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I found an artifact from my
ancient life, filled with words
and drawings from before
I was your dad and it is with
some trepidation that I confess
it caused me to cast my mind
back to those days and look
upon them with fondness.
I used to be a different man.
Harder in many ways,
unhappy, lonely even.
I was, however, unburdened.
You'll know what I mean
someday.
On that day you'll have already
broken my heart by leaving
and by growing up
and by not needing me
to help you put your shoes on,
which we both agree now is a
pretty tricky thing to do.
And listen, I want you to
break my heart. I want so
much for you, my littlest man.
One day I'll find an old shoe
of yours, behind this or in that
storage box, and I'll remember
that once you could nap in the
palm of my hand.
You would throw your arms
out and demand, with a coy smile
lighting your eyes, to be carried.
To be held.
I wanted the world to be better
for you, bud, and it's not
and I'm so so sorry.
Someday you'll know what I mean.
But not yet Lil' guy. No need for
that just yet.
Not today
I had a dream that
I was young.
That my lyrics were
unwritten,
my second verse
unsung
the final bridge
still hidden.
I woke to the same
empty sky.
I trudged to work
tired and old.
I wonder what you see
in me, love.
You're fair and wise
with all to offer.
I'm lowly and small
you're place is above.
I work and toil, sweat and bleed
but cannot fill the coffer.
In youth we made sense
but no longer seem to
you've grown out of me
but have yet to leave.
I'm full of points but
the good are few.
But you hold my hand
whispering, "I still believe."
I search the histories
for why
but am unanswered
and left cold.
I have burned this candle
down to bleeding wick
and myself along with it
all ash and regret.
I don't know the magics
or the secret trick
to accidentally be happy
at least, I don't yet.
In dreams I'm young
and so very strong.
I take your hand
and love the sweet notion
that life, our lives
are more than song.
We're giant as moons
pulling on the ocean.
Raised on absence and responsibility
we've moved from one catastrophe
to the next with no moment to pause
and take a collective breath.
We are a generation growing old
adrift on a raft in these choppy
oceans of neglect.
We are atuned to a universe
that doesn't care if we live or die
shoveled into our mouths were promises
of better lives if we got degrees
if we gave up our needs and forsake
or learned a trade or worked long
long hours and never took a break.
But here in the future we're broke
gainfully employed with no hope to retire
no pension party planned
one day, we're expected, to arrive at
the work site and simply die.
No paychecks left to send
no gods left to ask why.
We're a turn of the century generation
watching old mistakes repeat themselves
but being asked to wait our turn
if we wanna complain,
there are two or so generations ahead
of us who still have the floor
and one nipping at our heals
demanding so much more.
I think the world will forget us
and our arbitrary, necessary pain.
I think they move on to Z and Y
and treat them just the same.
Stiff upper lip, chums. It pays to be silent
in fact your silence is brave.
The generation that killed tradition
walks toward the same traditional grave.
By CAConrad

we stopped
     studying the
         night sky for
            directions
    if someone said
      we made it up
        planet Earth
          isn’t real
           we would try
            to verify try
             to be sure
             critics
              are the
               evidence
                we do not
                 trust ourselves
                 your imagination is
           asking for parole
        what is your
verdict Warden
  try to always
    remember the
      calendar made
        of light our
          ancestors
         followed to
       pass the year
This is a poem about what the skeptic loses — imagination, along with a necessary connection to ancient practices. How are we to believe in Earth if we can’t believe in the Heavens? In the plodding directionlessness of the present, we are lost without the astral maps. I want to point out too CAConrad’s signature care for the visual impact of the poem. The disciplined shaping means that the poetic line here not only carries sound and sentiment but builds toward a striking sculptural presence. CAConrad’s is poetry that reaches for multidimensionality, and in this poem, the arc and increment of indentation is a convincer, moving with and toward the poem’s conclusion. (This poem first appeared in Copenhagen Magazine.)
Dads are people sons never
forget, for good or bad and
when the son is gone there
is no one to remember the
father. Say for some fading
black and white photos in a
scrap book: "That was your
great grandfather. He fought
in the war. People called him
Bud, but his real name was
Wyett with an E. He taught
me to cast a fly in a mountain
stream and tune the engine
in my first car, and not to lie."

My grandsons almost grown
are good and loving chaps, but
never ask me about their Great
Grandfather. Out of sight, out of
mind, I guess. Maybe I am the last
to remember or care. Our touchstones
to the past are frail at best.
Yes, on this day and everyday
I remember my Father with the
same love he bestowed upon me.
 Jun 2023 Marshal Gebbie
Midnight
You wear leather
As dark as your heart
You speak words
As sharp as a knife

You smell of cigarettes
And sometimes cologne
You wreak of Jack Daniel's
But mostly depravity

You lurk in the shadows
And prey on the young
You desire a girl
But only one night

You tell her your lies
To trick her to stay
And then like a coward
You run away
I've been there, done that.
I was once that girl, but not  anymore.
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