Please, call me to the place where my tomorrow was,
Where all my fears and failures were no where,
Where I laughed much and danced a whole lot,
Where we both were together, you and me, just everywhere!

Please call me to the place where snowfalls
Entirely reign in winter, and frost is.
Where rains and leaf-falls are in autumn fully
And wrap with spicy odour all as coverlid.

Please Call me to the place where I was loved!
And where I loved wholeheartedly, without “May not!” at all!
Please call me to the place where I was free!
I beg you, call me to my place! It's not for all

When miracles were given away,
It's found that there weren't them for me.
Maybe they didn't put down me in list
Or I forgot to join a queue, you see?

Maybe I got on a shift turnover.
Wizardry's also a job, hearsay,
With lunches, holidays and days off surely.
There're no fools to work the whole days.

Well, I guess I'll have to wait.
I'm a human. I know what's what.
I'll scroop by myself. I'll be patient.
I'll do my best. I hope I would.

Inside, there is an urge for authenticity;
for metaphor - unadulterated expression -
which strips my skin bare, holds me up
to whipping winds and striking dusts: I am the
  Tanner

preparing my own skin. I would trim excess
fat and sinew and soak and stretch it thin,
like partchment, naked in the world's eye -
  Yet I don't know how
  To make my words transparent.

It takes honesty to thrive in insecurity
And bare the storm that afronts all
  Being;
To make my words discreet
Symbols:
Pillows on empty dreams. She is the
  pacifier, the lover and tyrant - all in one.

So, I don't know how to show
what I want to show. How to
use words, form, syntax and
language to convey meaning.
I say what it is that I want to
say and that is all, no more
Than that. But that is what is
so
  naked
About poetry. The
  doubt

that interrogates every line - really - a
forced-pauser, preventer, wall that stretches
infinitely narrow across every dimension.
It is what makes the end. Never

  the end

When sun's breath fires
  wire frame.
Displayed behind
  flat sparkling gravity.
Moon's light casts
  dark mist over murky waters.
Ushering the ark
  gliding over crescent waves:
On raging towers of indignant froth
  not serene silk smooth vast ocean.
    It reaches the dove, carrying branch;
     Holding it aloft as it is
      The     Saint    of the sentence.

The reality is that
our causality
determines our existence.

'Our', is meant literally
in that we also partially
determine our causality
  together.

  This is co-constitutive in nature.

However, this power to create
our own destiny is always within
the limits of our own contexts:
our past choices,
our environment,
our language;

the people around us,
the history within which
our identity emerges
and the current modes open to us
to be different
(or the same).

So, we are here.
And we will be there.
And we have
somewhat of a choice.

"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"

My thoughts are crabbed and sallow,
My tears like vinegar,
Or the bitter blinking yellow
Of an acetic star.

Tonight the caustic wind, love,
Gossips late and soon,
And I wear the wry-faced pucker of
The sour lemon moon.

While like an early summer plum,
Puny, green, and ****,
Droops upon its wizened stem
My lean, unripened heart.

I hide in words — tucking under their shade;
Dressing letters up with sequins and baubles.
Now showering in limelit obfuscation.
Makes it seem as if I am really there:

Dressing letters up with sequins and baubles
Blinding myself in the flashing of their colours;
Makes it seem as if I am really there
Amidst flowered touchless abstraction.

I blind myself in the flashing of their colours.
Submerged in repetition, my thumb drowns
Amidst flowered touchless abstraction,
Swirling in whirlpool ******* me underneath:

Submerged in repetition, my thumb drowns
Now showering in limelit obfuscation,
Swirling in whirlpool ******* me underneath.
I hide in words — tucking under their shade.

A shatter of glitter
Breaks over her eyes
When she looks in the mirror:

Swathes of pink
Speckled by silver circles
Matched by the anxious glittering
Of the waterfall
That is her earrings.

It's her last glance
To hold the spectre
Of herself
Until she explodes
With the other girls;
Prim and dainty.

The starry night is consumed
By vapid moonlight;
Mere reflections shine
In an orange glow,
Like a cut-out hole
In black cardboard,
In front of blazing torchlight,
Forgotten reflections of memories
Of forgotten lyrics.

The imagery serves
Only to protect from
The incomprehensible vastness
Of actual space, free from abstraction,
Pressing down onto you as you stare
Up into the night, compressed
By the hydraulic press of the universe
Which ensures that which is big is really
Very small.