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But I'd much rather say,
At least your mistakes
Didn't turn me into a snake.
so crazy i used whether instead of rather
i will never know the black mother’s ache,
but i imagine that if the phrase “adding insult to injury” had a feeling,
that would be it.

i will never know the black mother’s ache,
but i imagine that it sounds like “hands up, don’t shoot,” like “i can’t breathe,”
like blood hitting a pavement that seems as though it was built
to catch those droplets.

i will never know the black mother’s ache,
but i imagine that it tastes like skittles and arizona tea,
four years old but still carrying the fresh sting of a wound just opened.
i imagine that it tastes 
like history repeating itself,
like seeing your son or daughter recycled each week
on every news report, on every tv station.
each time it is a different body, 
but it is always the same hand pulling the trigger,
the same black blood being spilled,
the same cries left unheard;
we shout “black lives matter”
and yet, still,
they cut them too short.

i will never know the black mother’s ache,
but i imagine that it looks like a web of lies too thick to cut through — 
every strand another weapon that he did or did not have,
another order that he did or did not follow,
another sin that he did or did not commit;
the only black they care about
is the color of the ink they use
to draw your angel-headed boy
a set of horns.
i imagine that it looks like evidence hidden,
like sparknotes-type skim-throughs labeled “thorough investigations,”
like another unindicted officer walking freely atop the cries of those 
who charged into a battle they knew they would, but hoped they would not, lose.
a battle they have fought too many times before.
i imagine that it looks
like an empty chair at the dinner table,
like cold-blooded ****** disguised as justice
with the help of a blue hat and a badge.

i will never know the black mother’s ache,
but if you listen closely enough,
you can hear it
in every cautious goodbye she says to her children whenever they leave the house,
or in the silence that those goodbyes used to fill.

can you hear it?
you will have to push past the shouts
of the big bold letters that they want you to believe.

somewhere,
somewhere in there,
a black mother’s heart is crying.
it is a gentle, hushed cry 
that the world does not want to hear.

but the tears are still just as wet.

(a.m.)
#BLACKLIVESMATTER.
written 7.6.16 in honor of alton sterling, philando castile, and all the other black men and women who have lost their lives to similar injustice. this is no longer acceptable. we can not allow the people who are paid to protect us to continue getting away with ******. something needs to change.
1680

Sometimes with the Heart
Seldom with the Soul
Scarcer once with the Might
Few—love at all.
I am the ******* son of Nero,
the sad product of licentiousness.
A fact about my life
that I should really mention less.

My mother was a famous Queen
or so it is that I am told.
Unable to acknowledge me,
to the slavers I was sold.

But pirates attacked our galley
a few miles out to sea.
Bold, daring, fearsome men,
their life appealed to me.

Plundering, fighting on a ship,
I loved the pirates life.
Until one day I floundered
and took me a beautiful wife.

She bore me two boys and a girl,
I gave them all my affection.
Mourning the loss of my childhood,
my severed parental connection.

The children grew and flew the nest,
so leaving just two alone.
Then the plague paid a visit,
my grief weighs heavy for my home.

So now I am just a humble poet,
Withdrawn and cold, but serene.
Throwing words at a paper audience,
waiting patient for the final scene.

Well, wait there a while longer,
this ******* is not quite done.
I am not so ready to die just now,
that epilogue is yet to come.

© Pagan Paul (19/04/17)
.
Pure fiction :)
.
How do you taste a woman?
Do you let your breath
Take over her skin
Or do you,
Gently
Uncover
Her treacherous,
Deceitful, delightful touch?

Do you take her sight for granted,
As if it was yours to own,
As if she would
Never vanish,
Or do you know
She's nothing more
Than a chimera on a wall,
Than Clotho's spinning thread
In an ancient story of forgiveness...

Do you trust her soft and humid body,
Like a silky cloth soaked in
Spicy peppermint oil,
Or do you fear
Her lips
As if they'll
Harm the pulse
Of your easily grown
Desire for all that she has enchanted?

Do you let her fingers linger
Somewhere in between
The locks of hair,
As they were
Her only to poses,
And make them come alive
Like serpents shadows on a desert's moonlight?

All in all, a woman cannot be
Taken for granted,
As she isn't there
Only because
You see her
Near.
No.
A woman is
A passing shadow
For your mesmerized vision.

A woman is that summer rain
On your heated body,
Or that devastating
Storm on a
Moroccan
Desert.
She is both
Dust and wind,
Love and hatred,
Hope and despair.
She is nothing more
Than clear, cold water.

So drink the woman
As you taste
Water
Turned
Into good wine
And tell me, stranger...
How do you taste a woman?
thank you for all your comments and likes. never thought that this poem would be so appreciated. thank you again and again.
 Apr 2017 Marco Buschini
Emily B
sitting at mcdonald's
on the free wifi
sipping sweet tea
and reading
all the offerings here

a cold chill
bent me over

and I thought of
the new cold war
that threatens to ignite

and somewhere
comes the idea
that someone
is walking on my grave

it could well be
Picture a room with white walls, small-windowed.
Through the window, no moon shines like it should.
This view knows streetlights better than starlight,
in the tender dark of this April night,
but someone's still writing about their glow.
And I know her eyes are heavy with sleep.
Still she watches the silver twilight seep
toward the tall lamps-posts, like spilled earl gray.
She wishes like a dream that it would stay,
that she could stave twilight from its lilac fade.
National Poetry Month Day 14.
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