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 Dec 2024 Aneesah Lionheart
Liana
Let's just say
I opened my heart
I would smell the anxiety
Fear
Love
Pain

But I wonder
If anyone else would
But I think not
Because when it was closed
No one cared
Or wondered what's really going on in there

So now what now?
It just gets hurt more easily?
I don't need any more of that

I stitch it back up
Now the air smells of nothing important
Fake smiles
"I'm okay"'s
Covered up opinions
Feelings
Screams

I guess it's better that way
(this note was written by an old record player missing a record. It sobs sounds of nothingness all days.)
I wanted to cry
As I saw my mom’s mug—
Broken.

She was so sad,
So she fixed it.
It was a mug from Italy,
I brought it to her
as a souvenir once.  

She was so sad,
As if she brought it
herself,
She lingered.

I wanted to cry
As  I realised—
She got to see
Some places
Only through my eyes.

I wished,
I hoped,
Someday I can
Carry her with me
To every place she ever dreams.
The simplicity of rhymes
freely flows
through the readers mind.
As simplistic words unravel
in an array of poetic babble
we channel
the memes of our muses.

No forced word can capture,
no college can teach
the aesthetics of laughter,
the glamour of grief.

The essay of brilliance
awaits in the zone.
The Muse and the Master
in the hearts of gold.
Traveler Tim
I don't want to mend my relationship with you
I want to let it bleed
So that everyone can see what you did to me
 Dec 2024 Aneesah Lionheart
Liana
Nothing is ugly
Like nothing is beautiful

These are mere ideas
Just concepts really
Opinions

So when we could easily be
A beautiful concept
We choose to use the word
"Ugly"

Both are wrong
Both are right

You decide
Which one you call yourself
In the mirror tonight
Just today I heard a girl looking in the mirror in the bathroom and calling herself ugly and a few minutes later girls called her pretty. She didn't know. And honestly, both are wrong, and both are right.

(This note was written by a special grain of sand)
A sagging Gladius wallows inside me, limply,
It's rotting in its own wretched flaccidity,

I see others around me nurturing bounds of fruitful irises,
Some even mother sycamore, burgeoning with vigour, effortless as chaste kisses,

Tender fertilizer blots my chin in a bloodied marling,
I ingest the stolen soil, even when I feel the white sting of my innards' snarling,

So I'll inject myself with litres upon litres of putrid compost,
Only for my gladius to continuing shrivelling within my innermost,

It's stem-deep in nutrients, and is none the less decayed,
Atop the valley, even in the passing June, it stays, wilted withered and frayed,

Now, all I'm left with is the curdle of wetland moss festering in my blood,
Weighted with this fetidity, I let my gladius go, dead, in peace and clotted mud.
Feel free to interpret as you please, however my poem is originally written is about your potential/inspiration dying and no matter what you try to do to keep it alive (Basically its about Burnout). Even when you attempt to steal ("I ingest the stolen soil") and use other elements of another's work, you still feel uninspired and are not driven to be creative at all even when people around you seem to have the ability to do it so easily.
monsters unleashed I fear
light might freeze on our faces
and what a rush to be generous
an eden of objects, a living emptiness
all in the name of christmas
merciless the geopolitics of hatred
this is not a poem but sheer rage
when streets explode under our feet
exhausted by words turned into death sentences
I
would
love
to
die
like
the
CHILD
in
an
adults
body
young
free
and
innocent
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