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Bella Isaacs Jan 2024
I went home today, straight after work
Because your curtains were closed
And although I didn't struggle with the quirk
Of thinking "But maybe..." (not really), hosed
Down with sobriety, I wondered at the darkness,
The loneliness, the determination (nose to grindstone,
Nose to grindstone), and with less than sharpness
I went home, nearly straight after work, and left you alone
And I left memories of another girl somewhere -
Possibly in your curtains - but you wouldn't care
To know that I no longer think, "I couldn't look him in the face" -
I now ask if I will be able to look at myself, in no one's place.
Bella Isaacs Jan 2024
The end of last year, and the beginning of this
Spell something like suspense, a familiar kiss
Upon both my frostbitten cheeks, Hello.
These are chaste waves now, at your window:
Barren is the land of my hand, I write nothing,
And I hope for nothing, still carrying
A foreign slogan by my heart for one
I dedicated my deeds to, who's gone
With my writing, since my girlhood arrived
And said she was here to stay, contrived
To do so until we thaw, until limbo
Passes over, until someone says, Hello,
And I answer. Because I don't want anything
Except, maybe, just not to want anything.
  Dec 2023 Bella Isaacs
sandra wyllie
brush it aside,
like a strand of golden hair,
hanging as pleaded panel
curtains covering her

eyes. She'll face it head on,
square. She’ll not allow it
to sit, like dust coating the
furniture. She'll give it

a swift kick, let it fall
like a ton of bricks. She'll not
let it blow, like smoke from frying
steak in the pan in her kitchen,

out the window, in a black
colored band. She’ll not lock it
in the closet with all her
skeletons. She’ll mix it

up with the gelatin. Blood
orange and mint. Plate it
for dessert. Wash it down with
gin and tonic, all this hurt.
Bella Isaacs Dec 2023
Too soon I realise the dreamlike nature
Of my steps on native soil
The horror of my nightmares a reality
For those in foreign lands
Where once, they said, a saviour was born;

And I sing about this time of year
When others sing of £1.20 wrapping paper
And candy-cane romance - dreams
Cost money, but hope costs kindness.

O Kyrie, Kyrie, Kyrie elei-elei-eleison
KYRIE ELEISON. Not on me, O Lord,
For my petty problems, as much as they
Seep into my sleep in panic
And place vices on my heart
- Mine are but the troubles of the Modern Man,
The one still responsible for ancient evil,
Who used Thy Son's words but when it suited Him,
The self-interested, but not self-examining, Man,
Who cuts down Thy trees
To pay tuppence
To the man working 16 hours a day
To make £1.20 wrapping paper -

And a sticker
To go on a document
That lets me fly
Where I choose.
Bella Isaacs Jun 2023
I put up an advertisement
"WANTED: A handsome man
To play the villain of the tale."
I was in earnest in this wail -
My play is falling as it can
Apart, in disestablishment.
I didn't think you'd laugh or like
My addition - "I don't need one
Personally." Well, I don't, no,
I don't need one, but if you'd show
A wish for consideration,
I'd love a hero on a fixed-gear bike.
I actually needed a strong actor to fill a role, but hopefully it's fixed now! Directing Arms and the Man for July :) My granddad directed the same play 70 years ago - The family tradition continues!
Bella Isaacs Apr 2023
Someone burns their vision of the world
In Western leaves some factory somewhere curled
And leaves the stump to burn upon the green
Where ducks and frogs make their domain,
And drops the package, too, still cellophaned,
Venom for the worms, a note to the society who brained
You - I see your disaffection's ribbon in the grass
And know I feel it, too, and yet, alas,
By all the powers that be, I know,
That I must be the change I want to show.
Whilst I was out walking through the marsh yesterday.
Bella Isaacs Mar 2023
I became Holmes, past knowing true:
In every sense, I'd seek for you.

Now, taking the cobbles consciously,
Sick, mad, of the essence of this construct,
Dismantling the ancien régime to see
That I am all your stains in concert -

I am made up of every last touch -
Originality's a lie, save in
The combination that you see - as such
It is unique, but I still cave in

At the dawn that nothing is my own,
And much like as if you were a coffee
I'd downed: I could not, for my life, disown
The five million senses cutting me

For the time, for every conscious cup
I'd take and take again: Why should I dull
And cut myself this way, a life made-up
Of such a tannin-full ideal?

My way as a writer is to fall
In love, in my eyes, in yours, in raptures,
In despair, in tough crowds, on God, to call
On my muse and survive the ruptures

Of worlds and heavens, both real and made,
And feel the rain upon my face, but Lord,
How often do I feel, and feel the raid,
Engaged by scent, blush, needle, salt, word?

All too much makes nothing, and I can't flee
To seek another cup: I must seek me.
A poem made up of a few ideas I had today: the pervasiveness of a love, the unoriginality of humans - as we are all made up of each others' influence -, who on earth can I say myself to be, and what on earth am I supposed to do as a writer. Also, I can't really take coffee.
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