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I am ten crows, twenty-three starlings,
one tree, a world of racket, every dusk that ever was.

I am a holy heart four angels defend,
other times I am nothing but flesh and fingertips.

There are four seasons, three necessities,
two sides to the moon.

The window has eight panes;
I am in them all.
This is a "flash 55' a poem in exactly 55 words. All the numbers in the poem add up to 55 as well, though that is not a requirement.
#55
In a nutshell, meat and wings
and infinite other disturbing things
that rise and rule with iron fist
the little nest that crowns your kiss

Curse the summer, curse the tree
that swelled such nutshells patiently
gardener saw, gardener knew
even as those nutshells grew.
I was thinking about Syd Barrett.
Be to her, Persephone,
All the things I might not be;
Take her head upon your knee.
She that was so proud and wild,
Flippant, arrogant and free,
She that had no need of me,
Is a little lonely child
Lost in Hell,—Persephone,
Take her head upon your knee;
Say to her, “My dear, my dear,
It is not so dreadful here.”
Today, my mother bought me a shirt and it smells just like you.

I went straight to the past, back on our first date.
You told me you’re taking me somewhere.
You told me you will apologize to my mom.
You told me I was beautiful,
And it was so honest it hurts.

I learned that two years is not enough to know a person.
It’s not enough to have the assurance
that they will not put one foot out the door.

It’s been two years since I last saw you.
And I have a message from the girl who is not good enough.
She said she hopes you’re happy.

And she hopes that you die old and sad.
(After Lorca)

Now in Vienna there are ten pretty women.
There's a shoulder where death comes to cry.
There's a lobby with nine hundred windows.
There's a tree where the doves go to die.
There's a piece that was torn from the morning,
and it hangs in the Gallery of Frost—
Ay, ay ay ay
Take this waltz, take this waltz,
take this waltz with the clamp on its jaws.

I want you, I want you, I want you
on a chair with a dead magazine.
In the cave at the tip of the lily,
in some hallway where love's never been.
On a bed where the moon has been sweating,
in a cry filled with footsteps and sand—
Ay, ay ay ay
Take this waltz, take this waltz,
take its broken waist in your hand.

This waltz, this waltz, this waltz, this waltz
with its very own breath
of brandy and death,
dragging its tail in the sea.

There's a concert hall in Vienna
where your mouth had a thousand reviews.
There's a bar where the boys have stopped talking,
they've been sentenced to death by the blues.
Ah, but who is it climbs to your picture
with a garland of freshly cut tears?
Ay, ay ay ay
Take this waltz, take this waltz,
take this waltz, it's been dying for years.

There's an attic where children are playing,
where I've got to lie down with you soon,
in a dream of Hungarian lanterns,
in the mist of some sweet afternoon.
And I'll see what you've chained to your sorrow,
all your sheep and your lilies of snow—
Ay, ay ay ay
Take this waltz, take this waltz
with its "I'll never forget you, you know!"

And I'll dance with you in Vienna,
I'll be wearing a river's disguise.
The hyacinth wild on my shoulder
my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook,
with the photographs there and the moss.
And I'll yield to the flood of your beauty,
my cheap violin and my cross.
And you'll carry me down on your dancing
to the pools that you lift on your wrist—
O my love, O my love
Take this waltz, take this waltz,
it's yours now. It's all that there is.

— The End —