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 Sep 2013
Seán Mac Falls
I came to the pavilion of the big cats
And in the center was a palace ruin,
The walls were stone and feeble mortar,
The great, golden monarch was the lion.

With wisdom eyes, he gazed upon me,
I lowered my head as was my station,
He did not move, nor deign to care,
In His royal chamber I was under thrown.

I thought, you are caught my over lord,
But his stance said, these bars are scepter
And I heard him say with a long lost roar,
'Hear my horn, I am he, the storm of Jericho.'

In the palace of the mighty, indifferent, king
His thundering voice crackled the lambing
Stables and even heaven closed under ceiling
Dome and I was caged when the walls fell away
And the whole, blown world, remade, a zoo.
 Sep 2013
Seán Mac Falls
My love is the seventh sense;
Before which there is no meaning.
My love is birth and death at once;
Would not die after dreaming.

My love is the light that dances on waves;
That spins the oceans, and foams its enclaves.
My love is the rushing of flocks on wing;
The voice in the heart of the forest that sings.

My love is the seventh sense;
Before which there is no meaning.
My love is the sky and whine of ocean;
She will not die after dreaming.

My love is the silence of a windless day;
Spring snows on top of the bare mountain.
She is the babble from the brooks;
And the air that steeps in secret fountains.
 Sep 2013
Seán Mac Falls
I was with the ocean last night and your body
Was its vessel, overflowing.  Words were frail,
Drops indwelling about the shapeless sky,
Water reaching for its own height and breath,
Like touch, were as desperate letters exchanged,
Endlessly read, until like loamy vellums, they
Disappeared in our hands.  Inklings of tide-
Pool and driftwood.

                               My blood was a river that ran
Its course.  Members feeding your deltas and birds
Breeding where the water-russet sheds on pampas
And inverness.  Eyes like wing through ever—
Green, empties the fossil shell.  Fire, brimming
Mountaintops that were, for countless millennia,
Sleeping.  Did I mention that the earth moved?
No?  Her displacement was involuntary.

Then came the waterfalls, lifting throughout
Time.  The scent, searching for its identity,
The wave, calling to its own name— Ocean,
O— cean.  And flowers, opening like galaxies
In the after-light.  A universe of face and hand
With hunger for salt-rain and then the cloud
Burst-blue and spilt and spun more redolent,
Deities, in joyous creation.

I breathe, in your ocean, like a child unborn.
 Sep 2013
Seán Mac Falls
In the mercy caul of night,
Where time is frail as memory,
In the technicolor film of ocean salt,
With eyes of yearn and mute wonders,
There, I saw you once more.
We walked through the rushes green
Of warmth, broke into dreams dawning
Meadows of casting light, where winged
Creatures, colourful as we, lilting in midair
Spiraled, drifting through the gleaming
Thoroughfares of endless Mays, of tingle
And flame, where once before, we found
Ourselves at the misty plateaus reflection
Of star shine and flight, nary silhouetted,
Yet, framed in the snow melted tarns
Of golden, glorious, Olympus.
 Sep 2013
Seán Mac Falls
My ruby looks on stones to see the light.
While amber stars are flashing in her mien,
She forges facets with her eyes and mines
A rocky grave.  To bear as such, the sun
Un-sung, she could caul parhelion to dust
And still doom to shadow those fireworks
She alone ignites.  Here then lies a truth;
My ruby looks on stones to see the light.
 Aug 2013
Seán Mac Falls
— for Seamus Heaney*

Forging scaffold and wells of tongue,
Whose every word— rung to the stars,
One sprite, born a new heart to Ulster,
Tanged in sounds of the beating sparkle,
Now the leftover sun, a light in absence,
Falls with leaves of the turning autumn,
Tears, sloping, in a feathered arc, so fair,
Splitting to the shores of a western isle.
The Celtic Otherworld (orbis alius, so named after Lucan's account of the druidical doctrine of metempsychosis) is a concept in Celtic mythology, referring to an Otherworld such as a realm of the dead and a home of the deities or spirits.

Tales and folklore describe it as Fortunate Isles in the western sea, or at other times underground (such as in the Sídhe mounds) or right alongside the world of the living, but invisible to most humans.
 Aug 2013
Seán Mac Falls
I hear echoes that have no voice,
Sad before the vaulted tongues
Over brimmed, who spill on shunted ears
The sour milk of pressed pictures
And sooted lights of lime
And the golden knobs taste
Jarring-dry to their saw dust toes.
Must the babe be chosen
By its mother?

The sea dirt is lined with woolen shawls
And the chasm shout shall dig our graves,
Throated hollow, to the abyss, we sink our six
And ***** the dirt, call not them the spades.


I hear echoes that have no choice,
But to skim the moated land
And wash well eyes with leaven walls
That tease and **** the sum to crushing
Columns lifted shoulder
High by zeros of kneeling numbers
Worming in bedded slumber.
Must the maker of builders
Be dismantled?

*The sea dirt is lined with woolen shawls
And the chasm shout shall dig our graves,
Throated hollow, to the abyss, we sink our six
And ***** the dirt, call not them the spades.
 Aug 2013
Seán Mac Falls
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
 Aug 2013
Seán Mac Falls
I do not envy the man about town,
The shackle suit and morning groom,
The campaign of papers and style,
Whose work a day is but a futile way
And each choice is ruin to the heart.

The pill shaped tables of the board rooms,
Where ink is blood and flesh is facsimile,
Caged in by the cubicle, lets in no breeze,
Only the still air of stifle, encased.
What dreams may die in this dullness  
Of days?
          There is a ringing that will not  
Cease.  There are stalls by the staples, there is  
No peace.  And time is warden either side  
Of the glass doors and with mercenary feet  
And closed eyes he makes his stand, he makes
His choice, he sets his gait, chimes in lock step,  
His voice is hoarse, and all his salary days  
Are trojan.  
  
        No, I do not relish the dog  
Eat dog, nor the barking toes that step so low,  
Even lower than the hangman's boom.  For like  
A slug crossing a busy street he does not fear  
The tread.  He does not know these sounds are clink.  
His thoughts are trapped in folders read, and with  
Mobile cells his ears are pinned and grating-micro-
Waves well cancer to his brain.
 Aug 2013
Seán Mac Falls
Light — splits as it shatters,
Mundane comforts failing,
The souls' world in tatters,
I wake to nothing— railing.
 Aug 2013
Seán Mac Falls
He follows a win, shoddy as tin,
What a week, one sorry victory
And tales to be strewn, too thin
His climbing hill, a pyrrhic story.
 Aug 2013
Seán Mac Falls
My love is kept, and I have nailed
Her face to mine in a box of sleep,
A chamber for lost chances, subtle
Visitations, concrete emanations,
Somnambulistic signs and mercies
Elation, we walk through meadows
Of the mending sun, sweetly chaste,
Ever deep into the wandering shift,
That tearing time and moon allows,
Real as dream, to the lands of night.
 Aug 2013
Seán Mac Falls
I Hear All The Outlawed World

                        I

I hear all the outlawed world in harmony,
The marshling stalks the green and gaunt
Destroyers who heed not sparkling deserts
Charged to the gill, nor candles pitching down
Like doom.  I note the scale of fossils
In cloud covered peaks, record
The seemly count of bodies by square root
And irrational number, I am witness
Bound to bounty to all who blaze in gray
And shallow grooves seeding their ends
In strikes on the ripe and smoldering fields.

                        II

I see all the outlawed world in harmony,
Barking wood bracing by the bud,
Where runs of blue, bury in vain
Down slash of mountain forest, cascading
Into august, rising after the fall,
As do kind-killers blasting from shells
To die as snails creeping under flower,
Who saw the past wasting away
In filed futures, slipping by blades in neck
Of wood, sightless as gallows of trees
Try ****** each time they make their leaves.


                        III

I know all the outlawed world in harmony,
By seamless song of stuttering gulls,
As in conches, waves of providence,
Cell from the center, beating musseled shoals,
Where wailing ghosts and wing-tips point
Printed nails to the silent capes,
And bumble hairs comb round the broken yokes
Stirring streams of babble baited
By flowering psalms, engaging arms to prey
On tales told by the rood and drown
In eyes turning like sands on the sea.
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