August, the Red Line,
connected tanks
of bolted plastic vertebrae.
Every seat gone except
five rows up, where a sea lion
sprawls across two,
stuffed backpack, jacket
spread like barbed wire.
His breath reeks of salt and rot,
his grunt a wet bark
at the glow of his screen.
Middle-school deer slip into the aisle,
chatter clipped when the sheriff drifts past,
their ears flicking, smiles bitten shut.
Not a predator- just a gelded ox,
chest puffed, badge sagging, glass-eyed,
chest rig clattering with blanks.
Two lemur-children cling to their tortoise elder,
her shell steady against the sway of the car.
She filters them from the surge of riders:
loud Dodger blue parrots in cholo socks,
moth-women with painted lashes beating the stale air,
a stray dog, gutter musk dragging at its haunches.
And one gray bear
muttering alone,
arguing with her reflection.
Between Koreatown and MacArthur Park
I feel feathers forcing through my skin-
an alley gull knifing into this clamour,
scavenging inside its exhaust.
The car rattles, its ribs plated with blistered posters:
museum wings open to no one,
‘register to vote’ fading into graffiti script,
flu shots promised by smiling ghosts.
A bruised hatchling staring out beside the words
See something, say something.
The warning lights glow
like eyes hunting in the dark.
The train itself a carcass,
paint sloughing from its bones.
The rails grind like teeth.
Steel plates shiver.
From its flanks the train
unfurls iron claws.
They rake
the tunnel walls,
the city’s bones,
the dark itself.