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 Mar 2012 Mel
Daniello
At a party [many people, dressed nice, cocktails
going round] someone I guess awoke to my presence
as if I’d just appeared out of nowhere or something
and asked me [totally circular eyes, spearing pupils]
like this: And what do you do? I looked at him, and I
don’t know what face I made, but what I wanted to
look like was something to this effect, matter-of-factly:
Well, what do you think I do? Obviously, I simply
try to avoid, day by day,
a wretchedly hopeless case of dismal ennui.
I try to endure, as stoically I can, the
inner doggerel convulsions
and mawkish throes educed by the
realization of transcendental insignificance
(or, otherwise: paradoxically substantial nothingness)
that imbues all hope of Elysian ecstasy and
reduces it to but the terrifyingly
ineluctable fact that we are essentially
impotent holograms functioning by the fixed fractal geometry
of a dynamic and chaotic, kaleidomosaic-like reality,
which, as eternally self-transforming and
forever utterly inconceivable,
is devoid of any certainty, absolute truth
and, most of all, compassion.
Furthermore, when I look at you, I see a deaf-mute
reflection of a reflection of myself, and
to be morbidly honest, I don’t
know what I can tell you that would
make any difference to the fact that, freely or
not, we are both, you and I, just passing
through our lonely, fathomless, patterned
deserts, blinded and lured by the Fata
Morgana of our sadly sublimated
consciousnesses, due to which, undulating up ahead
of us in a chimerical haze, we are
conditioned to think, fatuously, that we know,
or that it’s possible even to know, that
it means something to love or not to love, that it
matters at all whether we are alone or
not, and that, at the point of death, there will be
something, somewhere, that will condense
somehow out of this
nauseatingly numinous fog and, like a deserved,
blissful wash of our “souls”—like a salvation!—
will come to justify the inanities
and insanities of our mundane life as just the
confusing buildup to a final and triumphantly
epiphanic crystallization in which, at last,
we will truly understand, unquestionably, the meaning of I,
the meaning of you, the meaning of truth,
and the meaning of meaning—I mean, honestly sir.
What do you do?
That’s what I hope my face looked like, but I guess it
must’ve looked like something else, or maybe I said
something, because the man just raised both his brows
[his left one slightly more than his right] and stared
me down in mocked awe, on the verge of superciliousness.
His eyes slowly receded like a tide imperceptibly towards
the back of his skull, his lips pursed, parched, and pitying.
Then he nodded complaisantly, too energetically, saying:
Oh, how interesting! Did you always see yourself getting
into something like that? Mmhmm. Hmm! [and so forth]
And how do you like that? Mmhmm. [and so forth] And
the pay? Mmhmm [etcetera]. After I’d finished answering
some of his questions, I said: If you’ll excuse me, I just saw
a friend of mine, I really should go and say hi, but what a
pleasure it was to talk to you, sir. Take care!
And I excused myself.
 Mar 2012 Mel
Daniello
Carry
 Mar 2012 Mel
Daniello
I wish up the falling mountainside
scree rolling      past in foams      a tide
wishing down      against
as if my purpose was      the act
to counteract

or along a barreling oceanside      in
frost and high noon
above      a relinquishing patchwork of sky
me      harvesting shells      drinking rain
                      walking until

the dive into      whatever else      which is
not art      nor love-song      nor peace
but for all     their origin      before they became
word      and I      this quiet man
                      *inexpressible desire
 Mar 2012 Mel
Waverly
Carolyn.
 Mar 2012 Mel
Waverly
I feel like our relationship
was too short.

Too many times did I take
your
******* in my fingers
and listen
for the ocean.

Your stomach
was fired in a kiln,
and still tastes like heat.

In your bed
we made out,
with t-shirts on,
and I slid my fingers
underneath cotton
because I wanted to
play in your belly button
and work the clay.

I know that you like to
Dance in fields
with cotton
on your lips
and talk to God.

Talk to him
in a subterfuge
of light,
and not in the marrow
of darkness.

Our relationship was too short,
because we snuck liquor
into dark theatres,
and left bottles in the aisles
like empty artillery.

We kissed in your car
and never cleaned up.

I had breakfast over at your house once,
and met your mother twice.

And it seems the alpine
was too much for me,
because I never took you to the mountains
even when you asked.

Carolyn,
when I see you
again,
I will take you to Appalachia;
as far from the ocean
as we can humanly get.

Carolyn when I see you
again,
I will not eat the fruit
of the fired bowl,
and will not
think of playing
with clay.
 Mar 2012 Mel
Waverly
Untitled
 Mar 2012 Mel
Waverly
You could take
thunder apart
with your teeth.

Lightning
doesn't know
the light
of
your
mouth.

When we finally talked again,
me and Gnat
were cordial.

I was finally happy
that she
was
happy.

She said,
"I really am in love this time."

And it felt good
because
I'd known she'd finally
found it.

And that the verses
of my poetry
couldn't reach her,
like the symphony
of the exquisite
symphony
of his
could.

I love Gnat,
because
she is in love
and
happy.

I find happiness
in the fact
that a girl
I constantly ****** over
is now in for the ride of her life;
a ride full of ups and downs
highs and lows,
but a love
that can resist
a rollercoaster.

I am finally happy for the love
of my life,
and they don't tell you in the movies
that you can be happy for the love of your life
when they're in love
and staring down the
barrel of eternity
not thinking of it as a gun
but
thinking of it as true
real
love.

And that's what Gnat has.

And I'm so happy.
 Mar 2012 Mel
Jon Tobias
Dear poet,

Dear ***** talker of some unrequited nasty,

Dear slow admirer,
Noticing my detail like a detective

Twist this halo into handcuffs
And love me already

Or don’t

I’m not real

And if I were

I’d hate to be her

You perfect pitch psalm sayer
Waxing generic

Quit the verbal dance

And dance with me

I am glad you know I’m not perfect

I am as faulty
As a topographical map of California

This body is chills

Is goosebumps

Is legs that were soft yesterday

Kiss them

Prickle your cheeks

Does your beard know the difference?

Do you?

Do I feel like scented sandpaper love notes
Still stained with a kiss?

I know I might just be squid ink to everyone else

But you dear poet

Dear detective
Black lighting my flaws into glowing beauty

Put your lips to my stains

They still taste like stains

You made them

You made me

You made me Dear Poet

Stop talking

And take me
It was suggested to me today that I wirte a poem from the perspective of the person who is recieving all the love poetry I write. What would she say?
 Mar 2012 Mel
Perig3e
In lipstick
 Mar 2012 Mel
Perig3e
On the mirror
in lipstick
was
written "solipsism"
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