Ooga booga darling.
It's me, sunflower face
the fox-hearted misdirected letter of your dreams.

I live in the space between the walls.
I play Candyland with brain-injured devils
for a *** of chilly blue dawns.

I raid your fridge while you dream of dolphins.
I tip toe around your place, judging the art,
boiling the pasta, making a mess.

That's me saying "love me" from the heat vents.
That's my voice on the tv during your ballgame,
making you ***** with the settings.

Give in, please. I haven't got all day.
Once, I was an Egyptian queen.
Once I was a Dutch laundress.
Now I live inside your Jiffy-Pop, getting hot, expanding suddenly.

It's me, sunflower face,
the fox-hearted misdirected letter of your dreams.
You'll wake up in love with me.

You'll wake up as a black horse wearing a feather plume.
You'll wake up to find me in bed next to you, staring.
I've put my stamp, my kiss, my spell on you.

Easy my high-stepping Friesian, shh shh...
It's all right, I'm a specter and I've got the cure
for all your missteps, I'm an oval track, fresh spring clover,

a pinch of salt, and a lot of black cat!

Look, friend Jane, for a wishing star
stuck in the sky like a dime in tar;
Tell that star what you won't tell mother,
tell what we tell, only to each other.

Wish star,
wish star,
Imhotep and Ishtar,
Nile crocodile keep this secret safe!

Oh, friend Jane, tell me what did you wish?
swear on a little finger, seal with a kiss;
meetcha by the rail fence, meetcha by the moon,
mother make the evil eye when she sees you.

Wish star,
wish star,
Imhotep and Ishtar,
Nile Crocodile keep this secret safe!

Now, friend Jane, I know what you said,
mother's at the bottom of the stairs stone dead;
moon on the pond water, stars in the sky,
mother's eyes are open but she's blind, Jane, blind.

I'm trying to finish this famous contemporary poet's
fourth collection, which groans under the weight of
all the glowing blurbs on the back cover.

The famous contemporary poet avoids rhyme as if
it was a downed wire and finds form too restrictive--
hangs her skelly on a hook when she composes.

The famous contemporary poet writes a few poems,
carefully packed in vignettes, snapshots, and musings,
all the excelsior found in any packing crate.

In high school I had an acquaintance, this guy.
He'd toss out something cryptic and then wait
like he'd flipped you a Rubik's Cube.

Everything out of his mouth was a test and he'd give
you this bright smirk, like can you figure it out and
get to where I am, up here?

I would like to meet the famous contemporary poet
and show her one of mine, plain as the flat of my hand
when it breaks her nose and the blood comes.

I am trying to finish the famous contemporary poet's
fourth collection even though it's like watching a movie
with muddy sound, in dialect, no captions.

How can I be the closest to your home, and still unknown,
How can I be the closest to the Sun, closest to the scorch,
and still have the most icy landlords in my poles,
and why can I and twilight be seen by you alone?

How come from my surface, light does not work--light does not hurt, I do not blink as I think, even as the sunset pours lava forth, and that sunset is that lie of time, as you disappear in darkness, I almost disappear in light, then the stars scream across the sky, in a geminid shower rewind, in my unblinking muse, in the solar hues, the great inferno retreats, and the slower speed of Earth I view, And I see the astrologer, with his useless scope, trying to track my path, futile as the priests trying to invent gold.
They cannot understand my core, with machines that are perfect because I am perfectly mercurial on the surface,
with the intense cold of my poles, and the intense burning solar gold of my repose,  I view blinding light, then infinite starry night, and cold dark logic they are encased in--my deep dark basins--and the rolling triumph of my surface's relief is from breathless sandy ovation beneath.


        But now is my silver region where I compose, between extremes, no ovation no gold, only metallic mercury upon the barren from faint starlight strobes.  Here is where my dark volumes are known, but  like shifting shadows--from light are closed.  Then a clock strikes the hour, when my surface is reinvested with power,  the oncoming of a sunset getting louder and louder,  and in my face a cold severe place, and on my stare intense solar glare.

   My theater is caused by applause, my temple is lit with pale light of long dead stars, and I crash and die young forever like my short lived geminid sparks,  In your twilight is my house, and with my intense and icy blood, I protect the memory and mystery of love.

Oh how the Smoky Mountains,
And the Carolina Piedmont meet,
Water that carves through stone,
My, how these gentle streams,
The shining rivers owe,
Oh how a hay ride in Tenesseee,
Floods me in a dream,
Deep enough for the Tenesseee river boat,
For all her beauty, I know she will cheat,
And leave me all alone,
The surprise in her eyes,
As her valley wraps my sides,
When I flow from her beautiful hold.

My lord! the Virginia rolling hills, at the base of the Blue Ridge,
And the fathers are still in the home,
Though they welcome me in,
I do not want to ruin their mandolin,
When the Jack Daniel's begins to flow,
Like a bobcat that lost its will to live,
To the Blue Ridge--
To starve away while they play below.

Dam, how high this Catskill road climbs,
And span these turbid childhood ravines,
So much trust, we put in rust,
The red and dying maple leaves,
But if we must, return to dust,
Carve my name in only these,
The surviving iron, that spans this deadly stream.

She let's me down, on shadowed ground,
Of the Worcester Plateau,
She is an icey mother,
These hills still in winter,
With lightning during snow,
These broken hills, that melt and freeze,
So no children can ever skate,
My lord! Look at all the lime young leaves--
So tender and ready to break.

(After Lorca)

Now in Vienna there are ten pretty women.
There's a shoulder where death comes to cry.
There's a lobby with nine hundred windows.
There's a tree where the doves go to die.
There's a piece that was torn from the morning,
and it hangs in the Gallery of Frost—
Ay, ay ay ay
Take this waltz, take this waltz,
take this waltz with the clamp on its jaws.

I want you, I want you, I want you
on a chair with a dead magazine.
In the cave at the tip of the lily,
in some hallway where love's never been.
On a bed where the moon has been sweating,
in a cry filled with footsteps and sand—
Ay, ay ay ay
Take this waltz, take this waltz,
take its broken waist in your hand.

This waltz, this waltz, this waltz, this waltz
with its very own breath
of brandy and death,
dragging its tail in the sea.

There's a concert hall in Vienna
where your mouth had a thousand reviews.
There's a bar where the boys have stopped talking,
they've been sentenced to death by the blues.
Ah, but who is it climbs to your picture
with a garland of freshly cut tears?
Ay, ay ay ay
Take this waltz, take this waltz,
take this waltz, it's been dying for years.

There's an attic where children are playing,
where I've got to lie down with you soon,
in a dream of Hungarian lanterns,
in the mist of some sweet afternoon.
And I'll see what you've chained to your sorrow,
all your sheep and your lilies of snow—
Ay, ay ay ay
Take this waltz, take this waltz
with its "I'll never forget you, you know!"

And I'll dance with you in Vienna,
I'll be wearing a river's disguise.
The hyacinth wild on my shoulder
my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook,
with the photographs there and the moss.
And I'll yield to the flood of your beauty,
my cheap violin and my cross.
And you'll carry me down on your dancing
to the pools that you lift on your wrist—
O my love, O my love
Take this waltz, take this waltz,
it's yours now. It's all that there is.

Wet paint!
Well it is.
Obviously I'll try
The sign was right
Now,
stuck to my hand
the colour green
I facepalm!