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Nat Lipstadt Mar 27
what do I deserve,
more importantly,
what do I know and,
owe you?
(or do I?)

I owe myself
resolution
which comes from
resolutnesss,
which is in scarcity
when cloudy is your visionary,
when your awake,
remaining that way,
no matter how may times you
blink,
ot wipe away the
teary

a firm desire to
see it to the end,
which will come,
could be sooner or later,
with courage, it will be the

former,

I don't forsee the storiedbook fin~ale
that is popularized,
but the
surety of uncertainty
much of my own making,
that is what I deserve,
just my
just dessert
3/25 no excuses
Nat Lipstadt Mar 27
“If you set out to be liked, you would be prepared to compromise on anything at any time, and you would achieve nothing.”

Margaret Thatcher

<>

right your writ,
to the high
est

standard of
your satisfaction

when they tell you,
get topical, or even worse
AIM TO PLEASE,
be hip, never gray,
or to grab the edge
with just one hand
to prove if you need
that forced bravery is
a falsehood of youth

tell them flat out to
take that red marker,
to shove it up their
scholarly *******

you’ll know pretty quickly
those who’ll line up beside ya,
not behind ya, and jump in
front, they don’t desire your
liking, and nor it, do they deserve

it cuts both ways, both ends are
not the means, ‘cept means to a
unsatisfactory ending, dishonorable

ah, yes to thine
owned* self be true...
Oct 12, 2024 from my draft fil
  Mar 26 Nat Lipstadt
Vianne Lior
Salt-wept and tide-lost,
foam-laced marionette drowns
once, the sea held hands.

Nat Lipstadt Mar 26
"A yummy granola of uneven stanzas, metaphors and similes, meditations, and confessions."

<>

this is I’m told
the how of how
I script,
I like granola though not
necessarily my premieur choix,
unless I’m breakfast buffet’ing
in Switzerland

and the all white mountains urge me
to climb aboard

I do not quatrain or cinqtrain,
my plan of attack is
****** and parry, defeat the
white enemy of empty,
with love my soul delivers
that which is rapidly transiting,
decomposing in my lobes,
awaiting perhaps reassembly and
reanimating in a new combination

employ the employees of writing
with liberty for all and
allegiance to none,
and the wild child within calls the shot
and asks only one question:
what do I deserve,
more importantly,
what do I know and owe you?
Nat Lipstadt Mar 25
I asked a woman to change her curls to forever straight,
and offered $50,000

(a sum on my mind that day after a
particularly rough day trading),
incentive
to maintain said style in
eternal perpetuity

she has accomodated me now for over a decade+, but
every every, every now
and every then, She pulls me
closer than close,
whispers 50K~ok!,
and hits me with a
hockey checking
an enforcer's hip swaying
pow,
that be
her physio~verbal
hockey stick reminder,
that poets must always pay their debts,
and even
forever, eternal and perpetuity
are included!
&
have no legal  limitations
or
poetic exemptions


nor,
credit,
for time
served

🥴
true story
Nat Lipstadt Mar 25
a twisty verbiage, but stop!
it is not cutesy or frivolous,
but an awed respect,
for that fact;
the complexity of the monumental
is the sum of:
the bricks, the letters,
the words, the lines, the stanza and
of course, the spaces in between
that makes simple so ****
complex
2-18-25
I peel my skin to find the verse—
each line a nerve, each word a curse.
My fingers crack, the ink runs red—
I bind the poem, stitch the dead.

The page is meat. I carve it clean.
The stanzas pulse. The gaps still scream.
I press my voice through shattered teeth,
then choke it back in paper sheaths.

The world wants sugar, quick and bland—
a feeding trough, not sleight of hand.
It gorges on what’s soft and safe,
then spits me out, still torn and chafed.

They scroll past entrails shaped like truth,
preferring memes to bleeding youth.
I gut myself for depth and grace,
but all they see’s a blank, bruised face.

I nailed my heart to every page—
they laughed and said, “You’re just a phase.”
The words rot slow beneath the glass,
while bots applaud what cannot last.

They drained the soul from every shelf,
left only echoes of the self.
And still I write, while maggots hum
inside the mouth my lines come from.

I cough up metaphors and bile,
They call it “grim” and click “unstyle.”
Yet here I stand, spine sharp with spite,
my hands flayed raw, refusing flight.

This isn’t art that begs to please—
I write in wounds, not symphonies.
Let trend and comfort feed the swine,
my blood is real. These guts are mine.
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