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DRESS WITHOUT A WOMAN

dress without a woman
high heel without a foot
ring without a finger

who you were
reduced down to
items in a second-hand shop

death erases you
( memory tries to... )
death erases you

a palimpsest of selves
I try to make you
exist

my fingertip
writes your name upon
a frosted window pane
Donall Dempsey Jan 2024
DRINKING YOUR BLOOD

so still
entranced by the vision
of your own dying

your body
offers itself
up to me

I taste
the flavour
of your life

drink your dreams
savour each sweet
memory

the delicious
tang
of longing

smell
the sweet
desire to live


swallow your soul
(whole)
your body now

no use
to me
or you

a broken doll
left out
in the rain

at best
I kept
my promise

there
will be
no more pain


**


My friend who was slowly dying described her cancer as like being bitten by a vampire and watching something so unreal drink your life without being able to do anything about it.
Donall Dempsey Nov 2024
DRINKING YOUR BLOOD

so still. . .
entranced by the vision
of your own dying

your body
offers itself
up to me

I taste the flavour
of your life
drink your dreams

savour each memory
the delicious tang
of longing

smell the sweet
desire to live
swallow your soul(whole)  

your body now
no use to me
or you

a broken doll
left out in the rain
at best

I kept my promise
there will be
no more pain.

**

My friend who was slowly dying described her cancer as being bitten by a vampire and watching something so unreal drink your life without being able to do anything about it.
Donall Dempsey Nov 2015
So still. . .
entranced by the vision

of your own
dying

your body
offers itself

up to me

I taste the flavour
of your life

drink your dreams
savour each memory

the delicious tang
of longing

smell the sweet
desire to live

swallow your soul
(whole)  

your body
now

no use to me
or you

a broken doll
left out in the rain

at best
I kept my promise

there will be
no more pain.

**

My friend who was slowly dying described her cancer as being bitten by a vampire and watching something so unreal drink your life without being able to do anything about it.
Donall Dempsey Sep 2018
DRIVING A FERRARI INTO THE FUTURE

the house floated out of the darkness
as if it had been flying about in the fog
before perching on the mountain's side

the house was embarrassed
to be seen
in its ruin

this was the somewhere
she had come from
it now no longer existed

she felt that she too
no longer existed
an equation erased on a blackboard

she became naked
wearing only the lake
and moonlight

water flowed over her
like a silken garment
she the empress of this nowhere


only when she stood dripping
on the edge of this nothingness
did she feel the cold and shiver

the stars were like an atlas
of themselves...the Milky Way
reaching over a hedge...lapping the lake

time fell all about her
like a sudden rain
the seen and un-seen together

she drove her Ferrari into the future
leaving behind forever
the girl she once had been
Donall Dempsey Sep 2020
DRIVING A FERRARI INTO THE FUTURE

the house floated out of the darkness
as if it had been flying about in the fog
before perching on the mountain's side

the house was embarrassed
to be seen
in its ruin

this was the somewhere
she had come from
it now no longer existed

she felt that she too
no longer existed
an equation erased on a blackboard

she became naked
wearing only the lake
and moonlight

water flowed over her
like a silken garment
she the empress of this nowhere

only when she stood dripping
on the edge of this nothingness
did she feel the cold and shiver

the stars were like an atlas
of themselves...the Milky Way
reaching over a hedge...lapping the lake

time fell all about her
like a sudden rain
the seen and un-seen together

she drove her Ferrari into the future
leaving behind forever
the girl she once had been
Donall Dempsey Sep 2019
DRIVING A FERRARI INTO THE FUTURE

the house floated out of the darkness
as if it had been flying about in the fog
before perching on the mountain's side

the house was embarrassed
to be seen
in its ruin

this was the somewhere
she had come from
it now no longer existed

she felt that she too
no longer existed
an equation erased on a blackboard

she became naked
wearing only the lake
and moonlight

water flowed over her
like a silken garment
she the empress of this nowhere

only when she stood dripping
on the edge of this nothingness
did she feel the cold and shiver

the stars were like an atlas
of themselves...the Milky Way
reaching over a hedge...lapping the lake

time fell all about her
like a sudden rain
the seen and un-seen together

she drove her Ferrari into the future
leaving behind forever
the girl she once had been
Donall Dempsey Aug 2015
I walk with
my mother.

I hold her hand
tightly as

she is dead
and might fly away

with the leaves
that scatter before us.

She sees again
with my eyes.

The world
delights her.

I listen to Ray Charles
with her

as I did
when a child

and we both sing
DROWN IN MY OWN TEARS

as she ironed and
ironed.

I lend her my ears
and she laughs

at the Shakespearean usage

Calls me her( as always)
"little nuisance!"

When she died
she moved in with me

borrows my senses
occasionally.

Always she
uses my laughter>

"Death..."
she smirks
"...He don't scare me!"

She sits inside
my head

as I iron
and iron.

"You want the Ray again
Mam?"

"A huh!"

"I think I'll
drown in my own tears!"
Donall Dempsey Oct 2015
That Sam-I-am!
( waiting for God-knows-who-or-wot )
nothing always happens...twice

I do not like thee Clov and Hamm
( I can read with my eyes closed )
The Godot in the Hat comes( or not )back

guess I'm just Lucky
quaquaquaqua outside time without extension
skulls and stones...skulls and stones...unfinished:

oh the thinks you could think up if
only you were( feckitt )
a Seuss or a Beckett
Cross pollinating Sam and Seuss by the simple method of reading them both at once...discovered both at once back in '67 so that they were always strange bed fellows in my mind. Sam segues into Seuss...

Given the existence as uttered forth in the public works of Puncher and Wattmann of a personal God quaquaquaqua with white beard quaquaquaqua outside time without extension who from the heights of divine apathia divine athambia divine aphasia loves us dearly with some exceptions for reasons unknown but time will tell and suffers like the divine Miranda with those who for reasons unknown but time will tell are plunged in torment plunged in fire whose fire flames if that continues and who can doubt it will fire the firmament that is to say blast hell to heaven so blue still and calm so calm with a calm which even though intermittent is better than nothing but not so fast and considering what is more that as a result of the labors left unfinished crowned by the Acacacacademy of Anthropopopometry of Essy-in-Possy of Testew and Cunard it is established beyond all doubt all other doubt than that which clings to the labors of men that as a result of the labors unfinished of Testew and Cunnard it is established as hereinafter but not so fast for reasons unknown that as a result of the public works of Puncher and Wattmann it is established beyond all doubt that in view of the labors of Fartov and Belcher left unfinished for reasons unknown of Testew and Cunard left unfinished it is established what many deny that man in Possy of Testew and Cunard that man in Essy that man in short that man in brief in spite of the strides of alimentation and defecation wastes and pines wastes and pines and concurrently simultaneously what is more for reasons unknown in spite of the strides of physical culture the practice of sports such as tennis football running cycling swimming flying floating riding gliding conating camogie skating tennis of all kinds dying flying sports of all sorts autumn summer winter winter tennis of all kinds hockey of all sorts penicillin and succedanea in a word I resume flying gliding golf over nine and eighteen holes tennis of all sorts in a word for reasons unknown in Feckham Peckham Fulham Clapham namely concurrently simultaneously what is more for reasons unknown but time will tell fades away I resume Fulham Clapham in a word the dead loss per head since the death of Bishop Berkeley being to the tune of one inch four ounce per head approximately by and large more or less to the nearest decimal good measure round figures stark naked in the stockinged feet in Connemara in a word for reasons unknown no matter what matter the facts are there and considering what is more much more grave that in the light of the labors lost of Steinweg and Peterman it appears what is more much more grave that in the light the light the light of the labors lost of Steinweg and Peterman that in the plains in the mountains by the seas by the rivers running water running fire the air is the same and then the earth namely the air and then the earth in the great cold the great dark the air and the earth abode of stones in the great cold alas alas in the year of their Lord six hundred and something the air the earth the sea the earth abode of stones in the great deeps the great cold on sea on land and in the air I resume for reasons unknown in spite of the tennis the facts are there but time will tell I resume alas alas on on in short in fine on on abode of stones who can doubt it I resume but not so fast I resume the skull fading fading fading and concurrently simultaneously what is more for reasons unknown in spite of the tennis on on the beard the flames the tears the stones so blue so calm alas alas on on the skull the skull the skull the skull in Connemara in spite of the tennis the labors abandoned left unfinished graver still abode of stones in a word I resume alas alas abandoned unfinished the skull the skull in Connemara in spite of the tennis the skull alas the stones Cunard..tennis..the stones..so calm..cunard..unfinished

I am Sam
I am Sam
Sam I amThat Sam-I-am!
Than Sam-I-am!
I do not like
that Sam-I-am!Do you like
green eggs and ham?I do not like them,
Sam-I-am.
I do not like
green eggs and ham.

Would you like them
here or there?

I would not like them
here or there.
I would not like them
anywhere.
I do not like
green eggs and ham.
I do not like them,
Sam-I-am.

Would you like them
in a house?
Would you like them
with a mouse?

I do not like them
in a house.
I do not like them
with a mouse.
I do not like them
here or there.
I do not like them
anywhere.
I do not like green eggs and ham.
I do not like them, Sam-I-am.

Would you eat them
in a box?
Would you eat them
with a fox?

Not in a box.
Not with a fox.
Not in a house.
Not with a mouse.
I would not eat them here or there.
I would not eat them anywhere.
I would not eat green eggs and ham.
I do not like them, Sam-I-am.

Would you? Could you?
In a car?
Eat them! Eat them!
Here they are.

I would not,
could not,
in a car.

You may like them.
You will see.
You may like them
in a tree!

I would not, could not in a tree.
Not in a car! You let me be.

I do not like them in a box.
I do not like them with a fox.
I do not like them in a house.
I do not like them with a mouse.
I do not like them here or there.
I do not like them anywhere.
I do not like green eggs and ham.
I do not like them, Sam-I-am.

A train! A train!
A train! A train!
Could you, would you,
on a train?

Not on a train! Not in a tree!
Not in a car! Sam! Let me be!

I would not, could not, in a box.
I could not, would not, with a fox.
I will not eat them with a mouse.
I will not eat them in a house.
I will not eat them here or there.
I will not eat them anywhere.
I do not eat green eggs and ham.
I do not like them, Sam-I-am.

Say!
In the dark?
Here in the dark!
Would you, could you, in the dark?

I would not, could not,
in the dark.

Would you, could you, in the rain?I would not, could not,
in the rain.
Not in the dark. Not on a train.
Not in a car. Not in a tree.
I do not like them, Sam, you see.
Not in a house. Not in a box.
Not with a mouse. Not with a fox.
I will not eat them here or there.
I do not like them anywhere!You do not like
green eggs and ham?I do not
like them,
Sam-I-am.Could you, would you,
with a goat?

I would not,
could not,
with a goat!

Would you, could you,
on a boat?

I could not, would not, on a boat.
I will not, will not, with a goat.
I will not eat them in the rain.
I will not eat them on a train.
Not in the dark! Not in a tree!
Not in a car! You let me be!
I do not like them in a box.
I do not like them with a fox.
I will not eat them in a house.
I do not like them with a mouse.
I do not like them here or there.
I do not like them ANYWHERE!

I do not like
green eggs
and ham!I do not like them,
Sam-I-am.You do not like them.
So you say.
Try them! Try them!
And you may.
Try them and you may, I say.Sam!
If you will let me be,
I will try them.
You will see.Say!
I like green eggs and ham!
I do! I like them, Sam-I-am!
And I would eat them in a boat.
And I would eat them with a goat…

And I will eat them in the rain.
And in the dark. And on a train.
And in a car. And in a tree.
They are so good, so good, you see!

So I will eat them in a box.
And I will eat them with a fox.
And I will eat them in a house.
And I will eat them with a mouse.
And I will eat them here and there.
Say! I will eat them ANYWHERE!

I do so like
green eggs and ham!
Thank you!
Thank you,
Sam-I-am!
Donall Dempsey Oct 2017
DR. SAM'S HAPPY DAYS

That Sam-I-am!
( waiting for God-knows-who-or-wot )
nothing always happens...twice

I do not like thee Clov and Hamm
( I can read with my eyes closed )
The Godot in the Hat comes( or not )back

guess I'm just Lucky
quaquaquaqua outside time without extension
skulls and stones...skulls and stones...unfinished:

oh the thinks you could think up if
only you were( feckitt )
a Seuss or a Beckett
Wot happens( not a lot not a lot )when you get your Cat in the Hat crossed with yer Beckett!
Donall Dempsey Oct 2023
DUSO

this star
was born
with you

enclosed
within
your breast

(it is your namesake)  
to follow you
through life

and die
only with
your own death

burn brightly
with the love
you are made of

burn brightly
make love
the only thing

that is
worth
living for


*


Duso....meaning “Love”...but literally  “Soul” in Serbian.

In Serbian mythology we are all born with a star that goes with us through life and leaves us with our Death.
Donall Dempsey Oct 2015
DUSO*

This star
was born with you

enclosed
within your breast

(it is your namesake)  
to follow you
through life

and die only with
your own death.

Burn brightly

with the love
you are

made of.

Burn brightly

make love
the only thing

worth
living for.
*Duso....meaning “Love”...but literally  “Soul” in Serbian.

In Serbian mythology we are all born with a star that goes with us through life and leaves us with our Death.
Donall Dempsey Oct 2023
DU SPIELST 'NE TOLLE ROLLE IN DEN MEMOIREN
( You play a great role in the Memoir )


"Here ...hold this
sky...careful and
don't drop it!"

Memory frowns
as I
fumble the sky

"That there's a genuine
1963 sky..."
it tells me proudly

" I really had to
search high and low
to find it!"

Memory added
a few passing birds
to get the gist of it

"These birds are from
I know....1969
but nobody will notice!"

Memory similed to itself
"And this...
is you being seven!"

Memory set about
making me
a world...my world

it got most things
right but some things
not so right

"That's a 1943 tree
I point out
"I wasn't even born then!"

"Alright alright...whatever!"
Memory rolls its eyes
"Keep yer hair on!"

I remind Memory
I haven't any hair
any more

and so Memory
and I
go about

making the world
of me
aged seven

"You poets are so
exacting..."
Memory moans

"Now go and
live in it
if you will."

I loved being me
being seven
and so

pull back the sky
and enter
the world of then

as if it were
the world of now
I once again

that little boy
Nat King Cole on the radio
"Roll out those lazy crazy hazy days

of summer
you'll wish that summer
could always be here."
"


Those Lazy-Hazy-Crazy Days of Summer" is a popular song composed by Hans Carste. It was originally written as "Du spielst 'ne tolle Rolle", with German lyrics by Hans Bradtke, and was first recorded under that title in 1962 by ***** Hagara.


In 1963, it was recorded by Nat King Cole, with English lyrics written by Charles Tobias on a theme of nostalgia. Cole's version, arranged by Ralph Carmichael and produced by Lee Gillette, reached number 6 on the US Hot 100. On the US Middle-Road Singles chart, "Those Lazy-Hazy-Crazy Days of Summer" reached number 3.It was the opening track of Cole's 1963 album of the same name.

As a little boy I always thought that this song brought the summer in!
Donall Dempsey Jan 2020
DUSTSCEWUNG
( the contemplation of the dust )



Old houses were scaffolding once
And workmen whistling
T.E. Hulme



She gazes at the house
that isn't there.

Sees so clearly
the house it was

that is
no more.

Only the doorway
incongruous as it seems

remains.

Open to
the elements.

Sea and mountain
peeping through.

A door that leads
to nowhere.

Only an horizon
and a sea shining

a boat sailing to
a somewhere.

Small birds enter
without knocking

flit through and
flit back

mocking such
former human habitation.

It was as if a giant hand
had wrenched the roof off

thrown it to the dazzle
of the waves

peeled off each wall
one by one

revealing a block of silence
a frozen past

that slowly dissolves
becomes what once it was.

Here where I slept
a sheep grazes the bedroom

a dog defecates
in the living room

a swallow flies
through my dead sister's eyes

a cat prowls
through my mother's ghost.

She climbs the stair
that leaves her stranded

upon a cloud
and that cloud moving on

she stands still
in mid air.

It's all there
but it isn't.

A transistor radio
blares from the past.

Larry Gogan's voice
proclaiming the newest pop hit.

Charles Mitchell announcing "And here
is the news!"

She turns her face away
so the house won't see her crying

"Dustsewung!"
she repeats to herself

remembering her Anglo-Saxon
poetry module.

Translating it for the geese
who may not know just what it is.

She writes in crimson nail varnish
that half remembered fragment of Hulme

"Old houses were scaffolding once
And workmen whistling.

The past receding
in the car mirror.
****

This emerged from Anne-Marie Fyfe's wonderful workshop of home and houses. This scribble manifested itself and somehow found its wicked way into type.
Donall Dempsey Jan 2024
DUSTSCEWUNG
( the contemplation of the dust )


She gazes at the house
that isn't there.

Sees so clearly
the house it was

that is
no more.

Only the doorway
incongruous as it seems

remains.

Open to
the elements.

Sea and mountain
peeping through.

A door that leads
to nowhere.

Only an horizon
and a sea shining

a boat sailing to
a somewhere.

Small birds enter
without knocking

flit through and
flit back

mocking such
former human habitation.

It was as if a giant hand
had wrenched the roof off

thrown it to the dazzle
of the waves

peeled off each wall
one by one

revealing a block of silence
a frozen past

that slowly dissolves
becomes what once it was.

Here where I slept
a sheep grazes the bedroom

a dog defecates
in the living room

a swallow flies
through my dead sister's eyes

a cat prowls
through my mother's ghost.

She climbs the stair
that leaves her stranded

upon a cloud
and that cloud moving on

she stands still
in mid air.

It's all there
but it isn't.

A transistor radio
blares from the past.

Larry Gogan's voice
proclaiming the newest pop hit.

Charles Mitchell announcing "And here
is the news!"

She turns her face away
so the house won't see her crying

"Dustsewung!"
she repeats to herself

remembering her Anglo-Saxon
poetry module.

Translating it for the geese
who may not know just what it is.

She writes in crimson nail varnish
that half remembered fragment of Hulme

"Old houses were scaffolding once
And workmen whistling.

The past receding
in the car mirror.

*

An archaic English word, Dustscewung directly translates to “a Contemplation of what has been lost & the transience of things”


Old houses were scaffolding once
And workmen whistling

T.E. Hulme
Donall Dempsey May 2020
DUTCH SPRING

I walk through
the 16th century

imperceptibly
passing on into

the 17th without
even knowing I had

done so and here
are Dutch people

staring at me
wondering where I've come from.

I look into their eyes
long dead by now

their painted faces
gazing out of golden frames

windows into
all that's passed.

Trying to remember
Rembrandt saying

'"...the light from other's
minds..."

And here is Saskia
still asleep in a few brushstrokes.

I tiptoe away
an intruder into

their long ago lives
different yet the same

as mine
The Jewish Bride sad

to see me go
back into the bustle

of Spring
in the Amsterdam of now.
Donall Dempsey May 2019
DUTCH SPRING

I walk through
the 16th century

imperceptibly
passing on into

the 17th without
even knowing I had

done so and here
are Dutch people

staring at me
wondering where I've come from.

I look into their eyes
long dead by now

their painted faces
gazing out of golden frames

windows into
all that's passed.

Trying to remember
Rembrandt saying

'"...the light from other's
minds..."

And here is Saskia
still asleep in a few brushstrokes.

I tiptoe away
an intruder into

their long ago lives
different yet the same

as mine
The Jewish Bride sad

to see me go
back into the bustle

of Spring
in the Amsterdam of now.
Donall Dempsey May 2024
DUTCH SPRING

I walk through
the 16th century
imperceptibly

passing on into
the 17th without
even knowing I had

done so and here
are Dutch people
staring at me

wondering where I've come from
I look into their eyes
long dead by now

their painted faces
gazing out of golden frames
windows into all that's passed

trying to remember
Rembrandt saying "...the light
from other's minds..."

and here is Saskia
still asleep in
a few brushstrokes

I tiptoe away
an intruder into
their long ago lives

different
yet the same
as mine

The Jewish Bride sad
to see me go
back into the bustle

of Spring
in the Amsterdam
of now
Donall Dempsey Jan 2018
DU TEMPS PERDU

weather vane
rusted into a NNW
still facing into the long ago

paying little heed
to time or what
way the wind blows

the peal of a bell
nails our shadows
to the hard ground

the sharpness of sunshine
outlining everything
it touches

the smack of bat on ball
****** of tea things
broken china cup "...howzat!"

our shadows get up
walk silently away
they have business elsewhere

so here we are
trapped in this
one moment

staring blindly
into a future
we can not know

the white border
of the photograph
contains us

it is no longer
the 1930's
storm clouds gather

another generation holds us
between forefinger and thumb
war has come and gone

they must wonder what
we were
thinking when it was taken

we stare out at them
staring in at us
each unable to imagine the other

they remark that we
have their eyes...their faces
the resemblance there for all to see

they could just as easily
be us
"Ha ha...that's us...in fancy dress."

time doesn't seem
to have a moved
the weathervane still

doesn't know
which way
to turn
DU TEMPS PERDU

weather vane
rusted into a NNW
still facing into the long ago

paying little heed
to time or what
way the wind blows

the peal of a bell
nails our shadows
to the hard ground

the sharpness of sunshine
outlining everything
it touches

the smack of bat on ball
****** of tea things
broken china cup "...howzat!"

our shadows get up
walk silently away
they have business elsewhere

so here we are
trapped in this
one moment

staring blindly
into a future
we can not know

the white border
of the photograph
contains us

it is no longer
the 1930's
storm clouds gather

another generation holds us
between forefinger and thumb
war has come and gone

they must wonder what
we were
thinking when it was taken

we stare out at them
staring in at us
each unable to imagine the other

they remark that we
have their eyes...their faces
the resemblance there for all to see

they could just as easily
be us
"Ha ha...that's us...in fancy dress."

time doesn't seem
to have a moved
the weathervane still

doesn't know
which way
to turn
Donall Dempsey Jan 2020
DU TEMPS PERDU

weather vane
rusted into a NNW
still facing into the long ago

paying little heed
to time or what
way the wind blows

the peal of a bell
nails our shadows
to the hard ground

the sharpness of sunshine
outlining everything
it touches

the smack of bat on ball
****** of tea things
broken china cup "...howzat!"

our shadows get up
walk silently away
they have business elsewhere

so here we are
trapped in this
one moment

staring blindly
into a future
we can not know

the white border
of the photograph
contains us

it is no longer
the 1930's
storm clouds gather

another generation holds us
between forefinger and thumb
war has come and gone

they must wonder what
we were
thinking when it was taken

we stare out at them
staring in at us
each unable to imagine the other

they remark that we
have their eyes...their faces
the resemblance there for all to see

they could just as easily
be us
"Ha ha...that's us...in fancy dress."

time doesn't seem
to have a moved
the weather vane still

doesn't know
which way
to turn
Donall Dempsey Jan 2019
DU TEMPS PERDU

weather vane
rusted into a NNW
still facing into the long ago

paying little heed
to time or what
way the wind blows

the peal of a bell
nails our shadows
to the hard ground

the sharpness of sunshine
outlining everything
it touches

the smack of bat on ball
****** of tea things
broken china cup "...howzat!"

our shadows get up
walk silently away
they have business elsewhere

so here we are
trapped in this
one moment

staring blindly
into a future
we can not know

the white border
of the photograph
contains us

it is no longer
the 1930's
storm clouds gather

another generation holds us
between forefinger and thumb
war has come and gone

they must wonder what
we were
thinking when it was taken

we stare out at them
staring in at us
each unable to imagine the other

they remark that we
have their eyes...their faces
the resemblance there for all to see

they could just as easily
be us
"Ha ha...that's us...in fancy dress."

time doesn't seem
to have a moved
the weathervane still

doesn't know
which way
to turn
Donall Dempsey Apr 2015
EACH TO THE OTHER ARE

LADY frown not
at this absence

of the sun

that hath so far
shone down

on everything
we've  done.

For we are all
the sun we need.

See! I shine on you!
You...you shine on me!

Nay...weep not this
mere absence

of a sun

for we
a star

each to
the other are

& all of summer
& all its glorious loving

ripens succulently
like a glistening berry

in who
we each to the other

...are.

The merest kiss
...a star!

*

Our first love was made glorious by this sun of Stratford  and now our first tentative meeting after that threatens not to be a sunny day!

Alas! But what care I!

I doth love thee
whatever the weather

if thou but
shine on me

shine

on

me.
*******

Our first love was made glorious by this sun of Stratford  and now our first tentative meeting after that threatens not to be a sunny day!

Alas! But what care I!

I doth love thee
whatever the weather

if thou but
shine on me

shine

on

me.
Donall Dempsey Apr 2018
EARL GREY -SLICE OF LEMON
( αφιερωμένη στην Κωνσταντῖνος - Προφέρω τον ποιητή) )

Cathy was
my imaginary friend.

Went everywhere together.
Did everything together.

We two were
as one.

But alas Cathy was
not long for this world.

She got run over
by a milk float.

I can still hear the rattling
of the bottles with the blue tops.

"NOOOOoooooooo!" I screamed
as if were were in a sloooow-mooooo movie.

She kept smiling at me
as the float flattened her.

I guess she got the physics
of the real and the imaginary

world tangled up
never saw it coming.

Death was instantaneous.
She couldn't have felt anything.

There was milk
everywhere.

After that I stuck to who
I knew were of this world.

I have now three 3-D friends.
Really!

Mum was relieved.
Stopped setting the table for two.

She had only ever
wanted the one child.

"No, thank you...I never
take milk.

Earl Grey.
Slice of lemon.
Donall Dempsey Aug 2015
Her mind
was a  Möbius strip

which every now & then

she offered a sip

like a too rich wine
which offended the palette.

She acted like a
fictional character

in an outrageous
historical novel

her bosoms
almost hypnotising one

into ripping her bodice.

She acted out
her life

as if she was a Colossus

like an Ozymandias
before it all went wrong

& some guy called Shelly
happened to come along.

She was an aria
in the opera of her life

but right now

she was just sipping from the daintiest of cups

& laughing hysterically at something I said

(which I hadn’t considered funny)  

spraying in  my astonished face

a soft mist of hot
Earl Grey tea.
Dear Poet;

We chose your "Earl Grey Tea" poem as 'Poem of The Day from A Member' and on 8/1/2015 it will be sent to all 'MemberPoem Bulletin' members.

It will also be on the main page on that day, and it will be listed on 'Poem of The Day from A Member' calendar.

We thank you for your contribution to our site.

Best regards.
Donall Dempsey Nov 2018
EARTH DATE

I thought she was
out of this world

we agreed to meet
Friday the 13th

on the third rock
from the sun

but
she didn't come.

****** Martians
they're all the same!
Donall Dempsey Nov 2019
EARTH DATE

I thought she was
out of this world

we agreed to meet
Friday the 13th

on the third rock
from the sun

but
she didn't come.

****** Martians
they're all the same!
Donall Dempsey Apr 2016
EAT YOUR ALLIGATOR TILLY!

Darling daughter
refusing to eat

so, I: sea
shanty her.

"Oh what do ya think we'll have for supper?"

"Eat Tilly eat!"

"Oh maybe we'll have alligator!"

"Eat my Tilly girl...eat!"

"Oh but I couldn't eat a whole alligator!"

"Eat Tilly eat!"

"Well...eat only half and keep half for later!"

"Eat my Tilly girl...eat!"

"Eat alligator before he eats you!"

My little sailor suited girl
opens her mouth to laugh

and in pops
Mr. Spoon.

Hmmmmmm.....yum yum.

Soon alligator becomes
her word

for any eatables
whether it be ice cream or scone.

Now she sings
heartily to self

my three year old salty sea dog

'EAT YOUR ALLIGATOR TILLY!"
Tilly's stammer vanished when she sang so I sang to her and got her to sing back to me...the call and response of the sea shanty was an excellent device to utilise. So I would sing to her: "PASS THE BUTTER TILLY...DON'T PET THE BUTTER SILLY!"

The stammer would also be no more if she mimicked voices so we often stepped into the borrowing of W.C. Fields' voice. She would also "N" words so that "porridge! would become "Norrige!"  She would also leave the first letter of the word off so that "dog" would become an "OG!" However she would also make up her own words like a little Adam so that a 'cat" was always an. . .  
"ANA BOOBOO!"  She would also slur a sentence into its component sounds and tones and inflections ending in one clear word at the end as in "Wouldyoulikeanicecupof...TEA!"  Such are the learning curves when one engages with the delights of the language.

Sung to the tune of BLOW BOYS BLOW!

"O Congo she's a mighty river,
( blow boys blow )
Where fever makes the white man shiver.
Blow my bully boys blow!"
Donall Dempsey Apr 2018
EAT YOUR ALLIGATOR TILLY!

Darling daughter
refusing to eat

so, I: sea
shanty her.

"Oh what do ya think we'll have for supper?"

"Eat Tilly eat!"

"Oh maybe we'll have alligator!"

"Eat my Tilly girl...eat!"

"Oh but I couldn't eat a whole alligator!"

"Eat Tilly eat!"

"Well...eat only half and keep half for later!"

"Eat my Tilly girl...eat!"

"Eat-alligator-before-alligator-eats-you!"

My little sailor suited girl
opens her mouth to laugh

and in pops
Mr. Spoon.

Hmmmmmm.....yum yum.

Soon alligator becomes
her word

for any eatables
whether it be ice cream or scone.

Now she sings
heartily to self

my three year old salty sea dog

'EAT YOUR ALLIGATOR TILLY!"
Donall Dempsey Apr 2019
EAT YOUR ALLIGATOR TILLY!

Darling daughter
refusing to eat

so, I: sea
shanty her.

"Oh what do ya think we'll have for supper?"

"Eat Tilly eat!"

"Oh maybe we'll have alligator!"

"Eat my Tilly girl...eat!"

"Oh but I couldn't eat a whole alligator!"

"Eat Tilly eat!"

"Well...eat only half and keep half for later!"

"Eat my Tilly girl...eat!"

"Eat-alligator-before-alligator-eats-you!"

My little sailor suited girl
opens her mouth to laugh

and in pops
Mr. Spoon.

Hmmmmmm.....yum yum.

Soon alligator becomes
her word

for any eatables
whether it be ice cream or scone.

Now she sings
heartily to self

my three year old salty sea dog

'EAT YOUR ALLIGATOR TILLY!"
Donall Dempsey Jul 2019
EEN GLAS MELK
(A GLASS OF MILK)

Here - the lady stops
pouring milk from her pitcher

turns and gasps
to see me see her

as she
is!

"Shooo!" she says in Dutch.
"You are not allowed in here!"

"Je bent hier niet toegestaan!"
in a blue and yellow voice.

And there a lady pauses
to read her letter

stops to see
me stare.

"Go away!"( she mouths )"Ga weg!"

But I am a child
and can enter anywhere

my mind takes me
inside this Vermeer

or whatever
paint offers.

I see them both
in the before and after

the moment
captured

not merely being
what the title says.

I put first one foot
over the gilded frame

then the other and
follow where

they go
I go

becoming molecule by molecule
the pigment that they are

living the life
of paint.

"Gee honey see
that shadow that

shadow there
looks like that little kid

that was here
only a moment

ago I
hold my breath

stand perfectly still until
the obese tourist

moves on
to the next(click!)pic.

"Oooh you!"
scolds Vermeer's lady

".You nearly got us caught!"
("Je hebt ons bijna betrapt!")

Then she laughs
toussels my curls

pours me
a glass of milk!
Donall Dempsey Nov 2022
"EH WHITNEY...WE GOT A PROBLEM!"

Here, on
the boundaries of the mind

there was a tear
in the space/time

continuum thingy
coming apart at the seams.

The Universe was looking
a wee bit precarious.

But I'd been watching
Blue Peter for years

and fixed it with
some sticky-back plastic

and some Wrigley's
Spearmint chewing gum

and 500 bottle tops
I had saved up

in case of an emergency
such as this.

The Fairy Liquid Bottle
was still half full.

Undoubtedly questions
will be asked but

I think it will last
until God or the Great Whatever

gets its finger out
and fixes it.

Meanwhile here I am
holding the universe together.

Houston singing on the radio
"You're all the man I need!"
Donall Dempsey Nov 2023
"EH WHITNEY...WE GOT A PROBLEM!"

Here, on
the boundaries of the mind

there was a tear
in the space/time

continuum thingy
coming apart at the seams.

The Universe was looking
a wee bit precarious.

But I'd been watching
Blue Peter for years

and fixed it with
some sticky-back plastic

and some Wrigley's
Spearmint chewing gum

and 500 bottle tops
I had saved up

in case of an emergency
such as this.

The Fairy Liquid Bottle
was still half full.

Undoubtedly questions
will be asked but

I think it will last
until God or the Great Whatever

gets its finger out
and fixes it.

Meanwhile here I am
holding the universe together.

Houston singing on the radio
"You'are all the man I need!"
Donall Dempsey Nov 2019
"EH WHITNEY...WE GOT A PROBLEM!"

Here, on
the boundaries of the mind

there was a tear
in the space/time

continuum thingy
coming apart at the seams.

The Universe was looking
a wee bit precarious.

But I'd been watching
Blue Peter for years

and fixed it with
some sticky-back plastic

and some Wrigley's
Spearmint chewing gum

and 500 bottle tops
I had saved up

in case of an emergency
such as this.

The Fairy Liquid Bottle
was still half full.

Undoubtedly questions
will be asked but

I think it will last
until God or the Great Whatever

gets its finger out
and fixes it.

Meanwhile here I am
holding the universe together.

Houston singing on the radio
"You'are all the man I need!"
Donall Dempsey Mar 2021
EIGHT OKTAS

Walked out the door.

First thing that hit me
was an isobar.

Right in the right eye.

A weather map had fallen
out of the blue sky.

A row of black *****
lying in the back yard.

A star perched
upon a roof top.

A warm front
lay across the road

in a solid red line
with red semi-circles

which shortsightedly I
had almost fallen over.

An occluded front
lay perfectly balanced

upon a low wall
upon which graffiti scrawled:

"Up de Rids!"

Their fanaticism
badly misspelled.

Weather! Whatever!

I tried to put on
a brave front

but it was no use.

There were tears.

Here, here and:
. . . here.

*

Complete cloud cover (eight oktas).

In meteorology, an okta is a unit of measurement used to describe the amount of cloud cover at any given location such as a weather station. Sky conditions are estimated in terms of how many eighths of the sky are covered in cloud, ranging from 0 oktas (completely clear sky) through to 8 oktas (completely overcast).

Isobars are lines on a weather map joining together places of equal atmospheric pressure.

On coloured weather maps, a warm front is drawn with a solid red line with red semicircles.

Symbol for rain is a black ball and the symbol for snow is a star, then you know sleet will be a ball plus a star, and two, three or four ***** denotes heavier rainstorms.
Donall Dempsey Mar 2018
EIGHT OKTAS

Walked out the door.

First thing that hit me
was an isobar.

Right in the right eye.

A weather map had fallen
out of the blue sky.

A row of black *****
lying in the back yard.

A star perched
upon a roof top.

A warm front
lay across the road

in a solid red line
with red semi-circles

which shortsightedly I
had almost fallen over.

An occluded front
lay perfectly balanced

upon a low wall
upon which graffiti scrawled:

"Up de Rids!"

Their fanaticism
badly misspelled.

I tried to put on
a brave front

but it was no use.

There were tears.

Here, here and:
. . . here.
EIGHT OKTAS

Walked out the door.

First thing that hit me
was an isobar.

Right in the right eye.

A weather map had fallen
out of the blue sky.

A row of black *****
lying in the back yard.

A star perched
upon a roof top.

A warm front
lay across the road

in a solid red line
with red semi-circles

which shortsightedly I
had almost fallen over.

An occluded front
lay perfectly balanced

upon a low wall
upon which graffiti scrawled:

"Up de Rids!"

Their fanaticism
badly misspelled.

I tried to put on
a brave front

but it was no use.

There were tears.

Here, here and:
. . . here.

***

Complete cloud cover (eight oktas).

In meteorology, an okta is a unit of measurement used to describe the amount of cloud cover at any given location such as a weather station. Sky conditions are estimated in terms of how many eighths of the sky are covered in cloud, ranging from 0 oktas (completely clear sky) through to 8 oktas (completely overcast).

Isobars are lines on a weather map joining together places of equal atmospheric pressure.

On coloured weather maps, a warm front is drawn with a solid red line with red semicircles.

Symbol for rain is a black ball and the symbol for snow is a star, then you know sleet will be a ball plus a star, and two, three or four ***** denotes heavier rainstorms.

Occluded fronts occur at the point where a cold front takes over a warm front or the other way around.
Donall Dempsey Mar 2020
EIGHT OKTAS

Walked out the door.

First thing that hit me
was an isobar.

Right in the right eye.

A weather map had fallen
out of the blue sky.

A row of black *****
lying in the back yard.

A star perched
upon a roof top.

A warm front
lay across the road

in a solid red line
with red semi-circles

which shortsightedly I
had almost fallen over.

An occluded front
lay perfectly balanced

upon a low wall
upon which graffiti scrawled:

"Up de Rids!"

Their fanaticism
badly misspelled.

Weather! Whatever!

I tried to put on
a brave front

but it was no use.

There were tears.

Here, here and:
. . . here.
***

Complete cloud cover (eight oktas).

In meteorology, an okta is a unit of measurement used to describe the amount of cloud cover at any given location such as a weather station. Sky conditions are estimated in terms of how many eighths of the sky are covered in cloud, ranging from 0 oktas (completely clear sky) through to 8 oktas (completely overcast).

Isobars are lines on a weather map joining together places of equal atmospheric pressure.

On coloured weather maps, a warm front is drawn with a solid red line with red semicircles.

Symbol for rain is a black ball and the symbol for snow is a star, then you know sleet will be a ball plus a star, and two, three or four ***** denotes heavier rainstorms.

Occluded fronts occur at the point where a cold front takes over a warm front or the other way around.
Donall Dempsey Aug 2021
"ELECTED SILENCE,  SING TO ME..."

"Skin"
as they used to call him

is( like me )
up a tree

the very topmost
tip of it.

Wondering at this
great height

"What must it be
to be

someone
else?"

I too a boy
at one with the sky

sharing
a branch with a bird

who accepts me
as just

another( if odd )bird
of a different feather.

I wonder if the bird wonders
what it must me be to be - me.

Esse quam videri
( to be rather than

to seem to be)
words carved into the living

tree
the wounded bark.

Clouds too
are my friends.

Feel as if I could
step on one

have the wind
roll me about.

Fields...
a green patchwork quilt

River...
a silver thread.

House---
a mere toy.

Time spreads out
endlessly.

It is always and
only forever.

The created and uncreated
map of Now.

"Skin" or
Gerard Manley Hopkins

as I will get
to know him

both up
our respective tree.

He in 1853.
Me in 1963.

Drinking in the world
with our eyes

and one big
gulp of the mind.

*

REALITY'S UNRAVELLER

Charles Luxmoore on Gerard Manley Hopkins...

"...a fearless climber of trees, and would go up very high in the lofty elm tree, standing in our garden...to the the alarm of un-lookers like myself."

I on the other hand climbed trees to escape the world of my young sister's death...here at this great height I could be both in and out of the world...longing to be someone else...somewhere else....anywhere else...anyone else...even a bird if that could be...the map of the world spread below me...high above this bitter grief. I would "vanish" into bay windows and sit for hours whilst aunts and uncle stood a few feet from me and wondered where "the boy has gone" and call my name that didn't seem to be me anymore. I remember sitting between two silver milk churns down in Cork and everyone unseeing of me as if my grief had made me invisible. I was "Of reality the rarest-veined unraveller..."
Donall Dempsey Aug 2020
"ELECTED SILENCE,  SING TO ME..."

"Skin"
as they used to call him

is( like me )
up a tree

the very topmost
tip of it.

Wondering at this
great height

"What must it be
to be

someone
else?"

I too a boy
at one with the sky

sharing
a branch with a bird

who accepts me
as just

another( if odd )bird
of a different feather.

I wonder if the bird wonders
what it must me to be - me.

Esse quam videri
( to be rather than

to seem to be)
words carved into the living

tree
the wounded bark.

Clouds too
are my friends.

Feel as if I could
step on one

have the wind
roll me about.

Fields...
a green patchwork quilt

River...
a silver thread.

House---
a mere toy.

Time spreads out
endlessly.

It is always and
only forever.

The created and uncreated
map of Now.

"Skin" or
Gerard Manley Hopkins

as I will get
to know him

both up
our respective tree.

He in 1853.
Me in 1963.

Drinking in the world
with our eyes

and one big
gulp of the mind.

*

REALITY'S UNRAVELLER

Charles Luxmoore on Gerard Manley Hopkins...

"...a fearless climber of trees, and would go up very high in the lofty elm tree, standing in our garden...to the the alarm of un-lookers like myself."

I on the other hand climbed trees to escape the world of my young sister's death...here at this great height I could be both in and out of the world...longing to be someone else...somewhere else....anywhere else...anyone else...even a bird if that could be...the map of the world spread below me...high above this bitter grief. I would "vanish" into bay windows and sit for hours whilst aunts and uncle stood a few feet from me and wondered where "the boy has gone" and call my name that didn't seem to be me anymore. I remember sitting between two silver milk churns down in Cork and everyone unseeing of me as if my grief had made me invisible. I was "Of reality the rarest-veined unraveller..."
Donall Dempsey Aug 2019
"ELECTED SILENCE,  SING TO ME..."

"Skin"
as they used to call him

is( like me )
up a tree

the very topmost
tip of it.

Wondering at this
great height

"What must it be
to be

someone
else?"

I too a boy
at one with the sky

sharing
a branch with a bird

who accepts me
as just

another( if odd )bird
of a different feather.

I wonder if the bird wonders
what it must me to be - me.

Esse quam videri
( to be rather than

to seem to be)
words carved into the living

tree
the wounded bark.

Clouds too
are my friends.

Feel as if I could
step on one

have the wind
roll me about.

Fields...
a green patchwork quilt

River...
a silver thread.

House---
a mere toy.

Time spreads out
endlessly.

It is always and
only forever.

The created and uncreated
map of Now.

"Skin" or
Gerard Manley Hopkins

as I will get
to know him

both up
our respective tree.

He in 1853.
Me in 1963.

Drinking in the world
with our eyes

and one big
gulp of the mind.
REALITY'S UNRAVELLER


Charles Luxmoore on Gerard Manley Hopkins...

"...a fearless climber of trees, and would go up very high in the lofty elm tree, standing in our garden...to the the alarm of un-lookers like myself."


I on the other hand climbed trees to escape the world of my young sister's death...here at this great height I could be both in and out of the world...longing to be someone else...somewhere else....anywhere else...anyone else...even a bird if that could be...the map of the world spread below me...high above this bitter grief. I would "vanish" into bay windows and sit for hours whilst aunts and uncle stood a few feet from me and wondered where "the boy has gone" and call my name that didn't seem to be me anymore. I remember sitting between two silver milk churns down in Cork and everyone unseeing of me as if my grief had made me invisible. I was "Of reality the rarest-veined unraveller..."

***

The Habit of Perfection


ELECTED Silence, sing to me
And beat upon my whorlèd ear,
Pipe me to pastures still and be
The music that I care to hear.

Shape nothing, lips; be lovely-dumb:         5
It is the shut, the curfew sent
From there where all surrenders come
Which only makes you eloquent.

Be shellèd, eyes, with double dark
And find the uncreated light:         10
This ruck and reel which you remark
Coils, keeps, and teases simple sight.

Palate, the hutch of tasty lust,
Desire not to be rinsed with wine:
The can must be so sweet, the crust         15
So fresh that come in fasts divine!

Nostrils, your careless breath that spend
Upon the stir and keep of pride,
What relish shall the censers send
Along the sanctuary side!         20

O feel-of-primrose hands, O feet
That want the yield of plushy sward,
But you shall walk the golden street
And you unhouse and house the Lord.

And, Poverty, be thou the bride         25
And now the marriage feast begun,
And lily-coloured clothes provide
Your spouse not laboured-at nor spun.
Donall Dempsey Aug 2024
"ELECTED SILENCE,  SING TO ME..."

"Skin"
as they used to call him
is( like me )

up a tree
the very topmost
tip of it

wondering at this
great height
"What must it be

to be
someone
else?"

I too a boy
at one with the sky
sharing

a branch with a bird
who accepts me
as just

another( if odd )
bird
of a different feather

I wonder if
the bird wonders what
it must me to be - me

esse quam videri
( to be rather than
to seem to be)

words carved into the living
tree
the wounded bark

clouds too
are my friends
feel as if I could

step on one
have the wind
roll me about

fields...
a green
patchwork quilt

river...
a silver thread
house --a mere toy

Time
spreads out
endlessly

it is always
and only
forever

the created
and uncreated
map of Now

"Skin" or
Gerard Manley Hopkins
as I will get to know him

both up
our respective
trees

he in 1853
me in 1963

drinking in
the world
with our eyes

and one big
gulp
of the mind

*

REALITY'S UNRAVELLER

Charles Luxmoore on Gerard Manley Hopkins...

"...a fearless climber of trees, and would go up very high in the lofty elm tree, standing in our garden...to the the alarm of un-lookers like myself."


I on the other hand climbed trees to escape the world of my young sister's death...here at this great height I could be both in and out of the world...longing to be someone else...somewhere else....anywhere else...anyone else...even a bird if that could be...the map of the world spread below me...high above this bitter grief. I would "vanish" into bay windows and sit for hours whilst aunts and uncle stood a few feet from me and wondered where "the boy has gone" and call my name that didn't seem to be me anymore.

I remember sitting between two silver milk churns down in Cork and everyone unseeing of me as if my grief had made me invisible. I was "Of reality the rarest-veined unraveller..."
Donall Dempsey Nov 2023
"ELECTED SILENCE,SING TO ME..."



"Skin"
as they used to call him


is( like me )
up a tree


the very topmost
tip of it.


Wondering at this
great height


"What must it be
to be

someone  
else?"

I too a boy
at one with the sky  

sharing
a branch with a bird

who accepts me
as just

another( if odd )bird
of a different feather.

I wonder if the bird wonders
what it must me to be - me.

Esse quam videri  
( to be rather than
to seem to be)  

words carved into the living
tree
the wounded bark.


Clouds too
are my friends.

Feel as if I could
step on one

have the wind
roll me about.

Fields...
a green patchwork quilt

River...
a silver thread.

House---
a mere toy.

Time spreads out
endlessly.

It is always and  
only forever.

The created and uncreated
map of Now.

"Skin" or
Gerard Manley Hopkins

as I will get
to know him

both up  
our respective tree.

He in 1853.
Me in 1963.

Drinking in the world
with our eyes

and one big  
gulp of the mind.

*

REALITY'S UNRAVELLER

Charles Luxmoore on Gerard Manley Hopkins...


"...a fearless climber of trees, and would go up very high in the lofty elm tree, standing in our garden...to the the alarm of un-lookers like myself."


I on the other hand climbed trees to escape the world of my young sister's death...here at this great height I could be both in and out of the world...longing to be someone else...somewhere else....anywhere else...anyone else...even a bird if that could be...the map of the world spread below me...high above this bitter grief. I would "vanish" into bay windows and sit for hours whilst aunts and uncle stood a few feet from me and wondered where "the boy has gone" and call my name that didn't seem to be me anymore. I remember sitting between two silver milk churns down in Cork and everyone unseeing of me as if my grief had made me invisible. I was "Of reality the rarest-veined unraveller..."
Donall Dempsey Aug 2022
"ELECTED SILENCE,  SING TO ME..."

"Skin"
as they used to call him

is( like me )
up a tree

the very topmost
tip of it.

Wondering at this
great height

"What must it be
to be

someone
else?"

I too a boy
at one with the sky

sharing
a branch with a bird

who accepts me
as just

another( if odd )bird
of a different feather.

I wonder if the bird wonders
what it must me to be - me.

Esse quam videri
( to be rather than

to seem to be)
words carved into the living

tree
the wounded bark.

Clouds too
are my friends.

Feel as if I could
step on one

have the wind
roll me about.

Fields...
a green patchwork quilt

River...
a silver thread.

House---
a mere toy.

Time spreads out
endlessly.

It is always and
only forever.

The created and uncreated
map of Now.

"Skin" or
Gerard Manley Hopkins

as I will get
to know him

both up
our respective tree.

He in 1853.
Me in 1963.

Drinking in the world
with our eyes

and one big
gulp of the mind.

*

REALITY'S UNRAVELLER

Charles Luxmoore on Gerard Manley Hopkins...

"...a fearless climber of trees, and would go up very high in the lofty elm tree, standing in our garden...to the the alarm of un-lookers like myself."

I on the other hand climbed trees to escape the world of my young sister's death...here at this great height I could be both in and out of the world...longing to be someone else...somewhere else....anywhere else...anyone else...even a bird if that could be...the map of the world spread below me...high above this bitter grief. I would "vanish" into bay windows and sit for hours whilst aunts and uncle stood a few feet from me and wondered where "the boy has gone" and call my name that didn't seem to be me anymore. I remember sitting between two silver milk churns down in Cork and everyone unseeing of me as if my grief had made me invisible. I was "Of reality the rarest-veined unraveller..."
Donall Dempsey Jun 2015
The wall is
a ***** blue

like a sky turned solid
and trapped in a room.

It is greasy
with time

and human beings
who have shed their skin

voices turned to dust.

There is a paler blue
circle of wall

that was once where
a clock had sat

doling out time
begrudgingly.

I stare at it.

It's circle of blue
wants to tell the time

but finds
it can not.

A cockroach crawls across it
moving from what would have been

10 to 9 to
half past.

The house has lost
its head.

A bird flies through it.

Bede's bird.

Time it seems
has rotted here.

The pale blue circle
no longer the clock

it was.

I know it is
time to go.

I turn on my
heel.
Donall Dempsey Jun 2019
EL REMOTISSIMA PROPE

The wall is
a ***** blue

like a sky turned solid
and trapped in a room.

It is greasy
with time

and human beings
who have shed their skin

voices turned to dust.

There is a paler blue
circle of wall

that was once where
a clock had sat

doling out time
begrudgingly.

I stare at it.

It's circle of blue
wants to tell the time

but finds
it can not.

A cockroach crawls across it
moving from what would have been

10 to 9 to
half past.

The house has lost
its head.

A bird flies through it.

Bede's bird.

Time it seems
has rotted here.

The pale blue circle
no longer the clock

it was.

I know it is
time to go.

I turn on my
heel.
Donall Dempsey Mar 2024
EMOTIONAL ARCHAEOLOGY

Here, I dig up
what remains

the myths
of us

fossils found
of thought

thought long ago

traces of us
lost to time

lost time
glinting now

behind glass
with labels to tell us

who we
were

who we thought
we were.

There, the lost
contact lens

brings a tear
to the eye

made more rare by
time passing by

prized now not
for function

becoming precious
an ordinary treasure

in an alchemy
of memory

full fathomed five
we be

believing in the truth
that was always a lie.

Here, the snake
entering the eye

socket of
a skull

( the stillness of
silence )

one plastic
the other for real.

The myth of us
sacrificed

upon the altar
of now

so allowing us to be

( altering as it see fits )

to be
just you & me

our selves again
( owning who we are )

escaping into
a future.
Donall Dempsey Mar 2022
EMOTIONAL ARCHAEOLOGY

Here, I dig up
what remains

the myths
of us

fossils found
of thought

thought long ago

traces of us
lost to time

lost time
glinting now

behind glass
with labels to tell us

who we
were

who we thought
we were.

There, the lost
contact lens

brings a tear
to the eye

made more rare by
time passing by

prized now not
for function

becoming precious
an ordinary treasure

in an alchemy
of memory

full fathomed five
we be

believing in the truth
that was always a lie.

Here, the snake
entering the eye

socket of
a skull

( the stillness of
silence )

one plastic
the other for real.

The myth of us
sacrificed

upon the altar
of now

so allowing us to be

( altering as it see fits )

to be
just you & me

our selves again
( owning who we are )

escaping into
a future.
Donall Dempsey Mar 2020
EMOTIONAL ARCHAEOLOGY

Here, I dig up
what remains

the myths
of us

fossils found
of thought

thought long ago

traces of us
lost to time

lost time
glinting now

behind glass
with labels to tell us

who we
were

who we thought
we were.

There, the lost
contact lens

brings a tear
to the eye

made more rare by
time passing by

prized now not
for function

becoming precious
an ordinary treasure

in an alchemy
of memory

full fathomed five
we be

believing in the truth
that was always a lie.

Here, the snake
entering the eye

socket of
a skull

( the stillness of
silence )

one plastic
the other for real.

The myth of us
sacrificed

upon the altar
of now

so allowing us to be

( altering as it see fits )

to be
just you & me

our selves again
( owning who we are )

escaping into
a future.
Donall Dempsey Mar 2019
EMOTIONAL ARCHAEOLOGY

Here, I dig up
what remains

the myths
of us

fossils found
of thought

thought long ago

traces of us
lost to time

lost time
glinting now

behind glass
with labels to tell us

who we
were

who we thought
we were.

There, the lost
contact lens

brings a tear
to the eye

made more rare by
time passing by

prized now not
for function

becoming precious
an ordinary treasure

in an alchemy
of memory

full fathomed five
we be

believing in the truth
that was always a lie.

Here, the snake
entering the eye

socket of
a skull

( the stillness of
silence )

one plastic
the other for real.

The myth of us
sacrificed

upon the altar
of now

so allowing us to be

( altering as it see fits )

to be
just you & me

our selves again
( owning who we are )

escaping into
a future.
EMOTIONAL ARCHAEOLOGY

Here, I dig up
what remains

the myths
of us

fossils found
of thought

thought long ago

traces of us
lost to time

lost time
glinting now

behind glass
with labels to tell us

who we
were

who we thought
we were.

There, the lost
contact lens

brings a tear
to the eye

made more rare by
time passing by

prized now not
for function

becoming precious
an ordinary treasure

in an alchemy
of memory

full fathomed five
we be

believing in the truth
that was always a lie.

Here, the snake
entering the eye

socket of
a skull

( the stillness of
silence )

one plastic
the other for real.

The myth of us
sacrificed

upon the altar
of now

so allowing us to be

( altering as it see fits )

to be
just you & me

our selves again
( owning who we are )

escaping into
a future.
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