so write, and right,
these troubled times,
when trolls, dragons
and yet unnamed monsters
seek to take away our
tiny green planet, watered,
seeded and plentiful fruited
plains enough to satisfy us all

if we are so emboldened to choose
all of us over our lonely selfish selfs
6:15am
Tuesday
close by
the Ides of March
(1)some words recently received and rescreted
Nat Lipstadt Nov 2020
when you accept the ‘I love you’ invite, coolly quietly
understanding this is but a summarizing way of saying,
let’s enter the gated fence to friendship, locking in & out,
the delving reveals to follow are truths more costly than
any fiction, you see only the too real, how much pain can
exist, survive, be survived, quietly thrive, just beneath the
skin’s preternatural strong thinness, holding us in, together
while yet a sieve, separating the granules of our composition,
the coarser fail to penetrate the finer cells, the molecular level
is where the sensory Alice in Wonderland world coexists with
the blunt exhaustion of so much agony, too much, and in the
early morn these words appear of their owned and freed volition,

do what you must do to repair yourself

...and you confess to understanding that to heal oneself,
you must heal others, and that separate and unequal
sorrows can somehow heal each other, praying for ex,
exfoliation, exhumation, excalibur, expelling all the ex’s
so new skin self repairs, a great miracle that, and that
human reparations are a thing you alone initiate, inhale,
fostering a belief that !we! is the solution, the only...

5:46am
11/28/20
for those who will understand instantly, willingly and gasp at the recognition...
674 · Mar 2014
Sure Enough!
Nat Lipstadt Mar 2014
For Maria

with respect to the small matter of
human kindness,
I am sure there is never enough.

but sure enough,
there are the few,
who surely know
but one standard
to be met,
for sure,
that is
sure enough,*
no rest for them
till they are
sure enough!
Nat Lipstadt Jun 14
"As if everybody knows
What I'm talking about,
As if everybody
would know
exactly what
I was talking about"

Paul Simon
<><><>

test the hypothesis,
get out the glass beakers,
mmmmix the acid and the base,
wear those rubber gloves
and with goggles on,

always paying penpal attention,
we have the first aid kit and
the fire extinguisher
nearby
and handy

As if everybody
would know
exactly
what
I was talking about

what
I am talking about
is self~care
and on a dare,

whispering,,
a modest scream,
an ego soul statistic~all
@it's ok,
"love thyself"

everybody
knows,
...as if...
....as if....
April 14 3025
673 · Jan 2014
What is that, Dad?
Nat Lipstadt Jan 2014
Dedicated to Mr. Stephen Sondheim**


What is that, Dad?
Why that's red!
Red?
Red is a color.
A color?

Oh yes, colors are those very special things
that make all the difference, that make people and things
different, special and special is what you are to me.

What is that, Dad?
Why that's a cloud!
A cloud?

Oh yes, fluffy snowballs that are toys for angels, see them flowing across the blue screen, that is the angels playing games, like we do too!

What is that, Dad?
Why that is love tears!
Love tears?

Yes, love is what I feel when allowed, me to teach you, about the world and it is wet like tears and dry like when you make me big smile for asking the greatest questions and let me love, my being alive, even more, for the sum song of just we two.
Inspired by a HBO documentary watched last night, entitled Six By Sondheim, about the composer Steven Sondheim, his life, his views on art.  Famous for his willingness to teach, in response to a question about never having children, he replied that he regretted it for what a wonderful thing it would be to teach a child about colors and...if he read this, he would likely say, throw it out and start over and someday I will...
He also spoke about the significant  differences between writing lyrics and poetry (which are substantial).  
Jan. 24, 2014
Nat Lipstadt Jul 2015
"I write because writing is the hardest work I’ve ever done. It is slow and painstaking and frustrating. I do not begin with an idea or a theme, and I don’t make outlines. I don’t have a plan for the ending or, usually, for the next page or the next line. Even short pieces might take shape over years. Everything that I have ever seen, done, or felt, had, shared, or lost, is in play, and*
the word of the day is, on most days, confusion

I no longer regret writing, or the life I have made along the way. I’ve learned too much and come too far, and I am in pursuit of an art form. It took a long time, and a lot of work, to get to this point, and I will never find an end to it. I have a problem that can keep me busy for the rest of my life. I have something to look forward to."

Donald Antrim^


~~~

though the waters are eerily placid,
the beard roughened wind
beneath a grey, solemn overcast,
predicts, foretells, enhances, over casts (ha!)
the mood of the moment

but it is not causal for
native, irregularly regular
is the word of the day,
on most days,
confusion

life is my tale of two cities,
for now, for me,
it is best and worst of times,
a cyclical, bent and dinged cylinder,
contains a shape shifting persona
seeking the solidity of a
single polarity

higher highs and lower lows,
the new normal, a new word,
still a slung slang concoction,
not yet unapproved by Merriam Webster

I drink up the external contradictions of
the stiff breeze buffeting the
serenity of the water's horizon
a perspective that always calms,
mirror mocking, so matching
the stiffened interior of
this buffeted flesh form

"I no longer regret writing,
or the life I have made along the way
I’ve learned too much and
come too far, and I am in pursuit
of an art form"


rewriting my own internal art form, daily,
incorporating the free, external, unasked for edits,
craft blending the backwards and the forward,
living the confusion that birthed
this poem,
this person,
this art form
~~~
July 18, 2015
Shelter Island, N.Y.
^These paragraphs were excerpted from the article below
The Unprotected Life

http://www.newyorker.com/books/page-turner/the-unprotected-life?mbid=nl_071715_Daily&CNDID;=38006813&mbid;=nl_071715_Daily&CNDID;=38006813&spMailingID;=7913140&spUserID;=MTA1MDU2Mzc0NDY2S0&spJobID;=722223542&spReportId;=NzIyMjIzNTQyS0
Nat Lipstadt Jun 2013
Thank you for the best present I ever got

Our oasis by the bay,
Was ravaged by storm and hurricane,
And the men came with earth moving equipment
Built us a renewed sheltering wall that,
Soon enough, will be tested.

The earth movers have long gone.
But a malted milk colored mound,
Broad but not too tall, of the good earth,
Smack dab in the middle of the lawn,
Somehow was left behind,
Like the stickers, the new car dealers plant w/o asking.

This mound, conspicuous like most of us,
Seems very out of place.

But like the box the toy came in,
The young children come from houses all around,
To climb upon it and declare for now,
They are the victors over life.

Even the **** deer that eat
The most colorful plants we raise,
Come in the early morn,
To climb to the top,
An advisory from the animal kingdom,
This place, this land, this isand,
You think is yours,
Was ours before and
Has never left our possession.

So I call the contractor,
Come take this vestige of the
Future and the Past off my kingdom of grass,
And when he picks up the phone,
And asks what he can do for us,
I am looking at the children
Dancing, scrambling, climbing upon
An obstacle perfect-sized to let them
Learn the pleasure of success,
I remain silent for I know not
How to say without sounding weirder than
I already am,
Thank you for the best present I ever got.



June 1st
This day, this morning at 5:55 AM.
The mound of earth real; the phone call, in my mind
Nat Lipstadt Mar 2015
one more (sweet love poem) for the road*

t'is indeed
difficult to gather up
the memories,
asking not which
but
how,
in what type of
storage container,
clear, see-through-me plastic or a
steel lock box with a preordained
one last
goodbye
kissing,
semi-purposely soon to be another
******,
missing
key

will they be made, kept,
though themselves,
disordered, unkempt,
yet
safe for future travel...

but unsafe for reopening,
lest those
aged sugar dusted
New Orleans beignet crumbs
you broke in two,
one for me and one for,
yet break for me
during the packing up
as all smiles
in a half remembered
half sad song

once again,
upon cursory examination
at a new person's
starting over
heart place,
I smile

sadly
at torn concert ticket stubs,
and emptied ring boxes,
brown-edged wilted flowers
that fell out from in between
books of poetry,
purchased, but never opened

my soul brother
Nat King Cole
sings me to that
smiling place,
and yet I am shocked to learn
that he is not the author of said words

no,
that song,
that now
last / elastic brittle / bittersweet memory song,
written by the the unbreakable,
the bendable
Charlie Chaplin
and I put that last whimsy smile
in the clear plastic container,
discontented contents
visible, even if that box
is never reopened
Smile

http://www.youtube.com/watch?v=1TvUYSFRIto

Smile though your heart is aching
Smile even though it's breaking
When there are clouds in the sky, you'll get by
If you smile through your fear and sorrow
Smile and maybe tomorrow
You'll see the sun come shining through for you

Light up your face with gladness
Hide every trace of sadness
Although a tear may be ever so near
That's the time you must keep on trying
Smile, what's the use of crying?
You'll find that life is still worthwhile
If you just smile

That's the time you must keep on trying
Smile, what's the use of crying?
You'll find that life is still worthwhile
If you just smile
sung by Nat King Cole
composed by Charlie Chaplin
(composed 4:08 am
Miami, Fla.
Sunday
March 22, 2015
Nat Lipstadt Aug 2023
LXXI

The Moving Finger writes; and, having writ,

Moves on: nor all your Piety nor Wit

   Shall lure it back to cancel half a Line,

Nor all your Tears wash out a Word of it.

LXVI

I sent my Soul through the Invisible,

Some letter of that After-life to spell:

   And by and by my Soul return’d to me,

And answer’d “I Myself am Heav’n and Hell:”

<>
But there are very rare occasions when the translation is so good it actually supersedes the original, taking it to a wider audience. If there is an argument for anyone having done that, it is probably Edward FitzGerald with his translation of “The Rubaiyat” of Omar Khayyam.
Nat Lipstadt Jul 2015
to me in a message....was meant to be shared...


"Heart of (the) heart's poetry is friendship,
a meshing of emotions across a pastel sky.
It's (the) ocean's heart throbbing out
waves of passion, raw sea weedy tendrils
yanking at our psyches and hearts."

                                           patty m
Nat Lipstadt Jun 2017
two grandkids, five pigs, six cows, 18 chickens, four cats, and a lonely male duck*
~ for my friend, a gentle man who farms certain moments~*


heard the word that a certain poet of the day
has a secret crew who aid and abet his perspective,
the precious precision to understand and retain
the flashes of color that need painting albeit in words

read that some animals develop regional dialects,
so it is with humans, we listen, like and learn subsets
of vision and that even every collective moment, nonetheless,
each speaks differently, but only the few, the very few,
have the mellifluous tongue to translate those private seconds into syllables so essential human and we learn that skill from careful listening to our heartbeat's singing response
to love and pain from all living creatures, great and small

6/24/17 5:06am
S.I.
Nat Lipstadt Jul 2024
roundabout poem (another poem, another day)

<>

the notion punches into my mouth when
chilling , deleting and wasting time *
pro=ductively
(professionally ducking responsibilities)
with no home to go to, but to write with purposeful
meandering, in a roundabout manner,
on a Saturday, luxury~leisurely in bed with runs
for asiago bagels and blue mountain coffee,
and wondering why you would read this, and
losing my debate internal & and infernal if
this is worth my time, nonetheless the urging
is only purging by clicking clacking on a keyboard,
inviting you to join me  under my cozy
floral coverlet, and to enjoy my pastoral view,
of water, women and why not, a trilogy of

factorials (or is it factorals? permutations or combinations) *another poem, another day
)

panoramic bleeding view unceasingly changing,
reflecting god’s mood swings or an atheist’s humbuggery)

and women lies beside me, guilty pleasure, mine or hers😉, becoming part, a parcel upon the land/waterscape/escape, with sun rays invisible yet blindingly make me glinting and squinting,
and wet grass, dripping trees,  and going round and round, so
stray thots evolving/revolving and thus
this roundabout poem deserves a decent burial,
so I thank it, thank you, thank her, and the sky
and the glisten of a wet drenched everything,
a Saturday~Sabbath on which a poem was delivered
from me within, in a cesarean eruption,
my child blessed, sent to you with gratitude,
a much underrated emotion, but which occupies
me frequently when your days go dimmer,
and the

mind is sharply focused/used on about
what is value,
valuable, and what shall be valued on this damp
rainfall rainfull wordfull wonderful momentary
escapery into being together with…you, silly!

writ  pre-noon,
Saturday~Sabbath,
(
on S.I., by the Sound’s calming waters
where the poems fall from trees on a glider
of wet leaves, or fly by on a modest mph breeze,
looking for human sense to grab aholt of for
canning and preservation…come see for yourself….*)
a nonsense prayer/diatribe/ pointedly purposeless
and yet, deeply satisfying…
Nat Lipstadt Nov 2013
I brush the hair off your face
While you are sleeping,
Risking everything.
Risking waking you,
But I think,
You would do
The same for me
To make sure nothing
Ever disturbs the dreams,
you
are
dreaming
of
us.
7:36am
665 · Sep 2013
They are risen in the East
Nat Lipstadt Sep 2013
They are risen in the East

The coffee, the tea,
Needs brewing,
The poetry, needs R&R;,
(reading and responding),
The garden needs tending,
Milk and biscuits, purchasing.

In the West, the sad and those who
Labor not, stay up late, to "celebrate"
Labor Day, and I, cross times zones,
Embracing their kin and kindred commonality.

See you all, saluting, elbow straight, 45 degrees,
With words I wash the eyes of the newly reborn,
East.
With words I wash the feet of the restless,
West.
Shyly, I embrace one and all,
And I text you both my children,
I am home, come home,
I write for you both, I write to please,
I write with abandon,
I write to comfort, to extend my reach.
I write as a second best embrace.
I write to you, for you,
You are with me, I, with you,
No matter the time the day,
The season, the calendar's reminder,
That we are day older,

I write to you, for you,
You are with me, I, with you,



12:30am where I am.
I love your caring and I write these impoverish idle yet heartfelt salutes to the blonde and the brown,
I wake you, and I gentle the other to  sleep
665 · May 2014
Last Call
Nat Lipstadt May 2014
wandered over the midnight
demarcation line, and in but
a few secs, it will click,
1:00am in my head
in the not so mystical
Eastern Standard Time Zone

and I hear voices saying,
Last Call, Last Call,
drink up, write down
those faint sounds,
that have yet not drowned,
succumbed to drowsy purrings
that the body is steady making,
a chorus of yawns and sighs,
time's due, you pay at the exit door

Succumb!
succumb, for no one,
will read this good nitro night poem,
anyway

give in to temptation and risk,
will it be,
nightmare or dream,
poem or horror story,
sleep yet brings us,
gift wrapped  
or
brown bagged


Last call, last call
I am a summer man
and soon I to bid you adieu,
as I board my sleepy
summertime cruise
1:12am 5/7/14
Nat Lipstadt Mar 2020
up at your regularly scheduled night sky patrol,
the colorful clock says 2:47 and
dark skies confirm which 2:47 it is,
for flecks of blackened peppery light exude at this hour,
a time period for former lovers, those old writes enfolded, enveloped,
hiding an active poem volcano spewing bare feet words in clouds of
kidskin soft velveteen cumulus, fleece-comforting slippers of poems

there are half started poems waiting, more than one, triplets in fact,
waiting to be born in the time of pandemic, thinking quietly,
will they emerge healthy and living and grow up to be adults
contributing to society, additives to the engine oil of human living

but the old familiar, dissatisfaction with quality control leaves them
unfinished, poet lurches from dead roses head hanging, a new blues,
disease as an economic and societal differentiation, that you hope,
believe, poems that in due course, all will emerge, for better or for worse,

poetry birthed in the time of pandemic

the city of new york, where I was birthed and will die, a city of
tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the

well known unknown possibilities in the time of pandemic

and you wonder in this new, different quietude if poems can be born
with birth defects and survive, breathing on a ventilator till they can
breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even

if inspired by a decade-lover, next, in bed, in the time of pandemic

waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn

stillborn poems, or perhaps just poems-in-waiting, to still be

born in a time of pandemic


3:29am Sunday March 22, Twenty Twenty
New York City, the epicenter, crossroads
Nat Lipstadt Jul 2017
asked the gathered dancers of the choreographer?

This was back in the 70's,
when we naively thought the revolution had been won,
and a gay black man could walk the streets of
NYC
holding hands with his  
white jewish partner

The choreographer,
a gay black man,
pauses before answering
considering
what he believed,
and what he knew to be reality.

"How much freedom can you afford?
How much freedom are you willing
to die for?"


 In the days
when men thought freedom was everywhere just for the taking,
freedom for
daring to just be,
meant
new wars on new days.

The choreographer was/is
Bill T. Jones.  
He related this story to me tonight.

<•>

wikipedia.org/wiki/BillT.Jones
Nat Lipstadt Oct 2024
perhaps it is less than great,
maybe a poor mediocre,
but such as it is, is mine,
unique, and it gifts me
easy expression of my
experience, conveying
my excitations, aliving,
freely divining what’s
within and without,
and to exhale said
thoughts and
observations

si so

we can be apart and together,
touch without touching, e v e n
love each other with our e v e r
meeting and that miracle presents
and is a present, this presentation
of my cells impressed upon yours,
thus fashioning newly creative
combinations…

this is what I am thinking,
this is what I am divining,
this is what my reasoning,
permits, encourages, creates
and with your reading this,
cements us in ways unseen
all the b u t s…and hesitation
marks that disconnect us,
are sundered and we are
a forever till reason no longer
matters, or our cells can no
longer divide and recombine
and reproduce our memories,
which are our connective tissues…

nml
3:39am
10-20-24
Are You Ready for a Brain Chip? It’ll Change Your Mind https://www.wsj.com/opinion/are-you-ready-for-a-brain-chip-itll-change-your-mind-technology-baf4a76a?st=H2s8Bo&reflink=article_imessage_share
Nat Lipstadt Nov 2014
Until a man is nothing,
God can make
nothing out of him*

Martin Luther
~~~~~~~~~~~~~

instant recognition
compete cognition
slowing respiration

sanity instantaneous
weeping hands clap
weakened legs collapsing

process endless
access, risen,
only to rejoin
the fallen

father of father clock pendulum
swung swing swung
slowing rapidity
body directed onto
perpetuity road

back to nothing
from whence
the boy witnessed
the first of many of
his genesis/bereshit

from nothing to
another thing,
crowned,
enthroned pauper,
trampled down
to lowly lord,
King of Nothing

reborn reborn reborn
so many times
when from nothing
risen to an exalted
nothing
more
than ever obvious
he,
heir apparent
to himself
no thing

nothing

in the beginning
nothing in the end
nothing
in between
from admixture
water and ashen soil
remake myself a
present to Him
an accomplishment
man-generation
peaking excellence,
Dante ascent to
nothing

then struck down,
back to nothing returned,
peaks and valleys
directional interchangeable
pointers to return resurrected
same way to the previous ending

for all prior writ
better
instant recognition
compete cognition
slowing respiration

the vanity not
voyage yes is
the thing itself,
is circular
a line of points
connected

nothing
no thing
but the voyage/path is the
thing

transformation
resubmission
substantiation

there in lies the only
thing
you making
God into
something
tangible
by making yourself
from nothing
once again



11/1/14
Ecclesiastes 1

1 The words of the Preacher,[a] the son of David, king in Jerusalem.

2 Vanity[b] of vanities, says the Preacher,
    vanity of vanities! All is vanity.
3 What does man gain by all the toil
    at which he toils under the sun?
4 A generation goes, and a generation comes,
    but the earth remains forever.
5 The sun rises, and the sun goes down,
    and hastens[c] to the place where it rises.
6 The wind blows to the south
    and goes around to the north;
around and around goes the wind,
    and on its circuits the wind returns.
7 All streams run to the sea,
    but the sea is not full;
to the place where the streams flow,
    there they flow again.
8 All things are full of weariness;
    a man cannot utter it;
the eye is not satisfied with seeing,
    nor the ear filled with hearing.
9 What has been is what will be,
    and what has been done is what will be done,
    and there is nothing new under the sun.
10 Is there a thing of which it is said,
    “See, this is new”?
It has been already
    in the ages before us.
11 There is no remembrance of former things,[d]
    nor will there be any remembrance
of later things[e] yet to be
    among those who come after.
657 · Aug 2013
Good Night To Me
Nat Lipstadt Aug 2013
My battery is drawing down,
The warning messages come
Like steps, on the way down
To empty, done, zero ever after.
10 then 5 then red then gone,
Shut down, emptied and over.

This 24 nears it completion,
In but six, and I wonder
Did I use it wisely, or was this day
Returned to its maker in
A baby's casket, buried too soon,
Drawn down,  energy expended,
But naught to show,
But naught to recall.

11:59pm
Nat Lipstadt Jul 2019
Nostalgia April 2015

Greek for “the pain from an old wound”


~~~


time changes words,
the origin-rawest meaning,
oft too harsh and
thus re-sweetened,
moderated for modern
sensitized sensibilities,
no offending anybody anytime

par example,

awesome

was
fearful, terrifying,
alas, now plaster recast,
merely a
junk food word,
a billions times hamburger oversold,
poor little word,
misunderstood,
abused,
clearly, nowadays not
awestruck
by its awesome
past historical
usage

nostalgia

is not a photograph-word
for framing,
in old fashioned sepia colored hazes,
look-backs with
no risks in attendance.
a minor case of
a wistful heart
edged perhaps burnt,
but imagery intact,
always
somewhat sweet,
somewhat sad,
perhaps at worst,
bittersweet

Crap

let me roar now
my anger,
let me vent
mea veritas primogenius

the awesomeness
of the hurts
borne from
ancient lives that I escaped
but yet empowered
to let

nostalgia

make the hate,

the pain from old wounds
refreshed, re-reddened,
living, extant,
wounds forty years young

from places
where a woman hurt me,
hurt me willfully
thus permanent provisioned,
nostalgia is
a daily pill
of accumulated memories
of misuse,
she,
evil calculating so...

take that AM pill
for
maximum hurt,
can only be swallowed dry

weak,
like a Greek
God,
who were
more human than humans,
tag me enraged,
un-gauged,
no
measure of measure
for me,
bitter herbs,
a morning's mourning
potent sweet potion


~~~

in this place,
poem
prior confessed lovingly
an amiable self-pleasuring
an artifice,
enjoyed,
deconstructing words
for hidden meanings^

this a pean pain penned,
truly
an old fashioned bittersweet
sepia colored, burnt caramel colored
rage

this is not
your mother's
the-modern-nostalgic

recalled with
mixture of the painful pleasure
of
no forgiving the sins of
omission of a father,
who could not love openly,
or
the sins of sons,
in turn equally
guilty
of an
insufficiently telling his
pop,
I love you plain
vanilla simple,
regret for love not well
spent}

but this is not the truth of
nostalgia,

just plain regret
of acts of love
not demonstrated
~~~~
this poem,
this day,,
this pain enraged,
old wounds enflamed,
how I gave up to misery
the better part of a life

This is Nostalgia
in its ancient usage
and God help me,
should I ever see her,
I will school her
in the sourced origins of words

Greek algos, pain

and tell her
she sourced me
hell well,
four decades
make me unashamed
to say on this planet,
there are those
even good ole
Natty
will never
forget/forgive
only recall with the
summation of
nostalgic pain,
wounds still
draining
dedicated to my ex.
^see my poem
(I love) Dignity,
Nat Lipstadt May 2022
If we are mark’d to die, we are enow
    To do our country loss; and if to live
    The fewer men, the greater share of honour.
    God’s will! I pray thee, wish not one man more.

    By Jove, I am not covetous for gold,
    Nor care I who doth feed upon my cost;
    It yearns me not if men my garments wear;
    Such outward things dwell not in my desires:

    But if it be a sin to covet honour,
    I am the most offending soul alive.
    No, faith, my coz, wish not a man from England:
    God’s peace! I would not lose so great an honour

    As one man more, methinks, would share from me
    For the best hope I have. O, do not wish one more!
    Rather proclaim it, Westmoreland, through my host,
    That he which hath no stomach to this fight,

    Let him depart; his passport shall be made
    And crowns for convoy put into his purse:
    We would not die in that man’s company
    That fears his fellowship to die with us.

    This day is call’d the feast of Crispian:
    He that outlives this day, and comes safe home,
    Will stand a tip-toe when this day is named,
    And rouse him at the name of Crispian.

    He that shall live this day, and see old age,
    Will yearly on the vigil feast his neighbors,
    And say ‘Tomorrow is Saint Crispian:’
    Then he will strip his sleeve and show his scars,

    And say ‘These wounds I had on Crispin’s day.’
    Old men forget: yet all shall be forgot,
    But he’ll remember with advantages
    What feats he did that day: then shall our names

    Familiar in his mouth as household words:
    Harry the king, Bedford and Exeter,
    Warwick and Talbot, Salisbury and Gloucester,
    Be in their flowing cups freshly remember’d,

    This story shall the good man teach his son;
    And Crispin Crispian shall ne’er go by,
    From this day to the ending of the world,
    But we in it shall be remembered;

    We few, we happy few, we band of brothers;
    For he to-day that sheds his blood with me
    Shall be my brother; be he ne’er so vile,
    This day shall gentle his condition:

    And gentlemen in England now abed
    Shall think themselves accursed they were not here,
    And hold their manhoods cheap whiles any speaks
    That fought with us upon Saint Crispin’s day.
St. Crispin’s Day

By William Shakespeare

“Memorial  Day inspires mixed emotions: pride in the valor of those who gave their lives in the cause of freedom; sorrow that such self-sacrifice should have been necessary. Pride in past valor may be best expressed in the St. Crispin’s Day speech from “Henry V” (Act IV, Scene iii), delivered by the young king on the eve of the Battle of Agincourt”
Nat Lipstadt Feb 2015
(for Ingrid)

sudden like,
no intermission tween
sleepy and pangs~pinging,
rested, then arrested  
no intervening leavening
proper impromptu improper

slip sleep out of bed,
water wash the eyes,
the most private part
of all of them privates

primp the tongue
rinse fresh mint,
musk the body chest,
where hands go to hide
in forests of hair shirts
so the contrast of
smooth shaven
skin fresh cut
never clearer

go down to sandy beach

look for, take the
chances of never,
overturn the stones
protruding inviting asking
for discovery

each a chance of ever
each was a chance of never
all now mine,
sanded smooth pebbles
in sea~lotion washed,
fine coolness on warm hands,
brain thought-full-ness simplify,
so beautiful so beautiful
mantra unmasking human peculiar
oils essential

she turns towards...
mostly sleeping
logic dictating queries of ascertain-meant,
time and temperature, place?
hands answer all
here and now and the heat
of jeopardy

collect the pebbles in pockets
till overflowing overturning spilling unaided,
you cannot find the line that defines
the separation of
beach and sea,
church and state,
for it has been washed away by
uncovering discovering derisking
so many chances of never,
so many pebbles of ever

with toy shovel fingers,
warming eye scalpels cutting exploration,
exploiting the workers and the queen bee,
hidden in moist sand
looking for undiscovered poems
in skin folds,
no castle building just hole digging,
treasure seeking thrilling pebbles finding
head dizzy sun hot stones overturning
finding noisy ones where once
sleep suspending breathing quiet stored

you don't waste time editing,
just dig and spill,
just laser and spit
metaphors
that lance and crash - mixing into each other in confusion,
uncaring, for nonetheless,
clarity converts chances
of never
into ever,
integrating the what ifs
into what is...
1. Homage for the poet Ingrid
http://hellopoetry.com/ingrid-1/

2. A riff of an older work, http://hellopoetry.com/poem/623154/so-many-poems-in-shallow-graves-lay/
which I rediscovered thanks to ryn who stumbled upon it, abd then inspired by a comment of Victoria.   In the best sense, a collaboration of provocation (and thus a new poem born)
655 · Aug 2014
The Daily Prayer
Nat Lipstadt Aug 2014
For Sally, who loved this the best*

Be forever young n humble;
Feel ancient and royal;
Ride tall in the saddle;
Do something nifty;
Take someone's hand unexpectedly.
Drive home in the slow lane;
Do the minimus;
Do the maximus;
Leave a book on a park bench;
Use pen n paper, write a letter;
Take a chance, make people laugh;
Barrel into contention;
Show mercy to the confused,
Show anger to the abusers.
Bless a child with both hands;
Grasp your soul, throw it down,
Raise a child to the sky
Straight up,
A continuum, you and they,
A ladder to heaven
An excerpt from a long ago (August 21, 2010), a very long poem. The best part of it, here in gifted and given to Sally Bayan, who loved it best, and understands it even better than me...the original is http://hellopoetry.com/poem/443263/the-continuum-prayer/

and was written when words were playthings and not as costly as they are today..
Nat Lipstadt Feb 2016
the tinkling kiss,
tween silver bell
and the windowed door,
at the ice cream store,
announces with the delight of
a tingling excite

a novitiate,
a well scrubbed innocente,
a suckering, youthful customer
has entered the store

all the ice cream poems stand up straight,
paying cold attention,
the little boy ones,
fix their crookedly crooked bow ties,
the little girl ones,
pat down their crinkly crinolines,
all best behavior-ed,
shivering cold from hot anticipation,
the idea, the conception
of becoming
the chosen one,
invited outside,
for delight,
the pleasure of melting into
sweet, sad loving death,
in the smiling mouth
of a young fan & reader

now, they all know the rules,
no calling out!

just stand in frozen attention,
glistening, shimmering,
displaying their true coloration,
hoping to be the selected election

but that rascally bad boy,
with salty language,
yes, the salty caramel one,
can, in his over-sized container,
no longer can contain himself,
screaming out
with  an aura of entitlement

"pick me, pick me,"
read me, eat me,

favor my flavor"

all thirty one flavors,
one for every day of the month,
start to shout,
like a raucous caucus
of politicians huffing and puffing,
wheezing and whining,
pretend crying
for the  favored blessing of your vote,

"pick me, pick me,"
read me, eat me,

favor my flavor"

there is even a
"flavor of the day,"
usually a newly minted green poet,
a chipped one,
seeking to find a permanent home
for its fresh faced tasty, word sensation,
but after thousands of plastic spoon samplings,
nonetheless melty-dies in the corner, alone and forgotten,
for fame is fleeting, and not always long term good eating

so many to choose, got the poetic ice cream blues,
sweet slow aching of loving infatuation for the iceiest of
tongued-licking caressing, the only way to be consumed
organically

"pick me, pick me,"
read me, eat me,

*favor my flavor"
Nat Lipstadt Jul 2013
Sad Girl, Write Till You Are Righted

Awake to an inbox not overflowing,
But drowned
In sadness.

Despair,
A close second.

Tho oft I rise to/o that awoken-swollen-emaciated river,
Somehow your ache, worse than mine.

I figured out why.

If we write of it,
It some degree lessened.
So when I gift you my words,
It gifts me easement some in return.

But reading thy cries, an exercise,
Teeth-gnashing frustration.
It brings no relief.

So sad girl,
Write till you are righted,
May be it will snow on July 4th,
And tho unnatural,
So is thy grief.

Nonetheless, write me write me all about it,
Right us,
For tho snow falls, its loveliness,
Makes the heart rise up in gladness!
For thee I write...
SPotD.
653 · Apr 2016
The World as it Stands
Nat Lipstadt Apr 2016
"The world as it stands
is no narrow illusion,
no phantasm,
no evil dream of the night;
we wake up to it,
forever and ever;
and we can neither forget it
nor deny it
nor dispense with it.”

Henry James

~~~

crumpled tissues soggy slog
brew of up-all-night tears
daylight brings no belief,

sunlight offers but illusory relief

we dream awake,
awoken, we yet dream

some one...any one
come to me
be number one
on my to do list
be my next breath

and

whisper with heated words:

the world as it stands is
never standing,
revolver shot turning unceasing.
permission granted for water borne drops of
fated phantasy,
shower shaken

to

never forget never deny
fresh in every turning,
write sourced furnacing
that though the
weary
worn worries of
forever and ever
have a terminal final,
and though the Phoenix consumed,
it's whited ashes give rebirths hope
our narrow illusions
will yet be transformed
into broad avenues of better directions,
there will be
restitution
there will be
Union

for the lesson is cotton plain:

that the world as it stands,
stands not!

on its axis,
turn, turn, turn,
each revolution,
an explosion,
an opportunity
for restitution!

a revolution
if only we never dispense
with the belief
to believe
for roxtina
652 · Nov 2013
She can't remember my name
Nat Lipstadt Nov 2013
on the phone with her sister,
a 9:00am, a Saturday, weekend ritual,
and I hear say "even..."
and I wait,
knowing she can't
remember my name,

so I help her out,
filling the blanks,
and say out loud

the guy in bed next to me,

but that makes it worse,
cause now she is
laughing so hard,
tears are rolling,
she can't talk at all.

me, I'm writing this
down and
done.

not much of a poem,
agreed,
but a moment,
a slice of the day,
forever captured,
and someday,
when she stumbles on this,
when I am no longer scribbling,
here's hoping she starts
laughing all over again,
like you are now.
651 · Jul 2014
Po-hymn
Nat Lipstadt Jul 2014
(happy  belated first birthday, po-hymn)*


To whomever you pray to,
And if there is no such icon,
Then I hymn-hum to you, this tribute


Let all my mistakes, my typographical errors,
Like writing poem and getting back po-hymn,
Bring delights to keep, to grow ancient on my face,
For from every accident, we grow and bend,
New tree leaning towards our collective inner
Sun Ra.

I am no David, psalms and hymns,
Unreadily exist, so dug deep Lord,
To write this prayer, for my brethren.
Just one day, someday, let heaven
Grant only poets births, no passings took.

Give us goodness and grace
All the poems of our day.
Shed special light all about our faces,
From our shoulders, rise up insight inside our heads,
Brighten, enlighten, give us eloquence and sanity.

Let our missives dismiss the gloom,
Polish, remove the tarnish, we cannot secret
From the all seeing confessions taker,
Honesties writ daily but never published.

Give us meter, yes, give us rhyme,
To make sense of the grey days,
The black hole invaders,
Given iris-shine be our responsibility,
But a sweet nudge, prithee,
Enhance our impoverished ability.

This Sabbath day your fog-hide
Your gift of bay and beach
So quiet implore, beseech,
Keep the sailors safe,
And your poets saved.

I ask much.
But I ask for all of us,
There are so many such
That are booster-chair needy
That I am succumbed, overwhelmed,
Enormity fearsome needs help even from a deity.

Small words, big hopes.

If you cannot grant it,
Won't wait for intervention,
Do it myself, answer prayers one and all,
Best I can, starting now with this
Po-hymn.

July 13th for always
Pohymn.    Such are prayers born
Reread and reposted, a rediscovered fav and ours to share...
651 · May 1
the mini vacation
Nat Lipstadt May 1
the worldly swirling reverberating, whirlpool whirling, the To Do list,
issuing senior commands, and the poetry dieting and exercise regime
is muffled, though notes and promises atomizing, ideas and excitations, on the cardboard backs of yellow pads jotted, on menus for Chinese and Indian incantations,
assembled in their own corner reservoir,

nonetheless and all the more,

no births recorded, no spawn of the dawn, product of mid of night
illegal ramblings by the
East River

none
achieve a hallelujah *******,
and the pile of drafts messy are assorted and distorted in their own corner of the white writing desk,

stillborn lay, or more accurately they cry out pained:

"no, no, still to be born!"
"not yet dead!"
"permanent gestation is not a destination"
and other survivor slogans,
and mind and body bloated with
need to ex and to in
hale
them,
to let the healing compounding components of
new compositions see a
glorious Mayday morn of a steady streaming of
howling babies, and all agree,
look at you, look at me, look at this
5 minutes sassy essay on your lassoed status,
now force the door ajar and let the nightlight lead you to dawn,
deliver us, satisfy out our cravings,
make us wholesome and then,
with a sacred finishing
wand waving of blessed
Hallelujah
Amen!
Selah!

now get to work,
*** of coffee witches brew,
knock off the stalling,
Sondheim humming,
crying out a
****** recognition,

"send in the clown,
no more; maybe next year,
too late,
I'm here...
"

4:07 ~ 4:25am
May One
2025
and the lid is blown,
an  evening of Stephen Sondheim
651 · Oct 2013
Butter Burn (10W X 2)
Nat Lipstadt Oct 2013
"You better stop kissing my neck,
The butter will burn!"
Totally stolen from S.,
As she is busy making
Breakfast.
Nat Lipstadt Nov 2024
~ for the poet Lorca (1)~

<>
we spoiled citizens of
our
United States
have little facetime,
nor hands on familiarity
with fascism
even less with global geography,
and that tiresome subject,
h i s t o r y

but it’s a disease
just like malaria,
that has never
been fully eradicated
(ya didn’t know?)

and yet,
malaria has a treatment,
a cure, even a vaccine,
as does
fascism

something muy valuable,
free for the taking,
but not freely necessarily,
freely given,
a commodity
with its own supply and
demand curve

it is
commonly known,
but not necessarily
commonly available at any pharmacy,
generically labeled
f r e e d o m!

this disease
is however
attractively packaged,
it is not embodied in an
ugly mosquito,
so many eager to embrace
its potential praises,
ignoring the deep sea
trenches of pitfalls
that encase it

for it has the elegance of
simplicity
the simplicity of
eloquence  
whose glittering
is an attracting
disguise of deadly poison,
the infamous elixir of
a “cure-all”
(1) https://www.poetryfoundation.org/poets/federico-garcia-lorca

this morning per Bloomberg
Civil society, media groups condemn vague wording of law
Nat Lipstadt Jul 2024
the most beautiful roses are not red,
but palest of yellow with pink
streaks,

violets reside in a giant Etruscan urn
before our modest home, a
reminder to the modesty
and brilliance of color spotting in a sea
of immense waves of ski-ed blue and
verdant green, a visual, floral,
peak,

the violent virtual of the week,
wrecks a soft creamy despair across
the nation’s cheek, another slap at
the notion of our greatness residing
in our above all, unifying and
basic simplistic notions of kindness,
and the violets turn out insufficient
to gladden our hearts in a sea of
bleak,

and I turn my eyes to the great scapes
that surround my soul, absent
only snow capped mountains
but memory works, serves up,
what resides a mere thousand miles away,
so now my visual vistas completed,
and a tea of c a l m, aroma soothing,
massages my temple and rests my
blood pointy fingertip composers,
and I am somehow, someone who is
tweaked,

upon my heart in the real of solid
dark of fog and cloud that is my
true tempered reality,  where I am
wrecked and wreaked,
a havoc of pain relief cream,
soothing, relieving the anguish
that rests within and periodically
calming, thus alive to survive,
and yet remind:

a-salve to inject,
to still,
and yet,
permit stll,
a streak of

shrieks
10:55pm
Fri Jul 19
2/0/2/4
650 · Jan 2014
If you begin a poem with I
Nat Lipstadt Jan 2014
you have already failed
You may see and know it through your eyes,
but share,
write it, as if
We
saw it, so we read and say
yes, me too!
be universal
Nat Lipstadt Jan 2
Oct 2020
Poets, let us examine this friendship thing, again.


Poets, let us examine this friendship thing, again.

This is a poem of humans, regardless of our natural multi- flavored striations, that tend to over-define us, thus separating, instead of celebrating commonalities.

Like most things we enjoy, our five senses are the gateway to pleasure, even the pleasure of friendships. They act in concert, a symphonic interplay that reenforces and heightens so that in combination they create a whole greater than a single sense could provide singly.

This is on my mind this week, as I wrestle to understand the meaningful possibilities, the limits of friendship.

Poets form bonds without hearing each other’s voices.

Poets connect despite geographic distances that makes grasping each others sinewed arms, caressing the softness of hard cheekbones, without ever having been granted the unique, all encompassing satisfaction of embrace, hugging.

Poets sometimes can hear but not see each other’s words.

Poets sometimes can see/read each other’s words, but never hear them voiced aloud in the authors own, true voice.

Poets sometimes cannot smell or taste each other’s words, though it can take a poem to another, higher sensory level of coloration.

And yet, a bond so strong forms that defies the conventional limitations of the physical. Should we share such a bond, them you know it, no need to ask for confirmation.

Words, can be gifted, without teleportation, even when and if the bridge of a shared spoken language is not extant.

This is nothing short of miraculous.

Just like friendship.

All my wrestling to true comprehend this state, for naught, for the miracle of words is like the color of water. Universal, invisible, but so varied, that it too bridges and is shared by every ! human body regardless of any human shape, color, form of the billions conceivable.

But wrestle I do nonetheless, for the pleasure of this (non?)soluble problem that both creates queries & quenches simultaneously, so I break off this thinnest wafer to share with you, offering this notional:

All humans are poems.

All poems are human.

Solve this poem for human.

(And ignore the wet spots of my watery, clear tears staining this poem).
written Oct 2020. in conversation with SPT
Nat Lipstadt May 2014
For my dearest poet and friend,
Maria

hard in so many ways
hard cause I know before I begin,
I ain't got the words,
don't think anybody does

I am bereaved, bereft,
ruthlessly deprived by force
of the pretense of composure,
the daily mask worn to perfection,
to avoid detection by the world
of the sum total of the heartaches
brought by chance to my door

Thus stripped, I can give forth easy
screams that have no end, no use
for anyone but me and they,
when all said and never done,
give no relief and just continue endlessly,
form changed to silent ones,
and that is even worse, so much harder.

no point in questioning this fate,
work in a place where pain is routinised
so you can function and be of use

no point in questioning this fate,
but met my master, bested by the worst,
no training, no feigning - I am defeated,
and make no excuses for my loss,
of everything, of anything, for I have
entered a place where there is no poetry anymore
Today my dear friend, Maria, lost her second child. I am wordless, bereft and wonderous bereaved that this beautiful person must suffer so.

See 


 http://hellopoetry.com/poem/706688/not-a-poem/
648 · Feb 2024
"I will create as I speak."
Nat Lipstadt Feb 2024
"I will create as I speak."

<>
these profound and most serious of words,
vibrate within my chest (really!) as I
tongue test them, having just awoken
and a Sabbath ~Saturday looms before me,
naked and full of
potential.

I am hopeful, and unafraid, by the clean sheet of twenty four hours that covers me nearly toes to head, a singular occurrence,
normative
would be dread of the shroud of lists of items of urgencies that demand outage justifyingly,
urgencies crying out,
attend to me now!

but this day different, a sleepy peacefulness
compromises my interstitial spaces, and an amber color of
calming quiet fills them, no raucous splashes,
no errant droplets hinting at the fullness-yet-to-come
when the tanks of
empty are quietly, with a silent sigh of finality, announce the profundity of sufficiency and satisfaction facing
undefined emptiness,
that these contradictory sensations are
harmonious extant
within me for the foreseeable momentary.

Dai!

this single syllable Hebrew word for “enough,” issued in one breath, like “the end!” hits me with a slap of sensibility as a closing lid on this just about to possibly boil *** of emotions and internal combustion.

two last thoughts burr me mind before signing off:

the contradictory nature of the blanket of
an unscripted openness of a day ahead, and the
totality of its fulsome satisfaction it offers,
do not confuse me.

no scholar I, it occurs that the word Dai,
unlike any other, has a root unknown to me,
but internet of godlike humans had anticipated my query and offers me irony and reassurance that I am so not the first to wonder and know this satisfying confliction of this two headed Hydra send-story, sensatory, balanced imbalance
for the root of this common word used daily to say:
“enough,” “stop,” or “that's sufficient.”

comes from the root is DaWaH דוה which literally means
“to flow or extend outward.”

and though
*
I created this poem as I spoke,**
I only reiterate what my ancestors already knew
thousands of years ago!

by the bye,
the Hebrew phrase "I will create as I speak,”
is well and better  known to you as:

Abracadabra.


Dai!
Saturday
Feb. 4 2024
6:39am
Nat Lipstadt Jun 22
not  the prophylactic kind,
nor the rubber kiss road tire kind.

but the rubber of bodies
old and young,
tired and tense,
young and flexible
migrained, played & splayed,
pain paralyzed,
soothed by cherubic
fingertips
oiled with,
anointed by,
a-custom cream
of tenderizing aloe
and gentling, kind loving
quieting & shushing

tho mine own temples,
raging, feverish,
combobulating
as words spill as *******
and then

she
sleepy whines:
why did you stop rubbing me?


and for
a sleep deep,
she leaves
me,
going unanswered

but happily
nonetheless
boy be typing
**The End
Nat Lipstadt Oct 2021
~for Steve and Marshall~


And the drowsy old world’s growing gloomy and gray,
While the joys that are sweetest are passing away;
And the charms that inspire like the picture of dawn
Are but playthings of Time—they gleam and are gone,
    While the drowsy world dreams on.

"The Drowsy World Dreams On" by Walter Everette Hawkins

 <|>

my personal time ladder, nearer to the top step,
hungrily devour the photographs of time’s daily sweets,
every natural picture evokes gasping, wonderful wonder,
acutely aware and wary that this confirms my duality,
rejecting and welcoming the nearer end of my personal poem

the poems of many-a-day stored securely in the ever expanding
internet, for memory is the most untrustworthy partner, and who? will retrieve, reinspect them, clapping to their bright shining, who in teary wake, be commanded by my no more heart beat-throbbing, an irony unflattering, as my disposition ranking first among the
forever stillest

some few gleam and gone; in the wee hours, when I enter
the confessional, both priest and penitent, my sins gleam
for but a moment and the priest sadly informs, there is no prayer or poem that will forgive your multitude of poor paths taken, of love ungiven, craven cowardice of safety’s paths taken when choice was offered

these poems are merely
the residue of a life poorly lived,
poorly given, seeking no mercy,
for if I cannot forgive myself,
why should you?



10-18-21
11:39AM
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