Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

It was many and many a year ago,
  In a kingdom by the sea,
That a maiden there lived whom you may know
  By the name of ANNABEL LEE;
And this maiden she lived with no other thought
  Than to love and be loved by me.

I was a child and she was a child,
  In this kingdom by the sea:
But we loved with a love that was more than love—
  I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
  Coveted her and me.

And this was the reason that, long ago,
  In this kingdom by the sea,
A wind blew out of a cloud, chilling
  My beautiful ANNABEL LEE;
So that her highborn kinsmen came
  And bore her away from me,
To shut her up in a sepulchre
  In this kingdom by the sea.

The angels, not half so happy in heaven,
  Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
  Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love
  Of those who were older than we—
  Of many far wiser than we—
And neither the angels in heaven above,
  Nor the demons down under the sea,
Can ever dissever my soul from the soul
  Of the beautiful ANNABEL LEE.

For the moon never beams without bringing me dreams
  Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
  Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
  In her sepulchre there by the sea—
  In her tomb by the side of the sea.

She walks in beauty, like the night
     Of cloudless climes and starry skies;
And all that’s best of dark and bright
     Meet in her aspect and her eyes:
Thus mellowed to that tender light
     Which heaven to gaudy day denies.

One shade the more, one ray the less,
     Had half impaired the nameless grace
Which waves in every raven tress,
     Or softly lightens o’er her face;
Where thoughts serenely sweet express
     How pure, how dear their dwelling place.

And on that cheek, and o’er that brow,
     So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
     But tell of days in goodness spent,
A mind at peace with all below,
     A heart whose love is innocent!

pick one out of billions
and stick to it
like spider bait
in the spider web

although you never know
when you’re caught
until it’s too late
and you’re in
too deep

the heart fills
with betrayal
and deception
or worse
the heart fills
with truth
when our beliefs
are based on lies

it’s hard to comprehend
and/or overcome

the ego gets scratched
or the connection
gets snipped

and finally,
a plumage of misconceptions
is what we’re deduced to:

that something is lost
that something has failed

but when the perspective
is turned upside down
and the lens adjusts itself

it reveals that something
is gained and/or returned

and this time
with a fresh start,
a new beginning,
a better outlook

maybe a lesson can be learned?
maybe a mistake can be avoided
by it’s reoccurrence?

maybe?

but listen,
I’m no love guru,
couples therapist,
marriage counselor
or divorce attorney

I can only guarantee that
there is another pair of
sweaty meat sacks
encased in decaying flesh
waiting for you
somewhere out there,
aching to ruin your life
all over again.

Without poetry, we'd all
be chained to fences of time.
locked in,
torn apart,
played with by the
cosmic dance.

Don't get me wrong,
the poems can't
cure cancer, or heal the
lame dog's leg.
But, they might give
the ****** hope, and the
hobos a home.

Poetry tricks the mind
into seeing things,
like woolfhounds with
bagpipes playing an
Irish jig, far away from
the ferryman and his ride
across the river.

Without poetry, about now,
my skull
would be a home for beetles
and worms, turning
ever so slowly into
dust.

i want to peel your skin back
and reveal your deepest sweetness.
to look at your veins
and memorize their paths.
maybe then i’d understand
why you are so rough on the outside.
it takes a lot of work,
digging your fingernails into the flesh,
pulling and pulling until you are bare.
but it is all worth it;
to visit your center,
to break past what conceals you,
and take you apart
slice by slice.

i lie facedown on the train tracks.
the gravel presses symbols into my skin,
but none of them translate.

home is a concept with too many rooms.
i sharpened my alibi
on my mother’s brittle bones
until it fit into a quieter mouth.
she didn't flinch.

the sun unthreads me one fiber at a time.
nothing resists.
blink
blink
blink
each time, the world returns
slightly rearranged—
trees on the ceiling,
windows in my stomach.

i found a way out,
but it only leads back here.
the platform loops
in the shape of an open jaw.
i circled it three times,
then laid down between its metal teeth—
the world doesn’t bite anymore.
it just holds me.

small, warm,
still breathing.
regret nests in the hinge of my jaw.
i keep it clenched, and
it doesn’t protest.
it flicks the lights off
when the rail begins to sing.
it knows the schedule better than i do.

the daylight plucks at my ribs like harp strings.
each note sounds like a name i was never meant to hold.
i buried the moon weeks ago.
she made it difficult to leave.
if you’re still listening—
the train is already halfway through me.

today,
i let the mouth stay open.
maybe the scream will crawl back in.
maybe it never left.