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 Apr 2017 Emily B
Wk kortas
They fall upon us over the spillways of time,
Burbling at us through some Radio Free Nostalgia
Courtesy of some college station sitting at the far left of the dial
Or streaky CDs at the rear of some forlorn shelf,
And we know them to be to be, if not outright falsehoods,
Among the more variable of truths
(As all truths are, if we’re being honest about the matter)
For when someone sets out to create the Great American Whatever,
It becomes quickly apparent that such paths
Are not straight and clear, but wind and double back upon themselves,
Replete with thorns and weeds with bladed edges;
Egos must be stroked, revenue streams and margins considered,
Leaving one’s primary legacy as a testament to compromise.

But to be a casualty is not necessarily to be a fatality,
And through the narrowness of a three-minute window,
Purveyed to us by quartets of chanteuses
Who were no strangers to compromise their ownselves
(So many staged photo shoots,
So many hokey Christmas songs and cosmetic-sale jingles)
We can glimpse momentary epiphanies,
Crescent-moon slices of the verities,
Which, if not the whole truth and nothing but,
Provide us with something to hold, something to hum
As we go about the tortuous business
Of making some sense of the whole **** thing.
There is no guide book for life
look as hard as you can,
a boy
grows into a man
and a girl
matures into a woman,

someone told me that
I didn't read it
though it might have assisted me
in my own growing maturity
to know the odds.

And then we reach a point where
the love of life is there, but
the time of our life is almost gone,

that point where we wanted to go on
when the mind was willing
and yet the thought of time killing us
halted us
in our tracks.

I have chosen to be frozen
just prior to the point
when my mind is a blank
like it's
a new passport to frank
and I thank my lucky stars
there is time to find all
those things
that books are written of.
 Apr 2017 Emily B
Graff1980
Untitled
 Apr 2017 Emily B
Graff1980
A gun that scars the shooter
is the perfect metaphor
cause no soldier leaves battlefield
without the wounds of war.
 Apr 2017 Emily B
wordvango
after watching
the videos of children and humans
striving for a breath
their bodies limp
from a saran attack
I would strap my *** to
a cruise missile
after getting a tattoo
all over my body saying
Assad
this is for you!
It was sickening
beastlike satanic
and I cried
my stomach wretched
I shuddered
here this world is
in the 21st century
and  some of us
are still barbarians
I pray
we listen to the
little girl some
call the  Syrian
Anne Frank
my heart breaks
again
a song shouts
as I run atop the tip of death,
in all its paltry fiction.
reality spins itself into one bright dream
alone, underneath infinite hope.

rain never reaches
the warmth in the windows
and darkness can't touch this dancing soul
yet
i'm baaaaaccckkk
Four of stained glass and stars
all leftglance beyond ratio or air,
thin as tissue but strong

as a pastel visa; fated curves
guide your hand,voices drag you
into mud and steal the day.
sweet day,
birds kissing
the air in
rapid flight.

we wait, stones
of the morning
sun

for the white
sky to
settle its clouds

ghosts of the
faint breeze
tremble the leaves.

it is still cold,

april peels its
skin like a snake.

forsythia lounges
with beech and
rhododendron
(shiny with waxy
leaves)
painting its
impressions on
the fainting world.

the trees stutter
weird and heavy
glowing in the
light.
He lies flat on the rooftop
looking at the stars.

Useless worlds birthing and dying
he muses
the colossal magnificence of waste

if atrophy is the verdict
why create a complex web of universe
just because someone from an island
would stare at them
in awe of the beauty
seeking a key to the riddle
himself a grain of dust
lost in reading the firmament
and not grasping
of what significance
he is
within his shrinking space and time
in an expanding universe.
 Apr 2017 Emily B
Wk kortas
Bovine-like, we shall meet our deaths
(Such is the scythe the reaper wields)
No matter that the final breaths
Come in stockyards or placid fields.
A slight rustle, perhaps, we’ll feel
At the loss of our distant kin;
Another gear, another wheel.
Oh well—that’s life—come on, tuck in.

What, then, shall be the epitaph?
No bromide written in some stone,
One would hope, for this life once shone
In a mother’s eyes, father’s laugh
Which still flower in memories
And vexes all our reveries.
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