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Prettiful like a pine
Colourful like a wine
Love, I say no decline
For I will be fine
She’s my poem, I’m her poet
My mum knows your name
I can take all the blame
My poetic eagle
My baby boo boo  
Maybe one year today
Or ten days away
Even just one day
I will be able to say
I truly love you
I wrote my mom a letter
I told her I got a princess
If I slit my throat
All I don’t wanna bleed is regret
You my Ode of love
With respect
it cost 65 cents to send a letter;
that is 65 cents wasted
not writing i love her.

but you would think
that if she loved me back
she would read in between the lines

and actually see
what i was burning inside to write
but never had the courage to.

maybe you don’t
have to be in love
to read in between lines.

because she didn't write back.
©bacillus
I don’t want to be your
sunshine
I want to be your
moonlight
I don’t want to spit morning in your face
and remind you that it’s time to go to work
I want to be that spirit
that lets you know that it’s time to relax
I don’t want to burn your eyes or your skin
I never want to be capable of hurting you
I want to illuminate your soul
I may be under appreciated
eclipsed in the shadows
but I accept that
because I know that I’ll always be that small
light
guiding you in all of the
darkness.

- Moonlight
 May 2019 daylene wolfe
Jac
on the platform i stand
waiting for the midnight train to Paris
the wind brings with her
a sweet strawberry scent
i follow its lead
and am met with a pair of emerald eyes
carefully studying my complexion
i look away
a soft rosy colour on my cheeks appears

i can count the stars reflecting in your eyes
it brings joy to my heart
you give me a soft smile
as i return it
your eyes light up
as beautiful as the moonlight
gleaming over the water
Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.
I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me.

To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end.

But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?
Here's to a city of extremes, and smog, and **** beauty
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble.

Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine.

Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet?

Camille: Foolish man. My feet are broken. I walk over you on stumps.

Camille leaves for England. Rodin follows.

Camille: You are boring.

Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me?

Camille: I love another.

Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius!

Camille: You’re right. You are a genius.

Rodin: Shall I write us up a contract?

Camille: As long as you don’t touch me.

Camille and Rodin return to Paris separately.

Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers.

Camille: You will not love another? You will spurn all but my art?

Rodin: I will. And you will marry me in return.

Camille: …

Rodin: Is there something wrong, my love?

Camille: Can you not see I am being facetious?

Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs.

Camille: Learn how to breathe without me.

Camille exits. Rodin crumples at the feet of Eternelle Idole.

Rodin: What have I done wrong?

Camille re-enters, her hands caked in clay.

Camille: A bird in the hand is worth two in the bush.

Rodin: Shall I get the handcuffs?

Camille: No. The lion’s cage.

*Strong tides and wet fuchsias. Camille enters the cage forever.
 May 2019 daylene wolfe
Eurus
You smell like cigarettes and Paris,
Feel like midnight sweet stories.
A sunset without fears or worries.
But above all,
There’s your mixed up soul.
An entire galaxy where
Stars are collapsing
And planets colliding.
Obliging me to remember everything.
You presence,
Your absence,
Your actions.
In the memory of an old dying love
Fly with me to Paris
and We will climb
the Eiffel Tower
We'll see the Louvre
And walk along
the Avenue des
Champs Elysees

We will walk
alone together
along the great
Seine River
And latch
a lovers lock
upon the bridge
above the water

We can picnic
on the grass
in the grandest
park in Paris

Then embrace
within the shadows
of Notre Dame
Cathedral
Where there
We'll swear
Our love
forever sure

We will seal it
with a kiss
And know We
never missed
The times
and places
that make
A life
worthwhile.

-R.

8.26.17

-LA
©ASGP
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