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I felt the fear of an incoming hurricane
Fleeing from an old home
I saw nothing but trust me
I felt it all
There’s a tormented heart
Inside all of us

The waves that battered my naked body
Told me of a cold world on the other side
So I buried my feet in the sand
And I braced myself to stand
To listen to all the horrors
That we’ve become

Until my body grew numb
For the longest time I knew only shame
But shame emerged into pain
And spilled into the crevices of regret and longing

It would take a lot to change that course for
The ground we stand on sinks and trembles
It will not last and
I still have not the courage to say I’m sorry
You said "stay there,
I will come for you"

"You lied", I said
I would never leave

You died, and came
To me at long last

I tried, my best
But I couldn’t keep the tears back

When you love someone so much
it hurts to ******* breathe
Your bodies coincide
inside, it's the same bad blood you bleed
We sink and then we crumble
we tremble and we tumble
And behind our blurry eyes
we wonder why it took so long to find where we belonged

If you’re missing somebody and
Tonight you have nobody’s hand
If you feel like all that’s left of you is skin, no bones
I will be your body and, I will carry you home
 Mar 2013 bambi
Tasha
Our conversation began playfully, as they always did. Your dark hair was shining in the sunlight, and I wondered whether I'd made a mistake.

I wondered what I'd found to dislike in you, with your witty banter and your light, teasing tone.

I wondered why I'd done it. I wondered if I could go back, if I should take the blame for something I'd thought was your fault. We all make mistakes, don't we?

When I was a child, my mother often read me a fable about hobgoblins that lured travellers into the peat bogs during misty nights. They would wave lanterns and promise sweet things, such sweet things, that the travellers would lose the path and follow them. She would kiss me goodnight, and tell me not to listen if they cam calling.

My brother and I would lark around on the mountain ridges with sticks, pretending there were lanterns hanging from the end.
Come over here, it's the safe path, my pretty, just follow my light - All accompanied by ten year old laughter and the sparkling eyes that I just don't have anymore.

You promised me sweet things.
You promised me laughs and lightness and endless summer days. And when you pulled a ring out of nowhere I thought that it was all paying off - I could see my life mapped out.

But safe isn't that same as happy, is it?

Safe means banter that never dips into the darkness that swirls just below the surface. Safe is lying when you asked if I was having second thoughts. Safe means not mentioning the lipstick stains - just trying to coil you in tighter, to make myself that little bit more secure.

Happy didn't play a part.

The silly thing is, I never thought that I might be unhappy.
It only occurred to me when my friends took me out to celebrate my engagement. I saw a couple sitting, only their little fingers linked. I watched them, and realised that we would never do that.
Could never do that. You showered me with over the top, public kisses and affection. You told me you loved me, and that was supposed to be enough. You told me you loved me, you told me you cared - but it wasn't water tight, was it? Because when push came to shove, you were never there.

When Meredith's funeral came, and my face was streaked with tears, you were nowhere to be seen. We were getting married and you couldn't come to my bestfriends funeral? That was heartless. That was so, so heartless.
And I lied for you. "He's ill. He wanted to be here".

I think I realised then. That you were my hobgoblin.

The conversation began playfully, but when I reached for my ring and slid it off my finger - it didn't stay that way for long.

I'd never seen you so angry. Not heartbroken, not sad, not confused - angry.
And you were sick-minded enough to try and make me feel guilty. And it worked. Your face still comes to me, eyes wide and pitiful. "You're not actually going to go through with this, are you?"

And yes. Yes I am.
 Mar 2013 bambi
Vítor Sousa
"One of Gods own prototypes"
One of his weirdest broken toys.
A very strange character,
An even stranger boy.
 
Made to help, dream, love and smile. 
Made to love for eternity and dream for miles.
Made to live and suffer along..
Always looking strong.. always, with a smile.
 
Wish I was walking on the moon..
Perhaps, the lack of gravity would take away the weight of the pain.
 
A pain that has been carried for too long,
A pain that doesn't get weaker as life goes on,
A pain that destroys your heart and weakens your brain.
That takes all your feelings and hopes away,
Until you feel nothing.. nothing, but the same old pain.
 
Ohhh moon.. Hope I get there any time soon..
 Mar 2013 bambi
Auntie Hosebag
kneels in gravel—
paws folded under,
claws hidden--
sometimes for hours.
In dark, in day, in rain,
in gray growing gloom
same color as her coat,
she genuflects to her goddess,
twiddles razors with feline ennui,
rules the empty deck like a furry
Queen of Hearts.

Her benefactor borrows her boredom
From time to time--
the lady with the cream,
red hair, and quiet conversational tone.

It took a week to coax her in—
the elaborate kabuki of cats--
and the lady laid out house rules
in that voice.

No names necessary;
friends forging a contract.

No sharp kneading in the belly,
out at night
no pregnancies
no fights.

Agreed.

Appearances are regular now.
Screen-door meow for entrance,
purrs to the delicate stroke of long fingers
and soothing human talk.
Food dish is usually full.

The lady neglected to cover
the topic of gut-piles
on the welcome mat.  Porch Cat
is most proud of these,
offers them as evidence
she’s keeping her end of the bargain--
with one exception--
in the dungeon of night
low dark howls rise to screeches:
ancient instincts, modern setting.

Lady flops in her sleep,
winces in her dream.

Lightning lash,
Soft, sharp tear of flesh.
Porch cat has new wounds to lick--
a task to occupy her time
waiting at the door
for morning to filter
into the city.


11/5/10
First ever version of this was written for Jane Walsh in Houston, somewhere around March, 1978.  It's been revised many times since but I think we all agree it's Jane's poem.
 Mar 2013 bambi
Anonymous
Lonesome I stand
amongst a multitude,
with no companion but myself,
with memories of my past,
that, like autumn leaves,
lie scattered about my feet,
by Hope they are blown away;
and dreams of mine,
like flowers of Azure Spring
that bloom on every tree and vine,
colour pale Life
with their hues,
despair and strife,
hand in hand, fading away.
 Mar 2013 bambi
R. D. Blackmore
In the hour of death, after this life’s whim,
When the heart beats low, and the eyes grow dim,
And pain has exhausted every limb—
  The lover of the Lord shall trust in Him.

When the will has forgotten the lifelong aim,
And the mind can only disgrace its fame,
And a man is uncertain of his own name—
  The power of the Lord shall fill this frame.

When the last sigh is heaved, and the last tear shed,
And the coffin is waiting beside the bed,
And the widow and child forsake the dead—
  The angel of the Lord shall lift this head.

For even the purest delight may pall,
And power must fail, and the pride must fall,
And the love of the dearest friends grow small—
  But the glory of the Lord is all in all.
 Mar 2013 bambi
Nicole Fernandez
Her face, deceivingly empty, like that of a mask
Concealing what lies beneath
Her mask, carved from a slab of marble -
Cold, unyielding, stoic, unconquerable
She cowers behind it like a suit of armor
And brandishes it like a sword against anyone who threatens to come near
But in the darkness, she surrenders
The mask stripped away to reveal her in all nakedness
In solitude, she weeps
In solitude, she longs
In solitude, she succumbs to weakness -
Vulnerable, bare, exposed, trembling
Come daylight, the mask is on again
Deceivingly empty, concealing, hiding
Nobody sees beyond the mask
No one hears the silent cry or the whoop of elation
No one sees her eyes light up or witness her break down in grief
No one feels her longing, no one sees her pain
All they see is the mask.
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