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Hayley Neininger Apr 2013
I promise to keep writing
About all of this
To document all of our stories
And read them over and over again
Until the stories
Become less like tall tales
And more like memories
Each repetition making them truer and truer
Making them feel like they happened
Like they were real but only like
In the way that a dream is real
And only because you’ve dreamt the same dream
So many times and only ever to yourself
Hayley Neininger Apr 2013
There is something horrifying about being up high
When you look down at things and people that
Are suppose to be bigger than yourself
But then suddenly having the roles reversed
And then it is you that is God to them
But a God that would die none the less
Just to meet his darker equal
I think-
I hope I get to meet death
To shake his hand
Look him in the eye
And say, “You aren’t so scary now”
To be free of terror finally
And know what it is like
To live without expectations of horror
To be able to go to the empire state building
It would be nicer then, once dead
I wouldn’t be afraid of heights then
And really death would tell me then,
“It was never the height you were afraid of.”
He would be right.
It’s the death that puts the fear in heights
Hayley Neininger Apr 2013
They say we have two halves of a whole brain.
Two sections that govern our actions
Like tyrants that ride horses with reigns made
Of nerves and weald weapons that shoot out sparks
Of neurons across our synapses
The lands of our minds that dips and rises like the Andes mountains
Amoung cerebellum fields
Where nervous horses hoofs trample
Nervous systems flowers and bend their stem
Into an L shaped pendulum that swings
Unevenly over corpus callosum oceans
That separate left and right.
Art and reason.
Two separate sets of war torn warriors fighting,
One with methodically measured maps
Marked with red flags between concurred lands of logic
And one with holistic metal armor that clinks and clanks
Around soldiers making music for them to march to
They fight over proper ways of reason
And creative formulations
Of treasons that ought not be crossed
Their trenches the rivens in our brains
That wet rot their feet with slimy blood and
Membrane juices
The left speaking in tongues
That right cannot hear when not
Set on staff lines
Or painted onto animal skin canvas
That once covered similar brain battles
Between right and left
Only to be cut and sectioned off
In improper fractions that yearn to be whole.
If only the sides would sign treaties of peace
With pens that pinch fibers together and bind
Halves into wholes.
Hayley Neininger Apr 2013
I love this part.
When your lips still are brightly colored
alphabet letters and my forehead is still a giant white
refrigerator
When even after just an hour passes
I miss our hands touching
and you might get mad-
and you might say, "already?"
and I laugh and look down at my boots and say,
"yes, already."
then you take my face in your hands
and you tell me, "I like the way you do certain thing, the way you say certain words."
I love this part, when I can still think to myself
isn't it strange that we used to be strangers
I feel like we meet way before that.
Hayley Neininger Apr 2013
I dreamt that I wrote to you last night. I woke up with paper cuts in between my fingers, lemon juice that stained my bed a ****-yellow color, ink embedded underneath my fingernails,  and every time I reached down to scratch my ***** I left a shameful line of old black ink. I think I’d have mailed it to her if I knew that when she read it she would scream with a horrid realization. A realization of finally understanding the monster she use to sleep next to, before the **** sheets before the ink stained boxers. I’d have mailed it to her if it wasn't just in my dreams. I imagine that the lines in my letter were laced with layers of lucid logic that stringed together feelings that con-caved in on themselves. That ate themselves whole;  but instead of making them disappear entirely they grew twice their size and spilled over the pages and underneath my nails. The diction I imagine I would have chosen to write with would be read with a southern twang.  Slow and drawn out. She would have to read it with extra syllables that her tiny lungs could not possibly hold. It would make her choke, for the first time, on words that weren't her own. My words would finally fulfill the dreams of my hands; constantly wanting to ring around her neck like I was seven again on the playground and her name was Rosie. I wouldn't have rhymed in my subconscious, to me that always seems fake and I can’t really rhyme without having my voice break. I might, however; use from time to time red bold words laying in the middle of long paragraphs in hopes she would remember her red dress. Of how, before bed, it grazed over her slopping neck and slid off onto my floor. In my dream it’s still on my floor. I hope in my letter that I wrote out a picture of her seeing me seeing her put it on in front of our window the next morning and even though that dress was too short for autumn and she would wear it anyway. Because she knew it drove me crazy and because she wanted to remember me even after she walked out my front door. Mornings like that I begged her stay even if we had just fought over how much she snores, even if I had called her a **** one too many times the drunken night before. My letter, I think, would tell her that I wish she didn't have to bundle up and leave that she could instead cut up my bed sheets and make herself a new warmer dress. One that would have matched my pillow too perfectly for her to not lay her head on it and call it a hat. For her to pretend that my bed was the world outside the door. My letter would go like that. It would make her scream at first then make her remember that monsters can love too and knowing that; she would punch her new mattress and tear up her new pillows ones that I have never touched. She would scream, "*******!" preceding my name every time she landed a blow. She would say that so many times that she could never look at her new bed again without thinking of me, and of ****. When I dreamt last night I dreamt I wrote you a letter, but dreams don’t have hands that can hold pens. So I instead sent you my bed sheets, my boxers, I signed them with lemon juice and old black ink. Wear them, sleep with them, read them for what they are worth or toss them out because monsters with words like mine give you nightmares.
Hayley Neininger Apr 2013
The moment I saw you
It was if
I had never seen another woman in my life
Like all the other women
I had known before
Melted into one person
And quietly stepped out the backdoor of my memory
I was aware both by the amount of children in the world
And the amount of drinks being bought by other men at bars
That there were in fact other women
But not for me, the moment I saw you
They all became faded images in someone else’s head
And in mine there you were, and still are, clear as day
Standing with drink in hand, mouth moving
And there I was, and still am, waiting for them to stop
Just so I can kiss them
Like I had, and have, never seen lips before.
Hayley Neininger Apr 2013
I want a love
A love like the moon has found
In the sun
The sun, who dies everyday
So the moon can live
And the moon who dies every night
Just the same.
They extinct themselves for the others existence.
ehhh
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