Still water runs deep,
But the puddle remained,
Ripple less
To take turns to look in the reflection,
of the backrounds sound that reverberates across the landscapes.
Twisted invertebrates,
You still got my back?
We’re stuck in the mud,
up until our waist.
As the sunsets' behind,
I can’t look over,
my dislocated shoulder,
blades,
slice and sharpened,
by pebbles grains,
and then
skimmed across the puddles
so only ripples remain.
Though they soon disappear,
into the stagnant grasp
of fear and statuesque
placid, tranquil times.
In a hushed halycon,
hedonistic slices of life.
Still water runs deep,
but I drown in the shallow aqua,
in the afterlife of undulation.
The aftermath of the ripple effect.

By and by Man will try
To get out into the sky,
Sailing far beyond the air
From Down and Here to Up and There.
Stars and sky, sky and stars
Make us feel the prison bars.

Suppose it done. Now we ride
Closed in steel, up there, outside
Through our port-holes see the vast
Heaven-scape go rushing past.
Shall we? All that meets the eye
Is sky and stars, stars and sky.

Points of light with black between
Hang like a painted scene
Motionless, no nearer there
Than on Earth, everywhere
Equidistant from our ship.
Heaven has given us the slip.

Hush, be still. Outer space
Is a concept, not a place.
Try no more. Where we are
Never can be sky or star.
From prison, in a prison, we fly;
There's no way into the sky.

Webster was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.

Daffodil bulbs instead of *****
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.

Donne, I suppose, was such another
Who found no substitute for sense,
To seize and clutch and penetrate;
Expert beyond experience,

He knew the anguish of the marrow
The ague of the skeleton;
No contact possible to flesh
Allayed the fever of the bone.

    .  .   .   .  .

Grishkin is nice: her Russian eye
Is underlined for emphasis;
Uncorseted, her friendly bust
Gives promise of pneumatic bliss.

The couched Brazilian jaguar
Compels the scampering marmoset
With subtle effluence of cat;
Grishkin has a maisonette;

The sleek Brazilian jaguar
Does not in its arboreal gloom
Distil so rank a feline smell
As Grishkin in a drawing-room.

And even the Abstract Entities
Circumambulate her charm;
But our lot crawls between dry ribs
To keep our metaphysics warm.

To outer senses there is peace,
A dreamy peace on either hand
Deep silence in the shadowy land,
Deep silence where the shadows cease.

Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.

And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.