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 Jun 2016 Jester
Ghost Writer 3
The room was lit
Seemingly *****
The light was faint
I was unworthy

Ink, drops and drips
The paper sat
Ready for fits
I lashed at it

Lurid was the color
Black was my heart
I scribbled, then lied
this is art

Vague, leaving shade
I left it open
Here, take
This notebook of unspoken.
e.s.
People are nature's biggest curiosity.
Naturally, I observe them every chance I get.
The last time I was here, it was no different.
My fascination rested with the girl to my left.
She was obsessed with the guitarist,
claiming that he was "amazing" and "the man of her dreams."
She fantasized about dating him.
She wondered what it would be like to know that she inspired the songs
or to meet him backstage for a familiar kiss,
rather than an awkward handshake.
I smirked at her musings wryly,
long since having given up any notions of romance,
let alone with a shining star.
How funny the tricks fate plays on us.
As I watch you sing on stage, the spotlight bright,
and listen to words meant only for me,
and await that backstage kiss,
I can't help but glance at the girl to my left.
She's not as starstruck as I remember;
She doesn't know everything about you.
She doesn't even know your name.
I wonder why.
You're the brightest star I know.
Everyone should love you and know your name.
A scoff brings me back to reality; I look to my right.
I know that sneer. I wore it once myself.
To this girl, I'm just another girl to her left,
but I can't help my spreading grin.
Perhaps I am the girl to the left,
but you love me, and so my world's all right.
For Nick, again.
 Jun 2016 Jester
David Ehrgott
The midnight alley cats sing harmony
The fire and police
Lay down the backbone and the beat
to summon music from the street
The ambulance then takes the lead
they drive Daly away
They could have just called up a hearse
the stench of death will stay
The dogs are barking
Howling wolves can hear it far away
No need to light a river fire
was ninety-eight today
too many homeless died last winter
too many homeless in the seat today
 Jun 2016 Jester
Emily Dickinson
1359

The long sigh of the Frog
Upon a Summer’s Day
Enacts intoxication
Upon the Revery—
But his receding Swell
Substantiates a Peace
That makes the Ear inordinate
For corporal release—
It was lust we were building.
Moving in the dark, all elbows and ankles.
Found each other’s lips, leaned in for a kiss,
the first of what would be countless that night.
Your mouth tasted of strawberries and wine.
On the stereo, our favourite song.

You said ‘I love this song’,
peering out the window at an opposite building,
one hand clinched around a glass swollen with wine.
We still wore our socks, cuddling our ankles,
and we kept them on throughout the night.
In my head, replaying each previous kiss.

We’d never wanted to kiss
like this before - as soon as one song
ended we did it again, the night
oozing like a wound into early morning, the building,
our bodies alight with desire, ankles
knocking between sips of wine.

We soon finished off that bottle of wine.
Drained my glass of red, placed a kiss
on your shoulder, shuffling my feet, my ankles
into a more cosy position as a new song
kicked in, swirled into the building,
a hot breeze of music disturbing the night.

I didn’t want it to be just one night.
There was more to discover and plenty more wine,
every word we spoke echoing through the building.
I could savour your smile with every kiss,
loved your freckles, the daisy tattoo near your ankles.
It felt like writing our own story, the lyrics to a song.

But you didn’t want to hear our song.
At the end of the night
you went cold. I wrapped my arms round my ankles.
I felt sure you’d gone off me. Maybe it was the wine.
My lips were anesthetised from every kiss -
when I asked what was wrong, you said 'get out this building.'

Something had changed; I didn’t know what. Night dissolved into day. We stopped listening to Kiss.
Your lipstick stains the colour of wine on my neck. Was it the final time I’d see your naked ankles?
I took a mental photograph of the building as I left, though I’ve forgotten it since. But not yet our song.
Written: June 2016.
Explanation; A sestina written in my own time (see old poem 'No, Sugar Thanks' for my only previous attempt at this form). I'm fairly satisfied with the outcome, but know it could be much better. Not based on real events. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
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