it's hard sayin'
if those I love you's
were true, because
you try to do the
right thing for
yourself and
people
can't stand
it anymore
the wind picks
up and takes them
away, you're alone
'cause you're still
the only one standing
in the foreground, there's
this cement beneath your
feet, and you're still a little
weak, you got a little drunk
and he held your face,
kept askin' if you were okay--
'cause no you ain't
'cause no you ain't
he says you're good
at pretending but that's
not true

just good at deflecting
and actin' like it's fine,
he always talked about defenses
but never asked about mine
and I tend to lose people no matter what
by choice or not

so i guess i just figured that's what love meant
stickin' it out, holding it in,
but i guess it really is as easy as that,
if he's not for me, and i am for him.

well dear sweetheart
i know so far// how we got here//
and i'm sorry this all got so
confusing// well i've heard i'm a mess
but I've always thought of that //
as the opinion of many,//
'cause broken see as broken do

and darling
I have much to say for the state of our hearts//
and maybe mine was gentle acoustic cover the
the rugged twang of yours// and in the midst of
fightin' words, you caught me while turnin'
a fish off deck, a wingless bird--

but life has always spoken to me in feelings
allegories 'bout wolves and fields and men
and i'm used to fightin battles on the wrong
side, for mother's sake or father's winsome smile

and i've turned a door or two into a forest
made a **** a hundred nettles in my heel
ive heard that I may blow things out of proportion
with father njord inside my soul with bags of air

i'm begging for my own answers, for a revival
for a straight path, and I was hoping, I would
that you would, that I would, that you would
and i'm sorry I took something good and twisted it up
that i apologized for being me, and I know you said it
so long ago--not to be sorry and that you wouldn't leave

cause i'm still in your corner, just trying to breathe.
trying to breathe, trying to breathe.

i've always sanded down
the edges 'cause i'm sharp
as your mama's wit and just
as fast,

sometimes the words all fall to
the side like marbles in a bag
but they're all tourmaline and jade
just like the old wives tale
there have never been snakes here,

run the faucets, run the faucets
the tile has no room for all the light
there are fawns beneath the sink
and kudzu spreading across
my skin,

the blue granite in the kitchen
looks like ocean, ive opened the
windows and the birds have made
their home, the sky has
crept in, the clouds are in the
mud room,

it's raining here but the sun is out
i tried the desert once but it was
no good, there are sand flowers
but I am not
one

and if I am, I take the water
feed the ground, the joy has
always settled but i was never
meant for flight, I've always
come up from the earth
wound around the grape
vine, stood too long
and the long grass
takes
me
but

the blue granite tile
run the faucets, flood the gates
I was not made to reap no-thing.

when does your family stop being
your family, when you decided they
don't need to know your whereabouts
or who you're kissin',
when mama interferred
for the last time and you
drove the lonely 12 minutes
from his house to yours wishing
you made more sense, wishing
you didn't hurt so much over
every **** thing, so you're
tellin' god no more ultimatums
no more dark drives where you're
cursin and profanin his name

but when do you draw the line
when their home ain't your own
and your house big as empty feels
always warm but filled with you
and you're always far too much
too much thought, too much
water, not enough wood
he says you immediately told
your mom and i did, which got
me thinkin' about whether families
are comprised of just one, and if
I could be my own, if you need
two, if a dog counts
if there are rules
or just a hand on my back
if God's a good lead then
i'm pushing right back

did you ever want to shake out the skies
to watch the stars fall, catch one and fix
it on a ring with kudzu
did you ever think that fear
is just a gate without locks,
driven into the yard with father's strong arms--
so I dream about the day the man
died on highway 50, the road up to salida
away from Kansas City
saying thank you to the cadence of mississippi *******
star-watching till the early cold 1 am

i've been a little too ******* my soul
a vice on a child that don't know where else to go
and she ain't even physical, just an analogy for heart
but I whisper that, we can't keep holdin' on that way,
like there's no where else to hold,
cause that bridge has fingerprints set in stone
the places where god tried to take me home
and i dug in between the bricks to go no further.

but there's no difference in where I am,
runnin' up the sides of mosaic canyons
settin' fire to the brush, with matchstick palms
walking the line to hell on white hot sand,
widowbird feathers streamin' in my hair
drilling post holes with heels that can't stay above ground
on the backslide with promises hanging off my lips
gold drillbit tassels swinging against my hips
and he's close there behind me
waiting for the right misstep
'cause god don't catch but is one for reachin'
and i'm tired of tellin' him i'm ****** about his mercy
the way things are, the way i am, the things I can't
change without his help
anymore, the loneliness at local bars
when i'm sittin' by myself up
in the stands watchin' bulls
as honest as the colorado weather
throwin weak men off their backs
looking for the real challenge
prolly the way he seeks me out
to wear me down till all i can
do is stop and look back
away from the gates
kick off the mud
stop buckin', tossin'
sleepin' on the watch.

I permanently imprinted
the image of you sleeping
to torture me on a good day
sweden filling out your lips
and long dark lashes rippling
back and forth, we have always
woken up mid-dawn when everything
is still soft and paisley blue, so I can't
remember you in any other way
than dark and lovely, the morning
light always spilling over you like
you were born to be in the daylight
with picks of orange in your eyes
just the way I like them, oak brown
like fresh soil, moss and maple tree sap
looking at me like i'm the only person
who will
ever
look
back.

well he's back from the rig he says,
heels up in dragon's blood
crept through denver at an easy pace, left his soul
on the toolcase, packed up with the coveralls
said there's never room for that--

and he sleeps while he's wide awake, said he
left his love up there, said he'll be by, but he ain't coming back
where back is home or here or me, he's spinnin'
i'm grounded, i'm looking for his strings,
he's unwound, divided and callin' my name--

used to kneel by my bedside, hold my hand around 10 at night
smelled like pine and cold wind, but you'd never tell him that
and I wonder about the longevity of his trust
the miles left in those long legs,
If I've all but said too much
to keep him runnin' from me

well he's stained by the deaths of many
and I've them locked away, makin' sure there's no anniversary
where he'll drink the funerals away,
we're both troubled by the other's demons
but his don't scare me much,
just play things and shadows all rearin' their heads
his own chorus of voices tellin' him it should have been him


and he sleeps while he's wide awake, said he
left his love up there, said he'll be by, but he ain't coming back
where back is home or here or me, he's spinnin'
i'm grounded, i'm looking for his strings,
he's windin', drawing fangs and ready to flee
to show me how fast he can run away, and he can
probably will, out of spite, out of fear--

and if timing is everything like he fancies it is
i'll be here waiting like i promised i would
'cause he'd hold my hand at ten at night
before i'd wait for the sound of that engine
pullin' up,
him whispering pretty girl
to wake me up,
hey, pretty girl

hey pretty girl


hey, pretty girl.

I can't get that out of my head--
the image of you still as a buck
in your recliner, bringing up
that old flame like i knew you
would, said you saw her out
in Florence, on the street, at the
bar, I can't be sure she doesn't
haunt you in other ways too,

i only meant i couldn't compete
with the memory, with the pull
with the drive for warmth, but
you should know that I've seen
your softness, your genial self,
the talkative little boy, you can't
lie to me about your pain but you
can lie to her
so

I won't try and argue the specifics
about time, or save you from going
around the mountainside, you fancy
yourself a dog man, born and bred out
of the cheyenne wilderness so if you're
gonna fight, then fight against the women
who are no good, 'cause I know you
feel it in your heart, darlin, I know you
feel it in your soul, cowboy, I know you
saw it briefly in a girl like me, matt.

there's the space by
the blue door where
he'd drop his boots--
actually he'd put them
anywhere, but I noticed
the lack of them this morning
and felt the weight of the roof
and Orion and that constellation
shaped like an M--so i pressed the
roses into chapter 31 of The Count of
Monte Cristo and curled an old shirt
beneath my sheets because I have to
keep him somehow.

he jokes about tuscaloosa
and being buried in dixie
shot in his truck near the border
or set on fire for a better purpose
had gone down in a tomato fight
somewhere in texas,

and when he's mad he dredges up
all the things he secretly hates about me
but'll ne'er admit, 'cause sometimes he doesn't
even know what he's feeling, has got all his
spirit out in ten arms searching for the best
way to put down one sentence--

he's pretty scary when he's angry
looks like might just lash out or
shoot through my redwood patio
'specially with the threat of his truck
runnin' in the background, rumbling
in the driveway ready to take him away--

he used all my favorite things to get inside
but starts to take them away one by one
I tell my mom same, same cause it's
the same story, different page, different chapter
same book, same shelf, same dust

he once said I was what he was tryin' to get back to
told me he was takin' his mom to church
once brought up the Lord in a dim light
but now he don't see the point
I'll tell you what,


I'll tell you *what

How could she
Have been more
In all her sordidness
Was it the way her
Body bucked and
Lifted?

we were out on the porch
on an abnormally warm december night
with little glow florence off to the west
and he hadn't said much of what was there
because when he says nothing he is, with
his words laid out beneath pearl snaps
scrawled down his stomach--I would know,
i've seen his the tyrades plow, resentment
run thick, angry words rampant in his veins--

so he says nothing, and I know.

often times he is an open door and
i am the wind, in billows or gasps, rattling
hinges, finding holes, peeling paint or gathering dust
a spool of thread wrapped around stonehenge to remember
curls of foilage, svelte figureheads on galleons, I tell him

that I want to be with him and he says nothing. won't even look at me,
he's somewhere far away, drawn into penrose like a soul sunk in the
dirt, I say it again, and he tells me we should go inside


so i want to ask if that is all i am,
if that is what this is, if i am only good
for one night or two hours, in bits and pieces
limbs and moisture, if as a whole i am too much
but still lacking, if the warmth of my hips is
all that's needed but the grand luminance of a soul is out of the question?


But I say none of that, just follow him inside.
A hundred questions trickling down my spine, gathering in my femur, my calves, gusting into my lungs, I don't know how to be more than this and less, I'm opening up the cavity of my chest and pleading this

this is all there is.
I am all that I can be

He stands like William Stanley Moore
a mugshot of an old gangster I saw once
in sepia, stony, strangely clarified, endowed
immortalized in caramel marble
glassy eyes and all--

he plowed ahead that night
fingers twitching, only to turn
around outside of the light
once we'd gone through
the doors and I'd fled down
the stairs in his wake
to clip his heels

I've been chasing his shadow
tying my lead to his bow
far away from my own
dock, a sailboat piping
behind a cottonclad warship

I am small and timid
soft and malleable, unwild
unwoven, strips of silk in the foyer
running through his fingers
sheets sliding down his back
I cannot give what other girls
have given, the way they
dive and plead and swarm
I can only coat, can only
rinse, only lather, I can only
run over--

I am standing at his bookshelf
running a finger over the spines
gingerly closing the cabinet or
slipping into his bed, tucked
away like a porcelain doll
I try
i try
i try

but there's been so many
different ways to love since
then, and they've never been
as gentle as I dreamed

and ever since then, near everything
has been a threat, a reminder that
As myself is not enough, this girl
These hands, these surly smiles
The way I dance, my naked wiles
I've willed myself to adjust
To fit what locks I can unlock

I melted down and poured me out
Filled the holes around the house,
Into votives in the halls, Mount me
Up along the walls, lined the porch
Out in the night beside your boots
I've flickered bright---

But that is not enough.


That is not enough.

ran myself up on the land
chasin' the dark black storm
cracked my rudders straight in half
fightin' them waves off shore,

i's up in the early morning hours
makin' sure the house not burnin
down, 20 minutes there and back to
try and prove something more

no sleep for a week 'cause i'm worried
'bout a question, the one that no one
wants to answer an' drives the nail in
could love a girl to pieces but she
ain't nothin more than the warmth
she gives an' the way she consoles

i've wrapped around him tired and sore
but i've been here, i've been here
just bones and shreds offerin' up myself
in as many ways as I can before
that just ain't enough anymore

and it never is,  the heart and soul

it never is.

all my photos are in his passenger's seat
these black and whites of him singing
and talking about the wars he has and hasn't
been in, navigating Penrose like he walked
these roads a thousand times before he ever
took a truck--

and he know everybody's name, date of birth
and probably their social, who died and when--
he's been livin' as 14 other people,
never gets no space and I'm no respecter of that
neither cause the way he looks at me used to
scare me and now I know he jus' scared himself.

saw it when he told me about Braun's body
in the brambles, and in the letters he gets from
past lovers full of jealous jargon-- you made me
feel terrible,  your fault, ending in a hundred
goodnights, she wants the last word and all I want
is for him to tell me what he's thinkin' when he's angry


'cause he is angry, with bitterness sunk down in his bones
and swimmin' 'round in his chest, he lost weight out at the rig
but kept all that melancholy to himself, brings it home and
drops it in a glass before taking it back in


he asks why I'm lookin' and it's just 'cause.
Just 'cause i'm looking at his eyelashes while
he sleeps or the lip of his brow hidin' eyes a lot lighter than you'd think, committing the eagle on his back to memory
with that scripture from Isaiah a ways off in my head,
scrawled on the back of my heart,
written at the crown of his spine,


I used to wonder about the integrity of his skin
if water'd seep through or run off, used to think
he was made of wood with rice paper shutters--
but he's a mountain, a snowcapped alp
you wouldn't know it from a ways off,
when he's just a soldier standing out
in the field, shoulders hunched, chin tucked
breathin' cold air, but Lord he warm, fierce as the
mistakes he runnin' from--

we both beggin' to be right
or good enough, for the sunlight
to make us into somethin' pretty
somethin' new and shined--
but for now i'm takin' pictures shotgun,
hiding my fingers in my pockets
thinking about the way his voice'd
prolly blow in on the curtains on a
summer's day, and he's singing
My love, is somewhere in that mountain....


*my love is somewhere in that mountain

when you're out on the bridge
with neither end in sight, in the middle
or three-quarters way, barely there or
nearly-- never call the unsteady, the
hands that reach through the fog
or slap the waters through the
abutments,

you can love across wounds
with those who meet you, or
find their way, feeling the stones
gripping the railing, they've seen
you at the crossing and have come
to share the burden

but you keep calling, you keep
pacing, you've been waiting,
imbued with confusion, your
old self a ghost, all your worries
to the surface, belly up.

you've been inspired for all the wrong reasons.
You leave him alone.
I've been inspired for all the wrong reasons.
I leave him alone.

while you were eating
cherry pie that sunday
after i reached for your
hand and your fingers
didn't curl around mine--

i took to the trees behind the cabin
and stayed the mossy grove buried
in this golden scratch
the neighbor's conversation downwind
about the mountain lion they'd spotted
and the spiritual sort of fear I felt with
my eyes closed, the mechanical click
of my own heartbeat, how things
used to flow and now they only
swarmed,
always
swallowed.

i was singing songs to call you out,
like you did the first time, when you
came up around the hillside and
followed me a ways out--
softly at first and then no more,
replaced by the force that came
upon me, where suddenly I was
uprooting trees, picking the most
desolate, gnarled aspens--unhinging
their roots to press my heel into their
soft bases, hulking forward and watching
them stretch out and out and out--

I found old yarn and tied
it for later, to find, to untie
to hope for second chances
I left the copse and you were


eating cherry pie on the porch
rummaging through coolers
oil sloshing through your bones
dragon fire in your blood
hard-headed over puerile matters
over your time, over the weeks
staunchly grounded into your own
wild western ways,

The duck's back, the bear's pelt
You've been roaming alone in the forests
As the beasts do, the lost, the frightened,
Admiring the darkness of your own shadow
The way it draws and casts away,
Doubly conflicted of your nature that
Mostly takes and takes and takes
Bears and
Men and
You.

around the time Hurricane Matthew was
tearing through Florida, it was 10:34pm in
Divide--

A Coors bottle pressed into your beard,
settled on your bottom lip in contemplation
a boyish reverie spun between us when you spoke
softly relaying the genealogy of the Hatfields & Mccoys,
Ole Ran'l, Devil Anse piping in, your accent seeps through
real Midwestern like--stops when you're on about prayer
trees and La Llorona


But I was deeply introspective,
heavily burdened by a Randy Travis song
how earlier that morning your fingers
had found their way around my hips--
        mine around your waistband, down your spine
        a helpless explorer driven across the mainland
       transversing shoulder blades, fascinated by chains
        around your neck, nooses, playthings or jewelry
         how around 3 am your gravely voice sought me
         out across a sea of torrid thoughts to ask if I was cold


yes. probably.


and when we start the decline, tripping lazily over moss clumps
dead grass, fallen trees, I storm and plow ahead because
when in doubt, race yourself.
Sheltered by the truck gate,
you've come up ahead and stand
in front of me, unassuming
both hands complacent--
so I ask you to kiss me
and there's a fiddle playin'
in my ears, a highway of
country streamin' through
my veins, or,
something
like that.

I look up because a child is screaming
but it's just the man on the steps--
he takes a drag and wheezes

folds in half, disappears inside
his hood, nothing but the tip of
australian umber for a face

he curls again in anticipation
these pitiful silent gasps followed
by a wail, the children screaming
the black whistling.

well something deeper
than the ocean here burns,
splits apart and quakes --

we've seen farther than the working
men can go--felt the emptiness of a
disillusioned life, wondered how the
masses buy away their souls,
he touches you and you feel
not a thing, just the skin beneath
his hairline that doesn't glow--

You hear about his sanguine childhood
a finespun gossamer thing,
stretched across the state of colorado,
webbed and spun around
tent stakes, campers, drawn into the Four Corners
spooled in a Chattanooga coffee mug, dipped in  
day old orange juice
I have
settled
into the bottom of his
cup, a thick pulp, rind
and stem -- terrified that
I won't pull through,
that this isn't enough
that I am too much
or too little, haven't
been or seen
there are no
scars on my knees
or callouses on my hands
when the bears came I had
no pots and pans --

I study the sofrito, stir the
rice, break open green olives
and slide the pimientos onto
my tongue --
deftly speaking about shredding
chicken, chopping onions, rolling
corn tortillas
wondering what it is about people
about parents, about chile con carne


this pan holds 21
like the age, like the game, I think.

I am truly terrified.

i always fall for boys with broken trucks


who track sod into the living room
and smell like cattle and cologne
with knotches in their hips from
tying dollars 'round their waists
strung from welding rigs and pipelines
bad backs, torn hands and ripped
ligaments scarred over and healed
with whiskey--

those men that cause a raucous
but attend the song of every whippoorwill
who take peace with them down in the
holler and carry sunlight on their backs
they've got bones so cold you'd think they'd
crack but they've been bucked by bulls and
motorcycle seats, and are quieted by the sounds
of a woman breathing--

softly, slowly, in and out
softly, slowly, in and out.


how do you not fall for the broken?


softly, slowly, in and out.

i think i am lost


because i've felt nothing
to be right, anger in every
drink of water, i used to be soft
and gentle,

but I am too calculated now
bleeding white lies and pretends
soup broth, brittle bones
snapping beneath a touch
or shaken by a lust
awaken by a kiss
put to sleep all the same

I have so little to give
I have been fronting with
what my mother wants to
hear, and I'm afraid it's all
a fib,

what if I am only a shell of
words my father has spoken
paper mache and tea leaves
a prophecy spoken too soon
what if I am to fail
swallowed up in
this bitterness


what if I
am to
fail.

is God by your bedside
weeping against the bookcase
and the cabinets in the
kitchen, filled with long
grain rice shudder and
tremble, vibrating against
their hinges --
it's all over the floor, you say.

it's all over the floor.

I said
i like the smell of whiskey
and the whole cabin was filled
with puerto ricans and chile pepper
seeds scattered on the floor, a hundred
pots lined up on the stove with rouxs
and sweet syrups, masa mixed with
pork broth, shortening and garlic
the men lining the porch in
sunglasses and blue wranglers
going on about the rig or Virginia
or Hurricane Matthew--

what is it?
about running away?

I thought;
time passes so fast
I've clipped pieces from the past, snapshots i've unknowingly gathered
Uncle Dude three sheets out, standing in the kitchen
after you'd been drinking all day, your mom reminiscing in the corner
with tired eyes and stained fingers from wine,raisins, condensed milk,
consoling a drunk neighbor, (Florida State won earlier)
through the screen while you reclined in the sun or
the rotating image of your heels crunching through the
long morning grass.


I'd been sustained on quiche that needed no seasoning,
coffee creamer, cherry pie and the feeling of slipping bare
feet into boots, on quiet, on  
dark forearms and white biceps
the print of a little bird ring,
dark, brittle nights that smelled like cigars and Coors--


I've been trying to talk to God
all weekend but I think he's gone.
I think I'm alone.
I think I've run away.

I'm home, but there's nobody here.

He's tapping on the hardwood floor
to draw me out of the cracks, the
slender peels of sun stretched down the
hallways, arcing across the patio,
the way hard working men
rap their fingers against the walls to find
studs, stick pocket knives in the frayed wood
beneath the house--

shakes me out of the sand, viciously vibrates
me into his palms, tears me from
deep considerations
where i've already grown
where my roots have struck out
in all directions, says not in this place
not in this soil
not in this way

and I go where he pleases, kicking or
weeping, sometimes with ankles smarting,
raw from the whipping

not this place
not this soil
not this way

Half of the time we are silent.




I see the tip of your tattoo--the head of an eagle
at the nape of your neck below the delicate loops of a
thin silver chain -
and the thing about skin is that is whispers and pleads
to be seen or stung or washed

to be photographed, of course
mountains and valley exist on more
than one visceral plain, the earth comes
on more than one planet, one grain, we know.

That scientific studies show water to seek
the lowest point,
the lilac crest, the thoraclumbor fascia
(are we water? are you water? am I water?)
a percentage of it is water and the rest is
heart, the rest is soul

go stand beneath the water
and take your shirt off, take
your shirt off, gentle so that
the muscle doesn't stir, so
that you feel every inch of
cloth that doesn't belong
so that you don't see me
behind the lens
so that I don't
ruin what
good can
come of
being
naked.

the backroad to
Florence, the one along Elm
that cuts past the McDermott
trailer park--

from matt's house past
Cedar and the old liquor store
at 50mph the cicadas sound more
like a cry or a lingering scream
the crickets don't stop for passing trucks
creaking to the metronome of a swishing
cow tail

farmers switch off their brights, come around
corners slow, in striped beat up Chevys, rusty
toolboxes weakly sliding from side to side
like their owners in threadbare leather seats
the young kids trail close, bumper
to bumper on a two-lane road, just me and
some kid named after his grampa, poppy,
Clint, who needs to get home before
mama chews him out--

sunday service still warm from this morning
where a single beetle clung to the wall and translated
my father's sermon, morse code for the elders, for the
elk and deer, he's been known to speak to hummin'birds
anyway, I think.

the count of monte cristo
sounds so much better after two
glasses of sweet wine, the rim
resting gently against chapter 5

“This philosophic reflection,” thought he, “will make a great sensation at M. de Saint–Meran’s;” and he arranged mentally, while Dantes awaited further questions, the antithesis by which orators often create a reputation for eloquence.

How great this will make me look, in other words,
this fine comparison between two similar things.
and I find myself smiling, like one would over
the renewal of past lovers, past books
the direct gaze of persons no longer
strangers, beneath waterfalls
wings spread
vaguely vulnerable
and somehow
liberated.

i once wrote about
men in California
weathered men, crust of the
earth, salt-soaked docks off the shore
with leather sewn into their backs and
hip bones made of steel and exhaust pipes
that smell of chicory, sweat and cayenne
who dip women by their neck, never sleep
never eat, only feast and when the wind
blows they
leave.

what i never had the chance to (let you learn)
was that I dance with the shades up wearing
nothing but the sun, telephone wires casting
cuts across my lips, small ******* that don't
swing heavy but fit in palms,

how much
have you changed since you were casually knocking,
since before you might have thought I was
untamed but a conquest you had already mapped--
realized I was a bit more to hold, (you did)

But that I so often go back to those two nights
telling myself I should have whispered your
name, to gauge a reaction, to hear your last
name tagged onto breathy mewls--I shouldn't
be this way, knowing i forge relations through
fingertips, I dunno why kissing is such a problem.

Probably because they write you into a chapter
that goes on for hundreds of pages afterwards, after the
supposed ending, even after I tell you that I'm done,
what is it like to be you? To be them?
to be able to move on so quickly,
and replace others with others with others

all day i was thinking
about that letter I wrote
you and how it was in
Wetmore now, in Silvercliffe,
in Jim's green mailbox, finally.
how I didn't seal it in perfume
but thought about it, how I rewrote
it five times because there's only so
many ways to convey myself in a good
light after breaking all the bulbs

I was choosing words like I'd choose flowers
only baby blooms and strong stems,  ending with
sincerely, cordially, then just my name.  I miss you
replaced by I saw that post on Facebook about your niece
hoping prayer sifts through the ink, that he can feel my hair on
his cheeks, a letter that pleads, please don't hate me
but I don't think anyone ever has--and I certainly don't think he will


I don't know what's wrong with me. I tell my mom over breakfast, over dinner, on the way home,  and she smiles at me--says
goodness in the way she usually does, in the way that says her heart
sometimes beats for me

but that thought has permeated every action and every day, lain over me like a sunshower with the rain flecking through in drops of gold
I've never had these thoughts before I whisper, exasperated, throwing
my hands up and stuttering. All-abouts unsure of myself and wondering if while he's been away I've built an empire around what he
could be.

What am I doing? I ask, finally making eye contact.

there's a ringing in my ears that
sounds like the feed trucks roaring down 50
and  broken country music coming through
an ancient stereo, sounds like the way your
thick palms look when they pull a cap off a Coors
bottle, and that side eye you give, why do you keep looking at me like that?

Like what? As if my looks were incendiary glares and not photographs, I'm only taking you in, not taking you out. Like what? Hasn't anyone ever traced your lips or wondered if God built you out of brick? Laid silk over your harsh corners and sanded you down with a smile--why am I looking at you like that?

sounds like I put myself here and effectively took myself
out, sounds like you're one of kind and so different
and i've never felt this way
but I've heard all of those--

he's not waiting but i am, maybe for some kind of epiphany,
some kind of insurgent thought--an outpouring of light in the
rooms he thinks are lit, i wish I could light candles down his
tenebrous hallways, hang lanterns in the crook of his elbow,
make sure that the shadows only ever follow at a distance
but I can't assuage the feelings you haven't found, the fleeting
thoughts you ignore, I can't smelt the ore from your blood or
even pull a
splinter from
your palm.

He told me once he was in no hurry, no rush. But I've felt like i'm waiting on him, how strange, he'd probably say. Probably tell me
at least once more how much sense I don't make--but I tell myself that only a few people beat for me, run the tracks at the same speed--
that my explanations are enough for every other part of myself
and trying to explain that I am many, that I hang fire and break beds with prayer is like trying to describe colors;
warm, but not bright. Rich, hearty, elegant. -- Untitled. 1994. Oil on canvas.

you will be able to say
once in a while
during the brief
jaunts in our underwear
the glimpses of green lace
under a white cotton shirt
that moved across my shoulders
on the hardwood floors, our heels
stomp and slide, and my thighs
quiver under weight and laughter
you caught me and I turned
turn to hold your neck


but I pause to bring you close
to hold you, as if you were
a vase of baby's breath and ferns
to look you over and wonder how
one moment I was sitting here writing
this on the couch on a september evening
and how you are here now,
with a strange familiarity
and the watch on your wrist
softly clicks forward
but I can hear it from
inside the glass, atop the second hand
sweeping over the ticked surface
reflecting the sweet blue daylight,
the warmth of your body and
the gentle harmony of two people
who have found eachother.

we the daughters of sliced sunbeams
and those who chase gales in between
the pasture gates and barbed fences behind
the silo--

who think there's nothing softer than the way
honey sounds drizzled on toast or daisy petals at the supermarket
the women of ferocious silences, standing before
dozens with trimmed smiles and deafening inner beauty

squeezing our fingers down barley stalks and sewing
the roots into our dresses, we've tried six ways to sunday
the rules, the book on being wanted, before realizing that anything
born out of self-indulgence wilts away
all the work we did to grow and plait our hair with vanilla,
dipped in sweet almond oil we had no idea
that pretending
could only get us
so


far.

didn't have to try
the *** on top of
the fridge from texas
to suggest *** or
heavyweight championships
you laughed when I said
whiskey smelled like vanilla
and again when I took a swig
of apple moonshine and
cringed, yeah, not even
I can handle white lightning
consequently I started humming
that song by The Cadillac Three
the soundtrack to letting go of
waiting or worrying or wanting--

the chrysanthemums on my coffee
table have lasted about three weeks -
about the time frame of things that
need to go