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  Nov 2017 Mark Upright
onlylovepoetry
The Physics of Love: The Equivalency Fallacy


the poet places his Sunday porcelain coffee mug  
upon his bare chest, purposed to heat the heart to a
higher degree, equal to hers, next door, three feet away,
in their communal bed

two identical alarm clocks, one on each nightstand,
confirms the degree differential, for far beyond time-telling,
it informs on me, providing the room temperature,
and her side of the bed, 5 degrees warmer

the collegial scientists posit theoretical excuses,
the rooms wind currents, proximity to the A/C, body mass,
all refuted after visual and mechanical inspection,
all indelible proofs of the Equivalency Fallacy

despite the visual evidence abounding all around,
despite the surrounding starlike quantity of busted,
love songs, poems and the other artistic churn,
depicting the principle, one requires love physics to validate the
living principle for the living, that love is rarely identical
in quantitative quality, typology, representation and
manifestations measurable

each greets the other with morning declarations of
mutuality, trying to find those hundred different ways
to love her/him today, employing imaginative artifice to proof
the impossibility, that in every aspect your living love ability
is precious capital precision equal
and ha! each love is the greater...

you knew this?
then you knew, his coffee spills (intentionally?) and the
Fighting Fallacy rules,
every thing is fair in love and war, for they too, are
identical and equal, in so many ways,
but never quantifiable exactly

8:33am, 73 degrees, on my side
11/12/17
https://www.azlyrics.com/lyrics/jamesingram/onehundredways.html
  Nov 2017 Mark Upright
Left Foot Poet
for the 111 yr. old young lady from Mars
<•>

fluids in, fluids out  

wake up at midnight, lips, throat, even eyes, California Death Valley parched, white crusted-stuck together,
it takes Poland Spring water from the Northeast to unlock the throat, ****** not sipped, from a plastic gourd  the chilling wetness slap to the body and brain screams metaphor, poem in there somewhere,

so what if it's spat-past midnight,
isn't this one of those soul-criticality's,
staying hydrated, (is) disco staying alive  

make sense to you?
the older I get, thirstier I am, could be I'm drying/dying out from the inside out,  
doctors clueless, but then again they don't reveal all they see out of poetic professional courtesy and they are tired of
yeah yeah yeah,
my professional courtesy answer to their  dire warnings repetitious  

tonight tho the metaphor runs strong like a mountain stream,
a Mt. Marcy beginning trickle growing into a mighty Hudson,
and the driving urge to drink, simple replenishment, birth fluid  
is strong transformed into words

water is words, the water is wide, the poems hydrate what's left on the inside, and the metaphor transforms itself again

water is words, words are water,  
the difference huge, the difference minuscule,
both pour, both refresh like a mother's body fluids,
all for one, one for all, and as closing time grows nigh,
staying-hydrated is primate

place a new cold bottle in readiness for my
3 o'clock feeding
11/14/17 12:04am
  Oct 2017 Mark Upright
Where Shelter
an average human creature should such a mythical exist
in a lifetime will celebrate about 2,200,000,000 heartbeats,
billions of heartbeats per minute (I prefer moment)
but like everything so essence human there are
those very few heartbeat moments,
the ten or twenty maybe forty total in a lifetime
that you total truly remember,
recalling the cream and sauce,
swell and the hell,
of the pounding so slow so hard,
each one a volcano of
a moment until that day
you don't remember-anything

when she said yes and you're shaking and beating in a
*****-tonk rhythm cause you were heart undressed unsure
and truly afraid of a rejection that makes a heart stoppage
disallowing visions, to be exponentially happy future imagined

you're feeling your heartbeat
in your knees going weak,
when the doctor says:

congratulations healthy swell
and/or
some years later,
I'm so so truly sorry, hell

when they hand you a long handle shovel no instructions needed and that scoop of earth weighs two tons and the sound of slow reverb in your head hurts like hell and you lack the strength to move and they move you aside quiet gentle like
but inside the temple of the two headed hydra-heart,
it's the rock and roll of slo mo, the violin crying, the drumming of
heavy metal chords plucked so slowly, it's you froze screaming

a billionaire of heartbeats you are,
but only ten or twenty maybe forty total in a lifetime
you total truly remember with the perfect clarity and
forever renders into your own unique orchestral symphony,
your true net worth, the stripes you wear
upon your shoulders skin,  
the tune when you hear it and melts you into rigidity

you fall to your knees wherever you are,
that is where you will find me,
just listen for the cars horns blaring
cursing the man lying in the street, re-listening to
ten or twenty maybe forty heartbeats total in a lifetime

you alone total truly that concert set recall and
the win-loss record inherent, inhiment,
in both of them, tears and the rents, all there in the tunes,
of forty beatings you took,
somehow it feels like here is, there was,
the answers to
where is shelter for the heart,
the answers that have gone and come and gone and someone says,

I don't feel a pulse
what reading poetry is truly about: the endangered art of listening well,, a sustained exercise in empathy.
saw:

the adoration of the daddy,
as his red haired babes
leaned into
either side of him,
courtiers to a king
on the way to school this AM,
transfusing his magical super~fatherly,
by inhaling his special powers through
their nostrils, direct from his
broad and powerful brave-heart chest,
for use later in the wild jungle
of second grade
•••
an elderly gent whose walker rattled
with every lift and kerplunk on
the street~steppes of a dangerous city
for the brittle of bone and the easily dentable,
and the crowd that gathered round walking
at precisely the same pace he required
to make it across the widest boulevard
which was thirty seconds more than the
Dept. of Transportation's asinine calculations
and a miracle from Lourdes occurred -
not one horn honked in ire as the court
escorted their Long Live the King
safely across the street, as if
idiocy was like rain, against the law,
until after sunset as in Camelot

•••
an elegant germanic man,
in homburg and velvet collared overcoat,
taking care of sales and distribution of
newspapers and candy at the corner paper "stand"
while the elderly owner, whose partner~wife of
fifty years had recently passed, now had no one
but someone's pop whose was out
walking our cocker spaniel,
to tend the place while said candyman
obeyed nature's callings

and all his fans and friends who passed
on their way to the adjacent subway station,
exclaimed Erwin, Erwin what are you doing?
his twinkled crinkled eyes replied,
enjoying their puzzlement, laughingly saying
"making spare change"
•••
where I lived these little miracles occurred so frequently,
was told a story that the ministering angels
could not keep up with their duties,
complaining to the On High, who resoundingly loudly
commanded their silence! by reminding them that
all these, his creatures, were his own precious,
the reason for creation and why they were needed,
and the sum of all these small acts gave them their own
existential purpose, now angry at himself for loss of temper,
soft spoke as a parent and told them better,
hush my children, we have much to do!
•••
so now you impatiently need to know
why this scripture
came to be known as
$$$$$
for I was witness to all of this,
all on that day,
that was twenty fours hours long
across many hard hearted Hiroshima decades,
that made me
temporarily
the richest man in the world
a proud member of the collective of the false.
  Oct 2017 Mark Upright
False Poets
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
  Sep 2017 Mark Upright
Poetoftheway
the phone turns yellowy orange,
low power mode,
have fallen below
the 10% threshold,
we both drowsy,
yet competitively locked-into
separate screen servitude

she notices,
I don't,
she says,
"you need a charge"

god, she's so correct,
our mutualizing power is
fastly slow draining

this we both
know~notice,
and neither
says nada~nothing

we,
both poets in our way,
acutely aware
of the power of metaphor,
and she knows
that I know,
I noticed
what just went unspoken*

>an untitled poem<
  Sep 2017 Mark Upright
Nat Lipstadt
Good on You (a love poem),
this one, is, good, on you.  

phrase uttered, measured, apace,
each comma,
a paused breath of:

admiration, enveloped by
a secret pleasure coating,
saucier prepared,
the base, the pleasured secret in this
mans minds eye unseen.

each comma,
precisely the carbon copy of the
comma curve of dark hair that
falls from a forehead down to the chin,
in a museum quality photograph,
as if it was intended to hold, contain,
your sly blunt moody,
and full plated whimsy,
when that half-smile poesy is in place.

good on you,
slow please,
not
goodonyou.

did you think, I did not have, a special bottle,
a Grand Cru,
a pinot noir, in the reserve,
inside the locked cellar of me,
to be used to anoint mine own
English Duchess of Burgundy?

well and proper aged,
but unlabelled,
till you provided
the appelation, the domaine,
good, on, you.  

the bottle dusty, the feelings, not.
if we never meet, matters not,
the gentility, tous les bons mots,
good in you,
hid in in all of the
astounding incredible poems
I well-addicted need,
those archeological mounds of a life,
I excavate and well heed,
going from one to the next,
me, the bumbling bee,
pollenating, following the path of the
watermarked tracks of
the King's Cross,
alas, they do not offer a couchette,
from Terminal 4 to London Bridge

unlike a teenager
happy to confess,
I am even younger,
an old fool, a geezer,
in love with a museum quality smile,
as he totters down to the Tottenham Hale station,
to catch the blue colored line, to the station after Vauxhall)
(oh dear, what's it called again?)
walking 10 to 2, saying ta to all
who assist his
two hands on an old man's bent feet,
steering the wheelhouse heart through its tubes

this is an undedicated poem,
retuned and returned,
addressee unknown, yet I know
by the greening dew droplets decorating faces,
that come so easy,
not a one wrung out,
you know
the who's of the true ownership,
the clarification,
in the bread crumbs,
fully disclosed,
left by me,
but for me,
in order to retrace my steps,
to find the railing,
when the steady on need arises

some Tuesday next,
will disembark from a riverboat,
at the old Tate,
spending my afternoon,
staring at an imaginary museum quality photograph,
till the guard surly reminds the pesky Yank,
its past closing time,
the man who will not be moved,
for already he, past overcome,
so why be thinking on why leaving,
for he will only be back again tomorrow.

so different.

mine, simple declarative sentences,
typically matter of fact,
so **** presumptuous,
those ill mannered,
know it all Ameddicans.

yours, lace doilles,
in a pub, with Hilda and Bill,
drinking pale ale,
from a porcelain cup,
and I am laughing,
Why?

It is all,
Good on Us,
a, love, poem,
indeed,
no kidding kid.
the object of my affection shall remain anonymous, in proper British poetic fashion
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