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 Jun 2014
Dhaye Margaux
(Do we really see?)

We kept an eye to something different
Ears were open while mind was close
A pole looked straight though it was bent
We kept an eye to something different

In these given days to pray and repent
While a medicine should be taken in dose
We kept an eye to something different
Ears were open while mind was close.
Triolet

A Triolet is a poetic form consisting of only 8 lines. Within a Triolet, the 1st, 4th, and 7th lines repeat, and the 2nd and 8th lines do as well. The rhyme scheme is simple: ABaAabAB, capital letters representing the repeated lines.
 Jun 2014
Dhaye Margaux
She always look outside her door
Or stay beside her window pane
She wants to know and see much more
Her neighbor’s deeds and what they gain

She has to meet the rich and poor
She always look outside her door
But that motive of yesterday
Gone with the wind, 'twas blown away

She’s now but an observant one
Who always judge and sneers at man
She always look outside her door
Seems she forgot what is life  for

This poor woman, she never know
That now she looks like a scarecrow
While her feet stands flat on the floor
She always look outside her door.
Quatern
A Quatern is a sixteen line French form composed of four quatrains. It is similar to the Kyrielle and the Retourne. It has a refrain that is in a different place in each quatrain. The first line of stanza one is the second line of stanza two, third line of stanza three, and fourth line of stanza four. A quatern has eight syllables per line. It does not have to be iambic or follow a set rhyme scheme.
 Jun 2014
Dhaye Margaux
Eyes

twinkle,

As we kiss

love entwines our

hearts.
Lanturne

The Lanturne is a five-line verse shaped like a Japanese lantern with a syllabic pattern of one, two, three, four, one.
 Jun 2014
Dhaye Margaux
Your photographs are all I keep
I keep them all so I won't weep
I weep when thoughts of you go deep
Take out this heap, take out this heap.

Your photographs are memories
Memoirs of you that keeps my peace
My peaceful days are mine, at least
You give me ease, you give me ease.

Your photographs remind of you
You seem so near, you always do
Do you believe, you make me blue
Each time you go, each time you go?

So please, my dear, stay with me
Stay with me and let me see
See how our love can make us free
A love to be, a love to be.
In Monotetra form
 May 2014
Dhaye Margaux
The day before was so perfect
He’s always there just to protect
He sang her song, painted her face
He left her with such tender trace


She smiled at him, she admired more
All his good traits deep to the core
She dreamed to hold, to hug, to chase
He left her with such  tender trace


The day they danced in that grand ball
She never thought that she would fall
Unto his arms, to his embrace
He left her with such tender trace


And from the day that he was gone
She cried from evening up to dawn
She missed more of their fine, sweet mace
He left her with such tender trace


But moment would come to renew
The pledge and dream would still come true
There in her heart, there is a place
He left her with such tender trace.
A Kyrielle poem
 May 2014
Dhaye Margaux
I stand with pride, I know it all
Though you can see, I bow, I fall
Whenever wind whispers my name
I bend my knees but stay the same

Whatever life would offer me
I will accept but I'm still free
I know how odd, it's like a game
I bend my knees but stay the same

The joy life brings would make me smile
Though sadness gazes for a while
When there's a will, just keep the flame
I bend my knees but stay the same

When sorrow's there to walk with me
Eyes are open to let me see
I'll still walk through yet like a lame
I bend my knees but stay the same

When sunbeam's there to scorch my skin
I wouldn't runaway or shin
I'll walk with pride but not with fame
I bend my knees but stay the same

When rain is there to stay with me
I'll never cry for I can see
It comes to heal, care for my name
I bend my knees but stay the same

That's how I live, how strong I am
Though storms may pass, though troubles come
I am still me, I'm on my frame
I bend my knees but stay the same.
Kyrielle
A Kyrielle is a French form of rhyming poetry written in quatrains (a stanza consisting of 4 lines), and each quatrain contains a repeating line or phrase as a refrain (usually appearing as the last line of each stanza). Each line within the poem consists of only eight syllables. There is no limit to the amount of stanzas a Kyrielle may have, but three is considered the accepted minimum.

Some popular rhyming schemes for a Kyrielle are: aabB, ccbB, ddbB, with B being the repeated line, or abaB, cbcB, dbdB.

Mixing up the rhyme scheme is possible for an unusual pattern of: axaZ, bxbZ, cxcZ, dxdZ, etc. with Z being the repeated line.

The rhyme pattern is completely up to the poet.
 May 2014
Dhaye Margaux
My love, let us dance in the rain
Let it wash our tears away
Heal our wounds and clean our stain
Make us feel better today


Let it wash our tears away
Let it help us forget our sorrow
Make us feel better today
Forget yesterday and think of tomorrow


Let it help us forget our sorrow
Every storm will surely end
Forget yesterday and think of tomorrow
Feel the raindrops that really mend


Every storm will surely end
The pain, the hurt, we’ll soon forget
Feel the raindrops that really mend
Just remember the goals we set


The pain, the hurt, we’ll soon forget
Heal our wounds and clean our stain
Just remember the goals we set
My love, let us dance in the rain.
Pantoum

The pantoum consists of a series of quatrains rhyming ABAB in which the second and fourth lines of a quatrain recur as the first and third lines in the succeeding quatrain; each quatrain introduces a new second rhyme as BCBC, CDCD. The first line of the series recurs as the last line of the closing quatrain, and third line of the poem recurs as the second line of the closing quatrain, rhyming ZAZA.

The design is simple:

Line 1
Line 2
Line 3
Line 4

Line 5 (repeat of line 2)
Line 6
Line 7 (repeat of line 4)
Line 8

Continue with as many stanzas as you wish, but the ending stanzathen repeats the second and fourth lines of the previous stanza (as its first and third lines), and also repeats the third line of the first stanza, as its second line, and the first line of the first stanza as its fourth. So the first line of the poem is also the last.

Last stanza:

Line 2 of previous stanza
Line 3 of first stanza
Line 4 of previous stanza
Line 1 of first stanza


Credits to: www.shadowpoetry.com
 May 2014
Dhaye Margaux
Oh, woman, dear, don’t be so insecure;
You’re only hurting yourself when you are insecure.


Look  at the mirror and see how beautiful you are,
You don’t need to feel bad and to be insecure.


When you see others smile and happy in their lives,
Can’t you just smile for them and not feel insecure?


When someone deserves a prize, an award for his deed,
Would you aim to claim it because you’re insecure?


When someone stands now in a place where you dream,
Would you pull him down there when you feel insure?


When someone’s being praised for an excellent work,
Would you make some sour grapes- deeds of an insecure?


Yes, you are stealing a moment of your own joy,
Every moment that you’re jealous and you feel insecure.
Ghazal

A Ghazal is a poem that is made up like an odd numbered chain of couplets, where each couplet is an independent poem. It should be natural to put a comma at the end of the first line. The Ghazal has a refrain of one to three words that repeat, and an inline rhyme that preceedes the refrain. Lines 1 and 2, then every second line, has this refrain and inline rhyme, and the last couplet should refer to the authors pen-name... The rhyming scheme is AA bA cA dA eA etc.

Credits to: http://www.shadowpoetry.com/resources/wip/ghazal.html
 May 2014
Dhaye Margaux
Love me again, I'll give my everything
Give me your heart, I’ll take the love you bring
We’ll set the world where we don’t see the past
We’ll sail the sea with our love’s stronger mast--
       We’ll feel the breeze like songs of love we sing.


So love me, dear and let our heartstrings cling
Through all our Winters, Summers on through Spring
So take my hand, you’re mine again at last!
       Love me again...


We’ll be as two doves flying wing to wing
To our celestial throne as queen and king
Where soft angelic clouds may off-broadcast
A love's that's deeper than the stars are vast
As vibrant harp strings mimic each heartstring
       Love me again…
Rondeau

A Rondeau is a French form, 15 lines long, consisting of three stanzas: a quintet, a quatrain, and a sestet with a rhyme scheme as follows: aabba aabR aabbaR. Lines 9 and 15 are short - a refrain (R) consisting of a phrase taken from line one. The other lines are longer (but all of the same metrical length).


Credits to: www.shadowpoetry.com
 May 2014
Dhaye Margaux
BLOSSOM


Flower
Beauty under the sun
It dances with the wind and rain
And brings feeling of serenity
Blossom



****


SPINE




Prickle
It makes deep cuts
That make one cry in vain
Protected  beauty in its own
Spine
Cinquain
Cinquain is a short, usually unrhymed poem consisting of twenty-two syllables distributed as 2, 4, 6, 8, 2, in five lines. It was developed by the Imagist poet, Adelaide Crapsey.
Another form, sometimes used by school teachers to teach grammar, is as follows:

Line 1: Noun
Line 2: Description of Noun
Line 3: Action
Line 4: Feeling or Effect
Line 5: Synonym of the initial noun.
 May 2014
Dhaye Margaux
Thick skin, big body and sharp teeth, they slay
These greedy animals hunt for their prey

Their goal is to get all what they want
In the darkness of the night they usually hunt

Crocodiles and snakes, they attack like storms
How big are those reptiles as compared to the worms?

Now modern predators are in tuxedo’s and suits
With shiny eyeglasses or well-polished boots

These greedy creatures scattered in this world
They always make the biggest stories ever told…
Epigram

Epigrams are satirical poems ending with either a humorous retort or a stinging punch line.

Used mainly as expressions of social criticism or political satire, the most common forms are written as a couplet: a pair of rhymed lines in the same meter.

Practitioners of this poetic expression include John Dunne, Ben Jonson, William Blake and Robert Frost.

Credits to: http://www.shadowpoetry.com/resources/wip/epigram.html
 May 2014
Dhaye Margaux
She always look outside her door
Or stay beside her window pane
She wants to know and see much more
Her neighbor’s deeds and what they gain


She has to meet the rich and poor
She always look outside her door
But that motive of yesterday
Gone with the wind, t’was blown away


She’s now but an observant one
Who always judge and sneers at man
She always look outside her door
Seems she forgot what is life  for


This poor woman, she never know
That now she looks like a scarecrow
Her feet stands flat on the floor
She always look outside her door.
Quatern

A Quatern is a sixteen line French form composed of four quatrains. It is similar to the Kyrielle and the Retourne. It has a refrain that is in a different place in each quatrain. The first line of stanza one is the second line of stanza two, third line of stanza three, and fourth line of stanza four. A quatern has eight syllables per line. It does not have to be iambic or follow a set rhyme scheme.

line 1
line 2
line 3
line 4

line 5
line 6 (line 1)
line 7
line 8

line 9
line 10
line 11 (line 1)
line 12

line 13
line 14
line 15
line 16 (line 1)


Credits to: www.shadowpoetry.com
 May 2014
Dhaye Margaux
My love, the day you came into my life
Was when I hate to feel the rain so much
Each drop to me was like a sharpened knife
That made deep cuts and wounds I couldn’t touch
But there you came along to mend the strife
When I was falling down you’re there to catch
You guided me and helped me ease the pain
My dear, you taught me how to love the rain.
Ottava Rima
A Ottava Rima is a poem written in 8-line octives. Each line is of a 10 or 11 syllable count in the following rhyme:

one octive poem .abababcc
two octive poem. abababcc, dededeff
three octive poem. abababcc, dededeff, ghghghii

...so on and so on

*This is a one octive poem
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