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 Mar 2013
Seán Mac Falls
Showers of promise punctuate your days,
The waters creek, mumble rise and swell,
Flowers, spark of youth, marching in the rains
And birds sing anew, bright pages, bursting-bell,
An earthy coronation, cleanse and glisten,
All the wood, shorn by Winters’ wane and fan,
*** and waltz in balmy breeze collecting
Ferns and Falls' forgotten blood red hands
Renewed, the grass and trees, heavens missal,
Wing-lipped leaves exploding green, just listen;
The washing rains parade, all resurrection.
 Mar 2013
Seán Mac Falls
My ruby looks on stones to see the light.
While amber stars are flashing in her mien,
She forges facets with her eyes and mines
A rocky grave.  To bear as such, the sun
Un-sung, she could caul parhelion to dust
And still doom to shadow those fireworks
She alone ignites.  Here then lies a truth;
My ruby looks on stones to see the light.
 Mar 2013
Seán Mac Falls
In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!
Baile Átha Cliath is the Irish Gaelic (gaeilge) for Dublin (the capital city of Ireland). Translated into English it means The Town Of The Hurdled Ford (Baile = Town, Átha = Ford, Cliath = Hurdle).

Anna Livia, Anna Liffey, The Liffey (An Life in Irish) is a river in Ireland, which flows through the centre of Dublin.  The river was previously named An Ruirthech, meaning "fast (or strong) runner".  The word Liphe (or Life) referred originally to the name of the plain through which the river ran, but eventually came to refer to the river itself.  It was also known as the Anna Liffey.

In modern usage, a céilí (pronounced: Kay-lee) or céilidh is a traditional Gaelic social gathering, which usually involves playing Gaelic folk music and dancing. It originated in Ireland and Scotland, but is now common throughout the Irish and Scottish diasporas.
 Mar 2013
Seán Mac Falls
Grizzled-brown sound of tuba walking,
            In the way of circles you wobble step, inverse,
                        As does a broken waltz, bearly graceful.

You sniff your way a crush alpine meadows
            And making sense for you are lowly berries,
                        Rude as any intruder might be in the foothills

Of the Gods.  'More wine for the great Polyphemus,'
            Say the drunk brambles, brighty doomed sailors
                        All a wash by behemothing jaws which hang

Them over.  Yet Ursa, if in minor you must play
            By the cosmos' stilted view, great major, it is they
                        Who glare more distant, as if you really cared.
 Mar 2013
Seán Mac Falls
The morning world in mist dissolves and under,
Towed to heaven, we, a plod below the death
Of clouds, sing mute, where they trumpet-glide
Flashing into peace.  Three-toed slabs, parched
Of orange, web the stars over the wine
Dark seas and chalk the churn and twining earth
Into gloaming.  In rapt stillness they,
Are import and income, parables,
Echoes of the innocent song sung to a spire,
Gilded hutches, to those who heap on brightness
Swans are brighter even more with blackest
Eyes, they pierce the silent shroud all starry.
I wish that we were like two swans my love,
Neck of nape, embracing without touch.
 Mar 2013
Seán Mac Falls
Poet to my eyes, you are the sight of whitecaps
On the sea water, or the sudden turn of a bird
In flight and as the wave I roll and break,
With drowning wings that lift toward you, my sky.

Mistress to my soul, I am the nave of your holy
Cathedral.  My head is but an occluded riff,
De-noting songs you make in aisling airs of light
Polyphony, my star over-sings the windy globe,

She swallows heaven, like swallows blacken the dusk.
Shearwater bird, strip my surface with your cutting
Wings.  My waves peak to reach you starling girl.

The sloughing chill of winter dies quick in sighs
Waft asunder my little Indian summer, wake me
From sleep and I shall dream but once for your kiss.
aisling ( ash-ling )  |  Gaelic word meaning:  a vision of promise.
 Mar 2013
Kevin Eli
Feet lift off the ground
Feeling vibrations and infinite sound
Sense and lose thought within the pulse
Running through air, earth and fire
Recycled spirals
Bends

That
Which is the random
Which is all
Which is now and then
With and without
This

End of this beginning
Twist, introduce and suspend
The motive to move and to drive
Walking with shadow as friend
In this eternity which is the moment
Beginning to end
 Mar 2013
Kevin Eli
I see you looking into the mirror
Look a bit closer, see a bit clearer
I see you lying, holding back from crying
Look at me now, look at me now

Cuz I see your reasons, you have your demons
look at me now, look at me now
I see you're dying, you're ******* lying
Look at me now, just look at me now
Blur

Just as I saw through all your fears
You're still here, standing in tears
Mention your name, tell me your game
Just look at you now, just show us how

I see you lying, you're ******' dying
Look at me now, look at me now
Holding back from crying, I caught you lying
It's all just a blur,
A blur

Cuz I see your reasons, you have your demons
look at me now, look at me now
I see you're dying, you're ******* lying
Look at me now, just look at me now
Blur

Blurred, Blurred, Blurred, Blurred, Blurred, Blurred, Blurred
*BLUR
I caught my ex in a lie several years ago. She was supposed to see me perform, and I wrote her this song to **** her off, but she didn't end up showing up. Instead she lied about coming and was getting banged by two guys that night.

Funny how ironic and true the lyrics were.
Sincerely for you, *****.
 Mar 2013
Seán Mac Falls
Time is teasing along with lush earth so pleasing,
The minutes of our youth are spent in toiled days
And sands are blowing the weld of our sold means,
Foundations of dust, the cries unheard, of the aged.

And then, as dream, you came from the starry skies
Blue and small as the ocean dot, forever fixed—
Reigning over the frozen, revolving moon that lies,
Dimly wakes in your fabled orbit, my fated ellipse.

Now, time tables and splits, renders me to eaves
Undone, my squandered youth was but a sad play
And I am clocked with wind, the geld of my dreams,
Had shiftless hands been more solid than my days.
— after Yeats
 Mar 2013
Seán Mac Falls
Green wings, floating seeds,
Deep oceans in water beads—
Mist, steeps mystic winds.
 Feb 2013
Kevin Eli
I live in fantasy
A soul on the water
Waking up evermore to glistening shores

Mist rises high from the warm suns rays
No picture could capture the millions of words
This isn't fiction, it's true.
This is just my morning view

A flower blooms blood red and sky blue
While a hummingbird wakes up and drinks its dew
The mountains which rise around my quiet lake stand silent and listen
Give nothing but their smiles for miles.

The wind never blows before noon, holding this scene still
Moments like this happen every day for me.
Just close your eyes and dream of this far land I live in.
You can be here, you can discover this.
Just close your eyes to see.

Sometimes we say more by saying nothing at all,
and sometimes we do more by doing nothing at all.
 Feb 2013
Seán Mac Falls
Her fine hands are gentle
With lithe and spiny fingers
Of bone and fin.

Her eyes are opal,
Essence of emerald and topaz,
A hoard of treasure.

Her hair is sea gathering
And dances in the blue currents
Deadly as the sea snake.

Her skin is coral,
Made of mineral and sorcery,
A fatal beacon.

Her lips are urchin,
Set in a whirlpool of face,
A spiral of doom.

Her voice is dream,
Rocking the lost wrecked ships,
Ground into sand.

Her long tail is fable
Of paradise, beyond faraway seas,
Cyclones and waves.
 Feb 2013
Seán Mac Falls
The fly makes his way through the house.
Its tongue, like billions before, is tainting  
All it touches.  The fly has wings to spread  
His mess, and though he has innumerable  
Facets to his eyes he cannot see  
The swatter coming.

The house surrounds the fly and is sacred.
As the great blue world beyond is sacred.  
And the fly is spreading fast, flitting here  
And sticking there trampling his own  
Shelter, spreading pollution and excrement  
With a rolling tongue  

That spews and spits upon his own home.  
And though he is happy while he soils  
His house his eyes are two dead worlds  
Barren and still, born to die by the hand  
That flies even higher, so, the fly cannot  
See the swatter coming.

Buzzing, like a burn, through the innocent  
Air he dreams of vast minions rooting  
His world with legion hands.  The house was  
A garden that led him in, he cannot  
Wait for his seed to fester, all's he needs  
Are God’s green plants  

And clean water, some fresh air to conquer.
This house was made for him he would have  
Himself believe.  But when all has dried  
And all is soiled the fly would wish to move  
On, if only he could, trapped as he is  
In the earth and wooden house.

He could taste it all, oblivious to oblivion
In God’s green wooded world— all spinning,  
The sands are running in the sacred home  
That he himself has always defiled,  
As he has never shown any grace;
The swatters hand is His  
Own hand.
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