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Sep 2015 · 606
Intimations Of Autumn
Mike Essig Sep 2015
Bright pellucid morning
blue as icy aquamarine.

Fall nips the air
like a petulant cat.

It feels chilly
as a chance encounter
with a former lover
in a sunrise coffee shop.

The season spins
like an obstinate top.

Legions of lawn gnomes
don their long underwear.

The earth accepts this
glacial change, but
I will miss the warmth
of lilies and dandelions.

Still, this new  ambience
contains its own charms.

Trees spasm with delight
as vivid leaves waft like
inevitable paratroopers
to the retreating lawns.

Flowers hibernate
secure in the
inevitability
of resurrection.

It is a time to honor
common sense.

We know the snows
will blanket our
sleepy, gelid lives.

We know that
in time we will
wake to spring,
warmth and hope.

The world will turn
until we don't.

  ~mce
Sep 2015 · 336
The Meaning Of Meaning
Mike Essig Sep 2015
Our lives do not
of themselves
engender personal
meaning.
          Instead,
it gathers to us
unbidden like
fallen leaves
something has
forgotten to sweep
away from our dreams.

It matters not
that anyone continues
to imagine providence,
as long as
we pretend to.

   ~mce
Sep 2015 · 340
The Thing Itself
Mike Essig Sep 2015
Prose blossoms
orderly
like a well
tended garden
of perennials.

Poetry explodes
anarchically
like an unkempt,
ragged field
of weeds.

Purpose and
creativity
thrive in
whatever magic
kingdoms they
encounter.

Their flowers
sob with
compulsive joy.

Fall arrives.

Such Holy ruin
contains a
naked ease.

Beneath the winter
sky's scar tissue
inscrutable love
and the whispered
promise of warmth
insist on new words
which tremble
like the rattles
of sleepy snakes.

The earth owes us
that simple pleasure
beyond the darkening
solstice shivers.

Words and flowers
express true emotion
to the genuine kernel
of our being physical.

At possibilities edge
there looms a human limit.

Not every heart
can bear to beat
forever as a  metaphor.

Speech of no word
and word of no speech.

Thought is only
an abstract labyrinth
reminding us
of the earth's
thin patience.

Flesh is needed
to pump out life.

Blood cries out
for its own
sticky human
sweetness.

mce
Mike Essig Sep 2015
Because your
fine white body
slept beside me,
I failed to dream
of anything else.
And when dawn
broke rosy red,
I hurled invectives
at the darkness
for ending.
But your tangled hair
thawed my heart,
as your talented
mouth said
good morning
in the most
soothing way
a lover can.
At times, this life
hurts like
a *******.
But this morning
you gave me
a dandelion
with a white poem
larger than my heart.
A new way to breathe
and face the tragic day.

  ~mce
RLA
Sep 2015 · 723
Between Going And Staying
Mike Essig Sep 2015
by Octavio Paz**

Between going and staying the day wavers,
in love with its own transparency.
The circular afternoon is now a bay
where the world in stillness rocks.

All is visible and all elusive,
all is near and can't be touched.

Paper, book, pencil, glass,
rest in the shade of their names.

Time throbbing in my temples repeats
the same unchanging syllable of blood.

The light turns the indifferent wall
into a ghostly theater of reflections.

I find myself in the middle of an eye,
watching myself in its blank stare.

The moment scatters. Motionless,
I stay and go: I am a pause.


Translated by Eliot Weinberger
Sep 2015 · 510
Fall into place
Mike Essig Sep 2015
by Sarah Law**
You love the way my hair falls
over your bones, your prone body, how
I choose to cover you with words
so close to your own. From here
I can't imagine why we ever worried,
even the span of my hand, small
compared with yours, fits to your plan.
I write you down in barely perceptible
whispers, just so I know you exist;
you look for patterns that promise us
an ultimate alignment. It's so crystal clear,
the night sky's X-ray. Bright with symmetry.
I can't expose myself to this often;
I'd end up broken, on the floor,
like a cutting waiting to be swept
clean of its own implications. Tether me
to this quiet language. This one prophecy.
Sep 2015 · 311
To Be a Poet
Mike Essig Sep 2015
by Jaroslav Seifert**

Life taught me long ago
that music and poetry
are the most beautiful things on earth
that life can give us.
Except for love, of course.

In an old textbook
published by the Imperial Printing House
in the year of Vrchlický's death
I looked up the section on poetics
and poetic ornament.

Then I placed a rose in a tumbler,
lit a candle
and started to write my first verses.

Flare up, flame of words,
and soar,
even if my fingers get burned!

A startling metaphor is worth more
than a ring on one's finger.
But not even Puchmajer's Rhyming Dictionary
was any use to me.

In vain I snatched for ideas
and fiercely closed my eyes
in order to hear that first magic line.
But in the dark, instead of words,
I saw a woman's smile and
wind-blown hair.

That has been my destiny.
And I've been staggering towards it breathlessly
all my life.
Sep 2015 · 338
Subject To Change
Mike Essig Sep 2015
BY MARILYN L. TAYLOR*

A reflection on my students

They are so beautiful, and so very young
they seem almost to glitter with perfection,
these creatures that I briefly move among.

I never get to stay with them for long,
but even so, I view them with affection:
they are so beautiful, and so very young.

Poised or clumsy, placid or high-strung,
they're expert in the art of   introspection,
these creatures that I briefly move among—

And if their words don't quite trip   off the tongue
consistently, with just the right inflection,
they remain beautiful. And very young.

Still, I have to tell myself it's   wrong
to think of them as anything but fiction,
these creatures that I briefly move   among—

Because, like me, they're traveling   headlong
in that familiar, vertical direction
that coarsens beautiful, blackmails young—
the two delusions we all move among.
Mike Essig Sep 2015
by Kenna Marie*

Beauty is in the eye of the beholder.
Yet, people smolder every meaning of the word beauty.
Taking procedures in order to obtain this image of perfection, but it is right built inside of you. Believe it or not, whatever you need you got!
Reading this now with your eyes, heart beating to the sound of survival.

Educating yourself on how to accomplish revival because you are dead.
The laughter comes in sequences syncing perfectly to those begging for attention.
Revolt revolt!
Build a catapult to launch yourself away from here.

Lose yourself in all the sincere.
Perform a test to see if you're the best.
“You are defeat compared to the rest!”
Start to dress to impress when the isn’t up to par.
Spend days alone at empty bars.

“Dare to make a move!”
“It won’t improve you.”
“You got nothing to lose!”
“Yeah, well how about your skeleton starting a rebellion. You’re yelling, starting to tell your children the beginnings of this addiction.”

It swallows you whole, your body is totaled.
Now, you’re in the rusting pile of traveled miles of rot...
Forgetting what you are and what you’re not.
Sep 2015 · 1.2k
A Thousand Kisses Deep
Mike Essig Sep 2015
by Leonard Cohen**

You came to me this morning
And you handled me like meat
You’d have to be a man to know
How good that feels, how sweet

My mirror twin, my next of kin
I’d know you in my sleep
And who but you would take me in
A thousand kisses deep

I loved you when you opened
Like a lily to the heat
You see I’m just another snowman
Standing in the rain and sleet

Who loved you with his frozen love
His secondhand physique
With all he is and all he was
A thousand kisses deep

I know you had to lie to me
I know you had to cheat
To pose all hot and high
Behind the veils of sheer deceit

Our perfect **** aristocrat
So elegant and cheap
I’m old but I’m still into that
A thousand kisses deep

I’m good at love, I’m good at hate
It’s in between I freeze
Been working out but it’s too late
(It’s been too late for years)

But you look good, you really do
They love you on the street
If you were here I’d kneel for you
A thousand kisses deep

The autumn moved across your skin
Got something in my eye
A light that doesn’t need to live
And doesn’t need to die

A riddle in the book of love
Obscure and obsolete
And witnessed here in time and blood
A thousand kisses deep

But I’m still working with the wine
Still dancing cheek to cheek
The band is playing Auld Lang Syne
But the heart will not retreat

I ran with Diz, I sang with Ray
I never had their sweet
But once or twice they let me play
A thousand kisses deep

I loved you when you opened
Like a lily to the heat
You see I’m just another snowman
Standing in the rain and sleet

Who loved you with his frozen love
His secondhand physique
With all he is and all he was
A thousand kisses deep

But you don’t need to hear me now
And every word I speak
It counts against me anyhow
A thousand kisses deep!
Sep 2015 · 350
Corviphobia
Mike Essig Sep 2015
At 6 AM as I sat
on my porch
drinking coffee,
smoking an evil
cigarette and
thinking of nothing.

Exactly eleven crows
on the electric wire
began hurling
what I imagine
were cacophonous
insults at my
barely alive being.

I answered nothing.

Crows are not
to be messed with.

They have powers.
They remember slights
and are prone to plan
violent revenge.

Why do you think in
groups they are called
a ****** of Crows?

And how could I,
being one man alone,
answer an entire
choir of them?

I beat a hasty retreat,
innocent though I was.

  ~mce
Mike Essig Sep 2015
The world is teeming
with those who want
somebody else.

And yet you want me.

Sometimes it happens:
you lose everything
and then wake up
in a strange, new room
full of everything
you want.

   ~mce
Sep 2015 · 513
Aces and Eights
Mike Essig Sep 2015
Grinning Death
who smiles and waits
holds a handful of cards
that never loses;
I am not ready to call,
yet.

  ~mce
Sep 2015 · 195
Rut
Mike Essig Sep 2015
Rut
Sometimes
I wake up
and think
I have been
here so long
that I am
walking on
myself and
every idea
I have is
nothing but
nostalgia.

I'd like
to leave,
but no desire
is simple
and we all
have to
struggle
against
something.

  ~mce
Sep 2015 · 432
Impossibly Satisfying
Mike Essig Sep 2015
Love is when
the here and now
doesn't matter,
which is impossible
and satisfying,
exactly like love:
a wound that
you are happy
to share.

  ~mce
Sep 2015 · 486
The Refugee Crisis
Mike Essig Sep 2015
God loves pain.
Inflicting it seems
his only form
of exercise.

There is no God
large enough
for a world
so huge
with meanness.

  ~mce
Sep 2015 · 250
Fetal Position
Mike Essig Sep 2015
When the Past is dead,
the Present disappointing
and the Future short.
When everything is so fragile
that a breath could break you.
Where better could you be?

  ~mce
Sep 2015 · 472
Apologia
Mike Essig Sep 2015
On being ask why I waste my time writing poetry.*

A poet lives three times:
once remembering,
once writing,
once being read.

Three lives unfolding
the genetic code
of the soul.

Not such easy
lives to create,
but they produce
a map of memory
that vindicates
your existence
and may lead strangers
to small, keen joys
they never imagined.

Modest delights
keep hearts alive.

  ~mce
Sep 2015 · 302
No Place On Earth
Mike Essig Sep 2015
In my country
home is no longer
a place, it has
become
a journey.

Folks have
a thousand
Facebook friends
but 80% of
Americans can't
name one of
their neighbors.

Small wonder
we are so
frazzled and
frustrated here:
work has
replaced life
and no home
exists where
we can enjoy
solitude
and peace.

Where do you go
when there is no
place left to go?

   ~mce
Sep 2015 · 782
Failed Mechanic
Mike Essig Sep 2015
I have taken
my life apart
many times
to understand it,
but it never
fits back
together quite
the same.

Always those
few pesky parts
left over.

   ~mce
Sep 2015 · 205
Trust Me
Mike Essig Sep 2015
Just when you think
it can't get worse,
the bottom is
about to fall out.

  ~mce
Sep 2015 · 248
Negative Self-Portrait
Mike Essig Sep 2015
An aging man wearing
a used field jacket stuffed
full of words
who knows a million things
that won't make any money,
stuck in a culture
where only what can be bought
is good for you.

After one bill is paid,
the next stalks you
like an enemy soldier.

Friends dead or far away;
silence your only true companion.

Marriage failed; children grown and gone.

Days and hours to fill with emptiness.

Mornings broadcast sameness
like endless TV reruns.

The price of intelligence
is constant isolation.

Nothing lasts forever
and today feels like nothing.

Stuck like a refugee
between breath and death.

In the distance, a woeful,
lonely moan from the world.

Too long a sacrifice
makes the heart a stone.

Hope isn't just a feathered thing,
it is an extinct bird flown forever.

Not much time left to live,
but it feels like eternity.

Some mornings you would
prefer to wake up dead
but it's just too much trouble.

Get up, stagger through the day
dragging your life behind you
like a bag full of skeletons.

We all have to struggle
against something.

Cheer up!

After all, with a little luck
it could be the last.

  ~mce
Sep 2015 · 252
Are You A Writer?
Mike Essig Sep 2015
by Joanne Harris**

If you can still write
in spite of the fact
that you’re not getting paid,
that nobody cares about
what you’re writing,
that nobody wants to publish it,
that everybody is telling you
to do something else,
and you still want to
and you still enjoy it
and you can’t stop doing it …
then you’re a writer.
Sep 2015 · 483
Bread And Roses
Mike Essig Sep 2015
As we go marching, marching
In the beauty of the day
A million darkened kitchens
A thousand mill lofts gray
Are touched with all the radiance
That a sudden sun discloses
For the people hear us singing
Bread & roses, bread & roses

As we go marching, marching
We battle too for men
For they are women's children
And we mother them again
Our lives shall not be sweetened
From birth until life closes
Hearts starve as well as bodies
Give us bread but give us roses

As we go marching, marching
We bring the greater days
For the rising of the women
Means the rising of the race
No more the drudge and idler
Ten that toil where one reposes
But the sharing of lifes glories
Bread & roses, bread & roses
This appeared during a strike by female workers in MA. No one is certain who wrote it. Listen to Judy Collins sing it on Youtube. Beautiful.
Sep 2015 · 922
Labor Day 2015
Mike Essig Sep 2015
If you have a country
where you pay workers
ten dollars an hour
to do $25 worth of work,
you will end up
with a ten dollar country,

and a growing mass
of angry, frustrated,
hopeless people.

Think of a powder keg.
Now think of a match.

Now think of an explosion.

Boom!

   ~mce
Sep 2015 · 573
Uncomfortable
Mike Essig Sep 2015
Were I a conspiracy theorist
(which I'm not), I would
tell you there will be
no 2016 elections
because before then
another faked terrorist
attack, like 9/11 only
worse, will be staged,
the elections will be
suspended, martial law
will be declared
our own military,
will occupy America,
resistance will be crushed
and dissenters will
simply disappear.

But I'm not a
conspiracy theorist
and I won't
tell you this
because it would
make you
uncomfortable
and Americans
do not like to be
uncomfortable
regardless of
the cliff they
are about
to step off of.

  ~mce
Sep 2015 · 424
The Factory Girl
Mike Essig Sep 2015
by Walter V. Holloway**

When the trembling East is beginning to blush

With the rosy red of morn,

And the World holds her breath in a solemn hush

As another day is born.

I am startled from sleep's illusive dreams

By the factory whistle's imperious screams,

Which seem but an echo of yesterday --

So soon has the short night passed away.



A child was I in my beautiful dream,

In my old home far away,

Where I strayed on the banks of a laughing stream,

Through the slumb'rous summer day,

And gathered the flowers that blossomed there,

With never a thought of work or care.

While the birds above in the murmuring trees

Poured their joyous songs on the perfumed breeze.



Why is it, I ask, that the birds are free

To flit over vale and hill,

While I a life-long slave must be

In a noisy, squalid mill?

Does God love the birds, and hate me so

That He fills my life with work and woe?

Or can it be that there is no God,

Save the factory master's cruel rod?



But God, or no God, I must be in my place,

When the heartless wheels begin

To turn the machine in its tireless race,

More wealth for its lord to win.

From my hurrying hands, with a fiendish roar,

It snatches its food and shouts for more --

"More food, more food, for my sateless maw;

More gold, more gold, is my master's law."



No matter how weary my arms may grow,

No matter how numb with pain,

If I slacken my pace the machine seems to know,

And shrieks in its wrath again:

"More food, more food, for my sateless maw;

More gold, more gold, is any master's law."

Till the soul of the ghoulish machine, to me,

Seems to laugh at my helpless misery.



All day the demon laughs and leers.

Till my heart grows sick with fright;

And ever the taunt rings in my ears --

"I will have your soul to-night;

For my Soul and the master's soul are one,

And I'll come for your soul when the day is done.

More food, more food, for my sateless maw;

More gold, more gold, is my master's law."
For Labor Day
Sep 2015 · 506
Life Force
Mike Essig Sep 2015
Our bodies
demand pleasure
to dispell fear.

We work hard
to keep death
at bay.

Every ******
says to death:

I am still here
and ****
I feel good.

  ~mce
Sep 2015 · 275
Arch Street
Mike Essig Sep 2015
I grew up here.
I am sitting
on my porch
listening to
the sound
of nothing.
Then, there were
four or five cars
on the street.
Now it is
parked solid.
Prosperity.
Many vehicles,
good jobs,
nice houses,
peace and quiet
and safety.
But out there
half the world
is burning
and its tortured
populations
flee toward
just this kind
of life.
How long
before this
silence is just
a memory
swamped by
the rising tide
of human misery
desperately seeking
this kind of home.

  ~mce
Sep 2015 · 338
Welcome To Chaos
Mike Essig Sep 2015
You amble around
the battlefield
on the inevitable
morning after
and you see
the usual bodies,
but you also see
hands, heads, arms,
legs, boots and
unrecognizable
lumps of flesh
and you know
at twenty
you will never
believe in
god or order
again.

   ~mce
Sep 2015 · 705
Detroit
Mike Essig Sep 2015
by Terrell Morrow**

Motown tune harboring,
Automobile industrial base vicarious drive,
Downtown city lighting life-giver of struggling spirit,
Red-winged-angel-singing city I call home.
They tell me we can’t keep it together,
I fight for your honor trying to ignore the families I’ve seen ripped apart
Through the pressure of financial stress that weighs down the strength
Of even the toughest of Pistons.
Even though I’ve seen the happiness of children ripped away
Transcending from that signing purple colored dinosaur
To the morning sounds of hums,
I’ve heard a remembrance of the happiness of people ripped away
By purple colored gangbangers.
I say to those who don’t see the fury in our eyes,
That burns with the blaze of a 1967 riot,
Is the truth of our history:
Our city, our home, our tears,
From the very moment you set foot on that Riverwalk
And see the Princess set sail to a dream on a bank of beauty
As the waters part like Moses’ path.
We are but mere underdogs with the purest of waters.
The product for which they lust for the thirst in which we quench
An essence for which we must for the fist in which we clench
As we fight our endless battles and the Hells we’ve created in Paradise Vallies
As we walk through the valley of the shadow of death-toll population
Hand-in-hand generations that shine like sons of the son.
Yo, show me a city that’s aware of its oblivion,
And simply relaxes like my hometown,
Detroit.
Mike Essig Sep 2015
In 1967
I watched Detroit
burn on TV
and saw my own
country invaded
by its own tanks.

Even at sixteen
I knew I was
watching the
beginning
of the end
of something
that had been
magical and rotten
for too many years.

Sometimes even
young kids
can see
the future.

And now it is here.

The fire next time
is come upon us.

And we burn before
we will change.

   ~mce
Sep 2015 · 281
Home Sweet Home
Mike Essig Sep 2015
I live in that
tiny margin
between
the haves and
the homeless.
It makes
an interesting
but precarious
life. There is
no room for error.
A bad tooth,
a dead car and
things can
fall apart.
But you learn
to trust your
luck and wits.
It is like a
long range
wartime patrol
where any
surprises
will be bad.
Even so
I like it:
want little,
need little,
be happy.
Poetry and
a great fat cat.
When I make it
to my next
social insecurity
check with
more than
five dollars
remaining
in my account
I am joyous.
There are
far worse endings.
Just an old monk
from the last
century
trying to
survive a while
longer yet
in this
strange new one,
just breathing
until I'm not
anymore.

   ~mce
Mike Essig Sep 2015
All the woman craved
was attentive conversation,
a few common interests,
*** would have been great,
but simple human touch
would have made the difference.

A drought continues until
you move on or die.

Living alone together is
so much lonelier
than living alone alone.

The water of love must be shared.

Indifference wounds deepest.

Being invisible diminishes the soul.

So she took her pride and heart
and her clothes and her dog
and went in search
of a life that felt alive.

Courage is the first virtue.

With it, anything is possibly possible.

Perhaps even unlikely happy endings.

   ~mce
Sep 2015 · 648
This Is Just to Say
Mike Essig Sep 2015
by William Carlos Williams**

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold
Sep 2015 · 2.3k
Axe Handles
Mike Essig Sep 2015
by Gary Snyder**

One afternoon the last week in April
Showing Kai how to throw a hatchet
One-half turn and it sticks in a stump.
He recalls the hatchet-head
Without a handle, in the shop
And go gets it, and wants it for his own.
A broken-off axe handle behind the door
Is long enough for a hatchet,
We cut it to length and take it
With the hatchet head
And working hatchet, to the wood block.
There I begin to shape the old handle
With the hatchet, and the phrase
First learned from Ezra Pound
Rings in my ears!
"When making an axe handle
            the pattern is not far off."
And I say this to Kai
"Look: We'll shape the handle
By checking the handle
Of the axe we cut with–"
And he sees. And I hear it again:
It's in Lu Ji's Wen Fu, fourth century
A.D. "Essay on Literature"–in the
Preface: "In making the handle
Of an axe
By cutting wood with an axe
The model is indeed near at hand."
My teacher Shih-hsiang Chen
Translated that and taught it years ago
And I see: Pound was an axe,
Chen was an axe, I am an axe
And my son a handle, soon
To be shaping again, model
And tool, craft of culture,
How we go on.
Mike Essig Sep 2015
by Sharon Olds**

As soon as my sister and I got out of our
mother's house, all we wanted to
do was ****, obliterate
her tiny sparrow body and narrow
grasshopper legs. The men's bodies
were like our father's body! The massive
hocks, flanks, thighs, elegant
knees, long tapered calves–
we could have him there, the steep forbidden
buttocks, backs of the knees, the ****
in our mouth, ah the **** in our mouth.
                  Like explorers who
discover a lost city, we went
nuts with joy, undressed the men
slowly and carefully, as if
uncovering buried artifacts that
proved our theory of the lost culture:
that if Mother said it wasn't there,
it was there.
Sep 2015 · 624
Dead Woman
Mike Essig Sep 2015
by Pablo Neruda**

If suddenly you do not exist,
if suddenly you no longer live,
I shall live on.

I do not dare,
I do not dare to write it,
if you die.

I shall live on.

For where a man has no voice,
there shall be my voice.

Where blacks are flogged and beaten,
I cannot be dead.
When my brothers go to prison
I shall go with them.

When victory,
not my victory,
but the great victory
comes,
even if I am dumb I must speak;
I shall see it coming even if I am blind.

No, forgive me.
If you no longer live,
if you, beloved, my love,
if you
have died,
all the leaves will fall on my breast,
it will rain on my soul night and day,
the snow will burn my heart,
I shall walk with frost and fire and death and snow,
my feet will want to walk to where you are sleeping,
but
I shall stay alive,
because above all things you wanted me
indomitable,
and, my love, because you know that I am not only a man
but all mankind.


                                      Spanish; trans. Brian Cole
Sep 2015 · 898
Desert Reservation
Mike Essig Sep 2015
by Barry Lopez**

I'd heard so much good
about this place,
how the animals were cared for
in special exhibits. But

when I arrived I saw even
prairie dogs had gone crazy in
the viewing pits; Javelina had no mud to
squat in, to cool down; Otter was
exposed on every side, even in his den.
Wolf paced like a mustang,
tongue lolling and crazy-eyed,
unable to see anyone who looked like
he did–only Deer, dozing opposite in
a chainlink pen.

Signs explain
the animals are good because
they **** animals who like oats
or corn too much.

Skunk has sprayed himself out,
with people rapping on his glass
box. Badger's gone to sleep
under a red light and children ask
if he's dead in there (dreaming of dead
silence). And
Cougar stares like a clubbed fish
into one steel corner all morning, figuring.

Only Coyote doesn't seem to care, asleep under a
creosote bush, waiting it out.

Even the birds are walled up here,
held steady in chicken-wire cages for
the staring, for souvenir photos.
And this, on the bars for Eagle:

      The bald eagle was
      taken as a fledgling
      from a nest in New
      Mexico by an
      Indian. He planned on
      pulling feathers for cer-
      emonial headdresses
      every year. The
      federal government seized
      the bird and turned
      it over to the
      Desert Reserve
      for safekeeping.

Bear walks in his own
***, smells concrete
and his own **** all day long.
He wipes his nose on the wall,
trying to **** it.

At night when management is gone,
only the night watch left,
the animals begin keening: now
voices of Wood Duck and
Turtle, of Kit Fox and everyone else,
Bear too, lift up like the bellowing
of stars and kick the walls.

14 miles away, in Tucson, are movie houses,
cold beers and roads out of town,
but they say animals know how to pass the time
well enough. And after a few beers
they'll be just like Indians–
get drunk, fall down and spoil it all.
Sep 2015 · 355
Living
Mike Essig Sep 2015
by Denise Levertov**

The fire in leaf and grass
so green it seems
each summer the last summer.

The wind blowing, the leaves
shivering in the sun,
each day the last day.

A red salamander
so cold and so
easy to catch, dreamily

moves his delicate feet
and long tail. I hold
my hand open for him to go.

Each minute the last minute.
Sep 2015 · 938
Mandalay
Mike Essig Sep 2015
by Rudyard Kipling*

By the old Moulmein Pagoda, lookin' lazy at the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
‘Come you back, you British soldier; come you back to Mandalay!'
      Come you back to Mandalay,
      Where the old Flotilla lay:
      Can't you ‘ear their paddles chunkin' from Rangoon to Mandalay?
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

‘Er petticoat was yaller an' ‘er liggle cap was green,
An' ‘er name was Supi-yaw-lat–jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an ‘eathen idol's foot:
      Bloomin' idol made o' mud–
      Wot they called the Great Gawd Budd–
      Plucky lot she cared for idols when I kissed ‘er where she stud!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

When the mist was on the rice-fields an' the sun was droppin' slow,
She'd *** ‘er little banjo an' she'd sing ‘Kulla-lo-lo!'
With ‘er arm upon my shoulder an' ‘er cheek agin my cheek
We useter watch the steamers an' the hathis pilin' teak.
      Elephints a'pilin' teak
      In the sludgy, squdgy creek,
      Where the silence ‘ung that ‘eavy you was ‘arf afraid to speak!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

But that's all shove be'ind me–long ago an' fur away,
An' there ain't no ‘busses runnin' from the Bank to Mandalay;
An' I'm learnin' ‘ere in London what the ten-year soldier tells:
‘If you've ‘eard the East a-callin', you won't never ‘eed naught else.'
      No! You won't ‘eed nothin' else
      But them spicy garlic smells,
      An' the sunshine an' the palm-trees an' the tinkly-temple -bells;
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted English drizzle wakes the fever in my bones;
Tho' I walks with fifty ‘ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin' but wot do they understand?
      Beefy face an' grubby ‘and–
      Law! Wot do they understand?
      I've a neater, sweeter maiden in a cleaner, greener land!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!

Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;*
For the temple-bells are callin', and' it's there that I would be–
By the old Moulmein Pagoda, looking lazy at the sea;
      On the road to Mandalay,
      Where the old Flotilla lay,
      With our sick beneath the awnings when we went to Mandalay!
      On the road to Mandalay,
      Where the flyin'-fishes play,
      An' the dawn comes up like thunder outer China ‘crost the Bay!
Sep 2015 · 368
Her Kind
Mike Essig Sep 2015
by Anne Sexton**

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my **** arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
Sep 2015 · 405
On Being Sixty
Mike Essig Sep 2015
by Po Chu-i**

–Confucius said that it was not till sixty that "his ears obeyed him".

Between thirty and forty, one is distracted by the Five Lusts;
Between seventy and eighty, one is prey to a hundred diseases.
But from fifty to sixty one is free from all ills;
Calm and still–the heart enjoys rest.
I have put behind me Love and Greed; I have done with Profit and Fame;
I am still short of illness and decay and far from decrepit age.
Strength of limb I still possess to seek the rivers and hills;
Still my heart has spirit enough to listen to flutes and strings.
At leisure I open new wine and taste several cups;
Drunken I recall old poems and sing a whole volume.
Meng-te has asked for a poem and herewith I exhort him
Not to complain of three-score, "the time of obedient ears."


                                                      Chinese; trans. Arthur Waley
Sep 2015 · 420
First Sex
Mike Essig Sep 2015
by Sharon Olds**

I knew little, and what I knew
I did not believe–they had lied to me
so many times, so I just took it as it
came, his naked body on the sheet,
the tiny hairs curling on his legs like
fine, gold shells, his ***
harder and harder under my palm
and yet not hard as a rock his face cocked
back as if in terror, the sweat
jumping out of his pores like sudden
trails from the tiny snails when his knees
locked with little clicks and under my
hand he gathered and shook and the actual
flood like milk came out of his body, I
saw it glow on his belly, all they had
said and more, I rubbed it into my
hands like lotion, I signed on for the duration.
Sep 2015 · 367
Last Night
Mike Essig Sep 2015
by Sharon Olds**

The next day, I am almost afraid.
Love? It was more like dragonflies
in the sun, 100 degrees at noon,
the ends of their abdomens stuck together, I
close my eyes when I remember. I hardly
knew myself, like something twisting and
twisting out of a chrysalis,
enormous, without language, all
head, all shut eyes, and the humming
like madness, the way they writhe away,
and do not leave, back, back,
away, back. Did I know you? No kiss,
no tenderness–more like killing, death-grip
holding to life, genitals
like violent hands clasped tight
barely moving, more like being closed
in a great jaw and eaten, and the screaming
I groan to remember it, and when we started
to die, then I refuse to remember,
the way a drunkard forgets. After,
you held my hands extremely hard as my
body moved in shudders like the ferry when its
axle is loosed past engagement, you kept me
sealed exactly against you, our hairlines
wet as the arc of a gateway after
a cloudburst, you secured me in your arms till I slept–
that was love, and we woke in the morning
clasped, fragrant, buoyant, that was
the morning after love.
Sep 2015 · 369
Sabbath Poem
Mike Essig Sep 2015
Sunday morning
I went down on you
until you cried out
a prayer of pleasure.

That's close enough
to Holy for me.

Amen.

  ~mce
Sep 2015 · 243
Hate/Love
Mike Essig Sep 2015
The poor hate the rich,
the stupid hate the smart,
the lonely hate the lovers,
the ill hate the healthy,
the ugly hate the beautiful,
the losers hate the winners,
amidst all of this hate
miraculously you love me.

  ~mce
RLA
Sep 2015 · 382
Call It Self-Preservation
Mike Essig Sep 2015
by Trista Mateer*

After my father
left
part of me
became
determined
to always do the leaving

and I have
yet
to let it down.
Sep 2015 · 984
The Guitar
Mike Essig Sep 2015
by Federico Garcia Lorca*

The weeping of the guitar
begins.
The goblets of dawn
are smashed.
The weeping of the guitar
begins.
Useless
to silence it.
Impossible
to silence it.
It weeps monotonously
as water weeps
as the wind weeps
over snowfields.
Impossible
to silence it.
It weeps for distant
things.
Hot southern sands
yearning for white camellias.
Weeps arrow without target
evening without morning
and the first dead bird
on the branch.
Oh, guitar!
Heart mortally wounded
by five swords.
Sep 2015 · 1.3k
Lorca's Death
Mike Essig Sep 2015
On August 18, 1936,
a 38-year-old Spanish poet
named Federico García Lorca
was taken from a jail cell
in the city of Granada,
escorted to a courtyard
in the hills outside the city,
and executed for the crime
of loving life and Spain.
Bullets are as lethal to poets
as to anyone else.
Lorca died and fell
and was buried in a rude grave
just where he hit the ground.
His books were burned
in the public square.
What the Fascist beasts
failed to understand
in their deadly ferocity
was that killing a poet is easy,
but killing his poems is impossible.
Franco is long dead,
his Fascist minions scattered,
but Lorca's poems sing
more sweetly than when he breathed
and the Spain he loved
listens with eager ears
and chants them with living joy.
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