Submit your work, meet writers and drop the ads. Become a member
 
Donall Dempsey Jun 2018
CENTAUR

Hiding in the hay
me a terrified little boy
& my uncle like a terrified little boy

the voices in his head telling him to be afraid
of all strangers...changes.

He’s been like this
since the day his Dad

(my unknown grandfather)
died.

My Aunt’s voice
searching for us...searching us out.

Her shouts like bloodhounds
hunting us down

her words angry & cruel.

Her angry voice slurring us into:
“DonallSeanie! ”

as if we had fused into one being
a metamorphosis of us.

The hay cooks us
and we swelter in our hidey hole

A chicken sits on top
of my uncle’s cap

as if his mind had
materialised into this shape.

He rocks himself
and rocks me.

“Shhhh...boy...shhhh! ”
comforting both him & me.

“Don’t leave me! ”
he clucks

the words scattered around him
like newly laid eggs.

I settle into his silence.

My Aunt’s threats freezing us
in this terrible heat.

His chest hair
tickles my nose.

The cut on my left big toe
throbs through the open sandal.

My uncle cries in fear.

I wipe away the tear
with the ***** edge of my sleeve.

We escape to
the West field

me riding his shoulders

transformed into
a legendary creature

that only exists in myths
fleeing from the realness

...of reality.
Donall Dempsey Jun 2024
CENTAUR

Hiding in the hay
me a terrified little boy
& my uncle like a terrified little boy

the voices in his head telling him to be afraid
of all strangers...changes.

He’s been like this
since the day his Dad(my unknown grandfather)
died.

My Aunt’s voice
searching for us...searching us out.

Her shouts like bloodhounds
hunting us down

her words angry & cruel.

Her angry voice slurring us into:
“DonallSeanie! ”

as if we had fused into one being
a metamorphosis of us.

The hay cooks us
and we swelter in our hidey hole

A chicken sits on top
of my uncle’s cap

as if his mind had
materialised into this shape.

He rocks himself
and rocks me.

“Shhhh...boy...shhhh! ”
comforting both him & me.

“Don’t leave me! ”
he clucks

the words scattered around him
like newly laid eggs.

I settle into his silence.

My Aunt’s threats freezing us
in this terrible heat.

His chest hair
tickles my nose.

The cut on my left big toe
throbs through the open sandal.

My uncle cries in fear.

I wipe away the tear
with the ***** edge of my sleeve.

We escape to
the West field

me riding his shoulders

transformed into
a legendary creature

that only exists in myths
fleeing from the realness

...of reality.
CENTAUR

Hiding in the hay
me a terrified little boy
& my uncle like a terrified little boy

the voices in his head telling him to be afraid
of all strangers...changes.

He’s been like this
since the day his Dad(my unknown grandfather)
died.

My Aunt’s voice
searching for us...searching us out.

Her shouts like bloodhounds
hunting us down

her words angry & cruel.

Her angry voice slurring us into:
“DonallSeanie! ”

as if we had fused into one being
a metamorphosis of us.

The hay cooks us
and we swelter in our hidey hole

A chicken sits on top
of my uncle’s cap

as if his mind had
materialised into this shape.

He rocks himself
and rocks me.

“Shhhh...boy...shhhh! ”
comforting both him & me.

“Don’t leave me! ”
he clucks

the words scattered around him
like newly laid eggs.

I settle into his silence.

My Aunt’s threats freezing us
in this terrible heat.

His chest hair
tickles my nose.

The cut on my left big toe
throbs through the open sandal.

My uncle cries in fear.

I wipe away the tear
with the ***** edge of my sleeve.

We escape to
the West field

me riding his shoulders

transformed into
a legendary creature

that only exists in myths
fleeing from the realness

...of reality.
Donall Dempsey Jun 2022
CENTAUR

Hiding in the hay
me a terrified little boy
& my uncle like a terrified little boy

the voices in his head telling him to be afraid
of all strangers...changes.

He’s been like this
since the day his Dad

(my unknown grandfather)
died.

My Aunt’s voice
searching for us...searching us out.

Her shouts like bloodhounds
hunting us down

her words angry & cruel.

Her angry voice slurring us into:
“DonallSeanie! ”

as if we had fused into one being
a metamorphosis of us.

The hay cooks us
and we swelter in our hidey hole

A chicken sits on top
of my uncle’s cap

as if his mind had
materialised into this shape.

He rocks himself
and rocks me.

“Shhhh...boy...shhhh! ”
comforting both him & me.

“Don’t leave me! ”
he clucks

the words scattered around him
like newly laid eggs.

I settle into his silence.

My Aunt’s threats freezing us
in this terrible heat.

His chest hair
tickles my nose.

The cut on my left big toe
throbs through the open sandal.

My uncle cries in fear.

I wipe away the tear
with the ***** edge of my sleeve.

We escape to
the West field

me riding his shoulders

transformed into
a legendary creature

that only exists in myths
fleeing from the realness

...of reality.
Donall Dempsey Jun 2016
CEREMONY

“Do you...
(Donall Donall)      

take this woman’s body
to have & to hold

to totally transform
by the bliss

of loving her? ”

“I do...I do! ”

“Do you...
(Janice A. Windle)      
take this man

to tease & to tempt
to tantalise beyond

all human endurance

so that he almost
expires from the ecstasy

of your loving arms? ”

“I do...I do too! ”

“You may now
make love.”
Donall Dempsey Sep 2017
C'est Ne Pas Une Orange!

A Parisian orange
lay bang in the middle of the street.

I couldn't have avoided it
this orange of all oranges

lost & stranded

but still as
big & bold & bright

as a new found sun
in an unknown solar system.

It invisible to all
bicycles cars and feet.

A cat gave it
a cursory glance.

The soundtrack of Paris
happening just off stage.

Now everyone had vanished
except me & this orange.

Somehow it found
its way to my head

& unraveled itself
in a concentric spiral

a swirl of orange peel
& white pith

like a Can-Can
dancer's skirt.

I ate it.

Oblivious
to everything else

my first
French

orange.
Donall Dempsey Aug 2020
"C'EST PRESQU'AU BOUT DU MONDE..."
( IT WAS ALMOST TO THE END OF THE WORLD )

She believed that
deep deep inside her

the flame of a femme fatale
burned brightly.

Could imagine herself stepping out of
some classic Film Noir.

Cultivated herself
to look like Marie Windsor

opposite the dangerously gorgeous
John Garfield.

But her life it seemed had her
stepping into an Edward Hopper.

The isolation and the paint
still wet.

The lonely lady
glimpsed in an hotel window

from a passing train
autumnal rain.

Still she acted always as if
she was in her own movie

walking around  her tiny flat
naked

except for red stilettos
red earrings...red lipstick.

Making up her own snappy lines
to some imaginary leading man.

"Are you decent?"
"Yes""

"But you're....you're naked!"
"You only asked if I was decent!"

The mirror laughed
catching the reflection of who

she could have been
given half the chance.

She never
stood a chance.

She threw a cigarette up in the air
caught it between her lips

her one and only
party trick.

Lit or unlit.
Searching for middle C

on a battered piano
her mind off key

abandoning it
the piano's yellow smile.

She watched the sunlight
carve a block of time

out of the dividing wall.
fading the wallpaper roses.

The bed that was always
empty...always unmade.

She danced to Weil's
Youkali Tango.

Put it on again...again.
Scratching an already scratched record.

The needle gathering fluff.
The porcelain milkmaid...dust.

She disliked the way sweat
gathered under her *******.

They were always a little too large.
Hated men staring so hard.

Ahhhh the faded romance
a sunset heart attack.

Couldn't have wrote
herself a better script.

Staggering in her dance
gasping that all too unsubstantial

air as if trying to
catch time

the presentpastfuture
falling out of her hand.

The wooden acorn
of the tattered blind

tapping against
the ***** window pane.

Neon going green.
Then red.

Now blue.
And then green again.
She did everything to be a Marie WIndsor lookalike...knew all her films even small(uncredited)roles as in The Beautiful Blonde from Bashful Bend! And she was so funny and her quips were quick as a whip.

Marie Windsor was even a gag writer for Jack Benny way back when!
She wrote under M.E. Windsor 'cos she was afraid he wouldn't accept a female gag writer. When he finally met her he thought my God she's gorgeous and got her a contract.

The one I always remember her in was was opposite John Garfield in Force of Evil playing seductress Edna Tucker.

She was the "It" girl for Film Noir...the femme fatale of 'em all..tall, voluptuous and leggy...she had to bend at the knees to walk with small Garfield!
Donall Dempsey Aug 2019
"C'EST PRESQU'AU BOUT DU MONDE..."
( IT WAS ALMOST TO THE END OF THE WORLD )

She believed that
deep deep inside her

the flame of a femme fatale
burned brightly.

Could imagine herself stepping out of
some classic Film Noir.

Cultivated herself
to look like Maire Windsor

opposite the dangerously gorgeous
John Garfield.

But her life it seemed had her
stepping into an Edward Hopper.

The isolation and the paint
still wet.

The lonely lady
glimpsed in an hotel window

from a passing train
autumnal rain.

Still she acted always as if
she was in her own movie

walking around  her tiny flat
naked

except for red stilettos
red earrings...red lipstick.

Making up her own snappy lines
to some imaginary leading man.

"Are you decent?"
"Yes""

"But you're....you're naked!"
"You only asked if I was decent!"

The mirror laughed
catching the reflection of who

she could have been
given half the chance.

She never
stood a chance.

She threw a cigarette up in the air
caught it between her lips

her one and only
party trick.

Lit or unlit.
Searching for middle C

on a battered piano
her mind off key

abandoning it
the piano's yellow smile.

She watched the sunlight
carve a block of time

out of the dividing wall.
fading the wallpaper roses.

The bed that was always
empty...always unmade.

She danced to Weil's
Youkali Tango.

Put it on again...again.
Scratching an already scratched record.

The needle gathering fluff.
The porcelain milkmaid...dust.

She disliked the way sweat
gathered under her *******.

They were always a little too large.
Hated men staring so hard.

Ahhhh the faded romance
a sunset heart attack.

Couldn't have wrote
herself a better script.

Staggering in her dance
gasping that all too unsubstantial

air as if trying to
catch time

the presentpastfuture
falling out of her hand.

The wooden acorn
of the tattered blind

tapping against
the ***** window pane.

Neon going green.
Then red.

Now blue.
And then green again.
Donall Dempsey Aug 2018
C'EST PRESQU'AU BOUT DU MONDE..."
( IT WAS ALMOST TO THE END OF THE WORLD )

She believed that
deep deep inside her

the flame of a femme fatale
burned brightly.

Could imagine herself stepping out of
some classic Film Noir.

Cultivated herself
to look like Marie Windsor

opposite the dangerously gorgeous
John Garfield.

But her life it seemed had her
stepping into an Edward Hopper.

The isolation and the paint
still wet.

The lonely lady
glimpsed in an hotel window

from a passing train
autumnal rain.

Still she acted always as if
she was in her own movie l

walking around  her tiny flat
naked

except for red stilettos
red earrings...red lipstick.

Making up her own snappy lines
to some imaginary leading man.

"Are you decent?"
"Yes""

"But you're....you're naked!"
"You only asked if I was decent!"

The mirror laughed
catching the reflection of who

she could have been
given half the chance.

She never
stood a chance.

She threw a cigarette up in the air
caught it between her lips

her one and only
party trick.

Lit or unlit.
Searching for middle C

on a battered piano
her mind off key

abandoning it
the piano's yellow smile.

She watched the sunlight
carve a block of time

out of the dividing wall.
fading the wallpaper roses.

The bed that was always
empty...always unmade.

She danced to Weill's
Youkali Tango.

Put it on again...again.
Scratching an already scratched record.

The needle gathering fluff.
The porcelain milkmaid...dust.

She disliked the way sweat
gathered under her *******.

They were always a little too large.
Hated men staring so hard.

Ahhhh the faded romance
a sunset heart attack.

Couldn't have wrote
herself a better script.

Staggering in her dance
gasping that all too unsubstantial

air as if trying to
catch time

the presentpastfuture
falling out of her hand.

The wooden acorn
of the tattered blind

tapping against
the ***** window pane.

Neon going green.
Then red.

Now blue.
And then green again.
Donall Dempsey Apr 2019
C'EST TOUT?

Only my shadow remained
talking to the wall
wondering where I had got to

strange...seeing my shadow
without a me
to pin it down

my reflection stared
out of the mirror
startled to be me-less

Time started to look
for me anywhere&everywhere
but I was not to be found

I watched the world
give a twirl or two
without a me on it

the words floating off the page
buzzin' 'round my eyes
like flies...flies...flies

thoughts like bubbles
bursting on the furniture
with an almost audible pop

I felt like a cartoon
only able to to speak
in speech bubbles

"This is a bit sudden!" I said
resentment stinging my voice

Death: just grinned
Donall Dempsey Oct 2022
CHANCE MEETING

as I came up
and she came down

the escalators
in the Underground

I and my
ex-lover

I thought how
in some long ago time

with such delight
we would have kissed

to have discovered
each other  

she not seeing me
sneezing into a small hanky

ravished
by that season's flu

and how I longed
to comfort her

hold her as I would
in days gone by

but those our days
had faded from us

and I came up
and she came down

I and my
ex-lover

how could our love
have been

lost to us
through angry words

us suddenly
not knowing one another

I Orpheus
to her Eurydice

blinded by tears
as she

went out of
my life yet again

and I came up
and she came down

I and my
ex-lover
Donall Dempsey Mar 2018
CHANGE OF ADDRESS

You didn't die
you just changed shape

became invisible
to the naked eye

became this grief

it's sharpness
more real

than your presence was

before you were separate to me
entire to yourself

now you are
a part of me

you are inside my self

I call you
by your new name

'Grief...Grief! '

although I still call you
'Love.'
Donall Dempsey Sep 2020
CHANGE OF ADDRESS

You didn’t die
you just changed shape

became invisible
to the naked eye

became
this grief

it’s sharpness
more real

then your presence was

before you were separate to me
entire to yourself

now you are
a part of me

you are inside my self

I call you
by your new name

‘Grief…Grief! ‘

although I still call you
‘Love.’

Dónall Dempsey

https://www.recover-from-grief.com/poems-for-bereavement.html
Donall Dempsey Feb 2020
CHANGE OF HEART

Me, being me
I always wore

my heart
on my sleeve.

But now…
no more.

I asked the assistant
if I could see

“…some new hearts
…please? ”

(that would suit
my change of heart) .

“Why, certainly sir! ”
(he smiled sycophantically) .

He showed me
a heart
“…in light pain.”

“Or, if Sir
may not mind me commenting
this deep purple pain
… suits you Sir! ”

“Don’t you have any
…in bright joy? ”

“Or at best
…partial happiness? ”

“Or at least
…contentment? ”

The assistant smirked:

“…at what one must assume
is Sir’s…little joke? ”

“Happiness is so…old hat! ”

“Happiness is…how you say
… so passé! ”

I left the shop clutching
an expensive purple heart

knowing I would never
wear it

And that it would
hang in the wardrobe

Mocking
My predicament.

So, now
I don’t have a mind
to have a heart.

Get by
(somehow)

… without

…one.
Donall Dempsey Apr 2024
"...CHANGE THE WORLD, ONE SEQUIN AT A TIME..."

her wardrobe is mirrored
sliding doors
reveal her many selves

hung on hangers
she peels off her present
self

it falls
at her feet
in a froth of frills

she kicks it aside
she hates
herself in it

she takes a self
from a hanger
unfolds its role

'dutiful wife'
no...ha ha...tonight she
feels more 'vamp'

does she dare
disturb t
he universe

the many selves she is
hang limp
waiting to be the chosen one

she stares at her
naked self
that the mirror holds

longs to escape
the roles
she plays.

she gives
that little
Mona Lisa smile

descends the staircase
emotionally naked
willing to be

the person she used to be
before she became
his

a mere prop in his play
a must have
accessory

she smirks
at his shock
takes the dry martini

from his grasp
drinks it down in
one big gulp
Donall Dempsey Aug 2017
CHAOIN SÉ UISCE A CHINN
(HE WAS IN FLOODS OF TEARS)

The doctor wrote out
a prescription for tears.

I was all out of tears.

"Here!" the Doc said
in his off-hand doctor-ish way.

"Cry these three times a day.
Once in the morning...twice in the afternoon
and all night...alright?"

He looked at me distrustfully.

"Only cry real tears mind...
cutting onions doesn't count!"

Despair gnawed
upon my soul

as if it were a stinking bone
and Despair a wild dog.

Despair growled
slowly showing its teeth

every time I tried to
take it away from him.

"Oh, and....you must only
cry in Irish!"

"Will that cure me?"
I asked without hope.

"No!" he said with a laugh.
Honest at last.

"But it will somehow
help and

what else
are eyes for?"
Donall Dempsey Sep 2024
CHASING ANGELS...FLEEING DEMONS

The morning was
a mountain

that had to be
climbed because

it was there.

She wasn't going to let
the mountain conquer her.

The whiskey helped.

She sat through endless
early morning TV.

She wondered if one could die
of endless early morning TV.

The gone cold fried eggs
with the subbed out cigarette

in its centre
like a flying saucer

invaded her
sense of self

"Is this what I've
come to...?"

she asked a mirror.

The mirror kept shtum .

The plate smashed to smithereens
on the cinnamon coloured wall

leaving a satisfying stain
resembling Argentina

trailing down like a Rorschach test
of how she was

feeling.

Another whiskey wouldn't
hurt...would it?


*

“Chasing angels or fleeing demons, go to the mountains.”
― Jeffrey Rasley, Bringing Progress to Paradise: What I Got from Giving to a Mountain Village in Nepal
Donall Dempsey Sep 2015
The morning was
a mountain

that had to be
climbed because

it was there.

She wasn't going to let
the mountain conquer her.

The whiskey helped.

She sat through endless
early morning TV.

She wondered if one could die
of endless early morning TV.

The gone cold fried eggs
with the subbed out cigarette

in its centre
like a flying saucer

invaded her
sense of self

"Is this what I've
come to...?"

she asked a mirror.

The mirror kept shtum .

The plate smashed to smithereens
on the cinnamon coloured wall

leaving a satisfying stain
resembling Argentina

trailing down like a Rorschach test
of how she was

feeling.

Another whiskey wouldn't
hurt...would it?
“Chasing angels or fleeing demons, go to the mountains.”
― Jeffrey Rasley, Bringing Progress to Paradise: What I Got from Giving to a Mountain Village in Nepal
Donall Dempsey Jan 2024
CHEVAL Á BASCULE EN FEU

she keeps
the room
just as it was

as if
Death had
never entered it

still
turns
the eiderdown down

still
straightens
sheet

still
plumbs
pillows

brings breakfast
every morning
just like before

but there is
no before
anymore

even
the future
has vanished

one day
it hurts her
this haunting

the room has become
a shrine and
she its priestess

so she decides
to burn
the past

the wind
turns the pages
as the books flame

dolls
melt
in the witch hunt

a rocking
horse
is on fire

"Go now!"
she commands
"These are only things!"

she hides
her daughter
in her heart

where
nothing
can touch her

the fire
reflected
in her tears
CHEVAL Á BASCULE EN FEU

she keeps
the room
just as it was

as if
Death
had never entered it

still
turns
teiderdown down

still
straightens
sheets

still
plumbs
pillows

brings breakfast
every morning
just like before

but
there is no before
anymore

even
the future
has vanished

one day
it hurts her
this haunting

the room has become
a shrine
and she its priestess

so she decides
to burn the past
escape this trap

the wind
turns the pages
as the books flame

dolls
melt
in the witch hunt

a rocking horse
is on fire
its mane a flame

"Go now!"
she commands
"These are only things!"

she hides
her daughter
in her heart

where nothing
can touch her.
fire reflected in her tears

*

She hunted down all the dolls and they were all burnt at the stake so to speak. Two reactions to grief in the one person...preserve everything...destroy everything.
Donall Dempsey Jan 2021
CHEVAL À BASCULE EN FEU

She keeps the room
just as it was.

As if
Death had never entered it.

Still
turns the eiderdown down.

Still
straightens sheet.

Still
plumbs pillows.

Brings breakfast every morning
just like before.

But there is no before
anymore.

Even the future
has vanished.

One day it hurts her
this haunting.

The room has become
a shrine.

And she
its priestess.

So. She decides
to burn the past.

The wind turns the pages
as the books flame.

Dolls melt
in the witch hunt..

A rocking horse
is on fire.

"Go now!" she commands.
"These are only things!"

She hides her daughter
in her heart

where nothing
can touch her.

The fire reflected
in her tears.
Donall Dempsey Apr 2022
CHINGACHGOOK SPEAKS

still see the saw
cutting through time
the small boy's mind

Da's spirit level
disappearing all the time
becomes my Star Ship Enterprise

the saw hums to itself
time eclipsed
with the smell of pine

the song of the saw
sunbeams & sawdust
dancing in time

and lo
wood becomes window
the small carpentry of miracles

a heart-shaped block of wood
becomes my saddle
on his crossbar

we fly through time
tame hills
the tick of bicycle wheels

lost in speed
down down Dobbin's Hill
we the bubble in the spirit level

we haunt the dumps
hunt for a wheel here...a frame there
Da creates a bike

new bikes from old
our "Frankenstein bicycles"
we the new masters of speed

"Look at me...lookame...no hands!"
the hill smiles to itself
"wheeeEEEEEEOOOOOOOOPS!!!!!"

trees breaking gently in our hands
become our bows and arrows
stolen from young plantations

I a nine year old Chingachgook
limp horribly home
an arrow in my left calf

my Da shaving wood
it curls
to his whistle

sawdust amongst his curls
my Da smiles
as the wood comes good

I still see the saw
pine
opens memory


*

I, the Last of the Donalls...lost in my  Curragh childhood...caught up in the writing of Mr. J.F. Cooper.

Never wanted to be Natty Bumppo but one day I would be Chingachgook or Uncas as I wandered through the Curragh plantation or roamed its 5000 acres in search of adventure! And oh the tales I told to myself!
Donall Dempsey Apr 2023
CHINGACHGOOK SPEAKS

still see the saw
cutting through time
the small boy's mind

Da's spirit level
disappearing all the time
becomes my Star Ship Enterprise

the saw hums to itself
time eclipsed
with the smell of pine

the song of the saw
sunbeams & sawdust
dancing in time

and lo
wood becomes window
the small carpentry of miracles

a heart-shaped block of wood
becomes my saddle
on his crossbar

we fly through time
tame hills
the tick of bicycle wheels

lost in speed
down down Dobbin's Hill
we the bubble in the spirit level

we haunt the dumps
hunt for a wheel here...a frame there
Da creates a bike

new bikes from old
our "Frankenstein bicycles"
we the new masters of speed

"Look at me...lookame...no hands!"
the hill smiles to itself
"wheeeEEEEEEOOOOOOOOPS!!!!!"

trees breaking gently in our hands
become our bows and arrows
stolen from young plantations

I a nine year old Chingachgook
limp horribly home
an arrow in my left calf

my Da shaving wood
it curls
to his whistle

sawdust amongst his curls
my Da smiles
as the wood comes good

I still see the saw
pine
opens memory
Donall Dempsey Apr 2024
CHINGACHGOOK SPEAKS

still see the saw
cutting through time
the small boy's mind

Da's spirit level
disappearing all the time
becomes my Star Ship Enterprise

the saw hums to itself
time eclipsed
with the smell of pine

the song of the saw
sunbeams & sawdust
dancing in time

and lo
wood becomes window
the small carpentry of miracles

a heart-shaped block of wood
becomes my saddle
on his crossbar

we fly through time
tame hills
the tick of bicycle wheels

lost in speed
down down Dobbin's Hill
we the bubble in the spirit level

we haunt the dumps
hunt for a wheel here...a frame there
Da creates a bike

new bikes from old
our "Frankenstein bicycles"
we the new masters of speed

"Look at me...lookame...no hands!"
the hill smiles to itself
"wheeeEEEEEEOOOOOOOOPS!!!!!"

trees breaking gently in our hands
become our bows and arrows
stolen from young plantations

I a nine year old Chingachgook
limp horribly home
an arrow in my left calf

my Da shaving wood
it curls
to his whistle

sawdust amongst his curls
my Da smiles
as the wood comes good

I still see the saw
pine
opens memory

*

We had to look upon a loved object( as a poetry prompt )and not mentioning it...free associate 15 words and write the poem from this list. THE LAST OF THE MOHICANS is and still is a fav. book of my childhood( I have still not finished growing up )and it bleeds into the memory of helping( little help that I was )my Da making a window...making a bike...making a fretwork Arkle...whatever he turned his hand to...whether it be a crop of potatoes or a cuddle...his hands were the hands of a God creating my childhood for me.

I never got around to reading THE WEPT OF WISH-TON-WISH but loved the sound of it....Dobbin's Hill( which I cycled down as a child and ran up as a soldier )became the Great Snake( what Chingachgook means )and I indeed made myself a Chingachgook. The rest is just memories held in haiku and bursting in time like bubbles.
From 30/30 prompt. . . I was reading THE LAST OF THE MOHICANS and helping my da with his work...whether it be wood or bikes from different bits.It was that eternal summer of childhood and I desired to be Chingachgook. Out of this tale of time lost...time found is woven the present poem. Here be the words that helped in some way went to the making of the poem. My da worked in wood...I work in words.

THE LAST OF THE MOHICANS

MAGUA

UNCAS

WAH-TA-WAH

THE WEPT OF WISH-TON-WISH

HATCHET

NATIVE AMERICAN

LEATHER BOUND BOOK

PROUST

TIMBER

WOODEN JIGSAW

FRETWORK

TOOLS OF TRADE

SUMMER

HAIR
Donall Dempsey Apr 2019
CHINGACHGOOK SPEAKS

still see the saw
cutting through time
the small boy's mind

Da's spirit level
disappearing all the time
becomes my Star Ship Enterprise

the saw hums to itself
time eclipsed
with the smell of pine

the song of the saw
sunbeams & sawdust
dancing in time

and lo
wood becomes window
the small carpentry of miracles

a heart-shaped block of wood
becomes my saddle
on his crossbar

we fly through time
tame hills
the tick of bicycle wheels

lost in speed
down down Dobbin's Hill
we the bubble in the spirit level

we haunt the dumps
hunt for a wheel here...a frame there
Da creates a bike

new bikes from old
our "Frankenstein bicycles"
we the new masters of speed

"Look at me...lookame...no hands!"
the hill smiles to itself
"wheeeEEEEEEOOOOOOOOPS!!!!!"

trees breaking gently in our hands
become our bows and arrows
stolen from young plantations

I a nine year old Chingachgook
limp horribly home
an arrow in my left calf

my Da shaving wood
it curls
to his whistle

sawdust amongst his curls
my Da smiles
as the wood comes good

I still see the saw
pine
opens memory
I, the Last of the Donalls...lost in my Curragh Camp, Kildare, Ireland childhood...caught up in the writing of Mr. J.F. Cooper.

Never wanted to be Natty Bumppo but one day I would be Chingachgook or Uncas the next
as I wandered through the Curragh plantation or roamed its 5000 acres in search of adventure! And oh the tales I told to myself!
Donall Dempsey Oct 2022
CHIPS AND LAUGHTER

The knife
is pulled out of the back.

The poison is spat out
& the dead come back

they stand
before us

joyful
& our joy joins theirs

like waves
that crash

upon the sands
of our senses

& Time turns back
to the ordinary moment.

We stand
& clap.

These our actors
(which we see before us)  
take their bow

soak up
the applause

& dash behind
the safety of the curtain

that has come down
between their world & ours.

We enter into
the coldness of the night

our breaths
like spirits

speaking for us

the actors' dreams
still clutched like flowers

in our hands

& wander on

drawn now
to the lovely laughter

of our Hamlet
eating chips

with Ophelia
& her friends.

And so, our play
ends.
Donall Dempsey Oct 2024
CHIPS AND LAUGHTER

the knife
is pulled out of
the back

the poison
is spat out and
the dead come back

they stand
before us
joyful

& our joy joins theirs
like waves
that crash

upon the sands
of our senses
& Time turns back

to the ordinary moment
we stand
& clap

these our actors
(which we see before us)
take their bow

soak up
the applause
& dash behind

the safety of the curtain
that has come down
between their world & ours

we enter into
the coldness of the night
our breaths like spirits

speaking for us
the actors' dreams
still clutched like flowers

in our hands
& wander on
drawn now

to the lovely laughter
of our Hamlet
eating chips with Ophelia


and so
our play
ends


*

Found the backstage antics more fascinating than the play itself...all the dramas that the human lives have to contain whilst sustaining being a Hamlet during the two hour traffic of the stage just to maintain the illusion of the story for us. Meanwhile back at the real human being...
Donall Dempsey Apr 2017
west field
on its outstretched finger
crow chats to scarecrow
Donall Dempsey Jul 2022
". . .CHITTO JETHA BHAYASHUNYO. . ."
( WHERE THE MIND IS WITHOUT FEAR )

breath & sax
unite to form
a creature made of flesh & horn

his sax calls forth
his own ghost
it dances before him like smoke

he closes his eyes
loses sight of everything
but the song

he plays
not knowing what he plays
until he plays it

the song seems to know
where it's going
it's the man it improvises

"...where the world has not
been broken up
into fragments..."

he longs to be taken
out of himself
so he can become himself

the last note
he comes back from the nowhere
that he's found

stuck now in this
somewhere he is
made ordinary again

now he's just
a man with a limp
just another drunk

his sax
the genie of sound
sound asleep in its case

he hums inside his head
the music heard
he the instrument now

tapping on the table
his cigarette dancing
to the invisible music

the notes
half man half ghost
tapped inside his skull

even the silence
now
full of sound

"...sometimes I wish
the music would leave
me alone..."

"...the music is like
a very very big dog
taking its owner for a walk.."

"...note by note I am
transformed
until I am the music..."

"...caught in a riptide
what can I
do. . ?"

*

And in Tagore's own translation, from the 1912 English edition of Gitanjali.

"Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action—
Into that heaven of freedom, my Father let my country awake"
Donall Dempsey Dec 2023
". . .CHITTO JETHA BHAYASHUNYO. . ."
( WHERE THE MIND IS WITHOUT FEAR )

breath & sax
unite to form
a creature made of flesh & horn

his sax calls forth
his own ghost
it dances before him like smoke

he closes his eyes
loses sight of everything
but the song

he plays
not knowing what he plays
until he plays it

the song seems to know
where it's going
it's the man he improvises

"...where the world has not
been broken up
into fragments..."

he longs to be taken
out of himself
so he can become himself

the last note
he comes back from the nowhere
that he's found

stuck now in this
somewhere he is
made ordinary again

now he's just
a man with a limp
just another drunk

his sax
the genie of sound
sound asleep in its case

he hums inside his head
the music heard
he the instrument now

tapping on the table
his cigarette dancing
to the invisible music

the notes
half man half ghost
tapped inside his skull

even the silence
now
full of sound

"...sometimes I wish
the music would leave
me alone..."

"...the music is like
a very very big dog
taking its owner for a walk.."

"...note by note I am
transformed
until I am the music..."

"...caught in a riptide
what can I
do. . ?"

I always think a sax can take you the beyond the beyond when words fail. Riptide was his pièce de résistance. And he would always quote the Tagore poem before playing it and so that became this poem's title. He used to call it his "habbijabbi" or "thingamjig" in Bengali.

The orginal Bengali script...

চিত্ত যেথা ভয়শূন্য, উচ্চ যেথা শির
জ্ঞান যেথা মুক্ত, যেথা গৃহের প্রাচীর,
আপন প্রাঙ্গণতলে দিবসশর্বরী
বসুধারে রাখে নাই খণ্ড ক্ষুদ্র করি,
যেথা বাক্য হৃদয়ের উৎসমুখ হতে
উচ্ছ্বসিয়া উঠে, যেথা নির্বারিত স্রোতে
দেশে দেশে দিশে দিশে কর্মধারা ধায়
অজস্র সহস্রবিধ চরিতার্থতায়,
যেথা তুচ্ছ আচারের মরুবালুরাশি
বিচারের স্রোতঃপথ ফেলে নাই গ্রাসি,
পৌরুষেরে করে নি শতধা, নিত্য যেথা
তুমি সর্ব কর্ম চিন্তা আনন্দের নেতা,
নিজ হস্তে নির্দয় আঘাত করি, পিতঃ;
ভারতেরে সেই স্বর্গে করো জাগরিত৷

And in Tagore's own translation, from the 1912 English edition of Gitanjali.

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action—
Into that heaven of freedom, my Father let my country awake.
Donall Dempsey Dec 2020
CHITTO JETHA BHAYASHUNYO
( WHERE THE MIND IS WITHOUT FEAR )

breath & sax
unite to form
a creature made of flesh & horn

his sax calls forth
his own ghost
it dances before him like smoke

he closes his eyes
loses sight of everything
but the song

he plays
not knowing what he plays
until he plays it

the song seems to know
where it's going
it's the man he improvises

"...where the world has not
been broken up
into fragments..."

he longs to be taken
out of himself
so he can become himself

the last note
he comes back from the nowhere
that he's found

stuck now in this
somewhere he is
made ordinary again

now he's just
a man with a limp
just another drunk

his sax
the genie of sound
sound asleep in its case

he hums inside his head
the music heard
he the instrument now

tapping on the table
his cigarette dancing
to the invisible music

the notes
half man half ghost
tapped inside his skull

even the silence
now
full of sound

"...sometimes I wish
the music would leave
me alone..."

"...the music is like
a very very big dog
taking its owner for a walk.."

"...note by note I am
transformed
until I am the music..."

"...caught in a riptide
what can I
do. . ?"
Donall Dempsey Dec 2021
". . .CHITTO JETHA BHAYASHUNYO. . ."
( WHERE THE MIND IS WITHOUT FEAR )

breath & sax
unite to form
a creature made of flesh & horn

his sax calls forth
his own ghost
it dances before him like smoke

he closes his eyes
loses sight of everything
but the song

he plays
not knowing what he plays
until he plays it

the song seems to know
where it's going
it's the man he improvises

"...where the world has not
been broken up
into fragments..."

he longs to be taken
out of himself
so he can become himself

the last note
he comes back from the nowhere
that he's found

stuck now in this
somewhere he is
made ordinary again

now he's just
a man with a limp
just another drunk

his sax
the genie of sound
sound asleep in its case

he hums inside his head
the music heard
he the instrument now

tapping on the table
his cigarette dancing
to the invisible music

the notes
half man half ghost
tapped inside his skull

even the silence
now
full of sound

"...sometimes I wish
the music would leave
me alone..."

"...the music is like
a very very big dog
taking its owner for a walk.."

"...note by note I am
transformed
until I am the music..."

"...caught in a riptide
what can I
do. . ?"
And in Tagore's own translation, from the 1912 English edition of Gitanjali.
Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action—
Into that heaven of freedom, my Father let my country awake
Donall Dempsey Sep 2023
CHOCOLATE AND REMEMBRANCE

I killed men
because I wanted to

come back to you
so that I could be

your husband
still..

My enemy too
had someone who

he wanted to
come back to.

I took his life
so that I could go on

with mine.

I had survived
the War

because I wanted to
and because of luck.

Good luck or bad luck
it's hard to tell now.

I see my wife
and see not her

but a woman strewn
like so much *******

in a French village
we slogged through.

She was naked
and had no eyes

where her smile
should be

nothing but
an empty hole.

I go to hold
my little girl

can only see
a girl of three

still burning still
her doll untouched.

An old man
not a man

just a piece of man
a head...a trouser leg.

I killed so that
I could still be me.

But I'm not.

I can never be
me again.

There is an audible line
drawn in the sky

between me
and the me-I-used-to-be.

The war rages on
inside me

and all the dead
come up to me

begging for chocolate
and remembrance

chocolate
and vengeance.
Donall Dempsey Aug 2017
CHOCOLATE AND REMEMBRANCE

I killed men
because I wanted to

come back to you
so that I could be

your husband
still..

My enemy too
had someone who

he wanted to
come back to.

I took his life
so that I could go on

with mine.

I had survived
the War

because I wanted to
and because of luck.

Good luck or bad luck
it's hard to tell now.

I see my wife
and see not her

but a woman strewn
like so much *******

in a French village
we slogged through.

She was naked
and had no eyes

where her smile
should be

nothing but
an empty hole.

I go to hold
my little girl

can only see
a girl of three

still burning still
her doll untouched.

An old man
not a man

just a piece of man
a head...a trouser leg.

I killed so that
I could still be me.

But I'm not.

I can never be
me again.

There is an audible line
drawn in the sky

between me
and the me-I-used-to-be.

The war rages on
inside me

and all the dead
come up to me

begging for chocolate
and remembrance

chocolate
and vengeance.
Donall Dempsey Mar 2017
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
Donall Dempsey Mar 2018
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
Donall Dempsey Mar 2019
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
Donall Dempsey Mar 2024
CHOCOLATE EXPLANATIONS

“Right. . .!”
I try to explain it
with chocolates

that she
( girlishly )
keeps trying to eat

I pick a luscious
dark chocolate seahorse
and I say “Now this is. . .”

( and she finishes
my sentence for me )
“. . .your hippocampus!”

she squeals. . .
delighted
iwth herself

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self with all
its past and future mysteries!”

“Yes. . .yes. . .that’s it!
she claps her hands
thrilled to bits

by the familiar
telling
the reassurance of sounds

"And this twisted twirl of almond
with a real almond in the centre of it
“. . . is your amygdala!”

she blurts out before me
“You got it”
I smile

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled

into a sense of self
. . .with the proper emotion
. . .the right feeling.

. . .whether you
just like
or love it.”

“Oh, I love it. . .I love it!”
she almost sings
“Now, explain it to me again!”

I give her
the finished explanations
and she eats with exaggerated

mmmmming & ohhhhhing
“I love your explanations
about what’s wrong with my thingy”

she knocks upon her head
like it was a door
to a self that she had

locked
herself
outside of

most times
she doesn’t even know
her name

or who
or what
she is

but she loves this story of
HIPPOCAMPUS AND
ITS FAITHFUL AMYGDALA

she loves
each sound
each word

each letter each pause
of the chocolate
explanation
Donall Dempsey Aug 2020
CHOCOLATE EXPLANATIONS

“Right...! ”
I try to explain it
with chocolates
that she(girlishly)
keeps trying to eat.

I pick a luscious
dark chocolate seahorse
And I say “Now this is...”
(and she finishes my sentence for me)

“...your hippocampus! ”
She squeals... delighted with herself.
“That’s correct! ”
I praise her
“...it’s shaped like this seahorse! ”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self
...with all its past and future mysteries! ”

“Yes...yes...that’s it!
She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.
And this twisted twirl of almond
with a real almond in the centre of it
“... is your amygdala! ”
She blurts out before me.
“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

...with the proper emotion
...the right feeling.
...whether you just like
or love it”

“Oh, I love it...I love it! ”
She almost sings.
“Now, explain it to me again! ”
I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.
“I love your explanations
about what’s wrong with my thingy”
She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know
her name
or who
or what
she is.
But she loves this story of
HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves
each sound
each word
each letter
each pause
of the chocolate
explanation.
Donall Dempsey Mar 2020
CHOCOLATE EXPLANATIONS

“Right. . .!”

I try to explain it
with chocolates

that she( girlishly )
keeps trying to eat.

I pick a luscious
dark chocolate seahorse

And I say “Now this is. . .”

( and she finishes my sentence for me )

“. . .your hippocampus!”

She squeals. . . delighted with herself.

“That’s correct!”
I praise her
“. . .it’s shaped like this seahorse!”

“And it controls
your memories of you
your “who you are”

your “how your self assembles
its sense of self

. . .with all its past and future mysteries!”

“Yes. . .yes. . .that’s it!

She claps her hands
thrilled to bits

by the familiar telling
the reassurance of sounds.

And this twisted twirl of almond
with a real almond in the centre of it

“. . . is your amygdala!”

She blurts out before me.

“You got it”
I smile.

“Everyone’s got one!
a seahorse & an almond
one on each side of our brain.”

“Now the almond tells you how
to respond to the things
that you’ve assembled
into a sense of self

. . .with the proper emotion

. . .the right feeling.

. . .whether you just like

or love it”

“Oh, I love it. . .I love it!”

She almost sings.

“Now, explain it to me again!”

I give her the finished explanations
and she eats them

with much exaggerated
mmmmming & ohhhhhing.

“I love your explanations
about what’s wrong with my thingy”

She knocks upon her head
like it was a door
to a self that she had
locked herself outside of.

Most times
she doesn’t even know

her name

or who

or what

she is.

But she loves this story of

HIPPOCAMPUS AND ITS FAITHFUL AMYGDALA

She loves

each sound

each word

each letter

each pause

of the chocolate

explanations.
Donall Dempsey Feb 2024
CHOOSING THE RIGHT ADJECTIVE
TO GO WITH THE RIGHT NOUN

She drifted
through
reality

having become
unmoored
from morality

fleeing from time
fleeing from her self
the insistent totality

of being
who she was
not

a stranger looked out
of her
mirror

a faux French
ingénue...
yeah!

she choose
today's mask
like she choose today's dress

something that hung
on a hanger
clothes were roles

she an actress
forever playing
a part

in the movie
of her life
THE PURSUIT OF PLEASURE

never knowing the next line
making it up as one
went along. . .


*


She lived her life in a very Françoise Saganish way...curiously detached yet living right in the moment without any scruples  or pretensions...she was very much her own person. A wonder to behold!

Her advice to living was the title of this poem....CHOOSING THE RIGHT ADJECTIVE TO GO WITH THE RIGHT NOUN. And indeed she had un certain sourire.
Donall Dempsey Feb 2016
CHOOSING THE RIGHT ADJECTIVE TO GO WITH THE RIGHT NOUN.

She drifted
through reality

having become unmoored
from morality

fleeing from time
fleeing from her self

the insistent totality
of being

who she was
not.

A stranger looked out
of her

mirror.

A faux French
ingénue...yeah!

She choose today's mask
like she choose today's dress

something that hung
on a hanger.

Clothes were roles.

She, an actress
forever playing a part

in the movie
of her life

THE PURSUIT OF PLEASURE.

Never knowing the next
line

making it up as one
went along. . .
Donall Dempsey Feb 2020
CHOOSING THE RIGHT ADJECTIVE TO GO WITH THE RIGHT NOUN.

She drifted
through reality

having become unmoored
from morality

fleeing from time
fleeing from her self

the insistent totality
of being

who she was
not.

A stranger looked out
of her

mirror.

A faux French
ingénue...yeah!

She choose today's mask
like she choose today's dress

something that hung
on a hanger.

Clothes were roles.

She, an actress
forever playing a part

in the movie
of her life

THE PURSUIT OF PLEASURE.

Never knowing the next
line

making it up as one
went along. . .
Donall Dempsey Feb 2019
CHOOSING THE RIGHT ADJECTIVE TO GO WITH THE RIGHT NOUN.

She drifted
through reality

having become unmoored
from morality

fleeing from time
fleeing from her self

the insistent totality
of being

who she was
not.

A stranger looked out
of her

mirror.

A faux French
ingénue...yeah!

She choose today's mask
like she choose today's dress

something that hung
on a hanger.

Clothes were roles.

She, an actress
forever playing a part

in the movie
of her life

THE PURSUIT OF PLEASURE.

Never knowing the next
line

making it up as one
went along. . .
Donall Dempsey Dec 2020
CHRISTMAS CARD

I don't
(normally)
do this

you understand
but I am

staring at her
chest

in particular
where her ample *******

meet in a more than ample
cleavage.

Did not this
awesome architecture

of female flesh this
confluence of mammaries

just go
...tweet?

Yes...there
it is

for all to see
in a daring low-cut top

a robin redbreast
in her cleavage

making all who see it
...smile.

A tiny broken
robin

with an injured wing
(poor thing)

nestling between
her *******

(well it is
Christmas after all) .

She feeds it
every hour

with a tiny
dropper

as it nestles
snuggly.

'Peep...peep! '
it pipes up

every so
often.

Come Christmas
she gives it

the gift
of its

freedom

nothing but
blue skies

all day long
it returns

to its
human

as if it were
a living

Christmas card,
Donall Dempsey Dec 2023
CHRISTMAS CARD

I don't
(normally)
do this

you understand
but I am

staring at her
chest

in particular
where her ample *******

meet in a more than ample
cleavage.

Did not this
awesome architecture

of female flesh this
confluence of mammaries

just go
...tweet?

Yes...there
it is

for all to see
in a daring low-cut top

a robin redbreast
in her cleavage

making all who see it
...smile.

A tiny broken
robin

with an injured wing
(poor thing)

nestling between
her *******

(well it is
Christmas after all) .

She feeds it
every hour

with a tiny
dropper

as it nestles
snuggily.

'Peep...peep! '
it pipes up

every so
often.

Come Christmas
she gives it

the gift
of its

freedom

nothing but
blue skies

all day long
it returns

to its
human

as if it were
a living

Christmas card,
Donall Dempsey Nov 2020
CINDERELLA ON A SUSUKI

"Blast this glass slipper!
They always crack along the sole."

curses Cinderella
in a blue streak.

"Note to self...must have words
with Fairy Godmother"

She kicks off
the offending glass.

"You just can't write this stuff
and the Prince is such a yuk!"

She takes her motorcycle key
out of her cleavage and revs away.

"Amazing how the Prince is
a first class ****** yet

his sister the Princes is such
a total wow!"

Delighted to get her digits
written on the back of her hand.

"Real life is just never..." she muses
"...like your typical fairy story."
Donall Dempsey Aug 2018
CIRCA 1922

Touching.

Almost but not
quite.

They lie together
exactly 6 centimetres apart

if one were to measure
such a distance

but a universe apart
in terms of the heart.

They have just made love
or rather - had ***.

Now he snores.
She is unable to sleep.

She stays awake to see
the dawn enter the tiny room

gild ordinary objects
with a sunlight so golden

even a comb, a brush
a chair

become as wondrous
as objects in a Pharaoh's tomb.

And only does sleep
finally takes her prisoner

standing on the threshold
of a dream

she sees some
future archaeologist

unearth the golden comb
brush...chair...

the thoughts in her
head

her feelings
behind glass

in some museum
of the mind

"Despair"
circa 1922.
Donall Dempsey Aug 2021
CIRCA 1922

Touching.

Almost but not
quite.

They lie together
exactly 6 centimetres apart

if one were to measure
such a distance

but a universe apart
in terms of the heart.

They have just made love
or rather - had ***.

Now he snores.
She is unable to sleep.

She stays awake to see
the dawn enter the tiny room

gild ordinary objects
with a sunlight so golden

even a comb, a brush
a chair

become as wondrous
as objects in a Pharaoh's tomb.

And only then does sleep
finally takes her prisoner

standing on the threshold
of a dream

she sees some
future archaeologist

unearth the golden comb
brush...chair...

the thoughts in her
head

her feelings
behind glass

in some museum
of the mind

"Despair"
circa 1922.
Donall Dempsey Aug 2024
CIRCA 1922

touching
almost but not
quite

they lie together
exactly
6 centimetres apart

if one were to
measure
such a distance

but a universe apart
in terms of
the heart

they have just
made love
or rather - had ***

now he snores
she unable
to sleep

she stays awake to see
the dawn enter
the tiny room

gild ordinary objects
with a sunlight
so golden

even a comb,
a brush
a chair

become as wondrous
as objects
in a Pharaoh's tomb

and only then does sleep
finally takes her
prisoner

standing on
the threshold
of a dream

she sees some
future archaeologist
unearth the golden comb

brush...chair...
the thoughts in her
head

her feelings
behind glass
in some museum

of the mind
"Despair"
circa 1922
Next page