I want to write about what hurts because I think it will
Stop me from hurting. If I put these words on
A page then they will be easier to digest.
Poetry isn't curative by creation, it is
Just confession. Still, these remedial
Lines are what I turn to when I am holding
Too much in my hands. Right now, I feel
Like I am overflowing onto the ground below me.
For the first time,
I don't want to write about what hurts. I want
To keep it inside of me and let it burn me. I want
To carry it in my palms for as long as I can.
I should write
About how we've said goodbye so
Many times that it turned into a threat, a weapon
We made with our tongues.
I should write
About how I lied and got away with it,
How you got caught with
Your hands tied and no one to blame.
I should write
About how it was over before we waved the white
Flag, and I know what it means now
To hold onto a sinking ship.
I've never had anything to die for.
I should write about how I've never wanted
Something so much that I devastated it completely.
We loved in harsh conditions, under sun and darkness and
I don't know how to write about how
The love didn't save us.
I don't write about letting go as much as I write about
Holding on, and I want
That to change.
I don't want to write hurt just to feel it.
The next poem I write about you will be
About me. About how I held on and how I let go.
It won't be about your love, it will be about
Mine. It won't stop me from hurting, but
It is how I make it out
Of my love alive.

Hey mom-dad, listen.
Hit me, hate me, throw me out,
But don't shut me up.

ocean and sky in mirror symmetry kiss
soft autumn sunshine shows shadows of bliss
the goddess of skies longs for the sea below
because only the ocean can make her heart glow
she'd give up the clouds, sun, and air, too
the ocean finds a way to paint her in blue
the waves crash against her golden wings
she's pulled back above like a puppet on strings
try as she may to break the shallows still
it seems like the fates laugh at her will
but little do they know that her will is true
and she'll find a way to greet the ocean anew
seize the very moon and control the tide
grow the ocean as high as it is wide
'til her reflection casts on the surface shown
deep beneath the seas skin, she's flown
deeper and deeper, she longs to go
until crashing waves come to a slow
and the stillness beneath ocean eyes greet
once more can the skies and the ocean meet

Feel empty in your post apocalyptic City of Angels,
Where not even your pets are real!
An electric android, a sheep or a frog,
The whir-flutter of micro-electrical wings of a butterfly.

Good, and so you ought.

Now grab the handles of your empathy box,
And in a shared virtual hallucination –
Feel: empathy, depression, pain, delusion and despair,
The outré myriad gifts of consciousness.

Billions of discombobulated and disconnected wrecks:
Adam's sons; Eve's daughters,
And among them simulations too,
Fakes! androids!
A phony circuit of implanted semi-conscious memories,
A hive of neural malaise!
Welcome to our world;
know how dead inside I am.

You, yes, you:

Need a pet to make you more complete?
Maybe you can afford
A Fake Fakir Flake like me who looks like Jude Law,
Sounds like Richard Burton,
And silently romances you like Rudolph Valentino.
Come and stick what’s left of your mind,
In here,
In hair,
Hear her:
har, har, har…

A box of lies...

A voice, Mercer's,
With texture from an age you neither lived in nor dared in:
Al Jerry's, a TV actor,
Droning on in pre-selected tones.

The real thing, the men, the women, the children - their animals -
Made in the wild, wild desert,
In the green pulsing savannah,
On the open crusted sea;
Now too, washed, choked, and drained,
Too many spliced and diced mutations,
Iterating your image:
The thing that was my heart,
My Child, now its imitation.

Sandwiched in layers of liquid crystal display,
Encased in vats of plastic,
                          
                            we
Voyaging in data-spheres, plumes of digital play.

Mindless,
         In the soup of silicone,
                            
                            all
Myt­h-makers,
         Pouring over electro-spawned
         networks,
                            
                            fall
Workers,
          In the buzz of bits and bytes, of
          megabytes and terabytes,
                            
                            down
Everyone
          Far from the wood, the brine, the
          mud that caked us,
          In tighter and tighter
          digitised  projections,
                            
                            click!
‘Like me’,
‘Share me’,
‘Leave your comments.’

Messages smoothed out in polymers,
Beyond reproductions of ourselves,

                           enter:

Deeper, delving in the mire of dream-conscious,

Now a waking voice,
          Hardened, digitised, recorded in
          bubbles, in drives, in clouds:
                        
Numb numbers of numbers numb,
                          mirror.

          A platform slotted home:
The motherboard!
          To record the echo in the hollow
          of our Being.

I awoke
with mountains in their heights
that spoke
of memories that wove
through knees
thighs
and ***** bone --
to the inky waters of the lake below.

In that cabin
where the sable pines enclose
and all about
from coral-white
to grayish
turquoise-blue
snow.

That scene:
on the edge
where the stillness
Knows.

In pubs with bar flies.
Kronenburg, Becks, Carling, Stella Artois and Fosters,
Dancing in our blood,
Utterly inured; we are endured by all:
The solipsism most profound.

And when Johnnie, Jack and Jameson join,
The sentimental and the morbid
Are conjoined.

And ****!
In the custody of beer halls,
The shadows that draw, fade,
And calls – e’en Death’s! -- are put on hold!
No time; instead, before the last, another pint.

For in this hallowed inn,
Drinking what’s in the glass,
And espousing the glow within,
Cares regress.

No woes,
Or loaded psyches,
For when the pressure builds,
The best: a jet of yellow bliss,
Relieves the pain,
On Armitage Shanks' porcelain.