If you
are not jealous
of your freedom,
who will be?
  ~mce

The grace of losing
self-importance
is the simple question
"who cares."

The differences
among cancer,
plane crashes,
and the noose
add up
to exactly
nothing.

The poet
is just a
sorcerer
bored
with magic
trying new
incantations
with little
hope.
  ~mce

Years ago,
I was ambitious;
now it
is clear
nothing will
happen.
   ~mce

Life says no
in a million ways;
yes in only a few.
~ mce

Western wind, when wilt thou blow,
The small rain down can rain?
Christ, if my love were in my arms
And I in my bed again!

Anecdote of the Jar**

I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion everywhere.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.

To The Woman**

Yes, you remember,
You certainly remember
The way I listened
Standing at the wall
As you walked to and fro about the chamber
Reproving me
With bitter words and all.

You said
That it was time we"d parted,
And that my reckless life,
For you, was an ordeal,
And it was time a new life you had started
While  I was fated
To go rolling downhill.

My love!
You didn"t care for me, no doubt.
You weren"t aware of the fact that I
Was like a ruined horse, amidst the crowd,
Spurred by a dashing rider, flashing by.

You didn"t know
That I was all a-smoke,
And in my life, turned wholly upside-down ,
I was in misery,   downhearted, broke,
Because I didn"t see which way we were bound.

When face to face
We cannot see the face.
We should step back for better observation.
For when  the ocean boils and wails
The ship is in a sorry situation.

The world is but a ship!
But all at once,
Someone, in search of better  life and glory,
Has  turned it, gracefully,  taking his chance,
Into the hub of storm and flurry.

Well,  which of us
On board a mighty boat
Has never brawled nor barfed nor fallen down?
There are not many of them that will not
Despair when they"re about to drown.


Me,  too,
To loud hue and cry,
But knowing well what I was doing
Went down to the hold where  I
Might keep away from scenes of spewing.

"Hold" was a Russian pub
Where I
Drank,   listening to the loud bicker,
I tried to stop my  worries by
Just drowning myself in liquor.


My love!
I worried you, oh my!
Your tired eyes revealed dejection,
I didn"t hide from you that I
Had spent my life in altercation.

You didn"t know
That I was all a-smoke,
And in my life, turned wholly upside-down,
I was in misery, downhearted, broke,
Because I didn"t see
Which way we were bound.

....................................

Now many years have passed,
I"m not so young today.
I do not  feel the same, and I  have new ideas,
And here at festive table  I will say:
Long live the one who"s at the steers!

Today I,
Seized by tender feelings so,
Recall your  wistfulness,  and I am happy  
To tell you straight, for you to know,
About what I was  
And what has happened!

My love,
I"m glad to tell you that
I have escaped a bad descent, an"
Today I"m in the Soviet land
A staunch supporter and defender.

I"m not the man
I used to be.
I wouldn"t hurt  you now
The way I did.  So silly!
And I would follow Labour, feeling free,
As far as English Channel, really.

Forgive me please,
I know that you have changed.
You live with an intelligent,
Good husband;
You don"t need all this fuss and all this pledge,
And you don"t need me either, such a hazard.

Live as you do
Lead by your lucky star
Under the tent of fern, if there"s any.
My best regards,
You"re always on my mind, you are,
Yours, faithfully,
           S e r g e y   Y e s e n i n.

Tommy

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
    O it's Tommy this, an' Tommy that, an' "Tommy, go away";
    But it's "Thank you, Mister Atkins", when the band begins to play,
    The band begins to play, my boys, the band begins to play,
    O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
    For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
    But it's "Special train for Atkins" when the trooper's on the tide,
    The troopship's on the tide, my boys, the troopship's on the tide,
    O it's "Special train for Atkins" when the trooper's on the tide.

Yes, *makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
    Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
    But it's "Thin red line of 'eroes" when the drums begin to roll,
    The drums begin to roll, my boys, the drums begin to roll,
    O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
    While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
    But it's "Please to walk in front, sir", when there's trouble in the wind,
    There's trouble in the wind, my boys, there's trouble in the wind,
    O it's "Please to walk in front, sir", when there's trouble in the wind.

*You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
    For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
    But it's "Saviour of 'is country" when the guns begin to shoot;
    An' it's Tommy this, an' Tommy that, an' anything you please;
    An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

When I Write Poems

When I’m embraced by airy inspiration,
I am a bridge between the sky and earth.
Of all what heart high-values in creation
I am a king, when breathing with a verse!

Just if my soul wishes it, my fairy,
I shall give you the peaceful coast band,
Where, with a hum, the pinky sea is carrying
The dreaming tide to reach the dreaming land.

I can do all, just trust in me: I’m mighty;
I have the roots for kindness and for love;
And if I want, from clouds and from the lightning
I’ll make a cover your sweet bed above.

And I can, dear, create a word such special,
That it would change laws of the whole world,
To call again its own celebration
And stop the sun from fall in the night cold.

I’m all another in my inspiration,
I am a bridge between the sky and earth.
Of all what heart high-values in creation
I am a king, when breathing with a verse!

Portrait d'une Femme**

Your mind and you are our Sargasso Sea,
      London has swept about you this score years
And bright ships left you this or that in fee:
      Ideas, old gossip, oddments of all things,
Strange spars of knowledge and dimmed wares of price.
      Great minds have sought you — lacking someone else.
You have been second always. Tragical?
      No. You preferred it to the usual thing:
One dull man, dulling and uxorious,
      One average mind —   with one thought less, each year.
Oh, you are patient, I have seen you sit
      Hours, where something might have floated up.
And now you pay one.   Yes, you richly pay.
      You are a person of some interest, one comes to you
And takes strange gain away:
      Trophies fished up; some curious suggestion;
Fact that leads nowhere; and a tale for two,
      Pregnant with mandrakes, or with something else
That might prove useful and yet never proves,
      That never fits a corner or shows use,
Or finds its hour upon the loom of days:
      The tarnished, gaudy, wonderful old work;
Idols and ambergris and rare inlays,
      These are your riches, your great store; and yet
For all this sea-hoard of deciduous things,
      Strange woods half sodden, and new brighter stuff:
In the slow float of differing light and deep,
      No! there is nothing! In the whole and all,
Nothing that's quite your own.
                  Yet this is you.

Never begin a poem with
"I miss (you, her, him) so much."
No matter How bad you hurt

you won't for long enough
to make lasting
poetry
from your pain.

Look around.

The world is more than lost lovers.
Set them free.

Find something
outside yourself
and write.

It will feel good.
I promise.

  ~mce

I have always believed
that every woman
deserves a poem.

If you have never
read those words

(though doubtless
you deserve better)

accept these words
until your own
arrive.

   ~mce

Tried it
for 30 years.

Not bad,
but not
for me.

Now I agree with
Katherine Hepburn
who never married:

"I prefer
to live nearby
and visit often."

The simplest
solution so often
the most elegant.
   ~mce

Some women
possess sexuality
some women
possess sensuality
some women
possess spirituality
few women
possess all

but those
are the few
worth finding

and

one of whom
is worth keeping.

Let me cast
my heart
like a net
of desire
upon the body
of your soul.

Let us
struggle,
gently,
within it.

Let us
writhe
and turn
as one.

Let us
be caught
together.

Sweetest
*******.
  -mce

Another day
to show up for.

Chores to do,
people to love,
choices to make:

nothing special.

Just what is,
just all that is,
just everything
that matters.
  - mce

Wanting makes weary:
only the flutter
of your eyelids
saying yes
can deliver me
to the end of desire.
  - mce

Spring And All**

By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast -- a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen

patches of standing water
the scattering of tall trees

All along the road the reddish
purplish, forked, upstanding, twiggy
stuff of bushes and small trees
with dead, brown leaves under them
leafless vines --

Lifeless in appearance, sluggish
dazed spring approaches --

They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind --

Now the grass, tomorrow
the stiff curl of wildcarrot leaf

One by one objects are defined --
It quickens: clarity, outline of leaf

But now the stark dignity of
entrance -- Still, the profound change
has come upon them: rooted they
grip down and begin to awaken

Doesn't anyone
on this site
ever sleep?
  ~mce

IV

These fought in any case,
And some believing, pro domo, in any case ..

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later…

some in fear, learning love of slaughter;
Died some, pro patria, non dulce et non decor..
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

from *Hugh Selwyn Mauberley

Do not weep
for your
imperfections.
Like love
they make you
human.
They are
the facets
that allow
you to shine.
Keep them
polished.
Send your light
into the world;
it already has
enough darkness.
Consider yourself
creatively
maladjusted,
not broken.
Become an eagle
or a flamingo.
Soar into
the night sky
seeking love
and knowledge.
Who knows
where you may
land.

Spring**

Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and

changing everything carefully

spring is like a perhaps
Hand in a window
(carefully to
and from moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and

without breaking anything.

Marching**

At dawn I heard among bird calls
the billions of marching feet in the churn
and squeak of gravel, even tiny feet
still wet from the mother's amniotic fluid,
and very old halting feet, the feet
of the very light and very heavy, all marching
but not together, criss-crossing at every angle
with sincere attempts not to touch, not to bump
into each other, walking in the doors of houses
and out the back door forty years later, finally
knowing that time collapses on a single
plateau where they were all their lives,
knowing that time stops when the heart stops
as they walk off the earth into the night air.

Elegy for the Forgotten Oldsmobile**

July 4th and all is Hell.
Outside my shuttered breath the streets bubble
with flame-loined kids in designer jeans
looking for people to **** or razor.
A madman covered with running sores
is on the street corner singing:
O beautiful for spacious skies…
This landscape is far too convenient
to be either real or metaphor.
In an alley behind a 7-11
a Black **** dressed in Harris tweed
preaches fidelity to two pimply ******
whose skin is white though they aren’t quite.
And crosstown in the sane precincts
of Brown University where I added rage
to Cliff Notes and got two degrees
bearded scientists are stringing words
outside the language inside the guts of atoms
and I don’t know why I’ve come back to visit.

O Uncle Adrian! I’m in the reservation of my mind.
Chicken bones in a cardboard casket
meditate upon the linoleum floor.
Outside my flophouse door stewed
and sinister winos snore in a tragic chorus.

The snowstorm t.v. in the lobby’s their mother.
Outside my window on the jumper’s ledge
ice wraiths shiver and coat my last cans of Bud
though this is summer I don’t know why or where
the souls of Indian sinners fly.
Uncle Adrian, you died last week—cirrhosis.
I still have the photo of you in your Lovelock
letterman’s jacket—two white girls on your arms—
first team All-State halfback in ’45, ’46.

But nothing is static. I am in the reservation of
my mind. Embarrassed moths unravel my shorts
thread by thread asserting insectival lust.
I’m a naked locoweed in a city scene.
What are my options? Why am I back in this city?
When I sing of the American night my lungs billow
Camels astride hacking appeals for cessation.
My mother’s zippo inscribed: “Stewart Indian School—1941”
explodes in my hand in elegy to Dresden Antietam
and Wounded Knee and finally I have come to see
this mad *** nation is dying.
Our ancestors’ murderer is finally dying and I guess
I should be happy and dance with the spirit or project
my regret to my long-lost high school honey
but history has carried me to a place
where she has a daughter older than we were
when we first shared flesh.

She is the one who could not marry me
because of the dark-skin ways in my blood.
Love like that needs no elegy but because
of the baked-***** possibility of the flame lakes of Hell
I will give one last supper and sacrament
to the dying beast of need disguised as love
on deathrow inside my ribcage.
I have not forgotten the years of midnight hunger
when I could see how the past had guided me
and I cried and held the pillow, muddled
in the melodrama of the quite immature
but anyway, Uncle Adrian…
Here I am in the reservation of my mind
and silence settles forever
the vacancy of this cheap city room.
In the wine darkness my cigarette coal
tints my face with Geronimo’s rage
and I’m in the dry hills with a Winchester
waiting to shoot the lean, learned fools
who taught me to live-think in English.

Uncle Adrian…
to make a long night story short,
you promised to give me your Oldsmobile in 1962.
How come you didn’t?
I could have had some really good times in high school.

How To Speak Poetry**

Take the word butterfly. To use this word it is not necessary to make the voice weigh less than an ounce or equip it with small dusty wings. It is not necessary to invent a sunny day or a field of daffodils. It is not necessary to be in love, or to be in love with butterflies. The word butterfly is not a real butterfly. There is the word and there is the butterfly. If you confuse these two items people have the right to laugh at you. Do not make so much of the word. Are you trying to suggest that you love butterflies more perfectly than anyone else, or really understand their nature? The word butterfly is merely data. It is not an opportunity for you to hover, soar, befriend flowers, symbolize beauty and frailty, or in any way impersonate a butterfly. Do not act out words. Never act out words. Never try to leave the floor when you talk about flying. Never close your eyes and **** your head to one side when you talk about death. Do not fix your burning eyes on me when you speak about love. If you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. If ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.

What is the expression which the age demands? The age demands no expression whatever. We have seen photographs of bereaved Asian mothers. We are not interested in the agony of your fumbled organs. There is nothing you can show on your face that can match the horror of this time. Do not even try. You will only hold yourself up to the scorn of those who have felt things deeply. We have seen newsreels of humans in the extremities of pain and dislocation. Everyone knows you are eating well and are even being paid to stand up there. You are playing to people who have experienced a catastrophe. This should make you very quiet.  Speak the words, convey the data, step aside. Everyone knows you are in pain. You cannot tell the audience everything you know about love in every line of love you speak. Step aside and they will know what you know because you know it already. You have nothing to teach them. You are not more beautiful than they are. You are not wiser. Do not shout at them. Do not force a dry entry. That is bad ***. If you show the lines of your genitals, then deliver what you promise. And remember that people do not really want an acrobat in bed. What is our need? To be close to the natural man, to be close to the natural woman. Do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. The bombs, flame-throwers, and all the **** have destroyed more than just the trees and villages. They have also destroyed the stage. Did you think that your profession would escape the general destruction? There is no more stage. There are no more footlights. You are among the people. Then be modest. Speak the words, convey the data, step aside. Be by yourself. Be in your own room. Do not put yourself on.

This is an interior landscape. It is inside. It is private. Respect the privacy of the material. These pieces were written in silence. The courage of the play is to speak them. The discipline of the play is not to violate them. Let the audience feel your love of privacy even though there is no privacy. Be good ******. The poem is not a slogan. It cannot advertise you. It cannot promote your reputation for sensitivity. You are not a stud. You are not a killer lady. All this junk about the gangsters of love. You are students of discipline. Do not act out the words. The words die when you act them out, they wither, and we are left with nothing but your ambition.

Speak the words with the exact precision with which you would check out a laundry list. Do not become emotional about the lace blouse. Do not get a hard-on when you say *******. Do not get all shivery just because of the towel. The sheets should not provoke a dreamy expression about the eyes. There is no need to weep into the handkerchief. The socks are not there to remind you of strange and distant voyages. It is just your laundry. It is just your clothes. Don't peep through them. Just wear them.

The poem is nothing but information. It is the Constitution of the inner country. If you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. You are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. Think of the words as science, not as art. They are a report. You are speaking before a meeting of the Explorers' Club of the National Geographic Society. These people know all the risks of mountain climbing. They honour you by taking this for granted. If you rub their faces in it that is an insult to their hospitality. Tell them about the height of the mountain, the equipment you used, be specific about the surfaces and the time it took to scale it. Do not work the audience for gasps ans sighs. If you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. It will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. It will be in the data and the quiet organization of your presence.

Avoid the flourish. Do not be afraid to be weak. Do not be ashamed to be tired. You look good when you're tired. You look like you could go on forever. Now come into my arms. You are the image of my beauty.

Beneath My Hands**

Beneath my hands
your small *******
are the upturned bellies
of breathing fallen sparrows.
Wherever you move
I hear the sounds of closing wings
of falling wings.
I am speechless
because you have fallen beside me
because your eyelashes
are the spines of tiny fragile animals.
I dread the time
when your mouth
begins to call me hunter.
When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.
I want them
to surrender before you
the trembling rhyme of your face
from their deep caskets.
When you call me close
to tell me
your body is not beautiful
I want my body and my hands
to be pools
for your looking and laughing.

American Sermon**

I am uniquely privileged to be alive
or so they say. I have asked others
who are unsure, especially the man with three
kids who’s being foreclosed next month.
One daughter says she isn’t leaving the farm,
they can pry her out with tractor
and chain. Mother needs heart surgery
but there is no insurance. A lifetime of cooking
with pork fat. My friend Sam has made
five hundred bucks in 40 years
of writing poetry. He has applied for 120
grants but so have 50,000 others. Sam keeps
strict track. The fact is he’s not very good.
Back to the ******* the farm. She’s been
keeping records of all the wildflowers
on the never-tilled land down the road,
a 40-acre clearing where they’ve bloomed
since the glaciers. She picks wild strawberries
with a young female bear who eats them. She’s being
taken from the eastern Upper Peninsula down
to Lansing where Dad has a job in a
bottling plant. She won’t survive the move.

"The most important piece of technology in any classroom is the second hand of the clock. The purpose is to teach millions of students the identical prayer: Please God, make it move faster."  

Derrick Jensen

If all the politicians
died tomorrow,
it would be a blip.
If all the scientists
and engineers died,
it would be an apocalypse.
If all the poets died,
so would god and love..

  mce

As a teacher,
you must always ask yourself:
do I really believe
this drivel I am vomiting?
If not, have the guts
to shut the **** up.
   ~mce

Spring**

How many sticky buds, candle ends
sprout from the branches! Steaming
April. Puberty sweats from the park,
and the forest’s blatantly gleaming.

A noose of feathered throats grips
the wood’s larynx, a lassoed steer,
netted, like a gladiatorial *****,
it groans steel-piped sonatas here.

Poetry! Be a Greek sponge with suckers,
among green stickiness drenched,
I’ll consent, by the sopping wood
of a green-stained garden bench.

Grow sumptuous pleats and flounces,
**** up the gullies and clouds,
Poetry, tonight, I’ll squeeze you out
to make the parched sheets flower.

THE PEACE OF WILD THINGS**

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
— Wendell Berry

Thanksgiving.
That glorious day
of the year
when my family
gathered around the fowl
like the Waltons
and then acted
as if it had been stuffed
with ***.

mce

Living alone,
I am randomly
eccentric.

It's not a quirk,
if no one sees.

Often at odd hours,
day or night,
I sneak a glance
at my mirror
hoping
to be surprised
by a young
and happy
reflection.

Never happens.

   mce

Imagine
the eternal loneliness
that seized the Angels
when they heard
of God's death.

Every evening
I relive
that Angelic
loneliness
which reminds me
that no one
is in charge
and help
is not on the way.
  mce

Sometimes
it's the only thing
between you and
death.

Distillers
have saved more lives
than all
the suicide hotlines
in the world.

Here's to you.

mce

He had witnessed
the innocent kids
piled up
in a country
far away
where death
was commonplace
and no one
baked cupcakes
bearing the names
of the slain,
only keened
like maternal sirens
against the inevitable
moment.

He took comfort that
Back in the World
the children
roamed in safety
and grew plump
on promises
far from land mines,
shrieking Phantoms,
dangerous strangers
with barking weapons.

He did not,
could not,
foresee a time
when those
same weapons
would turn
their deadly mouths
on babies,
back in the world.

But the sins
of the fathers
circle back
to the world
and the bodies
of children
wear doomed grins
like death heads
at the karmic irony.

Now that illusion
of a last, safe place
is rent and torn
and there is
no longer a world
to go back to.

   mce

Awake
as a flame
hoping
to burn out.

Sleet and cold.

The cat wonders
what the ****
is up.

The BBC
reports  that
the world
remains
a mess.

What is
worth knowing
at 4 AM?

You are lonely
in darkness.

It will be
a long, long day.

You are caught
in that time,
that is not time.

On a pyre
between worlds,

you burn
and burn,
but are not
consumed.

     mce

You are tired
and heartbroken.

Your words just now
can stay unspoken.

What you must say
can wait a day.

Meantime:

I will steal it,
take your pain
into my brain
where it can sit,
where it can stay
hidden away

within a rhyme.

Not to speak of
till a better time.
~ mce

Artistic Love Card 6**

I scrub the long floorboards
in the kitchen, repeating
the motions of other women
who have lived in this house.
And when I find a long gray hair
floating in the pail,
I feel my life added to theirs.

Lovers Dream World - a Villanelle**


Katie could put her feet behind her head
Or do a grand plié, position two,
Her suppleness magnificent in bed.

I strained my lower back, and Katie bled,
Only a little, doing what we could do
When Katie tucked her feet behind her head.

Her torso was a C-cup'd figurehead,
Wearing below its navel a tattoo
That writhed in suppleness upon the bed.

As love led on to love, love's goddess said,
"No lovers ever ****** as ****** these two!
Katie could put her feet behind her head!"

When Katie came she never stopped. Instead,
She came, cried "God!," and came, this dancer who
Brought ballerina suppleness to bed.

She curled her legs around my neck, which led
To depths unplumbed by lovers hitherto.
Katie could tuck her feet behind her head
And by her suppleness unmake the bed.

your hair
reminds me
of a storm
in Ireland

you face
reminds me
of Botticelli's
Venus

Your eyes
remind me
of unsolved
mysteries

Your lips
remind me
of stolen
kisses

Your smile
reminds me
I am still
alive

~mce

Met you
in the fall;
loved you
through
the winter;
you left me
in the spring

In between,
you saved
my life.

True love
need not
be forever
to be true.

"Lift me up, Lord,
for my soul is heavy
and my time is near."*

When you were
all shot to pieces
and death
was smiling
and prowling
nearby,
they made
the sweetest
sound in
the world.
   ~mce

Poems are messages in bottles
tossed into a sea
that does not care
if they be found or not.

Thank you for finding this one.

You can keep the bottle.

   mce

You can learn
to love a voice
on a telephone,
but you can never
hold it
in your arms.
   mce

Holy are the days of boredom.
Holy are the days of loneliness.
Holy are the days of pain.

Pick a place to die and be content.

Life divided by time,
where time is the unknown,
always equals death.

Forget this fatal equation.

Weave the threads of memory
into tapestries of ritual;
rituals engender meaning.

Refuse to live an amputated life.

Remember that only joy slows the ticking clock.

Holy are the days that remain.
  mce

Love is a fascinating subject,
but by no means the only one.
   ~mce