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 Jul 2016
Nigel Finn
I don't know how to write of love,
It's unfamiliar territory,
Like a hand in an oversized glove,
Or a moral with no story.

If I could write about the way
I put all faith in you,
And how you returned that faith to me,
That alone wouldn't do.

I could write about attractiveness-
Of skin as smooth as milk,
Of eyes that heal my sadness,
And a touch as light as silk.

That still doesn't quite do it though,
It doesn't seem enough,
To quote the cannibilistic king-
"This subject is quite tough!"

I could write about the words we share,
When we're together and alone,
Or of holding hands in public,
Or crying on the phone,

Or how we long to hold each other,
Or hear the other's voice,
How just being with each other
Feels like the only choice.

Yes, I could talk all day about the way
Your feelings make me feel
But as fishing-rod designers say;
"It's time to make this reel."

Because real love's not as romantic
As the the love seen on T.V,
Or how it looks in certain books,
And classical poetry.

There's arguements at midnight,
There's anger and despair,
And times when you may feel like
The other doesn't care.

There are times you feel you're talking
And the other doesn't hear,
There's feeling you're not good enough,
Caused by jealousy and fear.

It's giving the other power
To destroy your hopes and dreams,
To tear your heart completely
And sometimes that's how it seems.

No- I don't know how to write of love,
Because the realism shows through,
To quote the cannibal king once more-
"This subject's hard to chew."

So I will not bore you anymore
On things I can't convey
And feelings which I am not sure
You're feeling anyway,

But I'll leave you with some sound advice-
Being in love can be the best,
Or else it turns your heart to ice
(To which many can attest.)

I won't recommend you plunge right in,
Or back off altogether,
But it will not stay as it begins-
Love changes like the weather.
 Jul 2016
Denel Kessler
from the void
the mountain speaks
the beat goes on
in these desolate peaks

moss covered stacks
of sea floor and mantle
embrace and fold
in metamorphic tangle

stunted fir clings
graying roots exposed
a rocky, barren life
is all this sapling knows

snowcapped elderberry
scale the crevice
where bear and wind
make raucous passage

avalanche chutes
gracefully recline
in verdant shades
to the waterline

lie in the meadow
to calm the chatter
make still the noise
to blunt the clatter

upon the coming
of soft night
undress this silence
angel mine



*I came to a point where I needed solitude and just stop the machine of 'thinking' and 'enjoying' what they call 'living,' I just wanted to lie in the grass and look at the clouds.

-Jack Kerouac
Just got back from our annual fishing trip in the North Cascades of Washington state.  From a remote campground on the lake, one can hike steep Desolation Peak to the fire lookout where Jack Kerouac spent 63 days as a fire spotter in 1956.   His experiences there were inspiration for the classic "Desolation Angels".  My reference to "the void" arises from Kerouac's comment about the mountain looming largest in his view from the lookout - Mt. Hozomeen - which he described as "the void".   Little has changed since 1956, still remote, still amazingly beautiful.  I've yet to hike to the lookout (too busy catching rainbows, trout that is!) but it's on my "must do" list.
 Jul 2016
Anonymous Freak
A flick of his baton,
And hate fills the room.
Wafting under the doors
Into bystanders,
And passersby,
Ears.

My father was our conductor.

A sweeping gesture,
So well rehearsed...
And love and admiration,
Make the room quiver with sound.

He held his audience in a grip as hard as a scared child's, he'd perfected every move he made.

The stage is set,
The orchestra is ready to play,
Not for the audience,
For the conductor.

He trained us, his family, as a traveling show
All to boost his needy ego.

He raises his hands,
And the pity raises it's volume.
You can taste the salty,
Bitter melody
On your tongue.
You could almost swallow the tune.

If he couldn't use you in some way, he'd leave you,
Whether you were a friend or his blood.
  
A sweet undertone of hate,
So easily made,
And so tempting.
Now a brief solo...
And the admiration blasts full,
And loud,
And bright.

He'd use those who loathed him in his orchestra,
Use them to make his admirers defend him.

The conductor,
And his orchestra.
Like the sun and the planets.
The music revolving around him,
His curled moustache,
And retreating hairline.

He was a puppet master, gaining something from any
Attention thrown his way.
  
Now a solo for the fear,
Clear,
And high.
His hands go down low,
For the base sound of anger.

He was a walking explosion, when he entered the room in our home, it silenced.

Bitterness fills the room,
It's strings
Singing.
And pity again,
Perhaps his favorite instrument.

I hated him for not loving me, and he used my bitterness to hold my sisters closer to him

The conductor,
The abuser,
Conducting all the attention,
Upon himself.
Not any type is unwanted,
All instruments have a place
On his stage.

The only way to escape, was to let him go.

I've dropped my instrument.
Left bitterness on the floor.
The last one I've played,
I've tried my hand at all the others,
But I could never find one
I wanted to keep.
The life of a musician,
Just isn't for me.
 Jul 2016
onlylovepoetry
there will be no love poetry today
Sabbath cancelled

there will be the will to love
and there will be poetry

someplace

but not here, not today

the load bearing suspension
of belief

beyond busted

the mind

no mas

busted

one killing too many

love poetry seems inappropriately fruitless


there will love
and there will be poetry

somewhere

but not here

more than pointless,  
sacrilegious,
human sacrifice ruthless,
a ****** sacrilege

the world profaned and the blood spilling
is in everything and everywhere  

and has driven the love poetry out of this person


maybe tomorrow

may it be tomorrow, we will pass a twenty four

news cycle  
with the bombs gone quiet
the innocents surviving
and the god spark burner inside me will
relight on its own

but not today not here not me

there will be
no love poetry

and this

this not a poem

<>
 Jul 2016
Nat Lipstadt
<>


(for patty m)

"always love hearing from you,
it's like a kiss in the wind"



we are intimate
though never ever close,
but faithful closer

familiar,
though our convivial roads
are uncrossed, except and accept
in the delicate pearl inlay
of our poesy path

our common way station,
where can we exchange private confidentialities
publicly, above and beyond,
the plain and ordinary everyday
intimacies

from the balcony of the sixteenth floor,
I can see the horizons holding
our shared land together.

the wind blows by,
from the Atlantic crossing,
continuing on its
westward ** way

wind comes inquiring as is its wont,
as a faithful and familiar evening-tide messenger,
desirous, needy for its wantings fufillment,
to be a deliverer of
deliverances and
all kind of tidings,
sent by the
in absentia

I post a poem

the letters scatter heavenward,
no worries,
the amorphous wind,
will Oz like
reassemble them
in holy order and
brush them
across your face,
tickle the lips and eyelashes,
still moist from
missing a man who was
intimate different,
in a lifetime way

and that kiss,
that postage paid,
the meager cost
the wind receives,
for a mission well accomplished,
is transferred to you and yours
to enable you to decode
this implausibly but-all-to
plausible,
devoted message
June 12, 2016
an M31 bus composition
 Jul 2016
Sjr1000
Tequila
Tears
And art
Passion flowers
ignite
Fierce surrender
Holding on tight
Taking hold of the darkening night
Turning Twisting
On a friend's vacant bed
Igniting
Finding
Kalidiscope colors
Exploding into sound

Peaceful sleep
Entangled in arms sweet embrace

Memorable nights
in life
in memory
are played out
more than twice

Revisited
from time to time
through out one's life.
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