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At the end of a path where no voices reside,
I walked where the dusk and the silence collide.
A flicker of light called soft from afar,
Like death in the shape of a delicate star.

I followed the gleam with no map in hand,
Each step was a whisper, each breath was unplanned.
Carved in my skin were questions I hide,
Written in scars that I wear from inside.

I dug through the dust in the cracks of my chest,
Hoping to find where the aching could rest.
I tasted the rope, the cliff, and the sea,
Each one a door that might set me free.

There’s a hallway ajar but it leads to no place,
An echo that weeps in the shape of my face.
The sky doesn't answer, the moon only stares,
As I try to dissolve in the weight of my prayers.

This isn't a plea, nor a scream for the light,
Just the rhythm of lungs forgetting to fight.
And maybe, one night, I'll quietly learn—
How to leave without leaving, how to never return.
  Jun 21 Nat Lipstadt
Anais Vionet
We’ll hitchhike to mars
on a rocket not a car,
so say your au revoirs.

We’ll steer towards Polaris, the north star
right through the center of the milky-way-bar.
See, the universe is dark and chocolatey.

Stars that glitter like multi-faceted gems,
are just shiny, yellow, peanut M&Ms,
take a handful, if you’d like, they’re free.

We’ll dodge the silhouetted moon,
which is made of enough coconut macaroon,
to make a French confectioner swoon.

As we go streaking, like a comet’s tail,
drag a finger through Saturn’s rings as well,
those are made of marshmallow.

We’ll  pass nebulae made of cotton-kandi,
and here’s a fact Einstein would have found handy,
the speed of light doesn’t apply to candy.
.
.
Ramble on by Toni Jevicky
There comes a moment—quiet, unceremonious, unmarked—when the person you loved, the person you tethered your life to, stops being who they were and becomes someone else entirely, someone harder, more distant, a stranger occupying the same body, breathing the same air, wearing the same clothes, but not looking at you the same way, not speaking in that tone that used to pull you in like gravity. And you try, at first, to ignore it, to pretend it’s fatigue or stress or something chemical, something repairable, reversible. You try to will him back into the person you fell in love with. But then you realize he’s gone. Not dead. Just gone. And there's nothing you can do. No apology, no touch, no cry in the middle of the night will resurrect him.
So you mourn. Not the way you mourn the dead. No one sends flowers. No one visits. No one tells you they’re sorry.

Eventually, you accept the most difficult truth: he is still alive, but he is no longer here.
You become fluent in restraint. You learn to keep your sadness contained in respectable proportions. And yet, it spills- into mornings, into coffee spoons, into phone calls you don’t return. You perform functionality, but inside, something is collapsing.
You realize the breaking doesn't stop. It finds new corners of you to shatter. It digs deeper. It makes room for more pain in places you thought had already been hollowed out. And this is when the past starts to rise, not as a memory, but as a presence, thick and heavy and suffocating. You find yourself in that same room—your mother’s room—years ago, where she cried into her pillow as if silence would keep you from hearing, as if the walls weren’t paper-thin, as if children don’t always know.
And now you are her. Crying into the same silence. Except there’s no child on the other side of the door. There’s just you. And the you that once was. The child that never left. The child who learned early that love could vanish without notice. That people could stay and still abandon you. That pain could be inherited like old furniture—passed down, room to room, woman to woman, until no one remembers where it began.
People tell you time heals. They say it with such confidence, as if time were a doctor, a god, a parent. But you know better. You know time doesn’t heal; it accumulates. It stacks the pain until it becomes indistinguishable from the rest of you. Until you forget what it was like to live without the weight of it.
You live inside them. You decorate them. You fold laundry in them. You raise children in them. You tell yourself you are functioning. But really, you're just surviving grief on a loop.
And in your most honest moments, when no one's looking, you admit it—not aloud, not even in writing, but somewhere behind the ribs: you are still that helpless girl. You never stopped being her. You only got taller.
  Jun 21 Nat Lipstadt
aslı
city rains fall soft,
old songs in new cafes play—
past smiles in present.
cracked pavement blooms weeds,
once bustling, now silent streets—
echoes mock the now.
ancient gears turn swift,
new tech blooms in old soil—
spring from seasoned roots.
in crowded rooms we stand alone,
ghosts at the feast of our own lives,
souls fed into the machine.
smiling wide but expecting low.
no comfort found in buzzing phones,
but a fleeting passion in finding an old foe.
flickering street lamps dim—
lost whispers among shadows,
for the new hymn.
nowstalgia invokes familiar emotions by reviving elements from the past, often reinterpreted with modern technology to appeal to both new and old generations.
Nat Lipstadt Jun 19
a gift for Aladdin Aures H
from his 3rd follower...

<>><<>
the inescapable need,
unformed firmament
inquiring; am I capable?

the impulse palpable,
the urge to urgent,
to gorge and disgorge?

instead of morning prayers,
precomposed and ordered,
morning poem plucked from

morning fog, gusted breezes,
early-on, newborn sun rays,
progeny of disheveled skies

words fused, in irregular sizes,
senses censured by drowsy eyes,
but the chest beating arrhythmia

means bursts of free verses
superimposed on reluctant eyelids,
jigsaw puzzlement be re-conformed

and the first poem of the day,
emerges from the intersection
of mind, pale dreams, and the

first is special till the neu morrow,
when fresh bursts explode inward
to windward, and the first is just

yesterday's mesh of hash,
once formidable, now last,
pinned, yellowing, purely a
*descendant of the recent,
but always, ancient past
^
3:07pm
a bright sun grilled day, in a cold June
Juneteenth 3025

on the Isle of, in the piet's nook
  Jun 18 Nat Lipstadt
Mary Bennet
Please be my inner most self.
The heart beating away in a
hollow book exposed by a shelf.

Please let it sing to me if I am down.
Make me feel sunshine in Gods
most righteous frown.
Sensitive thoughts of joy and sadness
will never make me drown.

God made you to never leave
me in the end.
In empty pages I have
found a true friend.

The words I never say have
found a perfect place.
Its like the comfort of
a veil hiding my face.

My father prays for this
unspoken request.
The answers to life have
become my greatest test.
Some thoughts are to be
buried in the deepest chest.

God listens to my mixed
love and hate.
Yet he refuse's to give up
on making them separate.
My tears flowing over years
of blooming to late.
God had a reason for
planning it all before it
became fate.

I need the rain and sunshine
to make my life grow.
Yet the rain must not
wash me into the dark funnel.
The sunshine of Gods
sacrificing love will remain infinite.
Years passing so fast like
leaves off a tree to tear me up
or to make me fly like a kite.

You will get to know the stranger inside.
The one so hurt it decided to hide.
Later I will find out if the pencil
is an enemy or a best friend.
former accounts name is girlrinth

Oh this is a really old poem of mine. Maybe from 2014. I’m not sure.
Nat Lipstadt Jun 18
when you poem me,
and the sudden tumble
into a mesmerizing moment,
is a felling of a tree, that
everyone can hear, anywhere,
forest everywhere,
suddenly, I will know you,
no introduction required...
to be with you, and save my
day, my heart stolen, and to my
captor, I hereby surrender,
capitulate completely, quick quiet,
and we are three thrilled together, a triumphant triumvirate,
for each other and a unity of
1 + 1= 3

is a new counting,
a unique
formulation
a formidable forming

a mutual following,

a fellowship

nml
Weds.
June 18 3025
In the sunroom
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