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the history of melancholia
includes all of us.
me, I writhe in ***** sheets
while staring at blue walls
and nothing.
I have gotten so used to melancholia
that
I greet it like an old
friend.
I will now do 15 minutes of grieving
for the lost redhead,
I tell the gods.
I do it and feel quite bad
quite sad,
then I rise
CLEANSED
even though nothing
is solved.
that's what I get for kicking
religion in the ***.
I should have kicked the redhead
in the ***
where her brains and her bread and
butter are
at ...
but, no, I've felt sad
about everything:
the lost redhead was just another
smash in a lifelong
loss ...
I listen to drums on the radio now
and grin.
there is something wrong with me
besides
melancholia.
To end up alone
in a tomb of a room
without cigarettes
or wine--
just a lightbulb
and a potbelly,
grayhaired,
and glad to have
the room.
...in the morning
they're out there
making money:
judges, carpenters,
plumbers, doctors,
newsboys, policemen,
barbers, carwashers,
dentists, florists,
waitresses, cooks,
cabdrivers...
and you turn over
to your left side
to get the sun
on your back
and out
of your eyes.
from "All's Normal Here" - 1985
It's never quite right, he said, the way people look,
the way the music sounds, the way the words are
written.
It's never quite right, he said, all the things we are
taught, all the loves we chase, all the deaths we
die, all the lives we live,
they are never quite right,
they are hardly close to right,
these lives we live
one after the other,
piled there as history,
the waste of the species,
the crushing of the light and the way,
it's not quite right,
it's hardly right at all
he said.

don't I know it? I
answered.

I walked away from the mirror.
it was morning, it was afternoon, it was
night

nothing changed
it was locked in place.
something flashed, something broke, something
remained.

I walked down the stairway and
into it.
"--you know, I've either had a family, a job, something
has always been in the
way
but now
I've sold my house, I've found this
place, a large studio, you should see the space and
the light.
for the first time in my life I'm going to have a place and
the time to
create."
no baby, if you're going to create
you're going to create whether you work
16 hours a day in a coal mine
or
you're going to create in a small room with 3 children
while you're on
welfare,
you're going to create with part of your mind and your
body blown
away,
you're going to create blind
crippled
demented,
you're going to create with a cat crawling up your
back while
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don't create anything
except maybe a longer life to find
new excuses
for.
good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is
more stable:
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
on,
but a woman
is changed
by
children
age
diet
conversation
***
the moon
the absence or
presence of sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself-
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
decide:
**** myself or
love myself?
which is the treason?
where's the information
coming from?
books...like broken glass:
I wouldn't wipe my *** with 'em
yet, it's getting
darker, see?
(we drink here and speak to
each other and
seem knowing.)
buy the cow with the biggest
****
buy the cow with the biggest
****.
present arms.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden **** of dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love to
go
on.
from "poems written before jumping out of an 8 story window" - 1966
if you’re going to try, go all the
way.
otherwise, don’t even start.

if you’re going to try, go all the
way. this could mean losing girlfriends,
wives, relatives, jobs and
maybe your mind.

go all the way.
it could mean not eating for 3 or
4 days.
it could mean freezing on a
park bench.
it could mean jail,
it could mean derision,
mockery,
isolation.
isolation is the gift,
all the others are a test of your
endurance, of
how much you really want to
do it.
and you’ll do it
despite rejection and the
worst odds
and it will be better than
anything else
you can imagine.

if you’re going to try,
go all the way.
there is no other feeling like
that.
you will be alone with the
gods
and the nights will flame with
fire.

do it, do it, do it.
do it.

all the way
all the way.
you will ride life straight to
perfect laughter,
it’s the only good fight
there is.
Either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted, jailed, in and
out of fights, in and out
of my mind.
women were something
to ***** and rail
at, I had no male
friends,

I changed jobs and
cities, I hated holidays,
babies, history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace and happiness to me
were signs of
inferiority,
tenants of the weak
and
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't different

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
grievances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
empty,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less I needed
the better I
felt.

maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.

I could never accept
life as it was,
i could never gobble
down all its
poisons
but there were parts,
tenuous magic parts
open for the
asking.

I re formulated
I don't know when,
date, time, all
that
but the change
occurred.
something in me
relaxed, smoothed
out.
i no longer had to
prove that I was a
man,

I didn't have to prove
anything.

I began to see things:
coffee cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, 'I am going
to have to let you go'

'it's all right' I tell
him.

He must do what he
must do, he has a
wife, a house, children,
expenses, most probably
a girlfriend.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporarily,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels, *******,
singing,the
works.

(don't get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself-
this is a shield and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I made them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw, almost
handsome, yes,
a bit ripped and
ragged,
scares, lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a baby's
****.

and finally I discovered
real feelings of
others,
unheralded,
like lately,
like this morning,
as I was leaving,
for the track,
i saw my wife in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyramids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the tote board waiting for
me)
I saw the shape of my
wife's head,
she so still,
I ached for her life,
just being there
under the
covers.

I kissed her in the
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and empty
of
people,
I saw the mailman,
honked,
he waved
back
at me.
little dark girl with
kind eyes
when it comes time to
use the knife
I won't flinch and
i won't blame
you,
as I drive along the shore alone
as the palms wave,
the ugly heavy palms,
as the living does not arrive
as the dead do not leave,
i won't blame you,
instead
i will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
little dark girl with kind eyes
you have no
knife. the knife is
mine and i won't use it
yet.
 Feb 28 matt r
kfaye
Untitled
 Feb 28 matt r
kfaye
am i humbled
            as i cup hands to the drip
                                              machine
  of _wantinglessness

am i listening to the horsehair-plaster hard enough

to remember
her hematite cough
                     [ of love ]

strewing gun.mites across the room
like seeding the sky with flower-futures


concatenations of ****** dread
casket basket
            rumor of
            the next thing.

scab fingers
ring diggers

shun mirror
you skim new menisci
                     off of
                       the
    locals’ strange traditions
like parsing down handmedowns
                  into piles of
keep.              and.              get the **** away
from me.


       like the stories cryptids tell
             their children about us
  ( so that they don’t stray too far out of the
                           forest )

unapproving dissimulatiors
                yawp
                  and
concentrate
on etching
pathways for the unendeared
             amidst the
moon.trodden regicides
   of that which is loosed unto the
   aether


footholds, findless.
in pursuit of esper footfalls within the ambulatory shroud of
             that which becomes
                      instant .

a
wisp of the homepointed . a
flick of the
wrist-grab, willfully
a
  fissure
in
  fissured things.

the scramble-dark iris
the         way
that hipbones throw : music
        as wielded by sorceress,

wild in trembling macrodactyl      
                 prestidigitations
                               .








the grandmother of conifers keeps vigil ,
                        as always
 Feb 28 matt r
nivek
written within DNA
word songsters

born
created

gifted

set on a journey.
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