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 Aug 2015
Mike Essig
Written by Arlo Guthrie and Pete Seeger; adapted by Mike Essig.


Halfway around the world tonight
In a strange and foreign land
A soldier packs his memories
As he leaves Afghanistan

And back home, they don't know too much
There was just no way to tell
You know* you had to be there
To know that war was hell

And there won't be any victory parades
For those that's coming back
They'll fly them in at midnight
And unload the body sacks

And the living will be walking down
A long and lonely road
Because nobody seems to care these days
When a soldier makes it home

Somewhere in America tonight
In this strange and foreign land
A soldier unpacks memories
That he saved from Vietnam

They said it wasn't easy
Just another job, well done
Then the government in Saigon fell
To the sounds of rebel guns


And the faces of the comrades
Who were blown out of the sky
Leaves you bitter and disgusted
That they didn't have to die

The old men who planned that war
You know they all died safe in bed
With none of their rich and privileged sons
Ending up torn or dead


Back home they didn't know too much
There was just no way to tell
You know you had to be there
to know that war was hell

And there wasn't any big parades
For those that made it back
They flew them home in secret
and told them to make tracks

And the living were left walking down
A long and lonely road
Because nobody seemed to care back then
When a soldier made it home

The night is coming quickly
And the stars are on their way
As I stare into the evening
Looking for the words to say

That I saw the lonely soldier
Just a boy that's far from home
And I saw that I was just like him
While upon this earth I roam

And there may not be any big parades
If I ever make it back
As I come home under cover
To a world that can't keep track

Of the heroes who have fallen
Let alone the ones who roam
Guess that's why nobody seems to care
When a soldier makes it home
Arlo Guthrie and Pete Seeger wrote this poem long ago. All I did was adapt and update it. The words in italics are mine. You can hear the original on Youtube. Honestly, I think my version is better or at least more current.
 Aug 2015
Joe Cole
I walk away from the city stress
To stroll on the golden strand
No more the worries of 9 to 5
Just my footprints in the sand

I sit now on a rocky point
Above the raging sea
Face battered by the wind and rain
But it's here I love to be

I've now left the drama of rocks and sand
Left the rolling white capped waves
I sit now beneath filtered sunlight
In this songbird sunlit glade

In my hands the quill and parchment
By my side the cup of ink
Now is the time for the words to flow
Now my time to sit and think

''Tis now my time, my time of peace
To sit alone with just my thoughts
The time to leave all stress behind
To sit and pen my thoughts

'
Just living
 Aug 2015
Jellyfish
You could find someone better, trust me I'm someone who hides their feelings beneath their sweaters I'm a distanced person who spaces out even in the moments that are most important. My anxiety keeps me from saying the things that I want to blurt out so badly but cannot because of the words that others will slap down on me. Trust me I'm not someone to stand beside. Toxicity engulfs me often I'm barely pushing through this sticky path that was created out of hate my anxiety is always entertained do you not understand the pain that these people have caused me to feel!?
Insane.
I always thought I was, because my thoughts often turned from happy to horrific once something bad had been said, well what did you expect?! For me to be perfectly happy afterwords and forgive you as if you had never meant the words that twisted and slurred around in my mind, ******* it's about time you learned your place bullying is not something that can be accepted so easily so stop doing it for ***** sake I cannot begin to describe the way I hated myself for so long! I'm damaged even now from back then and it's been so long! I know you don't give not one single ****. It's depressing really, how empty I had and have felt because of you..
Let me try to define this kind of pain for you since I know you'd never be able to handle the things that went through my mind after what you had caused me to feel. You see I have always been trapped inside of a shell, even when I was very young I was shy but you made it a point to deny it's all in my mind you said to me a billion times but did you know that I was dreaming of dying, drowning, suffocating, nearly injuring myself as the tears would fall down. I was a suicidal case thanks to the things people had forced me to endure you thought it was funny but would you still if you knew how violent I had become towards myself?!
Just try to imagine now, you have a child and will probably have more what will you say to them when they come rushing in through the door, their angering tears slapping down against the floorboards as if they were raindrops will you let them know you were not a victim!? I bet you will lie and tell them something to confide in I hope for their sake you do because if I knew that my parents caused others to feel such ways well ******* I bet I'd have went insane knowing I was living in the same house as a perpetrator. *How could you do that, mother!?
 Jul 2015
kaylene- mary
You see god in bathroom stalls,
and many may call that grotesque,
but only you can see the metaphors
the walls posses. You bleed emotions
in the way you make your bed.
And you keep old lovers whispers in
your garden shed.
You bleed paper
cuts instead of stubbed toes, and your
teeth are burnt from words unsaid instead of cigarettes. You probably take scolding hot showers instead of cold, because you already know what it's like to be frozen -
and all you want is to feel pain again.
But not the kind you spend sleepless
nights perfecting onto whiskey
stained napkins, because the girl across
the bar breathes similes. But rather
the kind that melt the blisters from
your knuckles, and remind you that you are decaying. It's okay that you
break your fingers instead of praying.

It's okay to see the fairytales between the tiles, and it's okay that you compare
rotting fruit to your own soul,
or a nine inch wide black hole.
It's okay that you see grace inside of illness,
and sonnets inside of fear. Because
you are a writer, and you have
already won.
Josiah Jack
never uttered a sound
when they dragged him away
from the scene.
when his poor body
was eventually found,
the treatment endured,
had been mean.

With no tongue in his head
they had left him for dead.

With a month
on his back,
he did indeed
contemplate.
Only sin
“he was black”
hence forth
this weary state.

They attacked in the night,
hooded and white.

All in all
he was
lucky
to be
breathing at all,
all because
he was plucky,
all because
he stood tall.

A ***** they said
should lower his head.

Were they hooded
for fear?
Were they hooded
in shame?
Most likely,
once covered,
they could hide
of their name.

If things were so right,
why hide out of sight?

Bravery isn't
a word for the ****,
Cowards,
this word comes to mind.
Bravery comes
when there's only one man,
not one
with ten more stood behind.

I will strike in a pack
with someone watching my back.

Their plan
was to ****,
this man
Josiah Jack.
Perhaps they
get a thrill
when someone
cannot fight back.

They get real loud
when they join with the crowd.

Josiah
knew well
that if he
raised a hand
his kin folk
would feel hell
from this
unruly band.

So he did not fight
but gave in to his plight.

They think
they were hidden
beneath that
white hood,
Josiah's hearing
is sound
and his
memory is good.

So when things are forgot,
he will take of his lot.

That's exactly
what happened,
as they lay
in their bed.
The flames hurled
with fury
the sky
filled with red.

This man barbequed them like fish on a rack
and no one put it down to Josiah Jack.
13th July 2015
© Copyright Christopher K Bayliss 2014
 Jul 2015
poetessa diabolica
Violaceous twilights,
      clandestinely sated
lavished 'til morn's early blush
   midst honey suckled euphoria,
 poems hidden 'neath
         satin pillowcases,
written 'tween the dew
    of rendezvous'
       blissed arousal
forevermore eagerly breathless,
      reawakening intentions
  aloft the vast obscurity of
        a wistful sunset's surrender
I stand by the period bed
where Dupleix rested his head,
wondering at his kind of life,

if he lay there with wife
or some native maid.

doesn't hint his bronze bust
if he lay there bare
in ebullient lust

stirred by a girl darkly thin
bowing himself to her embrace
finding in his war beaten mind, happiness,

or, there wasn't any such thing,
he lay there staring at the ceiling
far from even one warm kiss
storming his brain to defeat the British...

I think of the kitten that survived a few days,
it still pains.

In the museum, I rhyme dust with lust.
 Jul 2015
poetessa diabolica
Obscurity's trenchant
     sorrows blotting
        tissue paper cuts,
tears aptly smeared
    in hidden fears of
        first dashed allusions,
darkly flippant metaphors
       sans passionate accolades
          left to gingerly decay,
    grandiloquently speaking,
       'Happily Ever After' is
           hardly a verbose nuance
             throughout a quinine
                         poet's collection
 Jul 2015
poetessa diabolica
Ink staining blank pages,
sentiments caught fire

blurb in the moment,
a notion for the ages

simple inspiration's  nectar,
provocation's bedevilment

mockingbird of emotions
all that is sacred and trivial

tempting a blind ear to hear
invoking silent eyes to see

tainted lips to sing for eternity
asunder notes of parchment

one's own big blast of creation
*poetry in the making
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