I've been to the
bitter, dark place
where dreams are
decorations in
dilapidated houses,
a building haunted by
the ghosts of spring.
I tasted the wine of
****** and convicts
there.

I've prayed with the
broken and wasted.
I spent
days and months,
almost forever with
the feral men and
women of America in
homes not fit for fleas.

Then one cosmic day,
while the wounded slept,
I chased a beautiful
moth that escaped the flame.
And that has made all
the difference.

I milk a stewarded greenery's enriched

concentration--then lick a sybil's face.

To tease the topographical

inaccuracies the spirit drafts, ones that

give it character.

Watch an eagle recommence Seeing by

dipping a wing in blood--to mark the

other half of circular flight.

All while ******* a button I didn't

know was missing--as its charming little

void grows reactively.

Write what I know?  I am pocked with
chunks of broken moments.
Bits fall to the ground, trip me.
The terrain of my youth is a
moonscape.  I know what I know in
the craters of this place.

Born on the darkside and thirsty, I was
cold.  I found the sun later when I
was tumbled out the door of my
Mother’s leaking house.  Her screams
had become tentacles of maniacal
music.  Or do not call it music for
if you heard it you would not dance.

I am old now.  The view from my landing
is filled with sunlight and children,
“There are children in the leaves,
laughing excitedly”.   (Eliot)
I am paused in this imagination on
occasion.

When she is quiet,
I sweep her under the porch
where she lies drunk and unlaughing.
I do not let her out.  Yet she
steers me.  Her corpse loud
in her ***** nightdress.  

The terrain of my old age is pitted
with the debris of this haunting.  She
unsings me, makes me lie in
craters from which I climb up
daily only to tumble back down,
to have to begin again
from the bottom each new **** day.

But I sing as I crawl. And
she does not like the sound of that

Caroline Shank

dust forgets the footprints it holds
stars bleed themselves dry for nothing
and still, we sing.

we sing with broken voices
through neon that buzzes its last apology
through gravity that pulls and lets go like tired hands.

we sing because the mirror lies,
because the air tastes of plastic prayers,
because the dreams are old enough to crumble when touched.

we sing for the ghost casinos,
for the red velvet burnouts,
for the craters we once thought were gardens.

we sing not for remembrance,
not for mercy,
but for the small, aching pleasure
of being real
in a world built of reflections.

the lights flicker.
the neon dies.
the song drifts
into the empty dark
like a spark too small to see —
but still, it burns.

and for once,
that is enough.

Lastly the shadow in the eye
Spoken by the sick one
His glances speak

Dream-colored
Dead language
No one belongs to us!

The shadows encircle the sick one
Sweat-soaked his forehead shines
Reflecting ancient beings

We buy up cities!
Conquer entire streets
Victors from ****** battles

Shadows lie in the way
Thus the sick one stumbles
Above him a black sky

We have won!
War of the glass swords
Whisper us one more wish...

But the sick one sleeps
For the next thousand years
A red, true sleep

The sun is setting,
On another windy day,

Cold and brittle,
Perfect for a *** roast!
We'd take to the grill,

But the weather had other plans.

Thankful for every passing cloud,

They reflect the sun so well.

It's a different
day and age now.
I used to write my
poetry on scraps of
paper or napkins,
paper sacks, whatever
was handy.
One time, I wrote
a poem
on a paper plate--around in
a circle.
I get dizzy thinking about it.
They always got lost, or beer
spilled on them.
My girlfriend blew her
nose on a sonnet.

Now, I keep all my
poetry and short stories on
the computer.
A file for this.
A folder for that.
I have to use a password, and
PIN.
It has to be something important to
me or I will forget it.
Lower case.
Upper case.
Symbols.
Numbers.
It's enough to drive me
batty.
Actually, it's a short putt.
Summer is coming soon, so I
thought some golf humor would
be appropriate.

The things that used to be
important to me aren't anymore.
*****.
Drugs.
Having a woman around
constantly.
I like to think I've gained some
wisdom with age.

Passwords, ugh!
I can't tell you what's important
to me now.
You might hack into my
computer and steal all my
pretty posey.

We all have something
urgent to do.
Tell the man that
works at the butcher's
shop.
Tell the boy who delivers
your newspaper.
Tell the groundhog before
he sees his shadow.
Dig up Poe and Ginsberg,
and tell them.

Tell the street
musician playing
for tips.
Tell the ****** and the
virgins.
Tell the next fish that
you catch.
Tell the banker and the
candlestick maker.
Tell the cats, and dogs, and
wombats.
Tell the starving
artists and poets.
Tell your wife, mistress, and
the old lady next door.

Tell the cloned sheep and
the deep part of the ocean.
Tell the magician and
carnival worker.
Tell the drunk, though he may
forget.
Tell the farmer and his cattle.
Tell the spider, and if it refuses
to listen, tell all the flies caught in
the web.
Tell the psychic, though, they
should know.
Tell everyone and everything
that Artificial
Intelligence wants to be the
21st-century god.

But, whatever you do, don't tell
that smiling machine that does it
all for you.  It will blink its cold
eye holes and wish you well,
then slice your throat while
you sleep.