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The fact that you can walk a street
And not a tree is not extinct
But somewhere else in cultivation

Seeds seemingly self-propagate
To satisfy an ailing street
Who’s assurance itself completes

It’s not that winter walk a street
And not a tree I want in lieu
Be that a whimper out a root

Leaves like a steam that waters
Leaf when it emerges from the towers’
Windows, many. Hours down the pavement

And not a mound of sweat betrays
Who’s cower branches inter me
Reach from the light to see a face

Creep, as it’s mist, but I’m inert
Seeds seem to cling so just beyond
That steam does never carry seasons

The fact that even in the patient
Love is sanct a street in *******
Lo, labyrinth the tree in sewers

But somewhere else are heat’s sensation
Icy and the answers deep, and
The fact that one can ask of love-

A tree who’s not a leaf undone,
But clings onto the end of year
Who asks what winter street we’re on
from january 21, 2020
poem from the past a day #22
one of the weaker pieces of writing that i plan on putting on here
but maybe you'll like it?
I’m nice, I’m fragile. I’m deeply unclean.
Two-faced, I’m writing about my mistakes
In a truest, maybe, snapshot escape

Even opaque, small, mocking pokes
Deepen that parasocial machina
From the black mirror, marching, it groped

I ignore my mind when it’s trying the most
I ignore my dad when he’s dying. I hope
The end is as transitory as it’s in memory

Then am I smearing a brainstalk Gemini
Their name around, on a leash, I spoke
Like ants emerging from the scaffolds of Babel

Like grotesque stats- like millions- Billionsthought
Those that huff endorphins as if in some battle
Half-twins and crows feet back-bearing taut

Rope, learning for the first time to tie them. Again,
in Wonderful Heat, or the West, and a Siege
Spanning, hilariously, the contiguous Bethlehem

I’m lost. I’m dirt-caked. I’m dragging a scene.
Chaptered; I’m acting it out in the mud
In a ghostly transparence before only your sun

Even fainting, trying to see my reflection
Deep- God, “Somewhere!” within the cogwork
Into ‘stead pulled the mud stains suction

I stir, my mouth sputters out with invicta
I breathe. For the sun, can I see still, is living
A last invocation, and its light dims the distance
from janurary 7, 2020
poem from the past a day #21
there isn't much to talk about here. a stepping stone poem, a couple interpolations from my other poems, especially ones that i was writing at the time and which will come later. same old mess of words.
to do what with
to crack every knuckle
to say matterhorn
patterns sound good
to crack my whole arm in
to pattern about
around on the floor
to feel the nice carpet
matterhorn matterhorn
to see it sounds nice
though you have to turn off
to mind not be bound on
by every to mind gone
pattern has pain gone
to matterhorn at
to sound pattern
comfort to brain or
to body as found on
the floor to do
nothings
to pattern
to melt to to melt to
to mete from crumpled
in pattern to shout up
to carpet towards matterhorn
to for nothings from pattern
to gone is for matter
from janurary 5, 2020
poem from the past a day #20
palette cleanser; word salad
Haley says Juniper is like a seed which, in his season, never flowers
Says he finds none beside the blossoms in the bench-worn courtyard
Surrounds, does metal which plants plug; deaf, embroiden, decipher
Does Haley, by talking to paper outstand the barrier what Suns for

Juniper swears Haley, from the trellis cracks, listened. Sweat-dent,
He jokes, like acidosis on the two sitting stones her feet frequent
Eroding because they grew, separate, together. He, a secret, and
She absorbed him, recorded, quickly became like the tangent

More like a seed which, all time, can’t flower
Besides, she can’t much see the blossoms within the courtyard
Front metal, surrounds only the smells of perennial ciphers
Comes Haley, her paper never tells of the shadow so felt for

Haley says Juniper is too passing. Says maybe the court is just desolate
Prays “Oh, fairy— one who, flapping, could some restore his deficit”
Hangared, windswept of oil lanterns which dangle, fictional, redolent
Her fairly good senses in put down that wall sitting, stasis indefinite

Juniper bellows out muteness. Stokes, quiet, her imagination,
But there is plenty to water or duck under inside his veranda
Aging, growing uninteresting even, though hardly unfortunate a
Situation is being captive to another’s not seeing your stagnation

Perhaps it’s her which, year-end, is desolate
In wishes, hope for prayings that float for her before his courtyard
Not wick in candles she can hear whisper sick, circular severance
From Haley and Juniper, whom to each other is definite
from september 29, 2019
poem from the past a day #19
it's a wordy mess but i guess it's one of the best things i've ever written
“Shine their shoes, boy.” Of ancient Ulm,
Or was it Hanover, or Vietnam news?

Whatever lives in a coptering leaves breeze flail
Burns, maybe, wrinkles over evening-orange contrails.

From ‘75, with backpack, an American teen.
You lay in a blanket that’s jungle green.

Born of tension, your luggage weared
Containing the last, probably-more, hundred years.

Pressured under coupled oceans that wash
Pepper, in the coasts, of gunpowder shells.

Every bit, godless, and landless there tread
Which is historically typical of a golden head.

You wait, with a significant loss in sheen
While much younger shoes uncover you from the rain.

“My, what a piece of ancient Ulm! It sits
Only in mud! Yet, what of the rest?

Whatever hasn’t yet lost its old meaning
That shining truth which, before, kept it going!”

Glossy, in all youth, in all sorts of sweat,
Heeded a call to consult with a death.

This set-on, and scattered, and ducked into flight
Mind unconsidered so decades might march out of sight.

Lo, quiet perforce a deep trench, or its field
Moving, not across that diptych unperturbed

Every hole through the air punctuates, shreds
The almost-last scream of a now golden head.

You run, run, run, run. Count how many feet touch the mound.
You envision how best you could look underground-

“Now, see: pressed up against its own shoes,
This thing of gold, it’s deformed and bruised!

Wherever we bore— past some trees, down a road;
Far from Ulm— we made a hole which, in it, erodes.”

Grisly, but plaqued, and so, covered up
The very remnants that resulted its death

From long ago, “This- It’s ancient!” some people say
Shipped back with laurel shawl now as its display

“Perhaps you are ageless wrapped in the old war.
Yes, tatters coming back are worth all the more.

Maybe, yes it was sent through so much wreck.
Before, far back it was born of some thread.”

“Shine its throne, man.” Of ancient blood.
That, on his deathbed is a golden head.
from august 13, 2019
poem from the past a day #18
inspired by growing up around the blurry object of a vietnam vet
He showed up in the hills at our house made out of glass
He showed up in a daze worn of the past years we let pass
He walked inside knowing everywhere to step
He made only the sound of the depths
The depths
The depths

There
An absenting stare
Over fog lights in the hills
I drove to
Exhausting my last cares

I knocked
My hand felt heavy like a rock
I stood still
With the house
And darkness falling onto my head

Two figures
One took my rock
Looking past my eyes
The other in straight jacket
Poured her gateway dyes

Silence
And I’m heaving, sick
With a racing relapse
On the halls
Plast back my past

We let no apprehension known, there watching as he fell
We met the days as fastly passing even as he dwell
We doubt in him an ability to count his own missteps
We let a ghost of ours go sink into the depths
The depths
The depths

Unfurled,
Cracked, and catatonic
I sat then lay
Into a new black sofa
Detached from reality

Memory
Everything, once, I held
It was all at some point burnt
In a way to not entirely destroy,
But to experiment with life

With hope,
Betterment I thought
By way of replacing
All my body with stone
Disquality laid to ash, and such

Forever,
With stillness, a layer of dust
I could not see
Though I heard no protest
Of two I’d come here to expect

He bould into the black, the depths, and from him rose a fire
We did not put it out, but simply removed all of our glass so
He would wake again, not to face, nor to regret, but
We who drive away into the depths
The depths
The depths
from july 23, 2019
poem from the past a day #17
somewhat awkward, but i think it gets somewhere in the end.
parts of it lean on the glass house proverb, and i enjoy how that's tucked very simply in the background and the poem doesn't rely on the metaphor, but demonstrates its toxicity.
the little gimmick of this poem is that i wrote it from two perspectives, although it's so short that the characters only interchange five times.
You, I imagine you, walking silently
Beside me, briefly, and so I ask you-

Wait
It’s 4:29, low sun, deep Spring
I’ve got this wire wrapped between
Eating scraps, absorbing the means
To which I maximize a gluttonous,
A dispassionate, down-to-the-bone
White shadow hugging my anonymous face

I would think to take you, shaking
With my arm that has you held into my rib curve
To calm you, or myself climbing this cloudy hill
I’d remind you it doesn’t matter that I’m falling
That you are also not in time to catch me
Though still am I screaming-

Again, wait
We’re on earth, apart, you’re asleep
I can’t just recite the words to my screen
I can’t just jump out of life by myself
Here, under a cloudy new day, and a dream
In which we allow our gray shadows to meet

I would dare to hold you, press you
Over emotions that don’t come so natural
By God: who let you down here in half form
But, I’d say that, and laugh, you would know it’s okay
That it’s human to be born as an imperfect creator
Of love- of love feelings, connections and wires

I think I can wait
It’s night, again, day or
Passing the foothill for the nth-ever moment
I’d remember it by the hue of the shadow
That wraps, and I drift off and wrap you myself
You, I imagine you walking, answering
Beside me, this time I’m quick to ask you
“Is this our love that moves where the clouds go?”
from june 13, 2019
poem from the past a day #16
i think this one speaks for itself.
good imagery and easy to read and a little cute.
the second to last stanza is still one of my best moments as a writer.
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