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 10h
Pax
Perhaps life outside the seascape of emotion
is worth trying to, just live & never expecting
high demand.

Perhaps life gets bitter when your
too alone for such a long time, it's like
You seek company but you never did.

Perhaps life outside writing are more
Challenging than the play of words,
Trying to dare the truth that never
Comes out.

Perhaps life gets busy on things that
didn't matter, you laze around and
listening to stories never your own.
Trying to pass time, like a passerby
Never staying, you just fade in the
background of things you wish
it's Yours...

Perhaps life outside my inspiration
I'm too forgiving, too passive, and
too sensitive that I never care for
Myself. I care too much on my own
Prison that I forgot to believe on myself.

I don't write like I used too,
because I care too less like
I used too...
i guess this is my life.
 10h
Kara Palais
Velvet echoes in these faded places,
Plastic smiles on porcelain faces.
Whiskey tears in crystal glasses,
Dead-eyed queens and faded masses.
And it’s eerie, but oh, it’s sweet;
My dying dreams feel most complete.
Masking my hurt behind the glamour,
No more dawn and no forever.
Hard to voice, too numb to break,
I'm dancing in circles putting the F in ache…
In Đà Nẵng my friends cradled me like a child.
We screamed Taylor bridges,
tequila-toasted in bars until the lights blurred.
A single candle in the bathroom
danced warm sighs through open windows,
and all felt calm.

I grew new muscles balancing on a motorcycle,
sometimes gripping Harry’s jacket,
sometimes throwing my weight into the wind.
The city flared neon and gasoline in stuttered traffic,
but along the coast
he drove so fast the vibrations in my chest harmonized.
I pictured my bones becoming butterflies if I let go.

Last year I entered the year of the dragon on a futon,
swayed to sleep by a hundred chanting voices from the temple next door
while Bailey burned incense for her ancestors below.
I did not dream of dragons.
I only learned to breathe fire.

The year of the snake slid in with new bones and old habits.
It hissed that suffering could be scripture
until letters slithered free from the page
and coiled like cold jewelry around my wrist.

That was the shedding.
Salt water peeling old skin away,
songs shouted so loud they drowned the ache,
poems that did not start tragic,
nights when my body finally kept time with the moon.

Then at home the dog’s teeth found my hope.
A terrified mouth rerouted rivers
through my soft parts.
A jewel carved from my nose.
Six punctures blooming across my arms like altars.

In Vietnamese stories the snake waits beneath the water
to claim whoever dares the bank.
I wonder if I was chosen the moment
I opened my mouth in those bars,
when I leaned into the bike’s curve
as if danger could be a love song.

Now I lie awake at hours unnamed,
tracing scars that hiss answers back.
Vietnam hums inside me still,
the candle, the coast, the chorus of friends,
but I cannot tell if they are memories
or if the snake is still awake inside me.

They say snakes shed to grow,
but no one warns you how thin the new skin feels,
how everything burns against it,
how you mistake survival for prophecy.

I touch the scar and wonder
if I am still that girl clinging to the bike,
or if the snake has already swallowed me,
patient, sleepless,
feeding on my own venom.
 14h
Francesca
There is an eerie silence in waiting—
a hollow ache where time unravels,
a chair left empty,
a breath caught between the ribs
when a shadow
or a song
reminds me of you.

We were not ready—
two trembling hands
unable to hold without breaking.
Perhaps in another life
we will be braver.

But here,
the silence screams louder than words.
The phone glows blank—
a cruel rejection without your voice.
I push it away,
as though distance could sever the pulse
that binds me still to you.

I do not miss you—
not in the way the world defines missing.
I do not yearn for love—
not in the way stories paint it sweet.
Yet somewhere,
a buried vein of me
still bleeds your name.

In the uneasy hush of maybe,
I linger here—
in the half-lit corridor
where absence hums like a haunting.

And nothing haunts me more
than the ghost
of what we could have been.
Little fox,
I've come to confess to you

though I know your church is the chicken coop
and your Christ is appetite.

If there is mist up on the mountain,
it's my spirit wandering.

The rest of me kneels here,
before you in the brambles like an overturned cup.

Alone in my bed, I have wondered
why I hurt my lovers, why they hurt me,

but I think it's because
angels are so similar to layers

especially when a spray of white feathers
in the air is all that's left.

Little fox, here is my spirit
riding wrapped around your slender black feet.

Let's test our hearts and pull a wishbone--
you've got plenty cast aside.

If I win, I'll change my ways and skew to kind.
And if you win?

I'll call him, saying let's try again
knowing what will happen, and how sly my words have been.
2025

based in part on the Russian folk tale of the fox confessor
 1d
Cné
~
Grief's somber veil descends,
A sky that weeps with sorrow's hue,
At times the sun's warm light transcends,
But clouds of pain soon shroud anew.

Some days the rain falls soft and slow,
A gentle patter, a melancholy sigh,
Other days the storm's fierce winds do blow,
And tears fall hard, like summer's pouring sky.

Yet still we stand, beneath the gray,
And weather grief's unpredictable sway,
For in its darkness, we find a way,
To navigate love's bittersweet decay.

~
Grief is not linear. It’s like the sky.
he introduces himself
saying quiet, but slipping in, firm:

“something he knows for sure,
no is no”

I, (19, f)

replying, smiling
saying louder, firmer:

“something she knows for sure,
yes is yes”

and he says

“yes, ma’am,”

returning her smile, so shyly,
while blushing, so loudly,
thinking he said something dumb,
looking down at his shuffling feet,
covered in worn out cowboy boots

I like this guy
I like this man.
 1d
Nigdaw
until now
this did not exist
a thought
brought pen to paper
that I could not resist
until now
this did not exist
so, I have to find a reason
for this scribble
on a perfect ****** page
until now
this did not exist
perhaps it was always
SOMEWHERE
for this precise moment
to fill a gap between
my wife coming home
and the end of an afternoon
turning to evening
until now this did not exist
then it was gone
so much potential
never reached
Today is an old day,
leaking
the passed night's rain,

almost with its dawn already
yesterday,
faded replicant of yet another supplicant.

I'd throw it away, used-up as
a broken comb, a flared match fired once to
light something gone,

except
the birds
greet it with such celebration,

singing their
soft explosions
above the autumn seeds.

September 2025
This poem is written in the 55 form, that is, in exactly 55 words excluding title.
you left today
tomorrow is uncertain
the day after
already too late

i tell myself
you are poison
take this chalice away

but memory betrays me—
the wine
the heat
my body in yours

and the truth—
i fell
you didn’t
Eleven years ago
Tonight
As the early
Autumn evening sky
Had just begun
To dim the light
You ceased to be
With my hand in yours
Shouting your name
With no response
Then those angels
Gently laid you back
Speaking sweetly
As you went
A thin rivulet
Of crimson
The sign
That you were spent
So I'll think of you often
And I'll send love with this
On September the 19th
About a quarter past six.
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