"We are creatures of constant awe, curious at beauty, at leaf and blossom, at grief and pleasure, sun and shadow," U.S. poet laureate Ada Limón writes in her new poem that will fly to Jupiter's moon Europa aboard NASA's Europa Clipper mission.

"And it is not darkness that unites us, not the cold distance of space, but the offering of water, each drop of rain."
The poem, unveiled at an event tonight at the Library of Congress, is going to be engraved in Limón's handwriting and affixed to the spacecraft, expected to launch in October 2024, Miriam writes.
The big picture: The Europa Clipper mission follows in the tradition of others — like NASA's Voyagers — that have sent pieces of art representing humanity into the cosmos.

The poem uses water as a thread that binds Earth — and all of its humans — to Europa, a moon with an ocean beneath its icy shell.
For Limón, writing this poem was a very human endeavor.

"The thing I think that makes me the most beautifully overwhelmed is the idea of all the humans that are going to read it," she tells Axios.
The poem, called "In Praise of Mystery: A Poem for Europa," is featured on a NASA webpage where people can sign up to send their names to Europa with the spacecraft.
"I think to have it feel collective is really, really extraordinary to me, because it does feel like it's not my poem," Limón says. "It does feel like a collective poem. And as soon as I wrote it, it felt like oh, this belongs to Earth. This is our poem for Earth."
Between the lines: Sending this poem to Europa is an "evolution" of NASA's Golden Record, which is flying through space aboard the Voyager spacecraft, Robert Pappalardo, Europa Clipper project scientist, tells Axios.

Those records contain sounds from Earth — including music, laughter and animal noises — as well as a map of where we are in the galaxy. They are now billions of miles away, flying through interstellar space.
"This is an outgrowth in that we're not going to the stars," Pappalardo says. "There's no message to aliens here. This is purely a message to ourselves and a symbolic message to Europa."

Stops and starts  
tidbits and scribbles
3 years of notes and files
and pain filled ramblings
but nothing cohesive.

Instead, what’s written are
the short circuit musings of a brain  
on the mend after 25 years of  
miscellaneous addictions.

I gather all the words together  
and wonder what to do with them.
I contemplate deletion, but no,
there has got to be something  
here that's worthwhile,
something worth saving.

So I pull out all the lines  
that somehow feel right,
lines that have potential,  
lines that show me how far  
I’ve come since getting clean

and I write down the best of them
and then comment on each
from my current perspective.

     I used to chase the dragon  
     now the dragon chases me  
     across fields of wet leaves
     in the timid December sun.
(I must have walked a thousand miles while being chased)

      I force feed the feel good  
     to override the let down.
(One of the main reasons a user uses)

     There is no willing oneself to wellness,
     there are no bootstraps to pull on, and
     no self talk to conquer the chemical
     malfunction in my head.
(Without Faith and Hope, I wouldn't have made it)

      It’s a kind of spiritual act,
     A mystical replenishing of
     all the used-up parts of me.
(Could have said meditate just as easily)

     I knew it was wrong
     but I wanted it easy.
(Perhaps the most honest thing I have ever written)

     It makes me wonder if  
     the gaps I have are
     there to protect me.  
     But more so it makes me
     fear that hidden moments  
     shaped the core of me,  
     and when I don’t like me,
     what's missing are the things  
     that if I knew I could not  
     survive the knowing of them.
(I can only assume this made sense at the time)

     I do best when I live in retrospect.
     The present is too real.
     In the present my demon is here.
     In retrospect  
     I can choose to leave him out.
(So glad I got past this, and live solely in the now)

     When we exist for only ourselves  
     the world is not round,
     it is flat and we tend to fall off the edges  
     into pandemonium and unhappiness.
(Still so very true!)

     In all of my searching I  
     cannot find a way to love you  
     like you need to be loved.
     In other ways, yes, but
     second to what you want.
     But even so I want you to know
     you are my rock, my harbor,  
     my safe place, as consistent as  
     the dawning day, as reliable as  
     the setting sun, and as beautiful as  
     the harvest moon.
     Without you I am lost.
(She saved my life and she knows it)

     When I am close to God  
     I smell lavender.
(Don’t remember writing this but I like it)

     A common idiom -  
     don’t put skeletons in your closet;
     My father hung bones like he hangs his shirts.
(Never been a fan of “Do as I say, not as I do")

     I can't let myself
     be shamed for that  
     which I'm already
     ashamed of..
(Be kind to yourself!)

     I'm not afraid IN the dark
     I'm afraid OF the dark.
(The unpredictable loneliness)  

     I will never be happy because
     there is too much I don’t know.
(The need to be in control is a death sentence)

     There's an uneasiness with the  
     easiness of stress-free living.
(Chaos is a large magnet and I am sheet-metal)

     Sleep never satisfies for long,
     like a drug tolerance 
     its ability to provide escape  
     loses effectiveness over time.
     You'll notice this while dreaming,
     your dreams become more vivid
     and uncontrolled, a rolling
     tide of daytime worries warped
     into colors you can't escape.
(Sleep, by far is the most elusive aspect of healing)

     I am afraid of love 
     and that's a difficult existence 
     when your greatest need
     is also your greatest fear.
(Such a horrible paradox to live in)

     Pounding my fists on  
     the darkened altar in my mind
     makes the night much darker.
(A place I’ve been where you do not want to go)


The gap of these years has now been recorded.

I am free to move on towards what is to come.

I have no choice but to breath this air
or do I? I can speak and I can write
something about anything,
I can witness the hows the whys
pro and cons of the daily agenda
freedom has a local flavour
idealogy a bitter taste

discrete pockets of life disjointed
I meet them on the streets
the social body this rags when
policemen rebel against the truth
doctors against health
teachers against compassion
politicians against duty
a slaughter house the mind in action

we look the other way with a laugh
not to see the epidemic of helplessness
political physiology gone awry
oppression cemented in our deeper minds
we carry it in our shoulders like
a gun machine waiting to happen
the collective focus a borderline land
the air itself suffocated by the
politics creating despair so that
minds have no more sceneries
to dream the world into existence
or do they?

7 men walk into Deep Pool
an outlaw motorcycle club
the man in the red leather jacket
stood with his back against the wall
and every once in a while
for reasons
unknown
he'd yell,
"just nobody touch, Toad."

i push past Toad
on my way to the men's room
and as i'm *******
i think about Ron

he trapped rats in corners
then let them go

slapped angels in the face
and ihe craziest things he'd say
like
"the smartest rats
always get out of the maze first,"

he'd give you a knowing nod
throw down a shot
and walk away

but like a miracle
he had you wondering

ron dreamed of the angels
who stand under vapor street lights
at 4 a.m.
or sit on barstools til closing

but love is never
what it ought to be
and he lived his life
like a circus high wire walker
wandering back and forth
day after day

and one day
he disappeared
like the rabbit in magicians hat

now,
Ron was a warrior
he drew to the inside straight
to sunlight fading

and outside the 7-11
where his x-wife worked
with a pair of her nylon stockings
he hung himself

molly
the waitress
at Town diner

wants to be a model
or a nun,
tells me she's a poet

we're sitting on
a couch in her apartment.
molly takes a poem from
a foot high stack
on the end table,
hands me a poem,
"FIRST BRA," by Molly C.
it's about buying
her first bra at 12.
"i was big.
i needed a bra at 11,"
she smiles.

now
she doesn't wear bras.

she tells me
rod mckuen
is the most read
poet
in America.

"what about walt,
plath,
hughes?" i asked.

"no
no,"
she says,
"mckuen is the MOST
popular poet
in American history,
no,
really
the greatest American poet."

molly loves rod mckuen.

i love molly.

"if the public loves
rod mckuen,"
i tell her,
you've got a shot.
you could be the  female version
of rod mckuen."

molly smiles
takes me by the hand
and leads
me up the stairs
to the loft.

she takes the ribbon
from her hair.

i lay her down
on the bed

and bang the hell
out of
the next
most read
American poet

two of you,
on my green turf, at play
this sun-drenched day

squirrels courting? or plotting to gnaw on my trim
on a whim, it seems, since my trees have left you
ample acorns and plentiful pecans to fat your bellies,
sharpen your teeth

my neighbor has trapped and drowned a score of you  
a dreadful thing to do, many would contend--though I cannot pretend, I’ve not called about a trap

but alas,
I could not watch you writhe wildly
and gasp for breath, without recalling the ancient paddies
and those in my sights whose play I ended, with the fast flick of a switch and easy pull of the trigger, on another sunny day