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932 · Mar 2014
Vignettes
Nat Lipstadt Mar 2014
Vignettes**



every read is not a feather
but a fearsome weight,
every poem~repast unique.
the desert,
toujours la même chose,
always the same thing,
self~loathing,
for now
thy questioning overwhelms you:
now what, what's next, what's left?
~~~
French bread speaks only in one tongue:
the earthy brown crust language of
soil and sun, announcing I am the flavor,
white flour is but a process
~~~
when the
breadwinner
can no longer provide,
he suffers twice:
once,
the hunger pains he inflicts,
felt more keenly,
then again,
for the dishonorific the world
does crown him,
man of no value,
bread-loser
~
my favorite raindrop is
the one that lands on my
nose and rolls slow
onto to my tongue:
a nose drop twofer!
~
all art begins with stimulus.
stimulus breaks the comfort of habit.
habit is the blackout shade
that strains out the light of creation
~
no two dancers will dance
the same choreography
exactly the same way,
no two poets will employ
the same words
exactly the same way,
the small differences
are the heart of the origins of our specie,
great art,
Vive la difference!
~
Let us give our worst performance,
Write our worst essay,
If it pleases but one,
Its success makes the great ones tremble
with envy
Random thoughts of the day, the few that were remembered.
931 · Sep 2013
Teach me art
Nat Lipstadt Sep 2013
Teach me art

Teach me art appreciation,
Line and Texture,
Light and Composition,
Collage, Montage.

I 'll pay you in kind.
Teach you to write without saying
****.

Teach you to see that beauty
You possess,
That it does not you,
Own,
Unless you let it.

Paint your nails,
Ask your therapist,
Does your coach know what I know?
That the talent and the vision swamped
Neath the necessary but overwhelming anger.

Write easy, be easy,
Let the light enter and fill the space
Like a Vermeer, open up by letting in,
Just one tiny window, all that's needed,

So if you teach me art,
I will teach you how to write a poem
About painting beauty buried within,
About anger, letting go.
AM
Nat Lipstadt Aug 2020
"همه جا" از حافظ / "همه جا" توسط لیپستاد


Hafiz                                              ­           Lipstadt
(1320 ~ 1389)                                            (20th ~ 21st century)
——————                                           ———————­——

Running                                                    Si­tting
Through the streets                                 On the sidewalk curb
Screaming,                                                Ob­serving,

Throwing rocks through windows,     Rocks falling all around,
Using my own head to ring                  Striking my head, ringing in
Great bells,                                               Great waves of thought,

Pulling out my hair,                               My hair stands straight up,
Tearing off my clothes,                          My clothes’ fibers come alive,

Tying everything I own                        All possessions, the poems, yet
To a stick,                                                Unwritten, less valuable than,
And setting in on                                  The air that feeds the flames of
Fire.                                                         Their burning.

What else can Hafiz do tonight        What else can Lipstadt do tonight
To celebrate the madness,                  But acknowledge the truthfulness,
The joy,                                                 The madness,

Of seeing God                                      In~Exhaling God in each breath
Everywhere!                                         Everywhere!
Nat Lipstadt Sep 2013
On The Great Lawn of my mind,
The city's biggest dance floor,
Upon its cushions, stepping lightly,
The spring breeze, feeling its way,
Making, reawakening, a thousand acquaintances,
Absent parent kissing each long-lost babe-blade of grass

Breeze takes each blade of spring grass:

Cajoles, asks not,
With windy hands, guided missiles,
gentle/firm
push/pull
engage/ disengages,
open/closes

Breeze makes each one
Neck, caress their neighbor,
A thousand pas de deuces of  
fresh faced green children.
All in all a triumphant processional,
Cloaked in robes of sky blue velvet,
Crowned by the sun's burnt orange kisses.

At the middle school dance,
The walls are portrait painted  
with the shy ones,  
The ones-who-don't-know-how-to-ask.
Passover's children
Needy for a Moses.

Student of the spring breezes,
This silly earnest teacher/chaperone,
Grand-pa-rent will:


Cajole, ask not,
With hands, guided missiles,
gentle/firm
push/pull
engage/ disengages,
open/closes

Under his tutelage,
Every boy and girl
A dancer, a blade,  
Each a Passenger on the fuselage
Of his Spring Ballroom breeze.

These are my spring rites  
imagined,
Visions of my sight  
unimpaired,
Present and future  
clarified.

Soon we will teach our own  
Little Princes and Princesses,
The shelter of dancing,
Feel the embrace of nature,
Under the mantle of an  
A Capella choir of tree leaves,
We will lie side by side,  
Skyward pointing,
Sharing our spring-sprung imaginings,
Performing each and all  
Upon the breeze to carry away,
For all to gleeful applaud!
Another old one
929 · Aug 2013
Good Night To You
Nat Lipstadt Aug 2013
Nearer to the midnight hour
Than thee,
My ship sinking neath lids of iron,
I lay me down and entrust my soul
To the muses,
The Gods of Poetry and Art,
My poems to keep.

Tuck me in, kiss my forehead,
They smile knowingly.

I ask in the slow, punctuated,
Indistinct voice
Of drowsy,
"Will I see you tomorrow?"

They reply:

"Soon we shall meet again
In dreams most colorful,
Whether in this world,
Or the next,
T'is another's choice,
All is chance."


*Then they soft whispered:
But new poems will lie by your side,
Pillowed beneath thy head,
Guardians and Friends,
Wherever, Whenever.
For once a poet,
A poet forever.

So journey on,
Good Night To You,
Our child."
12:04 pm.

Companion poem to,
(6 days ago)
"Good Night To Me"
Nat Lipstadt Sep 2013
You would wake up, clocked, alarmed,
lost in the crossover transition,
from dream to live beauty,
and find me writing
laughing, crying, simulcast.

If you slept with, beside me,
you would put your head
on the chest that warms, enlivens,
the few who ever privileged to touch it,
shape-designed to give what needs taking.

If you slept with, beside me,
your vocabulary would contain
new creations daily, poems, words,
like nippilicious, and thatsridikulus.

If you slept with, beside me,
The first thing you would see thru the window,
that chair, angled toward the sun rising,
where I everything,
and sigh-smile simulcast.

If you slept with, beside me,
you would laugh at that man who takes
that newly arrived coffee mug,
and lifts it to warm that naked chest,
heat external thru skin,
waking up his heart, caffeinated for you.

If you slept with, beside me,
you would get to choose,
your fav body part,
a choice tween tongue
and tongue.

If you slept with, beside me,
we would argue mightily,
what be best,
multitudinous colors of the sky,
grass lush green or,
calm bay blue treading waters,
Bach or Billy Joel.

If you slept with, beside me,
you would not have to read this,
for this would part and parcel your life,
no need to say and see things twice.
  
6:43am sept. 14th

Postscript:
If you slept with, beside me,
You would to bed dispatched,
With the taste poem, of me, lullabyed,
And awake to the poem-chronicle
Of the first few moments of this day,
And in between, a duet,
Sleep, and a poem, entitled, me.
First poem of the day.  From actual to digital in a heartbeat, from the USA to you, so close, yet so far away, from me to you.   If you slept with, beside me...
Nat Lipstadt Sep 2014
for Kitty Prr*

there is no boundary,
Mason Dixon Line, 49th parallel,
uptown, downtown grooves,
separating human from poetry,
but there is living, daily scorekeeping,
push/pull of taking each breath
in a right mannered way

sometime you gotta dig a ditch
to learn to climb a mountain,
pay dues and even get paid back
for living in a wrong mannered way,
which requires laying down of the pen,
doing shovel ready projects
needy for completion,
yet-to-be plans needy for
formulating details,
forethought and caring, putting the
poetry aside,
on top of the dusty piano

sometime you gotta drink it black,
pass on the milk, cream and the sugar,
even if the waitress just brings it,
pour ice water on top.of your head
just for yourself alone
the how-to-cleanse the eyes and head,
sometimes you got to let the
poetry stand aside

sometime you have to open that
black briefcase^ treasure hoard of
all things soured and soliloquy of
missteps and judgement errors,
letting the
poetry stand aside

sometime you gotta do the laundry,
rediscover the bottom of the sink,
watch the washing machine movie screen
picture making,
asking for its very own poem,
but you know this day,
gotta let the
poetry stand aside
and you stand up
and climb,
straighten up,
back creaking,
joints cracking,
first find the place to rest the body safely,
and when the chores of living crossed off,
then only
ready and somewhat good,
dust the piano,
dig out pen and paper
from the kitchen drawer of miscellania,
and let the reign of poetry
rekindle the Phoenix's ashes
Nat Lipstadt Oct 2020
I think, therefore I am.

(5) the possible poems lurk about, here a title,
there a verse without a home, and, despite
cogitating brings no fusion, no unity or home
heading, where the sigh of conjoining both
brings mental *******, organic relief, worth.

(6) the temperature now cool regularity, enough that
a distinctive line crossed, setting from Cool to Heat,
an inflection point of persona, weather, aging,
daytime whispers can no long be avoided,
a choral crescendo, delayed by lazy summer illusions
that permitted us to put off abnormal life as normal.

(7) I think, therefore I am, but I do not feel,
sufficiently, therefore I write a title here,
verse there, but no poem completes because,
as I update my list of people I worry about, I am,
ineffectively yours, lacking answers for you, in all
our present tenses, some of you are on it, even if no notification
sent, selfishly pondering if my name appears on someones list

ah, these miscarriages of miscellaneous mumbles don’t
qualify as worthwhile, so I pre-apologize for wasting your time
trying, pushing myself to go from thinking, of you, so, therefore
you exist, but if I cannot give you the feelings deserved, then,
what good am I?


conundrum.

11:26 AM Sat Oct 10
2020
Nat Lipstadt Sep 2019
https://artsofthought.com/2018/07/04/why-i-always-carry-tissues-2008-the-poem-i-love-the-best/

To My Children:

I’m laughing at myself,
As I am prone to do because
Why I Always Carry Tissues
Is the title of a poem
I write for you.

There is a story here,
Of parenting, and responsibilties
That transcends yourself, defines me,
Vis-a-vis you,
then and there, and maybe now.

When you were small,
I took you by the hand,
The cement canyons, trails & rivers
of West Eighty Six Street,
Together, we would ford.

Periodically, as Fathers are prone to do,
Your hand, from my hand,
I would release
So you could fall down,
All on your own.

It bemused me that I could see
Three or four paces ahead of thee
Exactly which crack,
Upon which you would trip,
And come crying back to me.

Back-to-me.
That was then.
And now,
Yes, no more,
Back-to-me.

But I always had tissues
to dry your eyes
And no surprise,
I still do,
Always will.

These days, they,
more likely used to dry mine,
As I have forded that Styxy river,
When crossed, you spend more of the day,
Liking Back more,
Than looking ahead.

No matter, by right and tradition,
It is still my mission, that when!
when you need, when you bleed,
as I know you surely shall,
These pocket tissues will be there
Ready, willing and able, fully capable,
of snatching away your tears.

When you need,
When you bleed,
And you surely shall,
These pockets of mine,
Of tissue made,
Are waiting for your tears,
And you, to fill them,
For without them,
Their raison d’etre is unfulfilled.

These used tissues are my history book,
Re the art of loving, and the arch-i-texture of life,
Of tears and hearts,
And concrete spills,
That need knees to be complete.

That is why you will find me, without fail,
Ready, willing and able, holding my
White Badge of Courage at the ready,
Waiting patiently, for my mission to be redeemed,
Missions known as parenting schemes.

The scheme is clear, even if
my tissues you no longer request,
You will let your own babies
fall n’ fail, then take their tears
Put them in your pocket,
keep them forever wet,
Like my memories of you
the ones I cherish best…

Perhaps a tradition
We will start,
Unsightly bulges in our pocket rear,
Where we will store our packet of saver-saviors
Removers of our dear one’s fears.

If we are truly wise
Those tissued memories
We will keep,
Die among them contented,
Knee-scraped deep when!
When tears fall…

©Nat Lipstadt 2008
https://artsofthought.com/2018/07/04/why-i-always-carry-tissues-2008-the-poem-i-love-the-best/
927 · Nov 2024
Even Though (Short & Sweet)
Nat Lipstadt Nov 2024
this trip
homeward bound,
riding the Q (subway) train
from the messy grime of a
never fully repossessed
cesspool misnamed as
Times Square,

to our apartment
near but yet far,
a poem short & sweet was
born complete, on an 8 minute
fast track victory lap to periodic
successful urban planning,

that even and
even though
with and/of
which
no speedy highly
disrespectful witch
on a broomstick,
nor a midnight traffickless
auto trip,
could ever hope
to compete
<>
roses red, violets blue,
all the passengers, revelry tired,
both becostumed & be plained,
Hallowed eve festivities
again, lesser than expected,
life be, eager awaited
legal moment of crazy-
-inness-inward-permissed,
never quiet or as good
as hoped,

we tired riders
all look worn from the
aggregated
infidelities of a
a hoped-for
missing-out happier life

nearing midnight,
the new immigrants,
in subway platform
patrolling,
offer us candy for sale,
their toddler children,
beside them
at this midnight hour,
to drive home
the desperate willingness to

survive in a city oft hostile

no longer eager to be
beacon beckoning
to the world, we rethink
to our minded selves,
our Statue of Liberty
engraved invite:

"Give me your tired, your poor, / Your huddled masses yearning to breathe free, / The wretched refuse of your teeming shore. / Send these, the homeless, tempest-tost to me, / I lift my lamp beside the golden door”
<>
we exit the underground rout(e)
and the walk from subway to front door
is another 8 minute travelogue segment,
we cover the quarter mile on foot,
covering a skimp of distance that
our urban transport  
of many mileage covered
in the same units of minutes
in flyer miles

<>
late at night,
we walk fast, with eyes wide,
our lives to hide,
from the risks of the
unpredictable
when the street parade
of stragglers
gives not the comfort of a
rowdy crowdy,
and the existence of crime
is not
entirely fabricated

<Did>
I offer short and sweet,

Oh well I only misled,
the trip 16 minutes
and the poem
in my head,
complete emerged
with minutiae attending
et. al.,
in far far less mini~minutes,
for it was
a product of
silent back labor,
from first staggering
screaming pain
to
successful unexpected birth
that can take maybe
minutes five,
to mentally survive
plus,
physically complete the birth,
introduce this poem to life.
when the photos of my mined mind
make images from negatives
into words,:

collect, sort and report the
output picturesque
now in colors black & white,
of a trip from a Broadway theater
through to a high rise building
astride the river
which gives me
a theoretical cleaner space to breathe
<>
rather than short and sweet?
I really reseed,
redeed it as/is:
not too long and a tad
bittersweet


a night in the life of
the mixture of successes and
failures of our troubled world
in
living technicolor,
a few seconds of film
of which one could fairly,
and in fairness
bless/write/curse/
each sight
twice,
uttering:

”mine eyes have seen the glories,
as all come to look for America”
a composite of many trips, that took ten
minutes to type with my left foot thumb
between 1:23 ~1:33AM
to spee,, review, pay its overdue
minefield fine
and send forth into the atmosphere ionic

https://upload.wikimedia.org/wikipedia/commons/thumb/8/83/Emmalazarusengraving.jpg/800px-Emmalazarusengraving.jpg
Nat Lipstadt Apr 2017
~
for yasaman yohari
~
salute jahari,
jewel flowering faithful in our desert of the quiet misbegotten,
where more most eyes closed by sandstorms torrents of...

this child Jasmine girl, oh!
how I adore her happiest melodic smile,
eyes are opening, gleaming black dots so white bright,
explicitly explicably mystery perfect,
either could substitute for our shared sun master,
or our shy, face changing, hiding traveling moon

listen so carefully to the melodies
of a tired old man, why, no idea,
it has no literature, can paint no drawings,
yet somehow, his yasaman heart blossoms
pricked to revival, renewal, at your devotion,
deepest affection
so a bargain struck

*the old gent,
wise in the way of words,
gladly will tutor you in an  
accented peculiar New York English,
if you can teach him how
a brother can - to- for-
a sister, a family,
love with joy brimful pure,
an added recompense,
I will take her Persian name as well
925 · Aug 2014
Love After Love
Nat Lipstadt Aug 2014
by Derek Walcott (1930- )

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Trying...
Nat Lipstadt Feb 2014
just when the bitter
is not on the edges
of my spoiled food,

but my repast totaled and complete,

just when the heartache of living
infects the legs the head even
the fingertips I abuse leaking all I fear here

when composing,

just when I read another 1000 daily new tryings to say me bad sad utilizing
moon June eyes scarred scraps of love and pity-me broken rants,
cants of can't,
trending my deep desired purpose of delighting and inspiring
you into the thunderous waterfall of never ending poetic oblivion,

and I wonder what the hell am I doing here
(spending countless hours, draining personal  batteries)

then you tell me that some words,
words they say I wrote,
apple-core me
pushing momentarily out/aside the fear, the embattled hubris,
the anguish, the desperate wishes, you tell me just this:

"This filled a need I had no name for"

I am weeping only, ashamed and unashamed,
redeemed, you used my coupon, and spent it
on redeeming me
in a manner unknown and here I am composing once more having sworn I am done here,
only now to decompose myself in privy chambers for my dearest ones,
for too many words come to me, telling me of their hurting,
used up by overuse, crusted cliches,
drowning in images that no longer reflect in any mirror,

and you tell me that just what I felt,
wrote down precisely that,
one must  always
ask for more than you can give,
my communication into your sensations fulfilled a need,
some thing that

"filled a need I had no name for"

and it occurs me this is the precise atomic second
to put away my deckling paper, put the pencil down,
lock up that old sewing box, pink and white striped, where the pained and joyous monthly storage fee needs payment due,
where are kept yellowed poem-papers that they won't hesitate to throw out when cleaning out my last effects,
needs shutting down,
the last episode of this personal reality show,
"breaking __" (fill in the blanks with un blanched original sounds)

what more needs doing,
I inquire of my narcissism,
capstone, the keystone brick preserved,
what more could ever be achieved
having tendering myself raw and distinct, fine and finished,

there is no more I could ever write, or need to,
and I am contented in a way that my I ego
happily announces it's surrender and the end is not lacking in finality,
for this is the way to go out,

for you have given me something
weeping only, ashamed and unashamed, at last,
at the longingest at last,
filling a need I think knew existed and now no longer,
for who cannot say I am not whole,
holy satisfied after seeing this gift,
for you have all gifted me something I dare not,
even, did not know to how ask for,
nor know that I could ever give,
out loud and conscious,
and now need never ask for again,
but give    
again and again
and again
Thank you Emily Rose of Texas.
http://hellopoetry.com/poem/593181/ask-for-more-than-you-can-give/

Poetry by the numbers (in too many ways) diminishes me.
I cannot cease to write., but I paint by the letters, not by the numbers. These numbers corrupt, so now I must learn to be oblivious, and not obvious.
This poem is me exiting stage right-aligned, but not left.

"It is not how you start, but how you finish"
Not done, just private.
To a new standard am I held, everything new from now on must
fill a need we had no name for...
Nat Lipstadt May 2014
leave the tv on switching channels every minute
for something you have not seen,
then lose the remote somewhere in the bed,
now, you stuck on an infomercial for fulfilling
a need you did not know you were needing

play ka-glom, an older version,
of candy crush
while not watching tv,
but hearing the sounds as warmth, comforting

read poetry, write some,
trivial sit puff stuff,
like this or
stuff about suicide - argh
and every pandora ballad
rhymes with everyone sad

poet up to take a ****,
visit the vast emptiness
of the refrigerator cause
you ate it all, and was
consumed thereby


The two concessions to
Pretend
is you leave her side of the bed
undisturbed
and the lights off

and when she calls
and asks how ya sleeping,
you say fine, for what else
can you say,
you already wrote
so exquisitely,
re life without her here,
sad mad bad

the boss knocks into your chair,
around three in the sleepy afternoon,
thinking
"that boy, what a party animal!"

*ain't that the truth...
Nat Lipstadt Nov 2013
The third and last Thanksgiving poem

they went round the table
asking what are you thankful for,
arrived my turn,
all the easy ones already taken,
family food etc.

so they said give us a poem,
and I replied:

I am thankful for the
light at the end of the tunnel,
the eyes to see it,
the patience to wait for it,
and the words to describe it.
Nat Lipstadt Jun 2013
Sorry to inform you, I have adopted you to be my teenager daughter
(I really am crazy)**


Someday we might meet,
But meantime semi-officially informing you
You've been adopted by me,
With all the rights and privileges thereof

You get to beat up on me,
When you need to beat on someone,
Like everybody needs to sometime

You get to weep on my shirt,
Cause I keep an extra nearby at all times,
In case you have teenage sadness *** blues

You can try out your poems on me,
And if they're trite, my limitless sprite,
I won't reveal, for you have a thousand more inside

My repute as dad is hardly assured,
Two sons would might give me a maybe stolid high five,
On a scale of one to no jive, premised, dads are just necessary evils.

But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­.....


P.S. Someday with you I'll share my most fav poem of all times,
Entitled "Why I Always Carry Tissues"
Which by the by, I still do
Don't ask, don't tell
Nat Lipstadt Oct 2013
I don't show her all the poems
I write,
Because if I did,
I would be picking up
***** crying tissues
From every room.

I don't show her all the poems
I write,
Because if I did,
My neck would be sore,
My back twisted,
My arms black n blue
Where she alternatively
Hugged me too hard or punched me harder,
For making her sadmadhappy,
Or just one of
all of the above.

I don't show her all the poems
I write,
Because some are meant for her to read,
Après les deluge,
After I'm gone,
Safely but sadly,
Out of her reach,
And the man who always carries
Tissues for her,
Has finally
Run out of stock.
917 · Jan 2016
in the losing is the saving
Nat Lipstadt Jan 2016
~~~

sometimes right and wrong,
good and bad,
are accurate single summaries of
the momentary episodes,
the essays,
that constitute the whole human voyage
to parts unknowable

there are but a handful of persons
who might fit the lightness
of your loveliest of theories

but how could you know
that long ago,
one declared independence from the
oppression of personal dependencies,
from either
admissible fear,
more than,
admirable courage

and yet,
those few,
those so very precious few,
a band, a squad, a fireteam
of successful piercers of
the bark of an ever scaling armor,
are warmth welcomed and comforted
within my hearts hearth,
under the protection
of my soul's furnace,
for welcoming flawed me,
fully,
without reservation

Nowadays,
I write mostly for
the lost children,
the lost loves,
the long agos of long ago,
those whose caring and loss,
scars and medals
somehow
were adjudged,
deemed too costly,
for everyday wearing

and for
those mates,
whose caring and the sharing
of their losses,
demands memorization, savoring,
writing down,
proofs of open boundaries

for me,
in the losing, is the saving,
in the poems that honor recall,

therein, thereof, and
thereby,
gaining
for our lives,
a modest, husbanded,
allowance,
a fund mutual,
of caring,
hard earned
and keeping us alive


~~~


October 26, 2015
8:48 AM
NYC
917 · Aug 2017
Happy Birthday Kelly Rose!
Nat Lipstadt Aug 2017
oops

Nat Lipstadt Feb 2015
(Ketoma Rose) I hate owing money & poems
~for Ketoma Rose~

money, far far easier for me
to gift, give, loan it out,
with very generous terms
of no repayment due
indeed, with my luck down,
the less I have,
the easier it is to share...

perfectly sensible to me
living with giving hands
and a
giving mouth

know that I know
that there are
a handful of you,
who read me with affection,
loyalty and a kind tenderness,
I cannot ever repay

so it makes me guilty+crazy,
keeps me up at night,
these obligations that cannot be
repaid without the hard work of
patient poem-waiting for inspiration
that comes so easily
only when it's ready

and this day I am ready
to pay down, pay toward,
please forward, give what
you have taken from me,
the pleasure of stating,
an adoration of thanksgiving,
a joining so profound,
that once found,
cannot be lost

and you dear reader,
can't fully share, or see these
gratitude-tears-I-am-currently-shedding

but voyeuring come along with the
knowing insight that I would want you too...

so you write from where your heart's
rip tides
rip you open and wider,
yet so oft it falls into the tears in
the pockets of only holes and neglect,
and you, ego-weak human
cannot understand
just how that can be...

but there you are,
Ketoma Rose,
by any and all your names,
liking my words,
and I crease wetness
upon my face tracks
wondering who you are,
and more over
the why
of who you are,
this wondering,
an agonizing
guilty pleasure,
a trouble I just
love having...

but bills must be paid,
and now this debt,
finally tiny-tad dented,
and the fact that the interest
upon it,
grows exponentially
is the
best debt
I ever was given
Nat Lipstadt Oct 2014
when the poems don't come,
where do they go?

silly notion,
what's the commotion...
don't they just wait,
gestate,
till the time is right,
till one fires the starter's pistol,
they come when they come,
right?

no.

poems are journeymen,
cover bands,
looking for work steady,
airborne, breeze borne, atmospheric,
looking for a ready, willing & able
host and hostess

a recognizer of their properties,
willing to offer themselves up,
by adding the final touch
to a project that has
its deadline passed,
needy for a Caesar,
cut it out,
to come and get it

are you willing to add
your name to it,
cutting its chord,
let it pass from the airs of heaven
down the stairs
to an earthly audience?

are you willing to own it?
Oct 9 2014
a taxi poem
914 · Sep 2013
Men, I am tonight
Nat Lipstadt Sep 2013
Perhaps none more
Surprised
Than me,
To scribe these words where none
But all, will forever, foresee.

I am the forgiving type,
But not the forgetting.

But tonight,
A poetic transformation!

Tonight, I will be a Christian two,
As well as a Jew.

If I had a minyan
(10 Jews required to pray collectively)
of Francis-men, I could rule the world,

If that thought would ever cross their minds.

Nine Francis-men and one Jew,
Call him, mmmmm, call me, say Yeshua.

They asked me if I would
Write a little poem-number
And I wrote with all my might

Took this unconsecrated writ,
To the ten,
Asking if it was any good,
In agreement to the man, saying:

You may have trod the streets of Jerusalem,
Walked on the Galilee,
Lived upon the mounts and in the desert of Judea,
None matters, miracles too,
You may know Talmud, law and commentary,
But not by this will you, your doctrine be judged,

Who are we to critique, judge,
A man, even a poet, of good will,
If his poetry is any good?

Are we not all sinners, all poet-sinners,
But answer us this:

"Tell us are you a Christian child?"
And I said,
"Men, I am tonight"
*"And they asked me if I would
Do a little number
And I sang with all my might
And she said
"Tell me are you a Christian child?"
And I said "Ma'am I am tonight"*

Marc Cohn – Walking In Memphis*
~~~~~~~~~~~~~~~~~~~~~~~~~
http://online.wsj.com/article/SB10001424127887324492604579085112121099956.html?mod=trending_now_7

Francis Sets Out Vision of More Welcoming Church, Less Preoccupied With Doctrine.   "In the interview, the pope expanded on comments he made in July regarding homosexuals. On a return flight from a trip to Brazil, he said, "Who am I to judge a gay person of goodwill who seeks the Lord?....When asked how he viewed himself, he answered, "I am a sinner. It is not a figure of speech, a literary genre. I am a sinner."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Yeshua us the Hebrew name, Jesus.
~~~~~~~~~~~~~~~~~~~~~~~~~~
I have indeed trod the streets of Jerusalem,
Walked on the Galilee,
Lived upon the mounts and in the desert of Judea
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A parting gift for Stephen-e-Yocum
Nat Lipstadt May 2013
Dear God:

Re Eva Cassidy

Been waiting/wanting to write you for a long time
About Eva Cassidy.

Had to let the anger settle,
Had to find the write words.

Many months have past, perhaps years,
Since I stumbled across the voice of this angel,
Memorial Day, it seems like the write time to
Try once more.

But my anger has not settled, it has trebled,
It has risen and is unquantifiable, irrevocable,
a line crossed, a feud, that can never now be amicably settled.

I have a retinue of good curses, experienced friends,
Looking to meet up with you, who understand that
Blessings and curses, for full effect, should be rarely used,
Especially inside a funereal poem honoring the truly great.

But for Eva, there's no question, you dude,
Got a fleet of F bombs coming your way,
When the children have gone to bed.

When Eva sings "Imagine,"
The purity of voice, miraculous,
I know you were afraid
And so took her young,
Lest her voice raise a generation of questioners.

Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today...

Imagine there's no countries
It isn't hard to do
Nothing to **** or die for
And no religion too
Imagine all the people
Living life in peace...


You got the power,
You make mistakes,
We all gotta die sometime,
But you better not take the special ones too early,
Or I may stop writing to you, and then,
What ya gonna do? Who will comfort me?
Eva will, that's who,
When we walk together in Fields of Gold...

Shelter Island 5:00pm
May 26
http://en.wikipedia.org/wiki/Eva_Cassidy


► 4:51► 4:51
www.youtube.com/watch?v=DTVsp_q8mxE
Nat Lipstadt Jun 2013
Women's Lacy Stuff

Thank you god or man
Who invented sheer,
Have no fear,
Tho nameless and unknown,
Your existence is blessed
By millions at night,
In their evening prayers

And by the faithful, truly naughty ones,
Those extra observant souls,
Who say swell morning prayers,
It is doubly blessed,
When they're arising, in the daytime!

8:04 AM, **Lol
This poem when entitled Women's Lacy Stuff,
Garnered few friends and was unacquainted with the word trend,
But when I put in its nomenclature, **Sexually Explicit,**
It became a Hello Poetry all time hit.

(nah, nobody cared either way!)
Nat Lipstadt May 2024
The sun~poem also rises every evening…

A.P.U (as per usual):
this testimony~phrase tilts me sideways,
to relieve the condition, needy to be righted
one must expel the belly kicking seedling,
looking to be outed as a full fledged tree,
a poem planted, a gatherer of insects,
giving shade, perhaps shedding fruit

the sun bids adieu, self~same~centrifuge
of our solar system, is indeed alway rising
somewhere, though the light of our naked
eyes weak, incapable of trajectory bending,
to follow its course’s curvature, nonetheless,
we know it but struggle to believe just as we
struggle to complete, compare, and compose

replanted words in your heart, words that trigger,
are the notions inherent, of a center, rarely eclipsed,
that never ceases to offer up nouveau hope in each
of the days, a placenta to fret you blood and oxygen,
once purposed, discarded into darkness,

b u t
the words rise again, offering what you seek,
diurnally, need, to find within them, for my child,
is now
our child

7:47AM
Sun May 12
Avenue of York
Nat Lipstadt Apr 2024
~dedicated to the heart fixers~

sometimes I smack my head,
when a poem commission is lying on
the ground before me, and I just don’t
hear it, believe it, in order to retrieve it…

many months of physical rehabilitation,
sessions always ended with a certain cutesy
Gen Z~Millenial crossover phraseology:

remember to tell someone you love them

the instructors mostly youngish,
so we senior~smile
a tad dismissively, give them a reward~grin, and
head for the locker room,
where we gossip and compare notes,
on the Part II of our in-process-future-realization,
living a grueling new life of self-preservation, 24/7

the PTs & EPs pound you on the machina, go faster, work harder,
eat better, sleep more, take those meds, motion is lotion,
walk the talk, never be still, but race to live longer and
prosper, this hard work is your new job, and resignation
is non~optional

now, it hits me, via a figurative sharp slap on the side of the head,
triggering an actual physical manifestation that reverbs to the toes,
that the most important lesson went under the radar,
evading the former trader’s dimming vision,
flunking himself on the rehab test paper,
a purple F for fool,
a grade, earned and deserved, and herein poetically preserved

the hardest heart work, begins only after you co-
commence the longest road back to where you once
belonged, but where you can’t walk alone, for therein
a recipe for failure; and the work that needs doing,
is on you; take that tear-repaired heart, and give it away, it,
one can be healed, but not if sealed, for the hard-hearted
walls thicken, and “over  time, the thickened heart muscle
can become too stiff to fill the heart with blood; the heart
can't pump enough blood to meet the body's needs.


so break off pieces of your heart, give them away with
relentless abandon, for this is the heart that self-repairs,
new tissue, new fiber, and most important, regeneration,
the one single reparation that can successfully
accomplish the true miracle of getting by giving,
no forgiving, if you don’t exercise the heart by

remembering to tell someone you love them




dedicated to the hard working staff of the
Cardio Rehabilitation  Unit
of Nyulangonge, Rusk Institute of Rehabilitation
who started  me
with a mighty push on the long road to utilizing my heart properly

<•>
Nat Lipstadt Apr 2017
~
all my poems are prayers on a good fun-Sunday

or a piece thereof;
wishes or curses,
longings, hopes, and a boatload of
'wouldn't it be loverly'

absent tho the conditional,
the if -then continuum,
no promises or persuasive pressures,
deal making sort of pointless
as words are directed internal to the
stew, the mix of matter and sensibility,
that seems to try and semi-govern me,
my own game controller Xbox apparatus

risen Sunday morn church in bed
first poem prayer issued,
a prone proclamation:

let me always allay
the needs of others owed
before mine owned

I like it,

maybe I'll call it commandment #110,
which means got all day to come up
with a couple more - good fun-Sunday*

4/23/17
8:53am
Nat Lipstadt Feb 2024
Upon appearance of an untitled poem with no body in my Drafts
<>
never have I ever
written an untitled poem,
nor painted a human sans
a head;  arms, legs, o.k., but,
but when the purging urging
enwraps me at 12:22 in the AM,
i cannot birth my babies
stillborn,
unnamed, forlorn,
it’s every breath would be
an accusation, of breach, malfeasance,
a child nameless, is the worst of all orphans,

the poem’s title is its inner essence, a preface,
a forward, and epilogue, just as your names is
both begin and end, a hint of who you are and from
whence you came, and where you are bound to be bound,
it is your birth name, and final resting place, a hint of who you
we’re, ared destined to become, to be, and to come,
an entitlement!

ah you curse or bless, thy given name, no longer do
you examine it, write it repeatedly, to despise or admire
the sounds of it exiting thy mouth, a roomful of teeth
and tongue in concert cooperating and conniving, silky
hissing your who-you-are-ness, you, who are poem, exist not,
cannot be, without your entitlement; ah you pause and say
to the sleeping woman who neither hears nor cares,
who am I, who I am, and the differences
entre deux
that are my
character

yes, a untitled poem is forever
unwished, unfinished
unwashed?
and to eternity, forever lost,
unsigned, unconsigned,
unfortunate
unconsummated
finis @2:52Am
2-5-2024
911 · Apr 2018
good god a gaggle of girls
Nat Lipstadt Apr 2018
good god a gaggle of girls

read the dispatch thrice; the hierarchical lines some straight and some dotted but all I know they got a genealogical baseball team femi-nine
and maybe an NFL eleven when the twins get older

(husbands and sons ride the motorcycle bench and
back up if necessary, and good for musical accompaniment)

~oh yeah,
for Medusa~

this megillah message team meant for  me to assauge my
mother hubbard accusations  only partial reveals the player’s names:
but if you google a
gaggle of strong women you become informed there is a:

Queens Esther, Miriam, an Eve, four matriarchal outfielders, Batsheva pitching and only Ruth, can catch her **** curveball

in between an occasional poem gig whose costs are covered
under the mental health clause of a health care plan
but only in
California  

too cavalier, get it, you prefer this perhaps

sinewed strength in arms that can
carry three children at once,
age is not a factual issue,
for there is an army of
women soldiers who are a troop contingent,
everyone’s back is covered always-full stop-
they curve like the Earth’s crust,
magma formed strong and mineral rich,
curved to better resist
the comets the heavens cannot resist
to send & test the mettle
of a gaggle of stronger women sinewy arms entwined
reenforced

alas

the grandpa must here resist and rest,
lunch prep before Sgt. Stubby movie at noon,
in reclining chairs they ride like wild horses
and all our shushing noisier than their giggles
just google a gaggle of strong kids,
you’ll see what I mean
in this, we do possess a giggle of expertise




sunday 10:15am
written to the 1812 overture
Nat Lipstadt Aug 2019
I. nope.



II.
long-windedness verbosity
diffuseness prolixity
wordiness rambli­ng
circuity discursiveness
redundancy tautology
tediousness verbi­age
verboseness length
longevity permanence
garrulity windiness
v­olubility circumlocution
expansiveness babbling
periphrasis gushi­ng
blathering protractedness
waffling lengthiness
iteration repet­ition
prating prattling
jabbering digressiveness
dreariness tediu­m
deadliness wandering
repetitiousness repetitiveness
pleonasm co­nvolution
logorrhoea boringness
maundering superfluity
duplicatio­n tiresomeness
monotony reiteration
gabbiness informality
mouthin­ess diffusion
logorrhea wordage
blah-blah dryness
dullness boredo­m
sameness loquaciousness
talkativeness loquacity
freeness orotun­dity
roundaboutness breadth
gobbledegook gassiness
wittering mult­iloquence
perissology big mouth
gift of the gab garrulousness
staleness tallness
ask and answered
909 · Oct 2015
My Tango Master
Nat Lipstadt Oct 2015
My Tango Master

His hair was deep, rich,
the black of unweathered basalt,
slick backed, like his look,
an arrogant dare to stare,
eyes directed at newcomers,
intended to make me,
a novice especially aware,
a bon voyage has begun,
now a worshiper, full of faults,
warning that I sought entry
to a temple where admission was a
sworn affidavit promising
total sacrifice of body

The flat contours of his body
disguised a airy litheness that  
embraced and made me giddy,
pliant to his methodology,
mastering my psychology,  
making the whole of my body breathe,
as if for the first time  

No questions asked or allowed,
he bent me, taught me supple,
the surety of the pleasure of
following a leader unreservedly,
my body straight from within,
but the exterior,
a symmetry of curves,
I am,
his precision human tool

His hands grasped me
with utter certainty,
with a petal light touch
and fingertip precision,
directing me to Rio de la Plata,
where his swivel hips
lift this black robed disciple
upon a golden altar where
I have remained, entranced,
a devotee forever more,
enslaved to our one god

Demanding the perfection
that comes only from rigidity,
irony of ironies,
it was a vocabulary of
spontaneity and fluidity
step by step learned,
this contradiction, soon intuitive

With posture *****,
he taught the history of seduction,
constructing the tale
each time differently,
creating within me
the ravished need for the
surprise of the unknown,
teased me into obediently
accepting the satisfaction of
joined at the hip ecstasy

With boleos that mesmerized ,
but not a one memorized,
he captivates me,
a tandem for a tanda,
until cortina-released

What is your name?

Tango
he whispers,
his name is in his eyes,
never spoke aloud,
I am your new master,
now come and master me
Nat Lipstadt Nov 2020
This Voyage, This Resurrection

I cannot sleep, thinking:

I cannot give you short, bittersweet, sad, delighting, whimsical love poems.

I can give you short, bittersweet, sad, delighting, whimsical life poems.

In cold, rushing spring and river waters, ash and water-borne soil mix.

A voyage endless.
We too, voyage. Endlessly.

Examine the crevices and ravines that
are the map of your hands.

Your voyage's log, memory storage.

Indestructible.

In the clouds's moisture,
ever recycling, it is kept, stored.

Your hands well recall
the very first caress,
the softness of the skin,
the sweet of the lips,
thirty some long years after.

Dare to dispute?

The original animus,
the anima and the persona combination
the byproduct of blood and tissue,
some call spirit,
some call soul,
is matter that cannot be
destroyed,
nor created.

It only voyages on, the conservation of mass,
our body, our enlivement, our spark.

In cold, rushing spring and river waters,
ash and water-borne soil admix.

From this natural brew, renewal.

The voyage is the resurrection
Life ever after.
Life even before.
Life for ever lasting.

Our voyage is without destination.
Our voyage is our destination.
Our voyage is our resurrection.
Endless. Perpetual.
Eternal.

5:46 am
12/18/18
voyage resurrection lipstadt 2018
Nat Lipstadt Aug 2013
A famous artist took his painting,
which commenced life as beach driftwood,
whipped it with a chain.
Made it all
chipped and nicked,
and called it, antiqued.
He liked the way it looked,
and had it put in a museum.

God looked down and thought,
"****, I do good work,
Just look at the human race!"
Not a poem, but stray dog thoughts after reading 180 new poems on HP. Originally titled, chipped and nicked.
Nat Lipstadt Dec 2013
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

There is this way, she
puts on her silk robe
over her negligee.

In the mirror, watching,
each hand grasps
one edge of the robe.

She opens the robe
full and wide,
as if the robe was the
frame of a painting,
the painting,
her silken-clad body.

Then quickly, speedily,
pulls one side
tight over her body,
pauses for hesitation,
for inspection,
and quick again,
pulls the other side,
tight too.

She slides the covered arm
out from underneath the robe,
and with one hand only,
the robe is kept closed,
closed tight by one hand,
but not tied.

She performs
this pantomime,
this invitation,
her pirouette
many times a day,
especially when
I am watching
her watching herself
in the mirror.

For my hand is the
key, the unlocking device,
that not only pulls open,
but pulls apart the robe,
as she truly desired.

My two hands
slide from her waist,
to the back of her thighs,
and I lift her up,
up against the wall.

She spears her arms wide,
first out, then up,
suddenly leaning forward
sliding down and I catch her,
burying her face in my neck,
holding her under her arms
we dance  to a place
where there is no space,

where there is no space
between our bodies,
between our selves.

Our pas de deux
is our solo.
See the video of the show that inspired this:
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

http://www.nytimes.com/2013/12/09/theater/reviews/alessandra-ferri-and-herman-cornejo-in-cheri-at-the-signature.html?_r=0


Second in a series, hence 2 x 3
Nat Lipstadt Aug 2015
~~~

someday soon gonna reread
the four figures of my
poems over lifetime inked,
divvy  them up by what each is about,
assemblage of
the themes of me

review the who what when and weird
of this guy through his own eyes
multiplying confessions
of graces and disgraces

particular to recover,
desirous of collecting those poems that:

valorize society’s strugglers
and stragglers...humans doing the work of living
^

don't know how many will be uncovered,
but here's hoping there are plenty,
needy of recovery and uncovering the poet
and worthy of pointing too,
valuation markers of a
decent human

strugglers, stragglers,
those from all over this world
and lives that can only visualize
no-horizon-in-sight oceans
sailors, from ports unvisited,
some even, still undiscovered,

working ****** and women,
not those,
don't owners
of fancy dress whites,
topped of by jaunty angelic-angled caps

the ones I sought and seek,
grime and coal dust etched into
every ****** crevice, ink under fingernails,
in obscurity, toil in windowless engine rooms,
in the nooks in libraries hiding,
satisfied with
a moment of glory,
and a lasting
hand upon
their wracked minds

these are my mates,
sharing fates
of woeful countenances
of bruised bodies,
recipients of hardest blows repetitious,
comrades in open arms

the unflavored, unfavored of
sons and daughters,
unblessed with sobs and smacks,
who rare lift the head in hope

the sufferers of ignominy
of the
prison of their existence,
for those I write,
have, will, and willing

to do it till I see a
chin rising, white of eyes gleaming,
a hand delisted,
arms defused of black weights

come to me,
words, encouragement, perspective,
that this too shall pass

believing ain't easy,
take it from one who couldn't see
happy endings, but had no choice but
to choose to,
now prepped, ready
for my arms to do some serious uplifting,
shoulders heavy-loaded and wide of loads,
eager for honest work,
aiding and abetting
the stragglers and and stragglers...
humans doing the work of living,
deserving for valuation,
awaiting their salutation,
and relief, even if,
tiny and small,
a slim volume of poems,
that but one
poet
provided
~~~
^a quote from a review of the play  "John," at Vulture.com

August 23, 2015
Nat Lipstadt Nov 2015
~~~a Requiem for the DedPoet~~~*



the air we breathe
and its best accompanist,
a good life, well cherished,
that's a symphonic harvest reaped,
knowing the magma of countless blessed times daily

fill it with the glee of children,
raw joy, still unfermented, unpasteurized,
by the sour vinegar candies of life
inevitable to be delivered,
mouth puckering and ill tasting

bring good skills to all you do,
the wisdom to lean forward,
admiring it in a satisfied manner,
best work leads to best content,
now is the time to witness the value all about us

remind me to set aside,
the sidebars of grief, struggle,
pause me in minute minutes,
to grasp the pleasure of the
joys this world provides so easy freely

you come early time to me,
early, as I search for your words,
finding none, to begin this day,
but your gravelly voice intimate initiates,
you remain for me as alive as ever

reminding an old poem writer,
that the best is to come,
if one allows, if one allows,
this is my un-sad requiem~song for you,
hoping that the joy of living and
remembering

is a bond tween us, unbreakable*

~~~

(NOTE: Since posting, the details of this item may have changed due to fluctuating market prices, federal regulations, currency rates, drought, pestilence, bandits, rush hour traffic, filibusters, clowns, zombie apocalypse, punctilious poem~developments, death, and breathing life and lives, well remembered
9:51 am
Nov 1, 2015
the fall back day
nyc/nml

the DedPoet's work have all been deleted
Nat Lipstadt Jun 2020
read his stuff
https://hellopoetry.com/r-2/

n.b. nowadays I write here only in praise of others,
as the rewards are far greater than any of the meager
stuff I got  laying around.

a poem for his summer soul-stice
<>


self-confessed to the priest, we us, both, meeting
in the confess-******, wee needy for a solid projectile
purging, me, cause, I’m a plagiarist of inspiration

**** it every time a ce r tain poet writes,
its a sock to my multi faceted square sided~head,
discoloring my eye shadow, my maskara crazy running,
frustration, admiration, mortar and pestle pounded

into a white powder of unadulterated adultery with a
frothy topping of a jealousy muse laughing face, at me,
cappuccino made from bitter herbs and pink sea salt.

in eight lines the man accomplishes
what would take me eight, eight full
poems, even then, not coming close

still failing to retake his brevity skills,
his summer solstice way of seeing,
by keeping the dark away,
by inviting the dark in,
making it under duress,
spill the beans of his life’s
ironies, some hellish,
some not, all well kept,
in Georgia granite stoney face.

the softest steeling of words that irritates
me into a fine frenzy... what’s the use,
point made, in how he undresses
the eyes
into just outright gasping,

and that is the only
permissible comment emoji.


______

r

Her verse
I need to taste the salt
of her soliloquy
be drunk on the sobriety
of her verse
those words she writes
behind my eyelids
makes me want
to crawl inside her skin
and listen to her heartbeat.
https://hellopoetry.com/r-2/

*************

Postscript:
as a poet, knee’d & head bent, asking you Lord,
would it have soiled a vast eternal plan,
to throw some kosher salt, on mes écrits,

let a soliloquy make my case, my summer
soul-on-ice, hangover from the drunken sobriety
that stays, retained, the sense of loss remains
long after he has left my screen, and I’m

wondering if he gets him poems from that
old yellow dog, if true, no fair, but o.k., I’ll
take it right, any way, I can, **** it. and you.
Nat Lipstadt Jan 2014
so listening to Sondheim talking
art, composition and
inspiration,
he says something that so astounds me, my core shaken.
hundreds of songs composed,
but only one,
only one!
autobiographical.

ashamed. I am ashamed.
99% of what is scribble-scribe, about myself,
so I flunk my very own poem exam.

worse, I knew it true
but would not say it lest,
my shame public pronounced,
till now.

his target market was the theater-goer,
the public, you.

mine, myself.
you invited into ******~voyage,
to peer into me
peering into me

but I have an oath modest taken,
from know-now on,
I will write
About You,
For you,
Less-on me,
Lessons of us....


Jan. 25th 2014.
http://www.playbill.com/multimedia/video/5723/EXTENDED-LOOK-J­eremy-Jordan-Darren-Criss-and-America-Ferrera-Perform-Opening-Doo­rs-in-New-HBO-Documentary-Six-By-Sondheim

Sondheim's only autobiographical song.

From Six by Sondheim. If u have HBO, find it, watch it.
Nat Lipstadt Jul 1
prayer of hope, for young and old, who suffer from the slings and arrows sadness and the loss of love; I offer up this prayer of hope and offer you my hand around your shoulders until you no longer require it

more than once,
for lengthy periods,
by events, other people,
my self was eradicated
and limping from day
to night, and J faced
absolutes, choices choking,
alternating alternatives that
offered zero, or even less
than zero, and the inkwell
wasn't refillable, and I could
point to nothing yet encouraging a mystifying purposed existence

then came a woman

who asked nor proffered
conditionals
pre, prior post or otherwise
and
offered up the miraculous
drink, human kindly notice,
snd it
drained the bitters,
began fluid replacement,
and slow resuscitation

and then
poems rebirthed me,
 liberated the angry sacred
gory sadness words devoid of glory,
with a reworded score, and
the eyes could write without
a patina filter of jaundiced hatred,
and whispered private internally
many times a beloving
hallelujah

and when ever the remembrance of
the near misses are crackly occasionally appearing, the surge dissipates intact quick
into a netherworld for suppressing
and bid "away with you," and a
thin lipped smile part sneer
for having survived
even
prospered when
                    then came a woman

and the self, the my self,
returned
after an absence of destructed
decades...deadening decades

and I smile when
the grandchildren tell me
knock knock jokes
and gently knock me on the head,
to make sure I'm alert,
then came woman
who had already~all ready
knocked me on the
heart
lipstadt  reflections of self
Nat Lipstadt Nov 2013
Nothing give me more pleasure
When one of you 'likes' an old poem mine,
Buried under the uncountable new arrivals.

I go back and reread it myself.

Nothing gives me more pleasure,
Becoming reacquainted,
Through you, with myself, and
Liking it.

More amazing is that someone bothers,
Wondering, crazy-making me,
What have I missed.

So when I stumble on you,
Don't be surprised if I am
Free falling through each and every one
You ever penned.

That is why I love to, love the
random walking thru this site.

Refreshes me, through you,
Refreshes me, through me.
7:20am
900 · May 2013
Things I'll Never Be
Nat Lipstadt May 2013
Things I'll Never Be

So many things I'll never be,
elegant, tall and thin,
with an Englishman's confidence.
Blonde and beautiful, transformational, radiating,
possessing a Marilyn Monroe spell magical,
nope, not me.

Some things I was, I'll never be again.
Never be a sad-eyed teenager again, and for this,
in my morning prayers, I utter a blessing,
(tho my hormones have yet to be informed!)

Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Switches in my brain are shutting down this elegy,
knowing that a dozen stanzas will die stillborn,
so herein and here now, the door closes,
a parting shot escapes over the door sill.

A joy thin threads within, pumped thru my ventricles,
brook springs from sources non-DNA, holy external,
oft hid, well disguised under actor's white face makeup,
this peculiar joy, as long as it embraces me and I, it,

I'll never be unhappy any more.
Nat Lipstadt Feb 2014
for my tattoo girl

am admitting,
revealing, believing, expecting,
asking direct,
no inferring, no discerning,
needs answers,
need *more,

need art in my life
need teach in my life,
need teach me
how
what
to ask for more,

when get one sweet answer,
get two new quests,
get two new queries,
need you to teach me
how to ask, how to never be satisfy,
anything else would be madness
900 · Sep 2020
the first time we make love
Nat Lipstadt Sep 2020
the first time we make love



your body will tremble, from behind, my arms’ will, to encase,
I, sponging up every tremor, shush-stealing each shuddering,
the outpouring of sounds will grow softly and steadying,
as gasps slow lessened, till the breathing is regularized.


you will sly ask for words, but I will come prepared and you,
will laugh when so informed, happy by my thoughtfulness,
wondering if they are being reused, and knowing this, I will
coax you to feed me morsels will I shall then embellish, proofs.

there is a first time in almost every aspect, but for one, which
you won’t refuse, forgiving my experiences, a history to become
now partly yours, the priors paying forward my debt to serve,
a gentling interplay of eyelashes *******, fingertip confessions
.

you will alternate tween fragility, regretful solitude, emptied but
then refilled, you’ll want to define, identify, label for storage and
reuse, classification for acceptance, thinking that will make this
moment lasting, but it won’t, but it will, last, under closed eyes.

when the need to sob returns, one or two may escape, unelicited,
but won’t go past that, you’ll hear me saying “Hello in there, hello,”^
and ten thousand skin cells will in unison firm gel a single sensory,
not a trick or strategy, an honor bestowed, medaled, molten medaled
.

that you were held captive, it will be a proud mark, for freedom only
comes from being released, and an anthem will start to form, words
all raw and wholly yours, then you will sing to me “good bye stranger,”^^ granting me a pardon, for being who I am, a wonderingly, somewhat familiar face...
^John Prine
^^ Sharon Robinson
Nat Lipstadt Nov 2013
If you should ever see my face,
Be curious enough to
Venn diagram it with all
The intersecting particles of this
Leaning, listing world.

Should you happen to notice,
It also appears on the list of the
FBI's Most Wanted,
A kindness requested:

A twenty four hour
Head start.

Worth at least that, no?
IRS FBI
NSA
One for all, all for nat!
Nat Lipstadt Aug 2014
There was never a time
that he could not love,
only long periods of years,
decayed decades,
when the could
could not,
for he had forgot
from lack of practice,
daily vitamins taken of soured love,
which is a polite way of saying
sneering hate, distrustful makes,
and hard calluses and body armor
make any human tin man rusted and
cowardly lion afraid

and later,
after loneliness turned him
sweet and sorry,
when many wanted him,
to love them for
why not!
he was a desirable object,
in possession of a fast red jaguar car,
a job that left him money for gas
and summer trysts,
a ruggedly handsome face,
which he shaved daily,
and the right kind of patience
in things that woman love,
like Joni and kissing
head to toes,
on a
round trip ticket
with unlimited stops in between

and

using words that seduced,
that were intended to ******,
though he did not intend to
make them love him more than more,
yet they did....

he appreciated them,
with kind and cherish,
and just happy gave just enough of him for them
to take as their own,
and they loved him for that...
but it was hollow bridge in spaces that
needed filling, denying completion,
or safe passage

gave them gifts unasked,
jewels and poems unique,
valued them in the ways
they so wanted,
and deserved,
but could not love them
free and clear,
which is all they wanted -

for he was not
free and clear
of broken memories...

one by one,
they left,
no one to blame,
broken is broken,
Oz was a bridge too far
for him to cross

years later,
muses buzz like flies
around his head
asking buzzy questions,
demanding poems of clarification,
apologies of sorts for his inabilities,
dissatisfied with rationalizations,
payment for adoration given
and taken but inequality in love
is still a crime of sorts

and he tenders this in consideration,
years too late,
not an apology, but a thank you,
for those who said you are a
good sort, worthy of love,
and restored him in ways
that gave me the confidence
to let the whole later be filled in....

He was abused, but never a user...
now, clear and clearer yet,
his poorer faults were later his greatest riches
once gained, easy shared,
yet
here he is years later,
tinged with regrets and mea culpa's
and asking himself
for forgiveness of those for whom,
he
could not be enough

did not know what to title this,
for it is an explanation and a plea,
a thank you note written on bended knee,
many titles came and went,
some with guilty, never and could not,
prominent in their bookends

but then it was instant clarity
for it was a tale of how,
he rebirthed an ability to love a
woman true and total,
and thereby
himself,
thus celebrating those who gave their teaching trust
which he cannot ever properly
repay
except to note that it is 3:00am years later and
I
write of thee,
and how you taught me to speak
a language glorious
Nat Lipstadt Nov 2014
see http://hellopoetry.com/search/poems/?q=My+proofs

~~~~~~~~~~
Robert C Howard   Jul 23 2014

"I love this (the poem above). I was riveted to the page (screen) from the first line to the last. It reads like an existentialist credo. I couldn't help wondering if New York makes one an existentialist. Where else in the world can you live so alone in such a huge crowd"*
~~~~~~~~~~
For Robert
(Does NYC makes one an existentialist)

we live alone,
anywhere,
more and more,
not despite,
but because of the ease
that the total expanse
of the universe via
internet connectivity
today enables us to have an 
unrealized, unactualized,
but feels like an
NYC Billy Joel-undeniably-real
"nodding acquaintance"

this contradictory duality,
two parallel continuums of existence,
the flesh and the pixelated,
alone and together,
I have crossed over
in ways prior unimaginable

exist upon a single line
not just connecting
the real to the imagined
but conducting one to the other,
one existence, indistinguishable
border lines indistinct,
artifices superimposed by others

perhaps
NYC was model precursor
for our internet presumed-to-be-alive
model for the world today,
where I know not
my apartment neighbor's name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and the father,
as apt. #16D

an act of existentialism?

so many tears and poems
have I shed
for one who has
lost living treasures,
impossible for me
now to meet and witness them

nonetheless,
heard the testimony,
of disembodied voices,
read the pain
upon the pages so real,
that pixels from screen
rise up to stab my
overwhelmed tear ducts,
voiding the warranty of my tablet

only I can see
the realized proofs,
wet upon the screen/page
crossing over the
humanity divide
that invisible runs
wirelessly between us
and our "devices"

this, an act of existentialism?

Yes, the universe,
unfathomable.
I cannot confirm you exist,
even as I pinch my self..
just to be sure of me,
further I testify,
no machine wrote
this vain attempt
to spoof~proof me human

flee towards good faith,
deny never, my responsibility,
greater than this body
to act, more than exist,
never to remain silent,
the best reason to write
is to reason out loud
your choices

if I struggle to ascertain,
what are the correct choices,
never certain,
but always questioning,

this, an action of existentialism?

none of this satisfies,
is there a human voice
that belongs to you,
and one that belongs to me
above and beyond these
alpha symbols you read,
is there an existence,
sparking, elemental,
a proof-positive Nat,
could conduct himself to
where you are?

think now that someday,
after you have finished
conducting
beauty and art,
extricating sound from
metal and wood,
via the
Belleville Philharmonic Orchestra,
a man will join at its completion
the long line of well wishers,
but your hand,
he will not shake

instead, he just might

"place gentle a finger  
on your lips across, and upon his,
if electrons you sense and taste,
and yours they embrace,
as naturally as if
they were waiting
just for you,
you can almost be sure,
don't ask his name, unnecessary,
for he will face you
with these words:

Thank you, Thank you!
you are my proof.."*

I exist and you now know me by my the
taste of my lips,
just as real as the taste of
your poetry, your music,
upon mine
#http://hellopoetry.com/search/poems/?q=My+proofs

http://hellopoetry.com/robert-c-howard/
I am a musician by trade. I conduct the Belleville Philharmonic Orchestra and Chorale. I compose music and teach and play flute. I try to include poetry in my music and music in my poetry.

I have a Masters Degree in Music Composition from Michigan State University. I am married to Robin Howard who is fine soprano, graphic artist and photographer.
Nat Lipstadt Sep 2013
Poems are where you find 'em

Find 'em so easy,
It is not my fault,
Don't always spend hours on my craft,
Rather add 'em to the vault.

Like somebody once wrote,

"No matter that plain words are my ordinary tools
With them I shall scribe the small,
Cherish the little, grab the middle.
Simplicity my golden rule.
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?"

So if I saw my lady in half
To make her and you laugh,
Is that not still a poem, tho,
Half-assed?

Don't be angry at me if poems,
-They come at me at all angles,
-Crunch like shells neath my flip-flops,
-If your face moves me,
-If your angry bird poems
-Make me crazier at 2:00am
-Come in between heartbeats and ******* breathing regular
-Come with cloudy milk in my tea, biscuits stale
-Come from my machine gun brain that fires
so hot, they replace the barrel every 5 minutes
-If no good, too bad for you
-If I don't obey the rules
-I don't got
-Gee, all I did was write down in words
-What you made, presented to me
-And cared about

For,
Like the kid said,
"In the arc of daily commotion
Do we not all excel?"

That kid, he knew, what I mean to say,
But he said it so much better,
Someday, wanna be like that talented kid,
Like him, like me, when I was younger,
And an even bigger fool.

1:48am Sept. 2, 2013
Nat Lipstadt · Jun 15
A Man In Search of His Style
898 · Sep 2013
10 Words
Nat Lipstadt Sep 2013
If it cannot in ten words be said,
It cannot.
898 · Sep 2014
Sept. 11th 2014
Nat Lipstadt Sep 2014
I don't like deleting certain emails
for the simplest of comforts
seeing the sender's name provides,
they are...

a hot tea on a "still sick"sick day,
an unexpected "how are you" inquiry,
or a late summer blossom,
a lavender Rose of Sharon,
shockingly discovered through a
country kitchen window on an early fall day,
or a poem born effortlessly,
it's existence unbeknownst to its creator,
just minutes earlier, unaware of its arrival,
just like this one...

or not deleting a newly gifted photo,
uncovered while closing one's eyes
past the midnight hour when
the old day hands off to the newly born incoming,
sending yourself off to bed
with a smiling chuckle;
of a young child's first day of school photo,
her plaid skirt and black patents,
a cherry-topping smile radiating hints
of both a pleasured future, a happy home,
and a growing-up maturity earned
from a third summer marked upon this planet...

so I keep that  email and that photo
handy-filed so they are stored,
fresh faced in my inbox or screen,
a friend's name, now a symbol of caring,
a child's photo, emblem of a kind of love,
that parented this poem, so that happily both *****
the armor of the commonplace
of both the everyday,
and the unforgettable world weariness
of having been there years before when,
when the mind sudden recognizes the new day's
sad refrain, sadder name and its most
saddest anniversary and these
disparate comforts,
both say, rest easy friend,
and now off to sleep...

2:31 am
Sept. 11, 2014
on 9/11, I was working in very tall office building at the very tip of Manhattan, about a mile as the crow flies, from the World Trade Center buildings, with "perfect" views of all that transpired that day...
897 · Sep 2015
why I stick around at HP
Nat Lipstadt Sep 2015
why stick around at HP,
a question asked frequently,
so many dropping like
flies from the summer heat,
reasons varied

me, tired of the excesses
bad poetry, hailed,
good poetry, ignored,
bad taste celebrated,
good taste, craft, hard work,
are,
you know...


so why stick around?

through it, I have found
a troupe, a collective,
of human beings
from all over the world,
for whom
sadly know,
I will never possess
the metaphors, the adjectives,
to properly hail and thank


but I will keep on trying...
precisely astounding
gift me,
untwist me,
unasked,
with kindness, caring,
holiday wrapped,
with a grace
that is
reserved for humans,
that is

precisely astounding

that I need thank
whatever deity that breathed life into
this sinking vessel this morning
for the opportunity to state,
untwisted, unasked,
thank you...
897 · May 2024
I under stand!
Nat Lipstadt May 2024
I under stand!
_____

<>

perhaps I do
not fully,
understand,
but nonetheless,

I under stand!

Legs locked,
shoulders set,
eyes ahead straight,  
mouth firmly wavering,
range bound, between
a back n’ forth,
from grimace
to smile resolute,

my support promised,
here beneath,
is where I am,
you, set upon
my frame,
capable~able,
you, for,
to surmount,
overcome,
rise above,
see farther,
vision clearer,
any troubling
fray and say!
I am risen,
with help
of friends,
to place
my reach
never touched,
or exceeded…
until now!


2:34 pm

walking on the beach,
musing, scheming, always,
writing, grabbing words
from sea breezes,
and gusts that
order plain:
now, now,
now!
is the
time,
to share
that load
**

May 26 2024
you have my number
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