Submit your work, meet writers and drop the ads. Become a member
 
coloring inside the lines is impossibly bleak,
with a hissing noise
atomic locomotive
rounds the bend,
extrasensory perception is not
a mindless gift,
it's a train station in the clouds,
tracking all my starting points to you,
nothing in the middle,
nothing at the end.

you leave in opera
with secrets and grievances
under the radar,
and your ready-made
wings catch in the power lines,
you're coiling like smoke
in the arches of my cathedral,
a sense of elegant decay
while sweeping up the debris,
committing arson
with the paraffin of my temporal lobe.

yesterday's fairground waltzes,
ghosted lullabies,
and woodland hymnals,
set in a context not of
resolution and closure,
but of contradiction and assimilation,
break the bond,
away they float on purveyor belts,
one too many molecules,
one too many departures,
always on the surface of everything,
nothing in the middle,
nothing at the end.
"Love is the worst religion,"
croons the dying television,

with no further explanation;
well, thanks for the news -

I see myself in emptied glass,
a bust carved rude and inchoate,

poet, captain, lost apostle
of the worst religion,

baptized in changeling pools
of day and week, scribbling

my night's peak breath
on the flypapers of insomnia.

Sun over sainted skin,
stars where evening eyes were,

swain's vespers, all of it
splitting like new ripe fruit

in sticky hands of the acolyte,
ardent hands of little silver.
The old sorcerer was teaching his apprentice a lesson about the moon, but as usual the subject drifted, this time, to witches. “How would I know a witch if I saw one?” The apprentice asked.

“It’s not easy,” the old man began, scratching his beard. “There are three possible ways to spot a succubus who wishes to remain unknown—they’re quite different than the rest of us.” The old man began filling his pipe. “They draw great power from water, you know (the apprentice didn’t know). An enchantress with one foot in a stream could hold off an army—for days.” A spark popped from the pipe scarring the old man’s robe, but he healed it with a twitch of his ring finger.

“Then all armies should have witches!” the boy announced.
“They’d’ never get involved in a war,” the old necromancer chortled scornfully, before resuming the lesson.

“Witches have eyes black and whiteless under a moon full—those are easily hidden.” He waved his hand dismissively, then he recited: “In moonlight’s grace, a witches face will glow with a cold granite cast.” He smiled like a child, adding “You’d throw up if you heard one laugh, and grow weak if you cross one’s path.” He became sidetracked and began fumbling with a pile of stacked books.

You said three ways,” the apprentice reminded him, “the moonlight glow,” he said, raising a thumb, “the eyes that black show,” he added his pointer finger to indicate two, “what else?”

“Hmm, let’s see,” the sorcerer cleared his throat, “they don’t all wear black, or have crooked backs, but they smell sweet, like mixed calendula and eucalyptus.” He fished around a collection of herb jars, drawing out two. “Here, smell these, together, and don’t forget them. As the apprentice inhaled the sweet combination, the old sorcerer continued. “Of course, once you smell a witch, you’re in a world of adversity—if she wants you.”

“Oh, yes.” he said, as if jolted by memory. “Witches love unnatural things, like drinking venomous hemlock. So never kiss a beautiful witch, for those dark lips are moistened with poison.” He chuckled to himself “Learned that verse as a boy.”

“A witch would **** us then?” the youngster asked, wide eyed.

“No, no, no!” The old man waved that idea away like a fly, “If a witch kills someone, they experience an ecstasy so intense, it’s debilitating. Then they’d be easy prey for other hags who want their secrets.” He raised a finger which he shook, “But they could blind us, ******* us, bind us, make us forget ourselves or turn us into toads.” He laughed himself into a coughing fit. “That happened to me once,” he confided, chagrined, “but spells wear off.”

“Are witches more powerful than sorcerers?”
“Well yes, and no,” he said, his look seeming to focus on some faraway point. “A witch and a wizard are a fair match but if witches form a coven of eight, they’re unbeatable, really.”
"Though they'd be as likely to **** each other as anything else," he added.

Absorbed in their lessons, time had gotten away from them. Robins, thrushes and dunnocks, from hidden perches, began their "evening chorus," owls and nightjars began sounding their sunset warnings and cricket, katydids, and cicadas sounds became prominent. It was time to hang the wards, light the candles and spread the garlic.
“Hurry, boy,” the old man encouraged as he began to twirl and chant.
“Rest oh, spirits, there are no evil-ones here, no souls close to death and no sweet blood to taste.. rest restless Jinns, or wander elsewhere this peaceful night, no plot is afoot, no muder in plan..”
.
.
Songs for this:
Abracadabra by Steve Miller Band
Abracadabra by Lady Gaga
BLT Merriam Webster word of the day challenge 04/016/25:
Adversity = a difficult, unfortunate or dangerous situation.
I remember being here.
Hours trapped in the little orange grains of dust.
I recognize these voices, I know their names.
I saw these words replaying in slow motion.

Like in a perpetual motion machine
designed to heal and be healed.
I came to this place after many missed chances
finding my redemption, to see all over again.

Whenever I embrace more flashbacks
from past lives, from past sighs
settling on the broken glass like gentle steam
I feel so quietly completed.

I hide myself in invisible arms
loved many times before,
feeling that I am close to touching my infinity.
Why am I so sure this is the right path?

When I open the boxes of hidden riddles
with keys given by the ethereal glimpses
I know that I return now to the golden core,
to the beginning of everything.
Kindness without a hidden agenda
Intelligence without *******
Authenticity without promotion
It sounds like sabotage these days
Or a new form of emotional cyberattack.
Loved or needed—needed or loved?
Does it still deserve to be a question?
This doubt will never be erased
from the human language.
It burns from inside
reducing plans to ash.

Do they seek to heal their broken thoughts,
or do they want to stay in hidden safety?

It’s unclear how to love all the sketches
made by routines, invisible seconds,
trivial matters
picked out from life
like slimy red, blue, and golden fish,
slipping through cold, wet fingers.

Existence as a heap of doubts
punched by blinding moments
bringing elusive clarity
that dims and flares again and again.
Needed or loved.
Loved by need,
an unbreakable union
without a sigh,
without rhythm
as a sharp dissonance.
 Apr 12 badwords
jules
In the bruise of neon twilight,
do you hear the murmurs of fallen titans?
Our weary hands hold forgotten keys
to rusted kingdoms of hope and decay.

We reforge legends in alleyway sermons,
where ancient echoes meet the hiss of rain -
fables of sunken gods and exiled warriors,
whispered between shattered, heartfelt beats.

Have you tasted the bitter lips of revolt,
the raw nectar of midnight confessions?
In these rain-soaked streets, truth is a bruised bloom,
unfurling amid broken glass and smudged lore.

Fathers rasp secrets from battered concrete,
while mothers dissolve in industrial shadows

our pulse, a ragged hymn echoing
through streets carved by forgotten revelries.

We huddle beneath a fractured moon,
where graffiti speaks the language of rebellion,
and every scar in the city is a stanza
in our relentless, aching poem of survival.

Grant us a stolen hour
to celebrate wild, desperate art
to clutch the tender flames of our revolt,
even as we wade through urban ashes
in defiant, hopeless grace.
We are charged to action
not to results .
Those who do the least
say the most .
Nothing more than shadow
in the way of the light .
Next page