under a bright light you’d find every crooked line I’ve got
not just the ones on skin
but the ones that don't speak unless cornered
the ones that sleep under laughter
wait until silence stretches too long
then rise, flickering, like old film burned at the edges

I keep thinking
there’s something noble in hiding
or maybe it’s just easier to control the story when no one else can read it
my voice stumbles when I try to make sense of the mess
the kind of mess that doesn’t make noise
but hums beneath
like a bad memory that learned how to walk quietly

I think of all the times I turned away from mirrors
or watched myself in reflections that blurred at the corners
windows at night, when the outside is black and the inside is exposed
that’s the kind of light I mean
not a warm glow
but the surgical kind
the interrogation kind
the truth kind
that wants to know more than I’m ready to give

and maybe I am all angles
maybe I am the sketch that never made it past the rough draft
smudged with too many tries
too many redos
too much holding my breath when I should have been screaming

if you saw it—
all of it—
would you trace those lines gently
or flinch like they might cut you?

the hallway is longer than I remember
but the walls still blink like old televisions
buzzing static prayers, I never meant to say
and maybe that’s the only truth I’ve ever told

I used to think
that graves were for the dead
but I saw you last week
sitting in the shade of one
talking to the stone like it owed you something

dust in your fingernails,
coffee spilled on your shirt
half-smile like a cracked jar
I asked if you were okay
and you looked right through me—
said nothing but “almost”

there are holes in the ground
that match the shape of our names
and the wind knows all of them
it whispers backwards in the morning
pulling memories from my throat
like strings of wet wool

I buried my first version of myself
beneath a playground slide
age seven, maybe eight
he didn’t cry, just sank
quietly, like a stone in jelly

and then the others followed—
the one who thought love was a sharp light
the one who learned to lie like breathing
the one who stopped writing poems

sometimes I wonder
how many funerals I’ve missed
how many of me
are just waiting
for someone to say goodbye

have you found your grave?
or are you still
digging with your bare hands
pretending the mud is gold
pretending the silence is sleep

maybe graves aren’t endings
maybe they’re just
rooms we forgot we built
with all the doors locked from the inside
and no windows,
just mirrors
fogged by time and sweat

maybe we aren’t supposed to find them
just feel them
under our skin
pressing like questions
no one’s brave enough to ask

steam rises from frostbitten skin,
they said it was for science,
for progress—
numbers on clipboards,
organs cataloged in silence.

no names, just codes,
just subjects,
just logs.

the scalpel doesn’t ask why,
it only slices.

truth drowned in the cold basin,
the body still twitches,
or maybe that’s memory—
not theirs, mine.

no screams in the snow anymore,
just echoing metal doors and
footsteps that never question.

I remember a woman
pregnant, or maybe not,
they injected something,
watched her belly rise like dough
rotting from within.

flesh cracks like ice,
and the children,
they thought it was school.
what lesson is this?
how blood behaves in freezing air?

rats chew through infection,
glass vials hum with secrets
no one was meant to know,
and still—
they documented everything
with careful hands.

no ghosts here,
only data.
only results.
only how long it takes
for a man to stop blinking
when you cut off
his eyelids.

I see white coats,
but not doctors.
I see purpose,
but not mercy.

Manchuria swallowed the truth,
but it leaks—
through whispers,
through unmarked graves,
through the hollow bones of
those who never knew
why.

the snow keeps falling.
the past does not.

nothing
not the absence but the hum
a low and breathing hum that curls around thought
soft and enormous, like sleep that never began

there is no edge
no gate, no watcher at the boundary
only the fall backward
into the colorless swell
into airless grace
the kind of grace that asks for no praise

I forget
what I was saying,
and isn’t that the gift?
the quiet slipping of meaning,
words unraveling mid-sentence
and floating like ash
weightless, harmless, warm

this is where clocks don’t go
where names don’t press into skin
where I don’t end and begin
because I don’t

a soft exhale
a light that isn't light
filling every place
with the sound of
no footsteps
no questions
no hunger
just—

nothing

and in it
I bloom without form
stretch
without reaching
exist
without needing to be seen.

a flicker in the periphery
noticed but unnamed
the shoulder shift across the room
the wind's breath curling around ankles
a finger drum on the table’s edge

it might be nothing
or it might be you—
maybe even you

is that your shadow in the hallway?
or just a leftover
from yesterday's light?

someone turns a page
and suddenly
the air listens
the ceiling exhales

you are the idea behind the idea
the heartbeat behind the curtain
a shiver without reason
the pause before speech

any movement—
the bend of a branch
the slow lean of a thought
the breath caught in
the middle of yes

maybe you
maybe
even
you

who touches the world and pulls it slightly out of focus
just enough
to mean something

We are underwater,
not swimming,
not moving—
just sinking in place,
two statues shaped like almost-touching.

The light from above is scattered,
a broken language we can’t translate.
I don’t know if it’s day or night
or if your eyes are even open.

There’s a silence that doesn’t wait to be broken.
It’s thick,
a velvet hush that presses against my chest
like a hand that doesn’t know if it’s trying to save me
or hold me still.

I want to reach for you,
but I am afraid my fingers will dissolve in the space between us.
I am afraid your face will change
if I come too close,
and I will know you.
Really know you.

And then I won’t be able to look away.

We hover like myths,
caught mid-thought,
mid-movement,
mid-breath—
but there is no breath.
No sound.
No heartbeats.

Just pressure.
Just stillness pretending to be peace.

If I moved, even an inch,
would you move too?
Or would I see that you are already stone,
that I have always been alone
next to the shape of someone
almost like me.

And so we stay—
motionless,
witnesses to each other’s fear,
entombed in the endless hush
of water pretending to hold us.

steam curls up like a lazy thought,
fading into nothing before I can hold onto it
warmth slips through the mug, into my hands, into my chest
as if the quiet heat could fill some empty space I hadn’t noticed.

sip, pause—just me and the drift of morning shadows,
sunlight splintered across the table, catching the edge of the cup,
and I wonder if every little thing knows its place here but me,
The coffee ground me, an anchor that tastes like earth, like waiting.

I think of all the things I need to do and don’t move,
just sit, letting time flow softly as the heat through my fingers
until the cup’s empty, until the silence tastes of something else—
an ending, a beginning, maybe both.