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I

She exits herself on the
Sofa. Blanket, dog, and bits
Of a poem on a pad of paper

On the table, like a half-eaten
Piece of homework.
Shades of wine on her sleeping

Lips. Exits herself; space-walks
Outside that frame of mind she's
Been expected to hang herself

On the wall within; she knows
There is more.
There has to be more.

II

She has to be more.
Like so many writers, she falls
Asleep working. Sometimes

Works to fall asleep.
Digging her way through
Herself, mining for words,

Hacking away at painful pasts,
Gathering emerald experiences.  
Diamond doubts and ruby

Regrets all fuel her poetry.
And she reads, spotlight kissed;  
Audience adored,

Goosebump summoning; hairs
On arms and necks stand up as
She whispers directly to me.

About me. Because of me.
In front of everybody.
To music, and I've brought a box

Of pins, and between each of her
Every word, I drop one. And I
Swear to the gods, you can hear

Them all. Like the unsteady
Ticking of a clock too cool to
Care.

III

Poetry jewelry; set with stones
From her innermost. Chips of
Gold from her heart melted

Down to a key pendant she
Holds in her hand; chain dangling,
Eyes closed, forehead resting

Against a door she knows it is
Time to open. Key in one hand,
Pen in the other,

She
Enters
Herself.
 6d Meggi
Karen
Deep the rose unfolds
In the silence shadows speak
Love can come with thorns
 Jul 7 Meggi
Nat Lipstadt
"These days
I'll sit on corner stones
And count the time in quarter tones to ten, my friend
Don't confront me with my failures
I had not forgotten them"
Jackson Browne

<>

these days,
you can come by tween
the mostly soft warming cracking of Dawn,
and the early born-ing of
the first peek of a full grown
but yet
sleepy sunrise,

you'll find me siting on a
asshard dock,
two seagulls staring at the
human interloper,
alone with the threads in my
hardened head,
beating time in casual rhyme,
because that's what poets do,
to warm up their
tongues & toes,
clear their eyes
and
sniffling nose,
their partly opened,
party closed,
throats, eyes and
give up, sacrifice
the longest list of little lies,
that makes (forces) us to get up  in the undimming earlies,
when it's just me, the gulls,
& the minnows poking around,

the fluke,
smarter but not wiser,
further out in deep water,
waiting to be caught

and
the cool blood barely flows,
until the rising orb warms
our fragility,
and we review the stories old,
that make us cold at night promising ourselves that
today you'll do that thing(s)
you've been putting off for years,

"Don't confront me with my failures"
Jackson pleads, but I concede,
thinking tell me them
one
mo' time,
make me unrighteous,
make me whole,
then take me,
holy displayed fully,

and the
first poem of the day,
will be my
confession total,
without reservation
and yet muse on
honor
something I thought I knew,
but needing a
closer examination
it might've been
dishonor
that was what
I was truly
knew
<>
Sunrise
July 5
'25
sitting on the dock
by the bay,
would I

lay down with a lie?
 Jun 28 Meggi
Nat Lipstadt
June 26, 2025
<>
a verily un~silly query,
for mine be already composed,
"A Flawless Poem", [1]
but
this doesn't beg the question,
as to what the answer
for you be;
and the 3:22am thoughts
are pouring over a tea bag of steeping darling Darjeeling
brain cells,
which sadly are not
resippable
and I fear are already long gone,
dissolved
but will be dragged back
from the irregular edges of
faint memories
for your
sipping them
later. letter by letter
<>
my slow dissolving, by a patient lengthy dismembering ,
this body's suite
of methodologies of self~distraction
to and from
its own destruction are numerous, varied,
well chronicled
<>
it is a dismembering of
disremembering,
a catalogue of life reviewed,
even occasionally revised,
for many are the memories
paining, and requiring
revisionist repainting;
an analog of a well thumbed catalogue, whose glue has tired and
the outlines faded,
as time and sad space
for you reach it's nigh
occlusions of conclusion,
reviewing, re-concluding
better outcomes than the actualities
<>
I see my ashes dissolution,
and into water traveling, well dispersed across continents,
their contents contented to
be filtered, but part and invisible parcel of a tinging invigorating particles of me,
will be shared to your body
for inspiration and even perhaps
reincarnation (mmmm);
me will be
tingling tinging the water
you
sip,
and old combinations of
new words will reemerge
from your fingertips and
silent scripts of
utterances
<>
thus,
we recompose the decomposed,
reassemble with a reassuring ease,
a last and ever lasting poem
anew,
and over and over
a once and first
timelessly
delivery
<>
this quaint notional of
passing conjoined words
through and over your lips
(ah ha!)
pleases me greatly,
though the lengthiness of
this creature goes on too long,
but @ 3:58am, length is a minor
to the adult need, to expound
every last kernel that is passing by,
for its inevitable retention and
ultimate
forgetting nonetheless
<>
iron of irony,
this is but a faint and impoverished recollection of
the harmonious words I heard in my head before they were etherized
<>
and a poor recapitulation of
their essences sensory density,
and yet, this revolution of
recapturing recall the question posed,
What if you only had one poem left, what would you write?

perhaps an extremely and extended
siren song of my exterior erosion,
my mind's muscle memory discarding its residue of residuals,
we call memories,
allowing our peculiar perceptions
to fade and yet,
find a way
to away to
you
for your
(wink)
reorigination
<>
As the Jewish King & Psalmist wrote
a thousand years ago,
there is nothing new under the sun,
but somewhere a poet
greets the sunrise
with newly inspired words,
as if it is a first birthing of
a great
and unexpected creation,
deserving of a last~ing

co~memoration!
inspired by "The Last Song of You"
by Pink
and
[1] ""A Flawless Poem"
---------
https://hellopoetry.com/poem/4826089/a-flawless-poem/
 Jun 23 Meggi
Jay Jelly
Asunder
Birds of prey
Hard headed
Gravity
Incomplete story
In need of my
Sweet salvation
I can’t walk
On water
Wishful thinking
Out loud
Ringing the bell
Twelve rounds are up
Spiraling out
Of control
My crutch can’t withstand
The pressure
Like a stick of dynamite
Exploding daily
Fountain of youth
I’ll pass
I’d never wanna relive
All the unbearable moments here
I’ll never drink from the cup
Because I’ve seen more
Then enough of all this
So called life
For a thousand lifetimes in vain
Dead weight free falling
Into flames
Like a bomb
Falling from the sky
Catastrophic damage up next
Would you shield me from
Thee explosion
Before I fall  
To my demise  
Parachute open up your
Door to me eternally yours
I will be forever in your debt
 Jun 11 Meggi
Nat Lipstadt
Of late:
this "silence" conceptual haunts,
an irregular daily daunt,
coming evenly but oddly timed throughout the 24 hrs.,
writing Psalms and Sonnets demands sacrifice, sweat,
tears, no blood as of yet,
   but who's to say, that it will
not be eventually requisitioned

in my life,
there are long intervals of intramural silences,
when afforded,
the art of contemplation assumes templar control, and my senses
to overdrive go

somber somnolent,
ironic that,
in the periods of deep surficial calm, creation is raging
in the fibered tissue of my neuronic cells, and though,
outwardly still, my heart chest pounding me to emit the
inner contents and context
of the 4 W's  of every moment of my existence

(who, what, when and why)

the quietude of silence
is never whole, notions fly in, runabout, then depart, without a word of farewell, leaving not a trace behind, and the potential poems shrivel into stillborn drivel, leaving only an undisputed but an undistinguished stain, a fact that they was, were, conceived, but the mind's  body was not fertilized sufficiently to see them nurtured to expulsive birth fruition, a less than subtle reminder that even and every state of being is regenerative even unto the very last breath,
when it is no longer...
more April showers, until May 10' 25
 Jun 11 Meggi
Nat Lipstadt
flux.
a word whose very sound connotes its meaning, a sloshing state of change

a liquid moment,
for we solids,
of bone and flesh,

though
we may be islands of stolidity,
entrenched, focused, organized,
when the surround sounds
of change are all about
you too are
fluxed

the serenity of splendid isolation
is not an impervious shell,
close eyes, ears, nostrils, mouth
these liquid times we abode,
inescapable from the roller coaster of
crashing storms of our
environment

try as I might,
cannot recede into a
white sealed envelipe,
cannot secede from
the froth of current events,
in the age of no distances,
and the rotational revolution of
but one lever,
a single beating wing
can disrupt the
the supply and communication
channels of our normative existential machinations

let me retreat unto my poetry trance,
but that choice
is currently unavailable

be wary of the calm of routine,
we live in a time of
the olympics of change,
and we cannot walk
on water,
nor tread forever

flux.

the liquidity curse of our
ever curving intersections
The year of 2025
 Jun 8 Meggi
Nat Lipstadt
humility

comes from odd places,
and so oft unexpected,
a comment leads me to
fine lace, of which I see know
nought and naught, and to Normandy and Northern England,
rafting into history

and what the difference is tween
naught and nought (not much)

and my ignorance is stupendous,
really, I know so little about so much, and it staggers me into
wailful willful

and honest

humility
June 2025
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