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  Sep 17 Joy Ann Jones
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Legend of a Feather’s Loop



Follow the gold path to walk the day from mist to glint —
Feather at dawn, Crow at the fence, Fox in the thistle,
Lantern where the conclave leans close, Hill in the last light,
and the Glint that waits for the hand that knows the way back.


Follow the silver path to retrace the memory —
Glint to Hill, Lantern to Fox, Crow to Feather —
until the first breath of morning closes the circle.



.
Joy Ann Jones Sep 16
You said you'd give me the moon
on a piece of toast
or at least the sweet-hot peel
of her cinnamon skin.

You said you'd raise from the grave
my heart, the ghost
to fill with black-burnt warmth
that could begin

a beat to bring horned dancers from the trees,
life to lift me lurching from my knees;
a revenant in red
that's what you said

that night in the glimmering swell
before the Fall
but it was Carnivale.



~September 2014
In my room, a cricket sings his heavy heart.
Outside, his million brothers, star-drunk beneath a lemon tree.
Why these walls? Why his song? Why my clocks, taken apart?
In my room, a cricket sings his heavy heart.
Why alleys? Why walkways? Why my brushes sick from art?
Why my open window and the summer drowsing carelessly?
In my room, a cricket sings his heavy heart.
Outside, his million brothers, star-drunk beneath a lemon tree.
2018
And the fish swim in the lake
and do not even own clothing.
– Ezra Pound

How would they style themselves for the net,
the little fishes of the lake?
Not robes of purity, Ezra,
but sequins cut from trash,
brands bright as lures,
fashioned to catch the eye, a glint of sun.

Would the big ones ******* knockoff fins
to flex in shark cosplay near the shore,
snapping reels in the reeds,
captioned #greatwhitevibes #apexpredator?

Would carp veil themselves in algae,
funeral couture,
posting stories of their grief in green?

Would they admire the fishery tags:
industrial piercings they can’t remove,
or the hook-slit scars from catch-and-release,
each one a verified badge,
proof they were trending once, briefly,
before sinking out of frame?

Would they tilt to the water’s glass,
checking which gill looks slimmer,
tails arched like influencers at golden hour,
the shimmer hiding shame,
the shame we taught them to wear?
Joy Ann Jones Sep 15
In the Amazon there's a moth
who lives by drinking the night-tears
of sleeping birds.

By day she's folded asleep
deep in green minarets where purple frogs
sweat pearls of poison.

If she dreams, it's only by accident.
At dawn the birds fly up, eyes
opened by song, tears given

without intent or knowledge
as I give mine, silver life
to the mouths of memories.



March, 2024
Gorgone macarea is the moth referred to here, one of several species of Lepidoptera who practise lacrophagy for survival. This poem is written in the 55 form{55 words used)
Joy Ann Jones Sep 13
Asylum



In the madhouse
on beds of daggers
we slept like crickets
chirping to ourselves
while they tried their best
to make us cannibals.

The nuns were worse than
lawyers, praying like accordions,
tracking their sins into our soft
wax skulls, wheezing like roosters
when one of us cried, laying the greasy ribs
of Jesus on our plates.

They kept you behind
door number six. I'd go to you
with a stolen key, when the noon
smelled bright as carnations,
when the nights were
more purple than the jacarandas.

You spoke of your father
dead of snakebite,
a clockwork marvel with
his million-dollar suit of skin,
of your mother
with the viper between her lips.

I remember your kiss
astringent with reason
as bitter lemons, and the way
your hair blew back from
your dog-brown eyes like poisonous
smoke from the oleanders.

I thought these things
as beautiful as angels
whispering in the dahlias
when I was lost in the asylum,
when the doctors did all they could
to see that we ate each other
down to the bone.


April 2022
Inspired by the words of Federico Garcia Lorca, and a dream
swallow builds its nest
from objects it can gather
steal lipstick, why pay?
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